Skip header and navigation

76 records – page 1 of 4.

Material Type
Artifact
Materials
WOOD, PAINT
Catalogue Number
P20190025001
  2 images  
Material Type
Artifact
Date
1957
Materials
WOOD, PAINT
No. Pieces
1
Length
30.1
Width
9.5
Description
WOOD DIRECTIONAL SIGN WITH SIX TRIANGULAR POINTS CARVED AT HORIZONTAL ENDS; SIGN HAS STENCILED CREAM-COLOURED TEXT PAINTED ON FRONT, “300 – 307” WITH LINE PAINTED UNDER TEXT; LINE HAS LOWER HALF OF AN ARROW HEAD PAINTED AT END UNDER “300”. SIGN HAS TWO HOLES CARVED BESIDE “300” AND “307” FOR HANGING THE SIGN. BACK OF SIGN IS UNPAINTED. CARVED POINTS AT ENDS ARE CHIPPING AND PEELING; FRONT SHOWS WEAR AROUND CARVED HOLES; OVERALL VERY GOOD CONDITION.
Subjects
VISUAL COMMUNICATION T&E
Historical Association
FURNISHINGS
BUSINESS
History
ON JUNE 19, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED RAY DJUFF REGARDING THE DONATION OF A PAIR OF SIGNS FROM THE PRINCE OF WALES HOTEL IN WATERTON LAKES NATIONAL PARK, ALBERTA. ON THE SIGN, DJUFF ELABORATED, “[I CHOSE TO GIVE CHRIS MORRISON THE SIGN] INDICATING THE HALLWAY WITH ROOMS 300 TO 307 [BECAUSE] IT JUST LOOKED LIKE A GOOD SIGN. SOME OF THEM WERE A LITTLE MORE WORN THAN OTHERS AND I WANTED [TO] TRY AND PICK ONES THAT WERE IN REASONABLE CONDITION OR BETTER CONDITION…THE DIRECTION SIGNS ARE PRETTY WELL THE SAME.” “THE [SIGNS] ALL ORIGINAL TO THE OPERATION OF THE HOTEL. THE SIGNS DATE FROM 1957…THE PRINCE OF WALES HOTEL WAS BUILT BY THE GREAT NORTHERN RAILWAY, AND IN 1957, THE RAILWAY WAS LOOKING TO GET RID OF ITS HOTEL COLLECTION IN BOTH GLACIER AND WATERTON AND, IN THAT DRIVE, IT LEASED THE HOTELS. THIS WOULD INCLUDE GLACIER PARK LODGE, MANY GLACIER HOTEL, LAKE MCDONALD LODGE, THE PRINCE OF WALES HOTEL AS WELL AS A NUMBER OF MOTOR INNS IN GLACIER PARK; THAT’S GLACIER NATIONAL PARK IN MONTANA. IT LEASED THE WHOLE KIT AND CABOODLE TO DONALD KNUTSON, A BUILDER AND HOTELIER OUT OF MINNESOTA. THE IDEA WAS THAT MR. KNUTSON WOULD UPDATE AND UPGRADE THE HOTELS WHICH WERE PRETTY WELL ORIGINAL FROM WHEN EACH OF THEM HAD BEEN BUILT, DATING FROM 1913 TO 1927.” “THESE SIGNS WERE INSTALLED AT THAT TIME TO MODERNIZE THE LOOK, AND THE HOTELS ALL TOOK ON A VERY DISTINCT 1950S, MID-CENTURY, MODERN LOOK…THE ROOM SIGNS I FOUND PARTICULARLY INTERESTING BECAUSE, AT EACH ONE OF THE HOTELS, THERE WAS A SIMILAR SHIELD SIGN THAT WAS USED. BUT ON EACH ONE, THERE WAS A DIFFERENT SYMBOL REPRESENTING THE HOTEL AND THIS WAS PART OF THE MARKETING CAMPAIGN THAT DONALD KNUTSON CAME UP WITH.” “THE OTHER [SIGN] THAT YOU HAVE…ONE INDICATING ROOMS ON THE THIRD FLOOR, 300 TO 307, [IS] PRETTY STANDARD OF WHAT THEY DID AT THE TIME. RUSTIC-LOOKING, A LITTLE BIT, BUT STILL, VERY MID-CENTURY. IT’S INTERESTING, THE ONE INDICATING ROOMS DOWN THE HALLWAY, BECAUSE IT’S OBVIOUSLY A STENCIL WHERE THE OTHERS ARE WELL LETTERED; HAND-LETTERED, ALL HAND-DRAWN.” DJUFF RECALLED THE ACQUISITION OF THE SIGNS, STATING, “I WAS AT THE HOTEL IN LATE MAY, 2019. I WAS DOING A PRESENTATION FOR THE HOTEL STAFF ON THE HISTORY OF THE HOTEL, AND THE MANAGER OF THE HOTEL, CHRIS CAULFIELD…INDICATED THAT THE SIGNAGE WAS BEING CHANGED THROUGHOUT THE HOTEL BECAUSE THE COMPANY THAT OWNS THE HOTEL [GLACIER PARK COLLECTION BY PURSUIT] WAS STANDARDIZING THE SIGNAGE THROUGHOUT THE COMPANY. THEREFORE, THESE WERE TAKEN DOWN AND AT THE TIME, HE INDICATED THEY WERE IN THE BASEMENT OF THE HOTEL IN THE REPAIRMAN’S OFFICE AND IF I WISHED TO HELP MYSELF TO THEM, GO AHEAD.” “I [TOOK THE SIGNS] FOR A COUPLE OF REASONS. ONE WAS TO PRESERVE THE SIGNS. I WAS FEARFUL, AS I’VE SEEN HAPPEN IN OTHER CIRCUMSTANCES, SIGNS WOULD SIMPLY BE DISPOSED OF AND NO RECORD OF THEM WOULD BE KEPT OTHER THAN MAYBE IN A PHOTOGRAPH. I HAD PERSONAL REASONS AS WELL. SINCE I’D WORKED AT THE HOTEL FOR FOUR SUMMERS…THIS WAS THE SIGNAGE THAT WAS IN PLACE AT THAT TIME AND IT CAPTURED A LITTLE BIT OF PERSONAL MEMORY FOR ME.” “I KNOW THAT WHEN KNUTSON DID THE RENOVATIONS OF THE PRINCE OF WALES HOTEL IN THE ‘50S…MANY THINGS GOT THROWN OUT AND SOME ITEMS OF PARTICULAR IMPORTANCE. IN THE PRINCE OF WALES HOTEL DINING ROOM…[THERE] WERE DRAWINGS BY JOHN FERY, AN ARTIST WHO HAD BEEN HIRED BY THE GREAT NORTHERN RAILWAY AT THE TURN OF THE LAST CENTURY, IN 1910, 1911, 1912, TO PAINT SCENES OF GLACIER NATIONAL PARK. WHEN THE PRINCE OF WALES HOTEL WAS OPENED, FERY WAS BROUGHT IN TO AGAIN PAINT SCENES AND THESE WERE MOUNTED ON THE WALL IN THE DINING ROOM. MOST OF THOSE SCENES WERE SIMPLY CUT OFF THE WALL WITH AN EXACT-O-KNIFE AND, TO THE BEST OF MY KNOWLEDGE, WERE THROWN OUT OR TAKEN BY A FEW OF THE STAFF OR OTHER PEOPLE. I’VE SEEN ONE OF THOSE IMAGES AND I KNOW WHERE IT WAS.” “I KNEW THOSE GOT THROWN OUT. I KNEW IN LATER RENOVATIONS, OTHER ITEMS WERE SIMPLY DISPOSED OF, SO THAT’S MY MOTIVATION IN LATCHING ONTO THESE. THEY’RE SMALL ITEMS BUT INDICATIVE OF AN ERA, AND HAVING BEEN AT THE HOTEL FOR MORE THAN HALF ITS LIFE.” “I HAVE NO IDEA WHAT [THE ORIGINAL 1927-28 SIGNS WOULD] LOOK LIKE. THERE ARE VERY FEW PICTURES OF PARTS OF THE INTERIOR OF THE HOTEL FROM THOSE EARLY YEARS...IF I HAD MY DRUTHERS, I WOULD PREFER THAT THESE WOULD HAVE STAYED THERE, MAYBE SOME COULD HAVE BEEN UPDATED…I KNOW THAT MANY GLACIER HOTEL, WHICH IS NOW UNDER THE CONTROL AND OWNERSHIP OF THE NATIONAL PARK SERVICE IN THE UNITED STATES, THAT THERE HAS BEEN A PUSH TO PRESERVE THIS SORT OF SIGNAGE THROUGHOUT THE HOTEL IN RECOGNITION THAT IT IS PART OF AN ERA IN THE OWNERSHIP OF THE HOTEL.” “I UNDERSTAND THE CURRENT ADMINISTRATION OR OWNERS, AND EVEN GREAT NORTHERN AT THE TIME, LOOKING TO HAVE THE HOTELS RENOVATED TO MAKE THEM SELLABLE…IT’S ALSO UNDERSTANDABLE, HAVING WORKED THERE IN THE 1970S AT…THE PRINCE OF WALES, SOME OF THE THINGS WE FACED FROM CUSTOMERS WHO WERE WALKING IN, LOOKING AT THE HOTEL ROOMS AND BALKING BECAUSE THEY HAD COME TO EXPECT A CERTAIN LEVEL OF FURNISHING AT A HOTEL AND JUST SERVICES OFFERED, AND WHEN YOU WALK INTO A ROOM AT THE PRINCE OF WALES HOTEL NOW, WE APPRECIATE IT FOR ITS HISTORIC VALUE. BACK IN THE ‘50S AND ‘70S, PEOPLE WERE WALKING IN SAYING, ‘THIS JUST LOOKS LIKE AN OLD, CRAPPY ROOM. WHY AM I PAYING GOOD MONEY, EVEN IF IT IS A RESORT, FOR SOMETHING THAT IS SUBSTANDARD IN WHAT I CAN GET AT A MORE MODERN HOTEL?’ SOME OF THE UPGRADES WERE CERTAINLY NECESSARY. I’M GLAD THEY WERE DONE TO KEEP THE HOTEL FUNCTIONAL, ONGOING, AND I WON’T NECESSARILY SAY A PROFITABLE VENTURE BUT CERTAINLY ENOUGH THAT NO ONE WANTED TO TEAR IT DOWN OR REPLACE IT.” ON HIS TIME WORKING WITH THE PRINCE OF WALES HOTEL, DJUFF SHARED, “I WORKED AT THE PRINCE OF WALES HOTEL FOR FOUR SUMMERS, 1973, ’74, ’75, AND ’78, AND MY APPRECIATION OF THE HOTEL REALLY STARTED THAT FIRST SUMMER. MY INITIAL POSITION WAS AS A BUSBOY, AND I DIDN’T QUITE KNOW WHAT THE POSITION WAS. I SIMPLY ACCEPTED IT WAS IN A NATIONAL PARK, IT WAS IN THE ROCKIES…I’D SPENT A SUMMER IN BANFF IN 1970 AND I JUST WANT TO BE BACK IN THE MOUNTAINS SO I TOOK THE POSITION. DIDN’T MATTER WHAT IT WAS, I GOT A POSITION AT THE HOTEL.” “THEY REQUIRED US TO WORK A TRIPLE-SPLIT SHIFT IN THE DINING ROOM. YOU WOULD OPEN UP AT EIGHT IN THE MORNING AND SERVE BREAKFAST UNTIL ABOUT TEN. IT WOULD SHUT DOWN, YOU’D GO BACK TO YOUR DORM, COME BACK, HAVE LUNCH, OPEN UP AT NOON, DINING ROOM IS CLOSED AT 1:30, YOU MIGHT HAVE DUTIES IN THE AFTERNOON—ADDITIONAL ONES—OTHERWISE YOU RETURN TO YOUR DORM, COME BACK UP, EAT DINNER AND THEN OPEN THE DINING ROOM AT SIX AND IT WAS OPEN UNTIL ABOUT 8:30…IT WAS TIRING, IT WAS EXHAUSTING, IT WAS HARD WORK. BEING A BUSBOY, YOU’RE A GRUNT.” “I WAS FORTUNATE IN THAT ONE OF THE BARTENDERS WAS NEW AT THE HOTEL, THE OTHER WAS THE MORE SENIOR ONE AND HE’D BEEN THERE ALMOST TEN YEARS. THE NEW BARTENDER WASN’T WORKING OUT WELL, AND THE SENIOR BARTENDER SAW POTENTIAL IN ME, ALTHOUGH I’D NEVER SERVED ALCOHOL IN MY LIFE. AFTER MY TRIPLE-SPLIT SHIFTS, I STARTED TRAINING OVER THERE AND I WOULD CONTINUE WORKING UNTIL MIDNIGHT…I SWITCHED POSITIONS WITH THE BARTENDER. HE BECAME A BUSBOY, EVENTUALLY A WAITER. I BECAME A BARTENDER AND IT TURNED MY LIFE AROUND BECAUSE THEN I WAS WORKING A SINGLE SHIFT; BETTER CONDITIONS. I WAS EARNING TIPS—WHICH ENHANCED MY SAVINGS TO RETURN TO UNIVERSITY, PAY FOR MY EDUCATION—AND THE INTERACTION WITH CUSTOMERS IS WHAT MADE THE JOB PHENOMENAL, FURTHER ENHANCED BY THE FACT THE WINDSOR LOUNGE AT THE PRINCE OF WALES HOTEL LOOKS SOUTH DOWN UPPER WATERTON LAKE AND IS ONE OF THE MOST INCREDIBLE VIEWS IN THE CANADIAN ROCKIES.” “THERE’S AN EXPRESSION A FRIEND OF MINE HAS, AND HE’S TALKING ABOUT GLACIER NATIONAL PARK ACROSS THE BORDER FROM WATERTON, BUT IT APPLIES TO WATERTON AS WELL. THE EXPRESSION IS, ‘WHEN THE GLACIER BUG BITES YOU, THERE IS NO CURE,’ AND THE WATERTON BUG BIT ME. THERE IS NO CURE. I’VE BEEN GOING BACK FOR FOUR DECADES MORE AND I CAN’T GET ENOUGH. I WANT[ED] TO LEARN MORE ABOUT THE HOTEL, KEPT DOING RESEARCH, IT EVENTUALLY LED TO THE PUBLICATION OF A NUMBER OF BOOKS RELATED TO WATERTON AND GLACIER, AND I CONTINUED GOING BACK AND I CONTINUE DOING RESEARCH AND THE FASCINATION HASN’T ENDED.” ON HIS MOTIVATIONS TO DONATE THE SIGNS, DJUFF NOTED, “THERE WERE TWO THOUGHTS IN MIND. THE FIRST WAS THAT I WAS ABLE TO ACQUIRE A NUMBER OF THESE SIGNS FROM THE PRINCE OF WALES HOTEL, AND I HAD MORE THAN I NEEDED. IN FACT, I TOOK THESE ADDITIONAL ONES WITH THE IDEA OF SHARING THEM WITH MY WRITING PARTNER AND CO-CREATOR, CHRIS MORRISON, OF LETHBRIDGE, AND ALSO, WATERTON. SO, I PICKED SOME OUT AND GAVE HER SOME THAT I THOUGHT SHE MIGHT ENJOY AND SHE DECIDED SHE DIDN’T NEED MORE PHYSICAL THINGS IN HER LIFE. [SHE] APPRECIATED THE OFFER, AND TOLD ME SHE WAS GOING TO DONATE THEM TO THE GALT MUSEUM, WHICH I AM INCREDIBLY HAPPY ABOUT; THAT THEY’RE PRESERVED IN A MORE PERMANENT WAY THAN JUST IN OUR POSSESSION.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND INFORMATION ON THE PRINCE OF WALES HOTEL SIGNAGE REBRANDING, PLEASE SEE THE PERMANENT FILE P20190025001-GA.
Catalogue Number
P20190025001
Acquisition Date
2019-06
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
WOOD, METAL, PAINT
Catalogue Number
P20190025002
  2 images  
Material Type
Artifact
Date
1957
Materials
WOOD, METAL, PAINT
No. Pieces
1
Length
22.7
Width
15.2
Description
HARDWOOD/FIBERBOARD SIGN, FRONT PAINTED WHITE WITH A BLACK CROWN ABOVE RED ITALICIZED TEXT, “214”. SIGN FASHIONED IN THE SHAPE OF A SHIELD; SIGN HAS TWO HOLES DRILLED IN UPPER CORNERS AND HOLE DRILLED IN LOWER POINT OF SHIELD. BACK OF SIGN IS BROW WITH TEXTURED-LEATHER APPEARANCE; BACK IS STAINED WITH WHITE PAINT; OVERALL VERY GOOD CONDITION.
Subjects
VISUAL COMMUNICATION T&E
Historical Association
FURNISHINGS
BUSINESS
History
ON JUNE 19, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED RAY DJUFF REGARDING THE DONATION OF A PAIR OF SIGNS FROM THE PRINCE OF WALES HOTEL IN WATERTON LAKES NATIONAL PARK, ALBERTA. ON THE SIGN, DJUFF ELABORATED, “[THE ROOM DOOR SIGNS WERE THE] SAME SIZE, SAME SHAPE…THE SAME CROWN ON EACH ONE…THERE’S NO WORDING, WHATSOEVER. THEY JUST HAD A CROWN ON THEM…214 WAS JUST A NUMBER THAT STRUCK ME; NO PARTICULAR MEANING FOR THE HOTEL.” “EACH ROOM SIGN HAD A CROWN ON IT INDICATING ROYALTY AND THE NAME, ‘PRINCE OF WALES’, REFERRING TO THE PRINCE OF WALES OF BOTH ENGLAND AND CANADA. AT GLACIER PARK LODGE, EACH HOTEL ROOM HAD A SILHOUETTE OF A NATIVE AMERICAN HEAD—WITH LIKE A WAR BONNET ON. AT MANY GLACIER HOTEL, THE SYMBOL WAS A SWISS CROSS AND THE THEME THROUGHOUT THE HOTEL WAS SWISS. AT GLACIER PARK LODGE, THE THEME WAS NATIVE AMERICAN/WESTERN WRANGLER OR COWBOY AND, IN PART, A REFLECTION OF THE POPULARITY OF…THE COWBOY GENRE BOTH ON T.V. AND IN THE MOVIES DURING THAT ERA. THAT WAS PART OF THE MARKETING THAT THEY DID. IF YOU ACTUALLY LOOK AT LETTERHEAD OF THE HOTEL COMPANY DURING THAT TIME, WHEN KNUTSON HAD THE HOTELS AS A LEASE, FROM ’57 TO ’59, YOU WILL SEE THOSE SYMBOLS USED ON THE LETTERHEAD, KIND OF INDICATING THE FOUR, PRIMARY HOTELS.” “THE ROOM SIGNS [HAVE A] SMALL, INTERESTING DIFFERENCE WHICH IS, ALL THE ROOM SIGNS…FOR THE FIFTH FLOOR TO THE SECOND FLOOR…THE NUMERALS ARE ALL IN ITALICS. THE NUMERALS FOR THE SIXTH FLOOR ROOMS ARE ALL UPRIGHT, NOT LEANING, AND THOSE WERE DONE AFTER THE ORIGINAL SIGNS WERE PUT IN, WHEN THOSE ROOMS BECAME AVAILABLE FOR RENTAL. THEY HAD TO RECREATE THE SIGNS THEY INSTALLED LOWER DOWN IN THE HOTEL.” “THE [SIGNS ARE] ALL ORIGINAL TO THE OPERATION OF THE HOTEL. THE SIGNS DATE FROM 1957…THE PRINCE OF WALES HOTEL WAS BUILT BY THE GREAT NORTHERN RAILWAY, AND IN 1957, THE RAILWAY WAS LOOKING TO GET RID OF ITS HOTEL COLLECTION IN BOTH GLACIER AND WATERTON AND, IN THAT DRIVE, IT LEASED THE HOTELS. THIS WOULD INCLUDE GLACIER PARK LODGE, MANY GLACIER HOTEL, LAKE MCDONALD LODGE, THE PRINCE OF WALES HOTEL AS WELL AS A NUMBER OF MOTOR INNS IN GLACIER PARK; THAT’S GLACIER NATIONAL PARK IN MONTANA. IT LEASED THE WHOLE KIT AND CABOODLE TO DONALD KNUTSON, A BUILDER AND HOTELIER OUT OF MINNESOTA. THE IDEA WAS THAT MR. KNUTSON WOULD UPDATE AND UPGRADE THE HOTELS WHICH WERE PRETTY WELL ORIGINAL FROM WHEN EACH OF THEM HAD BEEN BUILT, DATING FROM 1913 TO 1927.” “THESE SIGNS WERE INSTALLED AT THAT TIME TO MODERNIZE THE LOOK, AND THE HOTELS ALL TOOK ON A VERY DISTINCT 1950S, MID-CENTURY, MODERN LOOK…THE ROOM SIGNS I FOUND PARTICULARLY INTERESTING BECAUSE, AT EACH ONE OF THE HOTELS, THERE WAS A SIMILAR SHIELD SIGN THAT WAS USED. BUT ON EACH ONE, THERE WAS A DIFFERENT SYMBOL REPRESENTING THE HOTEL AND THIS WAS PART OF THE MARKETING CAMPAIGN THAT DONALD KNUTSON CAME UP WITH.” DJUFF RECALLED THE ACQUISITION OF THE SIGNS, STATING, “I WAS AT THE HOTEL IN LATE MAY, 2019. I WAS DOING A PRESENTATION FOR THE HOTEL STAFF ON THE HISTORY OF THE HOTEL, AND THE MANAGER OF THE HOTEL, CHRIS CAULFIELD…INDICATED THAT THE SIGNAGE WAS BEING CHANGED THROUGHOUT THE HOTEL BECAUSE THE COMPANY THAT OWNS THE HOTEL [GLACIER PARK COLLECTION BY PURSUIT] WAS STANDARDIZING THE SIGNAGE THROUGHOUT THE COMPANY. THEREFORE, THESE WERE TAKEN DOWN AND AT THE TIME, HE INDICATED THEY WERE IN THE BASEMENT OF THE HOTEL IN THE REPAIRMAN’S OFFICE AND IF I WISHED TO HELP MYSELF TO THEM, GO AHEAD.” “I [TOOK THE SIGNS] FOR A COUPLE OF REASONS. ONE WAS TO PRESERVE THE SIGNS. I WAS FEARFUL, AS I’VE SEEN HAPPEN IN OTHER CIRCUMSTANCES, SIGNS WOULD SIMPLY BE DISPOSED OF AND NO RECORD OF THEM WOULD BE KEPT OTHER THAN MAYBE IN A PHOTOGRAPH. I HAD PERSONAL REASONS AS WELL. SINCE I’D WORKED AT THE HOTEL FOR FOUR SUMMERS…THIS WAS THE SIGNAGE THAT WAS IN PLACE AT THAT TIME AND IT CAPTURED A LITTLE BIT OF PERSONAL MEMORY FOR ME.” “I KNOW THAT WHEN KNUTSON DID THE RENOVATIONS OF THE PRINCE OF WALES HOTEL IN THE ‘50S…MANY THINGS GOT THROWN OUT AND SOME ITEMS OF PARTICULAR IMPORTANCE. IN THE PRINCE OF WALES HOTEL DINING ROOM…[THERE] WERE DRAWINGS BY JOHN FERY, AN ARTIST WHO HAD BEEN HIRED BY THE GREAT NORTHERN RAILWAY AT THE TURN OF THE LAST CENTURY, IN 1910, 1911, 1912, TO PAINT SCENES OF GLACIER NATIONAL PARK. WHEN THE PRINCE OF WALES HOTEL WAS OPENED, FERY WAS BROUGHT IN TO AGAIN PAINT SCENES AND THESE WERE MOUNTED ON THE WALL IN THE DINING ROOM. MOST OF THOSE SCENES WERE SIMPLY CUT OFF THE WALL WITH AN EXACT-O-KNIFE AND, TO THE BEST OF MY KNOWLEDGE, WERE THROWN OUT OR TAKEN BY A FEW OF THE STAFF OR OTHER PEOPLE. I’VE SEEN ONE OF THOSE IMAGES AND I KNOW WHERE IT WAS.” “I KNEW THOSE GOT THROWN OUT. I KNEW IN LATER RENOVATIONS, OTHER ITEMS WERE SIMPLY DISPOSED OF, SO THAT’S MY MOTIVATION IN LATCHING ONTO THESE. THEY’RE SMALL ITEMS BUT INDICATIVE OF AN ERA, AND HAVING BEEN AT THE HOTEL FOR MORE THAN HALF ITS LIFE.” “I HAVE NO IDEA WHAT [THE ORIGINAL 1927-28 SIGNS WOULD] LOOK LIKE. THERE ARE VERY FEW PICTURES OF PARTS OF THE INTERIOR OF THE HOTEL FROM THOSE EARLY YEARS…I KNOW THAT MANY GLACIER HOTEL, WHICH IS NOW UNDER THE CONTROL AND OWNERSHIP OF THE NATIONAL PARK SERVICE IN THE UNITED STATES, THAT THERE HAS BEEN A PUSH TO PRESERVE THIS SORT OF SIGNAGE THROUGHOUT THE HOTEL IN RECOGNITION THAT IT IS PART OF AN ERA IN THE OWNERSHIP OF THE HOTEL.” “I UNDERSTAND THE CURRENT ADMINISTRATION OR OWNERS, AND EVEN GREAT NORTHERN AT THE TIME, LOOKING TO HAVE THE HOTELS RENOVATED TO MAKE THEM SELLABLE…IT’S ALSO UNDERSTANDABLE, HAVING WORKED THERE IN THE 1970S AT…THE PRINCE OF WALES, SOME OF THE THINGS WE FACED FROM CUSTOMERS WHO WERE WALKING IN, LOOKING AT THE HOTEL ROOMS AND BALKING BECAUSE THEY HAD COME TO EXPECT A CERTAIN LEVEL OF FURNISHING AT A HOTEL AND JUST SERVICES OFFERED, AND WHEN YOU WALK INTO A ROOM AT THE PRINCE OF WALES HOTEL NOW, WE APPRECIATE IT FOR ITS HISTORIC VALUE. BACK IN THE ‘50S AND ‘70S, PEOPLE WERE WALKING IN SAYING, ‘THIS JUST LOOKS LIKE AN OLD, CRAPPY ROOM. WHY AM I PAYING GOOD MONEY, EVEN IF IT IS A RESORT, FOR SOMETHING THAT IS SUBSTANDARD IN WHAT I CAN GET AT A MORE MODERN HOTEL?’ SOME OF THE UPGRADES WERE CERTAINLY NECESSARY. I’M GLAD THEY WERE DONE TO KEEP THE HOTEL FUNCTIONAL, ONGOING, AND I WON’T NECESSARILY SAY A PROFITABLE VENTURE BUT CERTAINLY ENOUGH THAT NO ONE WANTED TO TEAR IT DOWN OR REPLACE IT.” ON HIS TIME WORKING WITH THE PRINCE OF WALES HOTEL, DJUFF SHARED, “I WORKED AT THE PRINCE OF WALES HOTEL FOR FOUR SUMMERS, 1973, ’74, ’75, AND ’78, AND MY APPRECIATION OF THE HOTEL REALLY STARTED THAT FIRST SUMMER. MY INITIAL POSITION WAS AS A BUSBOY, AND I DIDN’T QUITE KNOW WHAT THE POSITION WAS. I SIMPLY ACCEPTED IT WAS IN A NATIONAL PARK, IT WAS IN THE ROCKIES…I’D SPENT A SUMMER IN BANFF IN 1970 AND I JUST WANT TO BE BACK IN THE MOUNTAINS SO I TOOK THE POSITION. DIDN’T MATTER WHAT IT WAS, I GOT A POSITION AT THE HOTEL.” “THEY REQUIRED US TO WORK A TRIPLE-SPLIT SHIFT IN THE DINING ROOM. YOU WOULD OPEN UP AT EIGHT IN THE MORNING AND SERVE BREAKFAST UNTIL ABOUT TEN. IT WOULD SHUT DOWN, YOU’D GO BACK TO YOUR DORM, COME BACK, HAVE LUNCH, OPEN UP AT NOON, DINING ROOM IS CLOSED AT 1:30, YOU MIGHT HAVE DUTIES IN THE AFTERNOON—ADDITIONAL ONES—OTHERWISE YOU RETURN TO YOUR DORM, COME BACK UP, EAT DINNER AND THEN OPEN THE DINING ROOM AT SIX AND IT WAS OPEN UNTIL ABOUT 8:30…IT WAS TIRING, IT WAS EXHAUSTING, IT WAS HARD WORK. BEING A BUSBOY, YOU’RE A GRUNT.” “I WAS FORTUNATE IN THAT ONE OF THE BARTENDERS WAS NEW AT THE HOTEL, THE OTHER WAS THE MORE SENIOR ONE AND HE’D BEEN THERE ALMOST TEN YEARS. THE NEW BARTENDER WASN’T WORKING OUT WELL, AND THE SENIOR BARTENDER SAW POTENTIAL IN ME, ALTHOUGH I’D NEVER SERVED ALCOHOL IN MY LIFE. AFTER MY TRIPLE-SPLIT SHIFTS, I STARTED TRAINING OVER THERE AND I WOULD CONTINUE WORKING UNTIL MIDNIGHT…I SWITCHED POSITIONS WITH THE BARTENDER. HE BECAME A BUSBOY, EVENTUALLY A WAITER. I BECAME A BARTENDER AND IT TURNED MY LIFE AROUND BECAUSE THEN I WAS WORKING A SINGLE SHIFT; BETTER CONDITIONS. I WAS EARNING TIPS—WHICH ENHANCED MY SAVINGS TO RETURN TO UNIVERSITY, PAY FOR MY EDUCATION—AND THE INTERACTION WITH CUSTOMERS IS WHAT MADE THE JOB PHENOMENAL, FURTHER ENHANCED BY THE FACT THE WINDSOR LOUNGE AT THE PRINCE OF WALES HOTEL LOOKS SOUTH DOWN UPPER WATERTON LAKE AND IS ONE OF THE MOST INCREDIBLE VIEWS IN THE CANADIAN ROCKIES.” “THERE’S AN EXPRESSION A FRIEND OF MINE HAS, AND HE’S TALKING ABOUT GLACIER NATIONAL PARK ACROSS THE BORDER FROM WATERTON, BUT IT APPLIES TO WATERTON AS WELL. THE EXPRESSION IS, ‘WHEN THE GLACIER BUG BITES YOU, THERE IS NO CURE,’ AND THE WATERTON BUG BIT ME. THERE IS NO CURE. I’VE BEEN GOING BACK FOR FOUR DECADES MORE AND I CAN’T GET ENOUGH. I WANT[ED] TO LEARN MORE ABOUT THE HOTEL, KEPT DOING RESEARCH, IT EVENTUALLY LED TO THE PUBLICATION OF A NUMBER OF BOOKS RELATED TO WATERTON AND GLACIER, AND I CONTINUED GOING BACK AND I CONTINUE DOING RESEARCH AND THE FASCINATION HASN’T ENDED.” ON HIS MOTIVATIONS TO DONATE THE SIGNS, DJUFF NOTED, “THERE WERE TWO THOUGHTS IN MIND. THE FIRST WAS THAT I WAS ABLE TO ACQUIRE A NUMBER OF THESE SIGNS FROM THE PRINCE OF WALES HOTEL, AND I HAD MORE THAN I NEEDED. IN FACT, I TOOK THESE ADDITIONAL ONES WITH THE IDEA OF SHARING THEM WITH MY WRITING PARTNER AND CO-CREATOR, CHRIS MORRISON, OF LETHBRIDGE, AND ALSO, WATERTON. SO, I PICKED SOME OUT AND GAVE HER SOME THAT I THOUGHT SHE MIGHT ENJOY AND SHE DECIDED SHE DIDN’T NEED MORE PHYSICAL THINGS IN HER LIFE. [SHE] APPRECIATED THE OFFER, AND TOLD ME SHE WAS GOING TO DONATE THEM TO THE GALT MUSEUM, WHICH I AM INCREDIBLY HAPPY ABOUT; THAT THEY’RE PRESERVED IN A MORE PERMANENT WAY THAN JUST IN OUR POSSESSION.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND INFORMATION ON THE PRINCE OF WALES HOTEL SIGNAGE REBRANDING, PLEASE SEE THE PERMANENT FILE P20190025001-GA.
Catalogue Number
P20190025002
Acquisition Date
2019-06
Collection
Museum
Images
Less detail
Other Name
"1945 RED CROSS QUILT"
Material Type
Artifact
Materials
COTTON, WOOL
Catalogue Number
P20170035000
  2 images  
Material Type
Artifact
Other Name
"1945 RED CROSS QUILT"
Date
1945
Materials
COTTON, WOOL
No. Pieces
1
Length
214
Width
168.5
Description
BLUE AND PINK QUILT WITH PATTERN OF 56 PINK DIAMONDS INTERLAID WITH BLUE DIAMONDS; PINK FABRIC DIAMONDS HAVE NAMES EMBROIDERED IN BLUE THREAD, LISTED BELOW. BLUE DIAMONDS HAVE AN EMBROIDERED FOUR PETAL DESIGN STITCHED IN FABRIC. QUILT HAS BLUE EMBROIDERED TEXT ON TWO CENTER DIAMONDS, “1945” AND “RED CROSS”. QUILT HAS FINISHED EDGES WITH PINK BORDERS. QUILT HAS FRAYING AND LOSS ON UPPER RIGHT EDGE; FABRIC AND EMBROIDERED TEXT IS FADED; QUILT HAS MINOR BROWN STAIN ON BACK AT LOWER EDGE; OVERALL VERY GOOD CONDITION. EMBROIDERED NAMES ON FRONT OF QUILT [ALPHABETICAL]: ANNAND, ASHMAN, BAILEY, BAKER, BARNES, BELL, BURNS, CARLSON, CARNELL, CHAMBERS, CHRISTIANSEN, CYNCH, DAYMON, DELANY, DEVEBER, DICKSON, DILATUSH, FALLON, FOSTER, GAIRNS, GIDDIE, GLADSTONE, GOBLE, GOING, GREGORY, HAGGLUND, HARRISON, HARWOOD, HATFIELD, HAUG, HINTON, HOLROYD, KEMMIS, KLOPPENBORG, MATKIN, MCEWEN, MCKENZIE, O’BRAY, PITTAWAY, PRESLEY, RACKETTE, REEVES, ROPER, SHERMAN, STEWART, STRATE, THOMAS, UDELL, WACHER, ZORN.
Subjects
ART
Historical Association
DECORATIVE ARTS
FURNISHINGS
History
THE WATERTON PARK RED CROSS QUILT WAS CREATED BY WATERTON FAMILIES DURING THE SECOND WORLD WAR AND WAS EMBROIDERED WITH THE SURNAMES OF WATERTON RESIDENTS LIVING IN THE PARK DURING THE HOMEFRONT PERIOD. THE QUILT FEATURES 50 NAMES EMBROIDERED ON THE SURFACE, ALL SURNAMES OF WATERTON FAMILIES IN THE COMMUNITY DURING WORLD WAR 2 ACCORDING TO BERT PITTAWAY IN A LETTER TO THE WATERTON NATURAL HISTORY ASSOCIATION. THE QUILT WAS PART OF A RED CROSS SOCIETY INITIATIVE THAT SAW GLOBAL AND CANADIAN COMMUNITIES CREATE QUITS FOR SENDING OVERSEAS AND FOR RAISING FUNDS FOR THE RED CROSS. ACCORDING TO ONLINE INFORMATION FROM HALIFAX WOMEN’S HISTORY [HTTP://HALIFAXWOMENSHISTORY.CA/CANADIAN-COMFORT-QUILTS] AND ACTIVE HISTORY [HTTP://ACTIVEHISTORY.CA/2017/07/RED-CROSSES-AND-WHITE-COTTON-MEMORY-AND-MEANING-IN-FIRST-WORLD-WAR-QUILTS/], RED CROSS QUILTS WERE COMMONLY CREATED BY CANADIAN COMMUNITIES AS CIVILIAN CONTRIBUTIONS TO WAR EFFORTS DURING BOTH WORLD WARS. THE QUILTS WERE SENT TO THE RED CROSS FOR DISTRIBUTION TO FAMILIES DISPLACED BY THE WAR OVERSEAS AND TO REFUGEES; QUILTS WERE ALSO RAFFLED PUBLICLY IN COMMUNITIES TO RAISE FUNDS FOR QUILTING GROUPS AND THE RED CROSS. THE WATERTON QUILT WAS RAFFLED IN 1945 AND WON BY MARY PITTAWAY OF WATERTON. BERT PITTAWAY DONATED THE QUILT TO THE WATERTON NATURAL HISTORY ASSOCIATION FOR DISPLAY AT THE WATERTON HERITAGE CENTRE IN THE 1980S, IN MEMORY OF BERT’S PARENTS MARY AND JOHN EDWARD PITTAWAY. JOHN EDWARD PITTAWAY, FATHER OF JACK, BERTRAM, AND DENNIS PITTAWAY, BEGAN HIS MILITARY CAREER AS AN ARMY TRUMPETER IN AN IRISH MILITIA UNIT. J.E. PITTAWAY JOINED THE REGULAR ARMY IN NOVEMBER 1893, SERVING IN WORLD WAR 1 AND WORLD WAR 2, IN WORLD WAR 2 ACHIEIVING THE RANK OF BATTERY SERGEANT MAJOR. J.E. PITTAWAY MOVED TO WATERTON IN 1927 FROM IRELAND. J.E. PITTAWAY WORKED FOR THE PARKS DEPARTMENT AS A GARDENER AND THEN AS A CAMPGROUND CARETAKER. J.E. PITTAWAY DIED MARCH 13, 1956, WITH HIS FINAL TRIBUTE IN CALGARY ON MARCH 17, 1956. ACCORDING TO THE PARKS CANADA WEBSITE ON WATERTON NATIONAL PARK, MEMORY OF THE WARS WERE “…INSCRIBED ON LANDFORMS IN PLACE NAMES…AND THE CELEBRATION OF PEACE WAS GIVEN SYMBOLIC FORM IN THE ESTABLISHMENT OF THE WORLD’S FIRST INTERNATIONAL PEACE PARK IN 1932.” WATERTON NATIONAL PARK FEATURES LAKES, RIDGES, AND PEAKS NAMED WITH REFERENCES TO THE WORLD WARS, INCLUDING AVION RIDGE, FESTUBERT MOUNTAIN, AND MOUNT ALDERSON. IN 2017, THE WATERTON NATURAL HISTORY ASSOCIATION DISSOLVED AND REPRESENTATIVES FROM WATERTON LAKES PARK FACILITATED THE TRANSFER OF THE COLLECTIONS TO OTHER INSTITUTIONS. THE 1945 WATERTON QUILT WAS DONATED TO THE GALT MUSEUM & ARCHIVES AS PART OF THE EFFORTS TO RE-HOME THE WATERTON NATURAL HISTORY ASSOCIATION’S COLLECTION. FOR MORE INFORMATION INCLUDING THE LETTER FROM BERT PITTAWAY, DONATION NOTES FROM THE WATERTON NATURAL HISTORY ASSOCIATION, INFORMATION FROM THE PARKS CANADA WEBSITE ON WATERTON LAKES PARK, AND NEWSPAPER CLIPPINGS ON THE PITTAWAY FAMILY, PLEASE SEE THE PERMANENT FILE P20170035000-GA.
Catalogue Number
P20170035000
Acquisition Date
2017-11
Collection
Museum
Images
Less detail
Other Name
"THE DISEASES OF CHILDREN"
Material Type
Artifact
Materials
PAPER, CARDBOARD, LINEN
Catalogue Number
P20140049001
  2 images  
Material Type
Artifact
Other Name
"THE DISEASES OF CHILDREN"
Date
1908
Materials
PAPER, CARDBOARD, LINEN
No. Pieces
1
Height
27.6
Length
20.5
Width
5.5
Description
A GREEN, HARD-COVERED BOOK WITH GOLD TEXT ON THE SPINE. THE TEXT READS “PFAUNDLER AND SCHLOSSMANN”, “THE DISEASES OF CHILDREN”, “SHAW AND LAFETRA”, “VOL. IV. GENITO-URINARY SYSTEM NERVOUS SYSTEM DERMATOLOGY”, “J.B.LIPPINCOTT CO.”. STAMPED ON THE TOP AND BOTTOM PAGES OF THE BOOK ARE THE WORDS “GALT HOSPITAL”. THE INSIDE IS INSCRIBED "J.E. LOVERING M.D." IN PENCIL. VERY GOOD CONDITION: THE COVER IS FADED AND SCRATCHED IN PLACES, WHILE LIGHTLY FRAYED AT THE EDGES AND CORNERS.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. NO INFORMATION WAS PROVIDED ABOUT THIS BOOK. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049001
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
"PRINCIPALS AND PRACTICE OF OBSTETRICS"
Date Range From
1938
Date Range To
1939
Material Type
Artifact
Materials
PAPER, CARDBOARD, LINEN
Catalogue Number
P20140049002
  2 images  
Material Type
Artifact
Other Name
"PRINCIPALS AND PRACTICE OF OBSTETRICS"
Date Range From
1938
Date Range To
1939
Materials
PAPER, CARDBOARD, LINEN
No. Pieces
1
Height
26
Length
19
Width
6
Description
A GREEN HARD COVERED BOOK WITH GOLD TEXT ON THE SPINE. THE TEXT READS “PRINCIPLES AND PRACTICE OF OBSTETRICS”, “DE LEE”, “SEVENTH EDITION”, “SAUNDERS”. IN ADDITION TO THIS THERE IS A WHITE WRITTEN “440”. STAMPED ON THE TOP AND BOTTOM PAGES OF THE BOOK ARE THE WORDS “GALT HOSPITAL”, AND STAMPED ON ALL THREE SIDES OF THE PAGES ARE THE WORDS “GALT SCHOOL OF NURSING”. "REFERENCE FOR NURSES OCTOBER 5 1939" INSCRIBED ON INSIDE IN PENCIL. VERY GOOD CONDITION: THE COVER IS FADED AND WORN AT THE EDGES.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. NO INFORMATION WAS PROVIDED ABOUT THIS BOOK. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049002
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
SPORTS SHIRT "GALT ROYALS"
Date Range From
1960
Date Range To
1964
Material Type
Artifact
Materials
FABRIC, PAINT, METAL
Catalogue Number
P20140049005
  2 images  
Material Type
Artifact
Other Name
SPORTS SHIRT "GALT ROYALS"
Date Range From
1960
Date Range To
1964
Materials
FABRIC, PAINT, METAL
No. Pieces
1
Height
62
Length
68
Width
48
Description
A GREEN BASKETBALL T-SHIRT WITH WHITE TRIMMING AND WHITE PAINTED NUMBERS AND TEXT. THE FRONT OF THE SHIRT READS “55” AND “GALT ROYALS”. THE BACK READS “55”. THE WHITE TRIMMING FOLLOWS THE BOTTOM EDGE, THE SLEEVE EDGES AND THE COLLAR. THE COLLAR OPENS WITH A METAL ZIPPER, ENDING IN A SMALL SILVER CHAIN. A SMALL WHITE TAG IN THE BACK OF THE COLLAR READS “12” IN RED. EXCELLENT CONDITION: THE COLLAR IS CREASED ON ONE CORNER.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
HEALTH SERVICES
SPORTS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS SHIRT WAS A PART OF THE GALT SCHOOL OF NURSING BASKETBALL UNIFORM. WHILE THE SPECIFIC DATE OF THIS ARTIFACT IS UNKNOWN, IT WOULD HAVE MOST LIKELY BEEN IN USE EARLIER THAT 1965, AS THE NURSING SCHOOL HAD GALT ROYAL UNIFORMS IN THAT YEAR THAT WERE DIFFERENT TO THIS ONE. THE UNIFORM WOULD HAVE BEEN USED BY “STUDENTS WHO WERE ON THE TEAM. BETWEEN 1965-68 ST. MICHAEL STUDENTS WERE [ON THE] TEAM ALSO.” ACCORDING TO THE HISTORY ATTACHED TO THIS ARTIFACT, SPORTS ACTIVITIES FOR THE STUDENTS WERE AN IMPORTANT PART OF THEIR LIVES DURING TRAINING. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049005
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
"GALT SCHOOL OF NURSING"
Material Type
Artifact
Materials
CERAMIC
Catalogue Number
P20140049006
  1 image  
Material Type
Artifact
Other Name
"GALT SCHOOL OF NURSING"
Date
1979
Materials
CERAMIC
No. Pieces
1
Height
8.5
Length
12
Diameter
8.9
Description
A CREAM-COLOURED CERAMIC MUG. ON ONE SIDE IS THE INSIGNIA OF THE GALT SCHOOL OF NURSING, WHICH IS COLOURED YELLOW, GREEN, AND RED. IN THE CENTER OF THE INSIGNIA IS A RED CROSS. THE TEXT READS “GALT SCHOOL OF NURSING, LETHBRIDGE ALTA”, “FESTINA LENTE”, AND “1910-1979”. AROUND THE LIP OF THE MUG RUNS A GOLD RING. THE BOTTOM OF THE MUG READS “DECORATED IN CANADA BY …EMORE CHINA & GLASS” AND “CREEMORE, ONT”. VERY GOOD CONDITION: SLIGHT WEAR TO GOLD RIM.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
ASSOCIATIONS
HEALTH SERVICES
COMMEMORATIVE
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. ACCORDING TO THE HISTORY, “THIS IS A COFFEE CUP COMMEMORATING THE CLOSING OF THE NURSING SCHOOL. THE ALUMNAE PURCHASED THEM AND SOLD THEM… [THE MUGS] WERE DESIGNED AND MADE IN 1979.” IT CONTINUES, “[THE] GALT GRADS BOUGHT THESE MUGS… [AS] A MEMENTO OF THE CLOSING OF THE SCHOOL.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049006
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
TRACHEOTOME SET
Date Range From
1940
Date Range To
1988
Material Type
Artifact
Materials
CLOTH, METAL
Catalogue Number
P20140049007
  2 images  
Material Type
Artifact
Other Name
TRACHEOTOME SET
Date Range From
1940
Date Range To
1988
Materials
CLOTH, METAL
No. Pieces
6
Height
16.2
Length
57.5
Width
0.5
Description
1: GREEN FABRIC CASE, EDGED WITH BEIGE FABRIC. DIVIDED INTO THREE POUCHES SEWED IN WITH BEIGE THREAD. TWO BEIGE FABRIC STRAPS ATTACHED TO ROLL AND TIE THE FABRIC CASE. A WHITE LABEL IS SEWN ON, READING IN GREEN TEXT “ SIERRA – SHELDEN”, “TRACHEOTOME CATALOG NO. 175-00”, AND “SIERRA ENGINEERING CO. SIERRA MADRE. CALIF.” 2: THE OBTURATOR THAT MATCHES THE LARGE TRACEOSTOMY TUBE. CURVED METAL WIRE WITH A METAL BOBBLE AT ONE END AND A METAL HANDLE AT THE OTHER END WITH A “7” ETCHED ON THE END. L: 11 CM, D: 1.5 CM 3: THE OBTURATOR THAT MATCHES THE SMALLER TRACHEOSTOMY TUBE. CURVED METAL WIRE WITH A METAL BOBBLE AT ONE END THAT EXPANDS INTO A SHARP CURVE BLADE WITH A BLUNTED TIP. A SMALL CIRCULAR BEAD OF METAL SITS IN THE MIDDLE OF THE WIRE AND AT THE OTHER END OF THE WIRE IS A CYLINDRICAL HANDLE WITH KNURLING TEXTURE. THE END OF THE HANDLE READS “ SIERRA ENG. CO CAT. NO. 287-00” AND “PATENT PEND”. METAL BOBBLE IS MISSING SOME OF ITS PATINA. L: 11 CM, D: 1.6 CM 4: A HOLLOW NEEDLE HEAD WITH A SMALL HANDLE WITH KNURLING TEXTURE. ETCHED INTO THE END OF THE HANDLE THE TEXT READS “287 SIERRA”. H: 6.1 CM, D: 1.7 CM 5: THE LARGE TRACHEOSTOMY TUBE MADE UP OF THREE PIECES; THE OUTER CANNULA, THE INNER CANNULA AND THE FLANGE. THE CANNULA’S SIT TOGETHER, THE INNER LOCKED IN WITH A ROTATING LATCH, BOTH CURVED AND HOLLOW TUBES. THE FLANGE SITS AT THE END OF THE CANNULAS, A METAL PLATE WITH TWO RECTANGULAR HOLES AND CURVING LIP. H: 2.5 CM, L: 10 CM, W: 4 CM 6: THE SMALL TRACHEOSTOMY TUBE MADE UP OF TWO PIECES; THE CANNULA, AND THE FLANGE. THE CANNULA IS A CURVED HOLLOW TUBE ATTACHED AT ONE END TO THE FLANGE, A METAL PLATE WITH TWO RECTANGULAR HOLES AND A CURVING LIP. H: 2.5 CM, L: 6.5 CM, W: 3.8 CM
Subjects
MEDICAL & DENTAL T&E
Historical Association
ASSOCIATIONS
HEALTH SERVICES
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS IS A TRACHEOTOMY SET THAT WAS USED IN DURING SURGERY, IN THE INTENSIVE CARE UNIT, AND IN THE EMERGENCY ROOM. BOTH DOCTORS AND NURSES WOULD HAVE USED THIS ARTIFACT DURING THE PROCEDURE OF TRACHEOTOMY, WHICH CREATES A DIRECT AIRWAY IN THROUGH AN INCISION IN THE TRACHEA (WINDPIPE). WHEN ANSWERING THE QUESTION OF THE ARTIFACT’S IMPORTANCE, THE INDIVIDUAL WRITING THE HISTORY STATED, “TRACHEOTOMIES HAVE BEEN LIFE-SAVERS EVEN TO THIS DAY.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049007
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Date Range From
1943
Date Range To
1946
Material Type
Artifact
Materials
GLASS, METAL, COTTON
Catalogue Number
P20140049008
  1 image  
Material Type
Artifact
Date Range From
1943
Date Range To
1946
Materials
GLASS, METAL, COTTON
No. Pieces
1
Height
10.3
Diameter
8
Description
A CIRCULAR, BUNSEN BURNER (ALSO REFERED TO AS AN ALCOHOL BURNER) WITH A RUSTED, TARNISHED WICK HOLDER AND A WHITE, COTTON WICK HANGING DOWN INTO THE BOTTLE. EMBOSSED INTO THE BOTTOM OF THE GLASS ARE THE WORDS “MADE IN USA”. GOOD CONDITION: THE METAL CAP IS SEVERELY TARNISHED. SMALL FLAKES OF RUST SIT LOOSE IN THE BOTTLE.
Subjects
CHEMICAL T&E
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS IS A GLASS BUNSEN BURNER. IT WAS USED “IN THE GSN SCIENCE LAB AND IN THE HOSPITAL LAB. THEY WERE USED ON THE WARDS IN THE EARLY DAYS TO HEAT UP SOLUTION TO DISSOLVE MEDICATION.” ACCORDING TO THE ARTIFACT’S HISTORY THIS ARTIFACT WAS USED IN “1943-1946. BY 1965, WE DID NOT USE THEM FOR DISSOLVING MEDICATION.” THE BUNSEN BURNER WAS USED BY REGISTERED NURSES AND STUDENTS. THIS ARTIFACT “WAS NECESSARY AND ROUTINELY USED EVERY DAY IN THE HOSPITAL.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049008
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
SKIN THERMOMETER
Date Range From
1955
Date Range To
1988
Material Type
Artifact
Materials
WOOD, FABRIC, PLASTIC
Catalogue Number
P20140049009
  2 images  
Material Type
Artifact
Other Name
SKIN THERMOMETER
Date Range From
1955
Date Range To
1988
Materials
WOOD, FABRIC, PLASTIC
No. Pieces
4
Height
3.1
Diameter
8.3
Description
1: WOOD CASING LID WRAPPED IN BROWN, CHERRY FAUX LEATHER FABRIC. THE TOP HAS A STRIPE OF CREAM CLOTH TAPE, LIFTING AT ONE CORNER AND WRITTEN ON IT IN BLUE PEN IS, “CSR SKIN THERMOMETER”. THE INSIDE OF THE LID IS PADDED AT THE TOP WITH GREY FABRIC. THE FAUX LEATHER IS FRAYING AWAY AT THE EDGES AND LIFTING AT THE SEAM AT THE SIDE OF THE LID, REVEALING THE WOOD UNDERNEATH. 2: A CIRCULAR SLIP OF CREAM PAPER TITLED “CORRECTING TABLE”. THE REST IS TYPED IN BLACK INK. HANDWRITTEN BLUE INK ADDITIONS FILL IN THE INSTRUMENT NUMBER AS “3878” AS WELL AS FILLING ADDITIONS TO THE CORRECTION CHART. THE SLIGHTEST WRINKLING LEAVES TWO SMALL CREASES ON THE SURFACE. DIAMETER: 6.3 CM 3: THE SKIN THERMOMETER. IT IS CIRCULAR IN A BLACK PLASTIC CASING WITH A SINGLE HALF CIRCLE PLASTIC WINDOW TO THE DIAL ON THE TOP SIDE. THE DIAL READS “FOREGGER”, “FAHRENHEIT HEIDENWOLF AUSTRIA”, AND “PATENT 3878”. THE BOTTOM SIDE HAS A 1.1 CM HIGH, 2.3 CM DIAMETER CYLINDRICAL ARM ON WHICH A ROUND SENSOR SITS. THE SENSOR IS MISSING ALMOST ALL ITS PATINA, ONLY A LITTLE BIT SURVIVING AT THE EDGES. H: 3.8 CM, D: 7 CM 4: THE BOTTOM OF THE CASE. AN OPEN WOOD CYLINDER WRAPPED ON THE OUTSIDE WITH FAUX LEATHER FABRIC WITH GREY FELT ON THE INSIDE. THE INSIDE LIP (ON WHICH THE THERMOMETER SITS) DOES NOT WRAP AROUND COMPLETELY, LEAVING SPACE FOR THE SENSOR ARM. THE BOTTOM EDGE IS UNCOVERED. THE FAUX LEATHER IS FRAYING AT THE EDGES AND PULLING AWAY FROM THE SEAM ON THE SIDE. H: 3.1 CM, D: 8.3 CM
Subjects
MEDICAL & DENTAL T&E
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS SKIN THERMOMETER WAS USED IN THE OPERATING ROOM FROM 1955 TO 1988. ACCORDING TO ITS HISTORY, “OPERATING ROOM STAFF [USED THE THERMOMETER] TO ASSESS THE TEMPERATURE OF THE PATIENTS.” THIS ARTIFACT SHOWS “HOW THINGS HAVE ADVANCED. THEY USE SKIN TAPES NOW THAT ARE THERMOMETERS.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049009
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
GLASS
Catalogue Number
P20140049010
  1 image  
Material Type
Artifact
Date
1921
Materials
GLASS
No. Pieces
1
Height
9.1
Diameter
4.5
Description
A GLASS CONICAL SHAPED MEASURING CUP WITH A POURING LIP. ETCHED INTO THE GLASS IS A MEASURING GAGE FOR VOLUME. “PHARMACY 1921” IS HANDWRITTEN ON THE BOTTOM OF THE GLASS IN GREEN INK. GOOD / VERY GOOD CONDITION: HARDENED ADHESIVE FROM A REMOVED STRIP OF TAPE STAINS THE GLASS. SLIGHT SCRATCHING/SCUFFING OF SURFACE.
Subjects
CHEMICAL T&E
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS IS A SMALL GLASS BEAKER THAT WAS USED TO MEASURE FLUID MEDICATIONS. IT WAS USED IN THE “PHARMACY AND MED ROOMS TO MIX MEDICATIONS.” ACCORDING TO HISTORY, THIS ARTIFACT WAS USED FROM 1945 TO THE 1960S. “NURSES USED THIS INSTRUMENT TO MEASURE MEDICATIONS IN C.C.’S [CUBIC CENTIMETERS].” OF THIS ARTIFACT, IT WAS WRITTEN, “THIS SHOWS HOW THINGS HAVE PROGRESSED FROM GLASS TO PLASTIC. IT WAS ESSENTIAL TO GIVE MEDICATIONS.” THE WRITING ON THE BASE OF THE BEAKER LINKS THIS ARTIFACT TO THE PHARMACY IN 1921. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049010
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
"HIRSCHE"
Date Range From
1913
Date Range To
1935
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20140049011
  2 images  
Material Type
Artifact
Other Name
"HIRSCHE"
Date Range From
1913
Date Range To
1935
Materials
COTTON
No. Pieces
1
Length
44.5
Width
17.2
Description
A WHITE CLOTH, STARCHED NURSING CAP. THE BACK EDGE IS STAMPED WITH BLACK INK, READING “E1040” AND BELOW THAT “HIRSCHE” . THE WHITE STRING TIES AND THE OPENING ATTACHMENT THEY PULL THROUGH IS FRAYING. VERY GOOD CONDITION: THE HEAVILY STARCHED FRONT FOLD IS CREASED WITH FOLD LINES.
Subjects
CLOTHING-HEADWEAR
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. ACCORDING TO THIS NURSING CAP’S HISTORY, IT WOULD HAVE BEEN OF THE FIRST TYPES OF CAPS THAT THE STUDENT NURSES WOULD HAVE WORN. IT WAS WORN “ON THE WARDS” OF THE HOSPITAL FROM 1913 ONWARDS TO AN UNSPECIFIED DATE. THE INSIDE OF THE CAP IS LABELLED “HIRSCHE”. USING THE GSN HISTORY BOOK TITLED “WHITE CAPS AND RED ROSES” RECORDS ONE STUDENT FROM THE CLASS OF 1966 WITH THE MAIDEN NAME HIRSCHE AND THREE STUDENTS FROM CLASSES 1968 TO 1975 MARRIED MEN WITH THE HIRSCHE LAST NAME. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. ON 12 JULY 2018, COLLECTIONS ASSISTANT ELISE PUNDYK MET WITH THREE MEMBERS OF GALT SCHOOL OF NURSING ALUMNI ASSOCIATION – SHARON DEJONG, DONNA KARL, AND SUE KYLLO – TO ESTABLISH FURTHER DETAILS ABOUT VARIOUS ARTIFACTS IN THIS WAVE OF GSN ACQUISITIONS. WHEN VIEWING THE CAP, KYLLO, KARL, AND DEJONG STATED THAT ALL STUDENTS HAD TO WRITE THEIR NAMES IN THEIR UNIFORMS – LIKE “HIRSCHE” IS LABELLED IN THIS CAP – BECAUSE THE UNIFORMS, INCLUDING CAPS, WOULD BE SENT TO THE LAUNDRY AND RETURNED BACK TO THE STUDENTS. ABOUT NURSING CAPS, THE THREE ALUMNI EXPLAINED THAT THEY ALWAYS WORE WHITE CAPS AS STUDENTS. UPON GRADUATION THEY RECEIVED A VELVET BLACK BAND THEY WOULD PIN ON THE CAPS FOR WORK AS GRADUATED NURSES. THIS WAS ONE OF THE INDICATORS USED TO IDENTIFY THE STUDENT NURSES VERSUS THE GRADUATED NURSES. THEY STATED THAT IN THEIR FIRST TWO YEARS OF SCHOOL, THEY WOULD WERE BLACK SHOES AND STOCKINGS (A PRACTICE THAT ENDED IN 1968) AND AFTER THAT THEY WOULD WEAR WHITE SHOES WITH WHITE STOCKINGS TO INDICATE SENIOR NURSES. THESE VARIANCES IN THE STUDENT UNIFORMS HAD IMPLICATIONS FOR THEIR EXPERIENCES ON THE FLOOR. FOR EXAMPLE, THERE WAS ONE DOCTOR WHO HAD A STRICT RULE AGAINST STUDENT NURSES SCRUBBING IN FOR HIS OPERATIONS. THEY AGREED THAT THIS WAS AN EARLY EXAMPLE OF A NURSE’S CAP, USED FROM ESTIMATE DATES OF 1913 TO 1935. REFERENCING THE GSN HISTORY BOOK, “WHITE CAPS…,” THERE IS NO RECORD OF A STUDENT WITH THIS LAST NAME IN THE SPECULATED TIME PERIOD. AS AN ANSWER TO THIS, KYLLO ADDED TO THE CAP’S WRITTEN NOTES, “THIS HAT COULD HAVE BEEN A GALT HOSPITAL STAFF MEMBER AND MAY BE NOT A GALT HAT.” IT CAN ALSO BE NOTED THAT AN ACTIVE MEMBER OF THE GSN ALUMNAE ASSOCIATION INVOLVED IN THE DECISION-MAKING PROCESS OF THE DONATION OF ITEMS TO THE MUSEUM WAS SHARON HIRSCHE (NEE TREIBER) OF THE CLASS OF 1968. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049011
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2015
Material Type
Artifact
Materials
NYLON, SPANDEX, PLASTIC
Catalogue Number
P20170007005
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2015
Materials
NYLON, SPANDEX, PLASTIC
No. Pieces
2
Length
23
Width
8.5
Description
PAIR OF WHITE, REFLECTIVE GLOVES WITH WHITE AND OPAQUE PLASTIC BEADING ON WRISTS; BEADING FORMS FLOWER PATTERNS WITH BEADED LOOP AND TWO BEADED STRANDS FROM CENTER. TAG INSIDE LEFT HAND GLOVE READS “87.30% NYLON, 12.70% SPANDEX, MADE IN TAIWAN”. FINGERTIPS ON RIGHT HAND GLOVE STAINED RED; BEADING ON BOTH GLOVES IS STAINED RED-BROWN UNDERNEATH. OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. MACLEAN ADDITIONALLY INTERVIEWED ANN MARIE MCDONALD OF THE LETHBRIDGE ORDER OF ROYAL PURPLE ON JUNE 6, 2017. ON THE GLOVES, MCDONALD ELABORATED, “WE ALWAYS WORE WHITE GLOVES FOR FUNERALS, FOR WHEN OUR SUPREME CAME. IF OUR SUPREME CAME, WE ALWAYS HAD OUR DRILL TEAM…THEY WORE LONG SKIRTS, BUT THEY DIDN’T WEAR JACKETS. IF YOU WERE HONORABLE ROYAL LADY, AND YOU HAD SOMEBODY IMPORTANT COME TO VISIT YOU, YOU WORE WHITES, WHICH MEANT WHITE GLOVES. IF YOU GO TO A FUNERAL, AND YOU DRESS IN ROYAL PURPLE, YOU’D BETTER BRING YOUR WHITE GLOVES, OR PUT YOUR HANDS IN YOUR POCKETS.” WILMA WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007005
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Other Name
SANDAL
Date Range From
2010
Date Range To
2017
Material Type
Artifact
Catalogue Number
P20170007006
  2 images  
Material Type
Artifact
Other Name
SANDAL
Date Range From
2010
Date Range To
2017
No. Pieces
2
Length
26.3
Width
9.3
Description
PAIR OF WHITE SANDALS, LADIES’ SIZE 8.5. SANDALS HAVE ANKLE STRAP WITH SILVER BUCKLE AND TOE STRAP WITH A CENTER STRAP CONNECTING TOE STRAP TO ANKLE; INSIDE OF SANDALS IS SILVER; BOTTOM OF SANDALS IS BROWN. LABELS INSIDE SANDALS READ “GEORGE” ON BOTTOM, “8 ½, 29 PADDY, MADE IN CAMBODIA, FABRIQUE EN CAMBODGE, 030829470 36131215 S14” INSIDE ANKLES. INSIDE LININGS HAVE RED/BROWN GRIME BUILDUP AROUND EDGES; ANKLES OF SANDALS ARE WORN AND DISCOLOURED; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-FOOTWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. ON THE SANDALS, WOOD ELABORATED, “THESE ARE RELATIVELY NEW SHOES [ABOUT FIVE OR SIX YEARS OLD] THAT WE GOT WHEN SHE WENT TO PARK MEADOWS BECAUSE SHE COULDN’T HAVE HEELS ANY MORE, OR ANY HEIGHT. SHE AND I WENT OUT AND WE FOUND THESE SHOES THAT SHE COULD WEAR TO THE MEETINGS.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007006
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1970
Date Range To
2015
Material Type
Artifact
Materials
COTTON, POLYESTER, PLASTIC
Catalogue Number
P20170007007
  2 images  
Material Type
Artifact
Date Range From
1970
Date Range To
2015
Materials
COTTON, POLYESTER, PLASTIC
No. Pieces
2
Height
5.5
Diameter
19
Description
A. PURPLE ROUND CAP WITH PURPLE AND WHITE TASSEL ATTACHED TO CENTER BUTTON. INSIDE OF CAP HAS BLACK VELCRO STRIP STAPLED TO BROWN LEATHER LINING, AND BLACK DOUBLE-ELASTIC STRAP ATTACHED. WHITE TAG INSIDE CAP READS “LOT. MEDIUM” WITH HANDWRITTEN INSCRIPTION IN BLUE INK “D. TAYLOR”. HAT HAS TWO PINS ON FRONT, ONE DIAMOND-SHAPED WITH RHINESTONE EDGING AND A STAG WITH PURPLE EYES IN THE CENTER, OVERALL EXCELLENT CONDITION; SECOND PIN COMPRISED OF FOURTEEN RHINESTONES ATTACHED WITH METAL CASINGS WITH TWO PIN ENDS AND PIN BACKINGS ATTACHED, OVERALL VERY GOOD CONDITION. BOTH PINS HAS SILVER-COLOURED FINISHING; RHINESTONE-CHAIN PIN HAS TARNISHING ON PIN ENDS. INSIDE OF CAP HAS STAINS ALONG BACK EDGE AND ON INSIDE LINING; OVERALL VERY GOOD CONDITION. B. HAT BAG, 33CM LONG X 22.5CM WIDE X 6.4CM DEEP, GREY EXTERIOR WITH BLACK, VINYL INTERIOR; HANDLE STITCHED TO TOP OF BAG. TOP FLAP ON BAG SECURES WITH BLACK AND SILVER SNAP BUTTON. INSIDE OF BAG HAS PAPER CARD INSERTED IN PLASTIC SLEEVE THAT READS “NAME DOROTHY TAYLOR, STREET 403 515-6 ST. S, TOWN LETHBRIDGE, PROV. ALTA, PHONE 8-9867, O.O.R.P. LODGE NO. 32”. RIGHT SIDE OF BAG INSIDE HAS GOLD “O.O.R.P.” DIAMOND SEAL WITH ELK IN CENTER. BAG HAS ROUNDED BASE; UPPER FLAP IS CURLED OUT AND BENT, AND TORN AT LOWER RIGHT AND LEFT CORNERS WHERE ATTACHED TO THE BAG; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-HEADWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. MACLEAN ADDITIONALLY INTERVIEWED ANN MARIE MCDONALD OF THE LETHBRIDGE ORDER OF ROYAL PURPLE ON JUNE 6, 2017. ON THE HAT AND HAT BAG, MCDONALD ELABORATED, “WHEN YOU JOIN THE LODGE, THIS IS THE HAT YOU GET. THIS IS STANDARD. ALL THE LADIES GET THIS. WHEN YOU JOIN THE LODGE, YOUR TASSEL IS JUST PURPLE. WHEN YOU ARE HONORABLE ROYAL LADY, YOU TAKE YOUR TASSEL OFF, AND YOU PUT THIS [PURPLE AND CREAM] TASSEL ON.” “[THE BAG] MUST BE FROM BRANDON. OUR HAT BOXES ARE WHITE, AND THEY ARE HARD, AND YOU PUT YOUR HAT IN. [THEN] YOU TIP YOUR HAT UP, AND YOU PUT YOUR GLOVES AND ANYTHING THAT YOU WANT TO STORE IN THE HAT BOX. THE HAT BOXES ARE QUITE A BIT BIGGER…THEY HAVE A HANDLE ON THEM SO YOU CAN…CARRY THEM. EVERYBODY USED TO KEEP THEIR GLOVES IN THEIR HAT BOX.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007007
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Other Name
RAGDOLL
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
WOOL, COTTON
Catalogue Number
P20120045001
  2 images  
Material Type
Artifact
Other Name
RAGDOLL
Date Range From
1970
Date Range To
1980
Materials
WOOL, COTTON
No. Pieces
4
Length
42
Width
26
Description
A. RAGDOLL KNIT WITH WHITE, YELLOW, GREEN, RED, AND BLACK YARN. BODY IS WHITE WITH YELLOW UNDERWEAR, GREEN AND WHITE STOCKINGS, AND RED AND BLACK SHOES. DOLL HAS BRIGHT ORANGE HAIR MADE FROM YARN; FACE IS HAND-STITCHED WITH WHITE AND BLACK EYES, RED TRIANGULAR NOSE, AND RED FROWNING MOUTH. DOLL HAS RED YARN TIED AROUND HANDS. WHITE TAG ON BACK READS, IN BLACK, “HAND KNIT BY RESIDENTS OF FORESTER HAVEN”. DOLL SHOWS LITTLE SIGNS OF WEAR; OVERALL EXCELLENT CONDITION. B. NECK-SCARF TIED TO DOLL; (33CM WIDE X 15CM LONG); RED COTTON TRIANGULAR NECK-SCARF WITH SCALLOPED EDGES. SCARF IS HEAVILY CREASED FROM BEING TIED ON THE DOLL; EDGES ARE FRAYED; OVERALL CONDITION IS VERY GOOD. C. GREEN AND WHITE DOTTED OVERALLS, WORN BY RAGDOLL. OVERALLS HAVE WHITE SCALLOPED TRIM AROUND ANKLES AND BIB; OVERALLS ARE SECURED WITH TWO WHITE PLASTIC AND METAL BUTTON-SNAPS. FRONT OF OVERALLS HAS FELT LETTERS “IOF” SEWN ON. OVERALLS SHOW LITTLE SIGNS OF WEAR; OVERALL EXCELLENT CONDITION. D. HAT FOR RAGOLL; STYLE OF A BASEBALL CAP WITH GREEN AND WHITE DOTTED BRIM. CAP IS FORMED BY THREE TRIANGULAR GREEN AND WHITE DOTTED PATCHES AND THREE SOLID WHITE PATCHES WITH WHITE PLASTIC BUTTON SEWN ONTO TOP. CAP HAS GREEN THREAD STITCHED AROUND BASE EDGE AND SECURING BRIM. CAP SHOWS LITTLE SIGN OF WEAR; OVERALL EXCELLENT CONDITION.
Subjects
TOY
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE OF THE RAGDOLL, CAREFOOT NOTED, “THESE DOLLS…WERE PART OF WHAT WE USED FOR…THE PREVENTION OF CHILD ABUSE…THAT WAS ONE OF THE THINGS THAT WE USED IN ADVERTISING…OCCASIONALLY, WHEN THERE WAS SOMETHING GOING ON IN THE CITY, WE’D RENT A SPACE AND HAVE A BOOTH AND THIS WAS ONE OF THE THINGS THAT WE’D PROJECT.” “WE DIDN’T MAKE AND SELL THEM. IT WAS JUST A DEMONSTRATION OF CHILDREN, CAUGHT PEOPLE’S EYE.” “THIS TOOK PLACE [IN] CANADA AND THE UNITED STATES BECAUSE THE INDEPENDENT ORDER OF FORESTERS WAS BIG IN THE UNITED STATES AS WELL AND IT GREW OVER TO ENGLAND…WE WOULD HAVE ACTIVITIES WHERE WE COULD MAKE SOME MONEY AND WE’D DONATE IT TO THE GROUPS THAT WERE [PREVENTING] CHILD ABUSE…WE WOULD HAVE A PRINCESS IN THE VARIOUS COMMUNITIES CLOSE AROUND AND THEY WOULD SELL TICKETS FOR VARIOUS THINGS SO THAT WE WOULD ACCUMULATE THE MONEY…WE WOULD THEN DONATE [THE MONEY] ON BEHALF OF [THE BUYERS] TO [THE] PREVENTION OF CHILD ABUSE.” “TODAY, IT HAS SORT OF FLOATED DOWN TO WHERE IT’S HARDLY NEGLIGIBLE ANYMORE BECAUSE OTHER THINGS HAVE HAPPENED IN THE COMMUNITY THAT WERE PROBABLY DOING BETTER THAN WE WERE.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045001
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Other Name
RAGDOLL
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
WOOL, COTTON
Catalogue Number
P20120045002
  2 images  
Material Type
Artifact
Other Name
RAGDOLL
Date Range From
1970
Date Range To
1980
Materials
WOOL, COTTON
No. Pieces
2
Length
40
Width
26
Description
A.RAGDOLL WEARING GREEN AND WHITE DOTTED DRESS; DOLL IS KNIT FROM WOOL AND HAS BRIGHT ORANGE YARN HAIR. DOLL FACE IS HAND-STITCHED WITH WHITE AND BLACK EYES, RED NOSE AND RED FROWNING MOUTH SEWN INTO WOOL. DOLL HAS KNIT YELLOW PANTIES, GREEN AND WHITE STOCKINGS, AND RED AND BLACK SHOES ALL PART OF MAIN BODY. WHITE TAG ON BACK READS, IN BLACK, “HAND KNIT BY RESIDENTS OF FORESTER HAVEN”. DOLL SHOWS LITTLE SIGNS OF WEAR; OVERALL EXCELLENT CONDITION. B. DOLL DRESS; GREEN AND WHITE WITH WHITE SCALLOPED HEM AND SLEEVES, AND WHITE COLLAR. DRESS HAS ELASTIC SLEEVES. DRESS ATTACHED AT BACK OF THE NECK WITH SILVER HOOK-CLASP. OVERALL EXCELLENT CONDITION.
Subjects
TOY
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE OF THE RAGDOLL, CAREFOOT NOTED, “THESE DOLLS…WERE PART OF WHAT WE USED FOR…THE PREVENTION OF CHILD ABUSE…THAT WAS ONE OF THE THINGS THAT WE USED IN ADVERTISING…OCCASIONALLY, WHEN THERE WAS SOMETHING GOING ON IN THE CITY, WE’D RENT A SPACE AND HAVE A BOOTH AND THIS WAS ONE OF THE THINGS THAT WE’D PROJECT.” “WE DIDN’T MAKE AND SELL THEM. IT WAS JUST A DEMONSTRATION OF CHILDREN, CAUGHT PEOPLE’S EYE.” “THIS TOOK PLACE [IN] CANADA AND THE UNITED STATES BECAUSE THE INDEPENDENT ORDER OF FORESTERS WAS BIG IN THE UNITED STATES AS WELL AND IT GREW OVER TO ENGLAND…WE WOULD HAVE ACTIVITIES WHERE WE COULD MAKE SOME MONEY AND WE’D DONATE IT TO THE GROUPS THAT WERE [PREVENTING] CHILD ABUSE…WE WOULD HAVE A PRINCESS IN THE VARIOUS COMMUNITIES CLOSE AROUND AND THEY WOULD SELL TICKETS FOR VARIOUS THINGS SO THAT WE WOULD ACCUMULATE THE MONEY…WE WOULD THEN DONATE [THE MONEY] ON BEHALF OF [THE BUYERS] TO [THE] PREVENTION OF CHILD ABUSE.” “TODAY, IT HAS SORT OF FLOATED DOWN TO WHERE IT’S HARDLY NEGLIGIBLE ANYMORE BECAUSE OTHER THINGS HAVE HAPPENED IN THE COMMUNITY THAT WERE PROBABLY DOING BETTER THAN WE WERE.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045002
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
METAL, PAPER, LEATHER
Catalogue Number
P20120045003
  2 images  
Material Type
Artifact
Date Range From
1960
Date Range To
1970
Materials
METAL, PAPER, LEATHER
No. Pieces
1
Height
28.5
Length
26.7
Width
46.2
Description
GREY CHEST WITH BLACK TRIM ALONG EDGES AND GOLD-FINISHED METAL CLASPS, NAILS, AND TRIM. CORNERS HAVE GOLD-FINISHED METAL PROTECTORS. HANDLE ON TOP OF CASE IS BLACK LEATHER WITH METAL RINGS CONNECTED TO GOLD-FINISHED BASES. CHEST HAS THREE CLASPS ON FRONT WITH LARGER CENTER CLASP INCLUDING A LOCK. TWO CLASPS ON OUTER ENDS HAVE STAMP READING “EAGLE LOCK[…], TERRYVILLE, MADE IN U.S.A.”. CENTER CLASP WITH LOCK HAS STAMPED TEXT ON RIGHT SIDE OF CLASP “126” AND STAMPED TEXT ON LOWER CLASP READING “U.S.A., EXCELSIOR, STAMFORD, CONN.”. TOP OF CASE HAS RED LABEL IN SHIELD SHAPE WITH GOLD BORDER AND GOLD GLOBE SURROUNDED BY LUGGAGE, TEXT BELOW READS “MCBRINE BAGGAGE”. INSIDE OF CASE IS LINED WITH WHITE AND BLUE FOUR-LEAF CLOVER PATTERNED PAPER. PAPER ON INSIDE IS STAINED WITH RED AND BLACK; OUTSIDE OF CASE SHOWS HEAVY RUSTING AND CORROSION ON RIGHT SIDE AND ALONG TOP AND BOTTOM EDGES OF FRONT. TOP OF CASE IS RUSTED; HANDLE ON TOP IS WORN WITH LEATHER CRACKLING AND CREASED, AND LEATHER TORN AND FRAYED AROUND METAL LOOPS SECURING IT TO THE CASE. BOTTOM EDGES ARE SCRATCHED AND RUSTED; BASE IS RUSTED AND CORRODED. OVERALL FAIR CONDITION.
Subjects
PERSONAL GEAR
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE HISTORY AND PURPOSE OF THE TRUNK, CAREFOOT NOTED, “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE SOME OF] THESE [DONATED] THINGS. IT PRE-DATES ME.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “IT WENT TO EACH CHIEF RANGER OR PRESIDENT.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045003
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
LEATHER, BRASS, PAPER
Catalogue Number
P20120045004
  2 images  
Material Type
Artifact
Date Range From
1950
Date Range To
1960
Materials
LEATHER, BRASS, PAPER
No. Pieces
4
Length
63
Width
32
Description
A. SCROLL WITH BRASS ROD AND WHITE AND BROWN LEATHER DOCUMENT. SCROLL END HAS A WOODEN ROD INSERTED IN STITCHED LEATHER LOOP, WITH TWO GOLD-BROWN COTTON PULL-ROPES WITH TASSELS. RECTO (INSIDE) OF SCROLL HAS BLACK PRINTED TEXT “ORATOR, MY FRIENDS, PLACE YOUR RIGHT HAND OVER YOUR HEART AS A TOKEN OF YOUR SINCERITY AND ANSWER THE FOLLOWING QUESTIONS BY SAYING “I DO”.” AND BELOW INCLUDES TEXT LISTING 5 DECLARATIONS FOR INDEPENDENT ORDER OF FORESTERS MEMBERS. HANDWRITTEN TEXT IN BLACK INK IN TOP LEFT CORNER OF THE RECTO READS “1ST ASH AUDIENCE [ILLEGIBLE] STAND, 2ND FORESTER CREED [ILLEGIBLE] RECORD” WITH THIRD LINE ILLEGIBLE. HANDWRITTEN TEXT IN BLUE INK IN UPPER RIGHT CORNER OF RECTO READS “[SINGLE X IN CIRCLE] ATTENTION, [TWO X MARKS IN CIRCLES] SIT DOWN, [THREE X MARKS IN CIRCLES] STAND UP.” END OF POINT 5 ON RECTO HAS TWO HAND-DRAWN X MARKS THROUGH DOTS IN BLACK INK. RECTO AND VERSO (OUTSIDE) OF SCROLL HAVE PINK INK MARKS ON LEATHER; VERSO HAS BLUE INK BLEEDING THROUGH LEATHER IN UPPER LEFT CORNER AND ALONG LEFT EDGE, AND BLACK SMUDGE ABOVE LOWER EDGE. TOP EDGE OF LEATHER IS STITCHED AT CONNECTION TO SCROLL ROD, WITH COTTON THREAD FRAYING AT ENDS FROM WEAR. OVERALL VERY GOOD CONDITION. B. PAPER WITH INITIATION STEPS FOR INDEPENDENT ORDER OF FORESTERS WITH BLACK TYPED AND HANDWRITTEN NOTES. FIRST LINES OF TEXT INCLUDE “C.R. [HAVE CROSSED OUT] WILL [HANDWRITTEN, BLACK INK] HAVE THE OFFICERS ASSUME THEIR ACCUSTOMED STATIONS IN THE COURT?” AND “*BROS., COMPS., LADIES & GENTLEMEN, AS CHIEF RANGER, I AM ABOUT TO OPEN COURT WINDY WEST #562 OF THE INDEPENDENT ORDER OF FORESTERS FOR INITIATION.” INCLUDES TEXT FOR WOODWARDS, TEXT FOR ORATOR CUT OUT, V.C.R., C.R., S.W., C.R., P.C.R., C.R., ORATOR, C.R., V.C.R., C.R., TEXT FOR ORATOR CUT OUT, V.C.R., WOODWARDS, C.R. PAPER HAS DISCOLORED OPAQUE TAPE ALONG RIGHT EDGE, AND ADHESIVE STAINING ALONG TOP, LEFT, AND BOTTOM EDGES. LOWER EDGE HAS YELLOWING AND DISCOLORATION FROM ADHESIVE. PAPER HAS BLEEDING FROM FRONT TEXT ONTO BACK OF PAPER. PAPER IS SEVERELY CREASED AND FOLDED. OVERALL FAIR CONDITION. C. PAPER CUT OUT WITH BLACK TYPED TEXT, 17.9CM LONG X 3CM WIDE. TEXT READS “OUR FATHER, WE BOW AGAIN IN SUBMISSION BEFORE THEE. WE PRAY THY BLESSING UPON OUR EFFORTS TO MAKE THY KINGDOM COME ON EARTH AND WE EARNESTLY BESEECH THEE TO GRANT EACH OF US WISDOM AND STRENGTH TO WALK IN THE PATH OF PEACE, VIRTUE AND MORALITY. GUIDE OUR FOOTSTEPS IN SAFETY THROUGH THE JOURNEY OF LIFE, AND, FINALLY, IN THY LOVE AND MERCY BRING US TO THY HEAVENLY COURT WHERE WE SHALL. SEE THEE FACE TO FACE AND PRAISE THEE AS WE OUGHT. AMEN.” PAPER HAS ADHESIVE STAINING ON LEFT AND RIGHT EDGES; PAPER HAS TEAR IN LOWER LEFT CORNER, AND FOLD IN LOWER RIGHT CORNER. PAPER HAS BLEEDING FROM FRONT TEXT ONTO BACK OF PAPER. OVERALL FAIR CONDITION. D. PAPER CUT OUT WITH BLACK TYPED TEXT, 18.6CM LONG X 3.1CM WIDE. TEXT READS, “GREAT AND MERCIFUL GOD, ASSEMBLED IN THY HOLY NAME, WE HUMBLY INVOKE THY BLESSING NOT ONLY UPON THE MEMBERS OF THIS COURT BUT UPON THY PEOPLE EVERYWHERE. INCLINE OUR HEARTS TO DO THY WILL; TEACH US TO BE WISE, MODERATE AND JUST IN ALL OUR ACTIONS AND COURTEOUS AND FORGIVING TO ONE ANOTHER. INSPIRE US TO MAKE TRUTH, JUSTICE AND CHARITY THE FOUNDATION OF ALL OUR ACTS; AND TO THEE BE ASCRIBED ALL THE GLORY AND PRAISE, NOW AND EVERMORE. AMEN.” PAPER HAS DISCOLORED OPAQUE TAPE ATTACHED TO RIGHT EDGE, AND ADHESIVE STAINING ALONG LEFT EDGE. PAPER HAS FOLD IN THE CENTER, AND UPPER LEFT AND LOWER RIGHT EDGES ARE CURLING IN. BACK OF PAPER HAS FOLDING IN LOWER LEFT CORNER, AND LEFT EDGE IS YELLOWED. UPPER RIGHT CORNER IS CREASED ON BACK. PAPER HAS BLEEDING FROM FRONT TEXT ONTO BACK OF PAPER. OVERALL FAIR CONDITION.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE AND HISTORY OF THE SCROLL, CAREFOOT NOTED, “[THIS WAS PART OF] ANOTHER RITUAL. [IT SHOWS WHAT THE]] PAST CHIEF RANGER, WHAT HE WOULD SAY…I DON’T KNOW [WHEN IT WAS RECITED] BECAUSE THEY NEVER USED IT AT A MEETING I WAS AT. THEY WERE JUST PART OF WHAT WE HAD. IT WAS PART OF WAY BACK WHEN. WE WEREN’T USING THE RITUAL WORDS SO THAT WAS PART OF [THE SCROLL].” “WE DIDN’T USE [THE SCROLL] ANYMORE. THE ORATOR HAD A SPIEL, A COMMITMENT. HE READ IT IN THE DAYS OF OLD ENGLAND. IT WASN’T PART OF OUR RITUAL ANYMORE BECAUSE WE DIDN’T HOLD TO AS STRONG A RITUAL AS THEY DID IN PREVIOUS YEARS…I WOULD SAY THAT IN THE LATE ‘50S THIS WAS ENDING [BECAUSE] I DON’T REMEMBER BEING AT A MEETING WHERE THEY USED [THE SCROLL].” “[MEMBERS STOPPED USING IT BECAUSE] SOCIETY HAD CHANGED ENOUGH THAT THEY DIDN’T WANT TO BOTHER WITH THAT RITUAL. I SUSPECT THAT’S WHY. [THE RITUALS WERE] KIND OF STRANGE TO ME. BUT I ACCEPTED IT BECAUSE THAT IS PART OF WHAT YOU DID.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045004
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Other Name
BYCOCKET
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
FELT, COTTON, PLASTIC
Catalogue Number
P20120045005
  2 images  
Material Type
Artifact
Other Name
BYCOCKET
Date Range From
1960
Date Range To
1970
Materials
FELT, COTTON, PLASTIC
No. Pieces
1
Height
17
Length
29
Description
GREEN FELT BYCOCKET (ARCHER’S CAP) WITH RED FELT TRIM ALONG BOTTOM AND FOLD BETWEEN RED TRIM AND GREEN CAP; FRONT SIDE OF CAP HAS THREE SYNTHETIC FEATHERS TUCKED INTO FOLD, ONE YELLOW, ONE RED, AND ONE GREEN. FRONT SIDE OF CAP HAS GOLDEN GLITTER-GLUE HANDWRITTEN TEXT “LETHBRIDGE 562”; BACK SIDE OF CAP HAS GOLDEN GLITTER-GLUE HANDWRITTEN TEXT SEWN ONTO GREEN PATCH ON CAP “GINNY”. GLITTER-GLUE IS PEELING IN SPOTS ON FRONT AND BACK TEXT; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-HEADWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. “THAT ONE WAS ALMOST AHEAD OF ME IN THE FORESTERS BECAUSE IT WASN’T REALLY SOMETHING THAT WE USED. IN EARLY DAYS, WHEN THEY HAD SOMETHING OFFICIAL, THEY WORE THE CAP, AND THEY WORE A GOWN. IT ALL GOES BACK TO ROBIN HOOD DAYS BECAUSE THE FORESTERS WERE DEVELOPED IN THAT TIME SPAN OF YEARS.” “[MEMBERS STOPPED USING IT BECAUSE] SOCIETY HAD CHANGED ENOUGH THAT THEY DIDN’T WANT TO BOTHER WITH THAT RITUAL. I SUSPECT THAT’S WHY. [THE RITUALS WERE] KIND OF STRANGE TO ME. BUT I ACCEPTED IT BECAUSE THAT IS PART OF WHAT YOU DID. IF YOU HAD AN OPEN PARTY BEFORE ‘70 AND YOU WERE WEARING ONE OF THOSE…PEOPLE RECOGNIZED YOU AS BEING ONE OF THE WORKERS…OTHER THAN THAT IT WASN’T SOMETHING THAT I REALLY WANTED TO WEAR, PARTICULARLY…THE RITUAL…I’D SAY IT HAS DISAPPEARED. “MY WIFE [RUTH] AND A NEIGHBOUR WHO WAS ALSO A MEMBER [MADE THE HATS]. THEY MADE A GROUP OF THEM FOR US. THIS ONE WAS GINNY; SHE WAS PAST-PRESIDENT…IT’S NOT MINE.” “[THE RITUAL WAS] A SPILL-OVER FROM WHAT WAS HAPPENING IN ENGLAND. THE FORESTERS WERE SUCCESSFUL, [SO] THEY CARRIED ON WITH SOME OF THE ORIGINAL RITUALS. IT’S SOMETHING THAT HAD MADE THEM STRONG OR HELPED TO MAKE THEM STRONG. [THE RITUAL AND REGALIA] ALSO MADE THEM NOTABLE, NOTED.” “THE RITUAL WAS…FROM ENGLAND...IF YOU TALK TO THE PRESIDENT THEN IT WAS ‘THE CHIEF RANGER’ AND THE LANGUAGE THAT WENT WITH THE RITUAL IN THOSE YEARS GONE BY – AND WE USE SOME OF THAT LANGUAGE…AS A PREFERENCE IN STARTING OUR MEETINGS. ESPECIALLY IF IT WAS…A SPECIAL MEETING WHERE WE WERE GOING TO GIVE FIVE THOUSAND DOLLARS TO THIS OR TWO THOUSAND DOLLARS TO THAT. [THE RITUAL WAS PERFORMED IN ADVANCE OF] SOMETHING A LITTLE BIT NOTABLE WITHIN OUR GROUP.” “THE CLOTHES WERE…GIVEN TO US BY THE PREVIOUS MEMBERSHIP. THAT’S HOW WE WOUND UP WITH A HAT AND ONE OF THE CLOAKS THAT WE WORE.” “[THIS HAT] WOULD HAVE BEEN [MADE] ABOUT THE ‘80S…THOSE ARE THE LAST OF THE HATS THAT WE MADE. [WE STOPPED PERFORMING THE RITUAL] BEFORE 1990.” “WE USED THE IOOF HALL [ODD FELLOWS HALL], UPSTAIRS…WE USED THE GYM AT OUR SCHOOL, AT LAKEVIEW SCHOOL. WE RENTED PLACES…FOR OUR MEETINGS AND FOR OUR RITUALS. THE LEGION, WHEN IT WAS OVER FACING THE RAILROAD TRACK IS THE FIRST ONES I REMEMBER.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045005
Acquisition Date
2012-12
Collection
Museum
Images
Less detail

76 records – page 1 of 4.