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Other Name
"THE DISEASES OF CHILDREN"
Material Type
Artifact
Materials
PAPER, CARDBOARD, LINEN
Catalogue Number
P20140049001
  2 images  
Material Type
Artifact
Other Name
"THE DISEASES OF CHILDREN"
Date
1908
Materials
PAPER, CARDBOARD, LINEN
No. Pieces
1
Height
27.6
Length
20.5
Width
5.5
Description
A GREEN, HARD-COVERED BOOK WITH GOLD TEXT ON THE SPINE. THE TEXT READS “PFAUNDLER AND SCHLOSSMANN”, “THE DISEASES OF CHILDREN”, “SHAW AND LAFETRA”, “VOL. IV. GENITO-URINARY SYSTEM NERVOUS SYSTEM DERMATOLOGY”, “J.B.LIPPINCOTT CO.”. STAMPED ON THE TOP AND BOTTOM PAGES OF THE BOOK ARE THE WORDS “GALT HOSPITAL”. THE INSIDE IS INSCRIBED "J.E. LOVERING M.D." IN PENCIL. VERY GOOD CONDITION: THE COVER IS FADED AND SCRATCHED IN PLACES, WHILE LIGHTLY FRAYED AT THE EDGES AND CORNERS.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. NO INFORMATION WAS PROVIDED ABOUT THIS BOOK. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049001
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
"PRINCIPALS AND PRACTICE OF OBSTETRICS"
Date Range From
1938
Date Range To
1939
Material Type
Artifact
Materials
PAPER, CARDBOARD, LINEN
Catalogue Number
P20140049002
  2 images  
Material Type
Artifact
Other Name
"PRINCIPALS AND PRACTICE OF OBSTETRICS"
Date Range From
1938
Date Range To
1939
Materials
PAPER, CARDBOARD, LINEN
No. Pieces
1
Height
26
Length
19
Width
6
Description
A GREEN HARD COVERED BOOK WITH GOLD TEXT ON THE SPINE. THE TEXT READS “PRINCIPLES AND PRACTICE OF OBSTETRICS”, “DE LEE”, “SEVENTH EDITION”, “SAUNDERS”. IN ADDITION TO THIS THERE IS A WHITE WRITTEN “440”. STAMPED ON THE TOP AND BOTTOM PAGES OF THE BOOK ARE THE WORDS “GALT HOSPITAL”, AND STAMPED ON ALL THREE SIDES OF THE PAGES ARE THE WORDS “GALT SCHOOL OF NURSING”. "REFERENCE FOR NURSES OCTOBER 5 1939" INSCRIBED ON INSIDE IN PENCIL. VERY GOOD CONDITION: THE COVER IS FADED AND WORN AT THE EDGES.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. NO INFORMATION WAS PROVIDED ABOUT THIS BOOK. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049002
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
SPORTS SHIRT "GALT ROYALS"
Date Range From
1960
Date Range To
1964
Material Type
Artifact
Materials
FABRIC, PAINT, METAL
Catalogue Number
P20140049005
  2 images  
Material Type
Artifact
Other Name
SPORTS SHIRT "GALT ROYALS"
Date Range From
1960
Date Range To
1964
Materials
FABRIC, PAINT, METAL
No. Pieces
1
Height
62
Length
68
Width
48
Description
A GREEN BASKETBALL T-SHIRT WITH WHITE TRIMMING AND WHITE PAINTED NUMBERS AND TEXT. THE FRONT OF THE SHIRT READS “55” AND “GALT ROYALS”. THE BACK READS “55”. THE WHITE TRIMMING FOLLOWS THE BOTTOM EDGE, THE SLEEVE EDGES AND THE COLLAR. THE COLLAR OPENS WITH A METAL ZIPPER, ENDING IN A SMALL SILVER CHAIN. A SMALL WHITE TAG IN THE BACK OF THE COLLAR READS “12” IN RED. EXCELLENT CONDITION: THE COLLAR IS CREASED ON ONE CORNER.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
HEALTH SERVICES
SPORTS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS SHIRT WAS A PART OF THE GALT SCHOOL OF NURSING BASKETBALL UNIFORM. WHILE THE SPECIFIC DATE OF THIS ARTIFACT IS UNKNOWN, IT WOULD HAVE MOST LIKELY BEEN IN USE EARLIER THAT 1965, AS THE NURSING SCHOOL HAD GALT ROYAL UNIFORMS IN THAT YEAR THAT WERE DIFFERENT TO THIS ONE. THE UNIFORM WOULD HAVE BEEN USED BY “STUDENTS WHO WERE ON THE TEAM. BETWEEN 1965-68 ST. MICHAEL STUDENTS WERE [ON THE] TEAM ALSO.” ACCORDING TO THE HISTORY ATTACHED TO THIS ARTIFACT, SPORTS ACTIVITIES FOR THE STUDENTS WERE AN IMPORTANT PART OF THEIR LIVES DURING TRAINING. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049005
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
"GALT SCHOOL OF NURSING"
Material Type
Artifact
Materials
CERAMIC
Catalogue Number
P20140049006
  1 image  
Material Type
Artifact
Other Name
"GALT SCHOOL OF NURSING"
Date
1979
Materials
CERAMIC
No. Pieces
1
Height
8.5
Length
12
Diameter
8.9
Description
A CREAM-COLOURED CERAMIC MUG. ON ONE SIDE IS THE INSIGNIA OF THE GALT SCHOOL OF NURSING, WHICH IS COLOURED YELLOW, GREEN, AND RED. IN THE CENTER OF THE INSIGNIA IS A RED CROSS. THE TEXT READS “GALT SCHOOL OF NURSING, LETHBRIDGE ALTA”, “FESTINA LENTE”, AND “1910-1979”. AROUND THE LIP OF THE MUG RUNS A GOLD RING. THE BOTTOM OF THE MUG READS “DECORATED IN CANADA BY …EMORE CHINA & GLASS” AND “CREEMORE, ONT”. VERY GOOD CONDITION: SLIGHT WEAR TO GOLD RIM.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
ASSOCIATIONS
HEALTH SERVICES
COMMEMORATIVE
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. ACCORDING TO THE HISTORY, “THIS IS A COFFEE CUP COMMEMORATING THE CLOSING OF THE NURSING SCHOOL. THE ALUMNAE PURCHASED THEM AND SOLD THEM… [THE MUGS] WERE DESIGNED AND MADE IN 1979.” IT CONTINUES, “[THE] GALT GRADS BOUGHT THESE MUGS… [AS] A MEMENTO OF THE CLOSING OF THE SCHOOL.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049006
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
TRACHEOTOME SET
Date Range From
1940
Date Range To
1988
Material Type
Artifact
Materials
CLOTH, METAL
Catalogue Number
P20140049007
  2 images  
Material Type
Artifact
Other Name
TRACHEOTOME SET
Date Range From
1940
Date Range To
1988
Materials
CLOTH, METAL
No. Pieces
6
Height
16.2
Length
57.5
Width
0.5
Description
1: GREEN FABRIC CASE, EDGED WITH BEIGE FABRIC. DIVIDED INTO THREE POUCHES SEWED IN WITH BEIGE THREAD. TWO BEIGE FABRIC STRAPS ATTACHED TO ROLL AND TIE THE FABRIC CASE. A WHITE LABEL IS SEWN ON, READING IN GREEN TEXT “ SIERRA – SHELDEN”, “TRACHEOTOME CATALOG NO. 175-00”, AND “SIERRA ENGINEERING CO. SIERRA MADRE. CALIF.” 2: THE OBTURATOR THAT MATCHES THE LARGE TRACEOSTOMY TUBE. CURVED METAL WIRE WITH A METAL BOBBLE AT ONE END AND A METAL HANDLE AT THE OTHER END WITH A “7” ETCHED ON THE END. L: 11 CM, D: 1.5 CM 3: THE OBTURATOR THAT MATCHES THE SMALLER TRACHEOSTOMY TUBE. CURVED METAL WIRE WITH A METAL BOBBLE AT ONE END THAT EXPANDS INTO A SHARP CURVE BLADE WITH A BLUNTED TIP. A SMALL CIRCULAR BEAD OF METAL SITS IN THE MIDDLE OF THE WIRE AND AT THE OTHER END OF THE WIRE IS A CYLINDRICAL HANDLE WITH KNURLING TEXTURE. THE END OF THE HANDLE READS “ SIERRA ENG. CO CAT. NO. 287-00” AND “PATENT PEND”. METAL BOBBLE IS MISSING SOME OF ITS PATINA. L: 11 CM, D: 1.6 CM 4: A HOLLOW NEEDLE HEAD WITH A SMALL HANDLE WITH KNURLING TEXTURE. ETCHED INTO THE END OF THE HANDLE THE TEXT READS “287 SIERRA”. H: 6.1 CM, D: 1.7 CM 5: THE LARGE TRACHEOSTOMY TUBE MADE UP OF THREE PIECES; THE OUTER CANNULA, THE INNER CANNULA AND THE FLANGE. THE CANNULA’S SIT TOGETHER, THE INNER LOCKED IN WITH A ROTATING LATCH, BOTH CURVED AND HOLLOW TUBES. THE FLANGE SITS AT THE END OF THE CANNULAS, A METAL PLATE WITH TWO RECTANGULAR HOLES AND CURVING LIP. H: 2.5 CM, L: 10 CM, W: 4 CM 6: THE SMALL TRACHEOSTOMY TUBE MADE UP OF TWO PIECES; THE CANNULA, AND THE FLANGE. THE CANNULA IS A CURVED HOLLOW TUBE ATTACHED AT ONE END TO THE FLANGE, A METAL PLATE WITH TWO RECTANGULAR HOLES AND A CURVING LIP. H: 2.5 CM, L: 6.5 CM, W: 3.8 CM
Subjects
MEDICAL & DENTAL T&E
Historical Association
ASSOCIATIONS
HEALTH SERVICES
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS IS A TRACHEOTOMY SET THAT WAS USED IN DURING SURGERY, IN THE INTENSIVE CARE UNIT, AND IN THE EMERGENCY ROOM. BOTH DOCTORS AND NURSES WOULD HAVE USED THIS ARTIFACT DURING THE PROCEDURE OF TRACHEOTOMY, WHICH CREATES A DIRECT AIRWAY IN THROUGH AN INCISION IN THE TRACHEA (WINDPIPE). WHEN ANSWERING THE QUESTION OF THE ARTIFACT’S IMPORTANCE, THE INDIVIDUAL WRITING THE HISTORY STATED, “TRACHEOTOMIES HAVE BEEN LIFE-SAVERS EVEN TO THIS DAY.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049007
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Date Range From
1943
Date Range To
1946
Material Type
Artifact
Materials
GLASS, METAL, COTTON
Catalogue Number
P20140049008
  1 image  
Material Type
Artifact
Date Range From
1943
Date Range To
1946
Materials
GLASS, METAL, COTTON
No. Pieces
1
Height
10.3
Diameter
8
Description
A CIRCULAR, BUNSEN BURNER (ALSO REFERED TO AS AN ALCOHOL BURNER) WITH A RUSTED, TARNISHED WICK HOLDER AND A WHITE, COTTON WICK HANGING DOWN INTO THE BOTTLE. EMBOSSED INTO THE BOTTOM OF THE GLASS ARE THE WORDS “MADE IN USA”. GOOD CONDITION: THE METAL CAP IS SEVERELY TARNISHED. SMALL FLAKES OF RUST SIT LOOSE IN THE BOTTLE.
Subjects
CHEMICAL T&E
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS IS A GLASS BUNSEN BURNER. IT WAS USED “IN THE GSN SCIENCE LAB AND IN THE HOSPITAL LAB. THEY WERE USED ON THE WARDS IN THE EARLY DAYS TO HEAT UP SOLUTION TO DISSOLVE MEDICATION.” ACCORDING TO THE ARTIFACT’S HISTORY THIS ARTIFACT WAS USED IN “1943-1946. BY 1965, WE DID NOT USE THEM FOR DISSOLVING MEDICATION.” THE BUNSEN BURNER WAS USED BY REGISTERED NURSES AND STUDENTS. THIS ARTIFACT “WAS NECESSARY AND ROUTINELY USED EVERY DAY IN THE HOSPITAL.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049008
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
SKIN THERMOMETER
Date Range From
1955
Date Range To
1988
Material Type
Artifact
Materials
WOOD, FABRIC, PLASTIC
Catalogue Number
P20140049009
  2 images  
Material Type
Artifact
Other Name
SKIN THERMOMETER
Date Range From
1955
Date Range To
1988
Materials
WOOD, FABRIC, PLASTIC
No. Pieces
4
Height
3.1
Diameter
8.3
Description
1: WOOD CASING LID WRAPPED IN BROWN, CHERRY FAUX LEATHER FABRIC. THE TOP HAS A STRIPE OF CREAM CLOTH TAPE, LIFTING AT ONE CORNER AND WRITTEN ON IT IN BLUE PEN IS, “CSR SKIN THERMOMETER”. THE INSIDE OF THE LID IS PADDED AT THE TOP WITH GREY FABRIC. THE FAUX LEATHER IS FRAYING AWAY AT THE EDGES AND LIFTING AT THE SEAM AT THE SIDE OF THE LID, REVEALING THE WOOD UNDERNEATH. 2: A CIRCULAR SLIP OF CREAM PAPER TITLED “CORRECTING TABLE”. THE REST IS TYPED IN BLACK INK. HANDWRITTEN BLUE INK ADDITIONS FILL IN THE INSTRUMENT NUMBER AS “3878” AS WELL AS FILLING ADDITIONS TO THE CORRECTION CHART. THE SLIGHTEST WRINKLING LEAVES TWO SMALL CREASES ON THE SURFACE. DIAMETER: 6.3 CM 3: THE SKIN THERMOMETER. IT IS CIRCULAR IN A BLACK PLASTIC CASING WITH A SINGLE HALF CIRCLE PLASTIC WINDOW TO THE DIAL ON THE TOP SIDE. THE DIAL READS “FOREGGER”, “FAHRENHEIT HEIDENWOLF AUSTRIA”, AND “PATENT 3878”. THE BOTTOM SIDE HAS A 1.1 CM HIGH, 2.3 CM DIAMETER CYLINDRICAL ARM ON WHICH A ROUND SENSOR SITS. THE SENSOR IS MISSING ALMOST ALL ITS PATINA, ONLY A LITTLE BIT SURVIVING AT THE EDGES. H: 3.8 CM, D: 7 CM 4: THE BOTTOM OF THE CASE. AN OPEN WOOD CYLINDER WRAPPED ON THE OUTSIDE WITH FAUX LEATHER FABRIC WITH GREY FELT ON THE INSIDE. THE INSIDE LIP (ON WHICH THE THERMOMETER SITS) DOES NOT WRAP AROUND COMPLETELY, LEAVING SPACE FOR THE SENSOR ARM. THE BOTTOM EDGE IS UNCOVERED. THE FAUX LEATHER IS FRAYING AT THE EDGES AND PULLING AWAY FROM THE SEAM ON THE SIDE. H: 3.1 CM, D: 8.3 CM
Subjects
MEDICAL & DENTAL T&E
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS SKIN THERMOMETER WAS USED IN THE OPERATING ROOM FROM 1955 TO 1988. ACCORDING TO ITS HISTORY, “OPERATING ROOM STAFF [USED THE THERMOMETER] TO ASSESS THE TEMPERATURE OF THE PATIENTS.” THIS ARTIFACT SHOWS “HOW THINGS HAVE ADVANCED. THEY USE SKIN TAPES NOW THAT ARE THERMOMETERS.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049009
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
GLASS
Catalogue Number
P20140049010
  1 image  
Material Type
Artifact
Date
1921
Materials
GLASS
No. Pieces
1
Height
9.1
Diameter
4.5
Description
A GLASS CONICAL SHAPED MEASURING CUP WITH A POURING LIP. ETCHED INTO THE GLASS IS A MEASURING GAGE FOR VOLUME. “PHARMACY 1921” IS HANDWRITTEN ON THE BOTTOM OF THE GLASS IN GREEN INK. GOOD / VERY GOOD CONDITION: HARDENED ADHESIVE FROM A REMOVED STRIP OF TAPE STAINS THE GLASS. SLIGHT SCRATCHING/SCUFFING OF SURFACE.
Subjects
CHEMICAL T&E
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS IS A SMALL GLASS BEAKER THAT WAS USED TO MEASURE FLUID MEDICATIONS. IT WAS USED IN THE “PHARMACY AND MED ROOMS TO MIX MEDICATIONS.” ACCORDING TO HISTORY, THIS ARTIFACT WAS USED FROM 1945 TO THE 1960S. “NURSES USED THIS INSTRUMENT TO MEASURE MEDICATIONS IN C.C.’S [CUBIC CENTIMETERS].” OF THIS ARTIFACT, IT WAS WRITTEN, “THIS SHOWS HOW THINGS HAVE PROGRESSED FROM GLASS TO PLASTIC. IT WAS ESSENTIAL TO GIVE MEDICATIONS.” THE WRITING ON THE BASE OF THE BEAKER LINKS THIS ARTIFACT TO THE PHARMACY IN 1921. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049010
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
"HIRSCHE"
Date Range From
1913
Date Range To
1935
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20140049011
  2 images  
Material Type
Artifact
Other Name
"HIRSCHE"
Date Range From
1913
Date Range To
1935
Materials
COTTON
No. Pieces
1
Length
44.5
Width
17.2
Description
A WHITE CLOTH, STARCHED NURSING CAP. THE BACK EDGE IS STAMPED WITH BLACK INK, READING “E1040” AND BELOW THAT “HIRSCHE” . THE WHITE STRING TIES AND THE OPENING ATTACHMENT THEY PULL THROUGH IS FRAYING. VERY GOOD CONDITION: THE HEAVILY STARCHED FRONT FOLD IS CREASED WITH FOLD LINES.
Subjects
CLOTHING-HEADWEAR
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. ACCORDING TO THIS NURSING CAP’S HISTORY, IT WOULD HAVE BEEN OF THE FIRST TYPES OF CAPS THAT THE STUDENT NURSES WOULD HAVE WORN. IT WAS WORN “ON THE WARDS” OF THE HOSPITAL FROM 1913 ONWARDS TO AN UNSPECIFIED DATE. THE INSIDE OF THE CAP IS LABELLED “HIRSCHE”. USING THE GSN HISTORY BOOK TITLED “WHITE CAPS AND RED ROSES” RECORDS ONE STUDENT FROM THE CLASS OF 1966 WITH THE MAIDEN NAME HIRSCHE AND THREE STUDENTS FROM CLASSES 1968 TO 1975 MARRIED MEN WITH THE HIRSCHE LAST NAME. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. ON 12 JULY 2018, COLLECTIONS ASSISTANT ELISE PUNDYK MET WITH THREE MEMBERS OF GALT SCHOOL OF NURSING ALUMNI ASSOCIATION – SHARON DEJONG, DONNA KARL, AND SUE KYLLO – TO ESTABLISH FURTHER DETAILS ABOUT VARIOUS ARTIFACTS IN THIS WAVE OF GSN ACQUISITIONS. WHEN VIEWING THE CAP, KYLLO, KARL, AND DEJONG STATED THAT ALL STUDENTS HAD TO WRITE THEIR NAMES IN THEIR UNIFORMS – LIKE “HIRSCHE” IS LABELLED IN THIS CAP – BECAUSE THE UNIFORMS, INCLUDING CAPS, WOULD BE SENT TO THE LAUNDRY AND RETURNED BACK TO THE STUDENTS. ABOUT NURSING CAPS, THE THREE ALUMNI EXPLAINED THAT THEY ALWAYS WORE WHITE CAPS AS STUDENTS. UPON GRADUATION THEY RECEIVED A VELVET BLACK BAND THEY WOULD PIN ON THE CAPS FOR WORK AS GRADUATED NURSES. THIS WAS ONE OF THE INDICATORS USED TO IDENTIFY THE STUDENT NURSES VERSUS THE GRADUATED NURSES. THEY STATED THAT IN THEIR FIRST TWO YEARS OF SCHOOL, THEY WOULD WERE BLACK SHOES AND STOCKINGS (A PRACTICE THAT ENDED IN 1968) AND AFTER THAT THEY WOULD WEAR WHITE SHOES WITH WHITE STOCKINGS TO INDICATE SENIOR NURSES. THESE VARIANCES IN THE STUDENT UNIFORMS HAD IMPLICATIONS FOR THEIR EXPERIENCES ON THE FLOOR. FOR EXAMPLE, THERE WAS ONE DOCTOR WHO HAD A STRICT RULE AGAINST STUDENT NURSES SCRUBBING IN FOR HIS OPERATIONS. THEY AGREED THAT THIS WAS AN EARLY EXAMPLE OF A NURSE’S CAP, USED FROM ESTIMATE DATES OF 1913 TO 1935. REFERENCING THE GSN HISTORY BOOK, “WHITE CAPS…,” THERE IS NO RECORD OF A STUDENT WITH THIS LAST NAME IN THE SPECULATED TIME PERIOD. AS AN ANSWER TO THIS, KYLLO ADDED TO THE CAP’S WRITTEN NOTES, “THIS HAT COULD HAVE BEEN A GALT HOSPITAL STAFF MEMBER AND MAY BE NOT A GALT HAT.” IT CAN ALSO BE NOTED THAT AN ACTIVE MEMBER OF THE GSN ALUMNAE ASSOCIATION INVOLVED IN THE DECISION-MAKING PROCESS OF THE DONATION OF ITEMS TO THE MUSEUM WAS SHARON HIRSCHE (NEE TREIBER) OF THE CLASS OF 1968. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049011
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
"VETS" HOCKEY SWEATER
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
COTTON, WOOL
Catalogue Number
P20180015000
  2 images  
Material Type
Artifact
Other Name
"VETS" HOCKEY SWEATER
Date Range From
1920
Date Range To
1930
Materials
COTTON, WOOL
No. Pieces
1
Length
68.2
Width
48
Description
BLACK TURTLENECK SWEATER WITH OCHRE TRIM AT SLEEVES, NECK, AND WAIST. SWEATER IS WOOL-BLEND KNIT; SWEATER HAS YELLOW FELT LETTERS SEWN ON CHEST “VETS”. BACK OF SWEATER HAS YELLOW OUTLINE FROM MISSING “4” PATCH. SWEATER HAS HOLES ON RIGHT-WEARING SLEEVE BELOW ELBOW AND AT ARMPIT; SWEATER HAS HOLES ON SIDES OF NECK AND AT SIDES OF WAIST; SWEATER HAS HOLES ON LEFT-WEARING SLEEVE BELOW ELBOW, AT CUFF, AND ON FRONT AT SHOULDER. BACK OF SWEATER HAS HOLES OF LEFT-WEARING SLEEVE AND RIGHT-WEARING SLEEVE. SWEATER IS SOILED AND STAINED; FRONT IS FADED ON CHEST. OVERALL GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
SPORTS
History
ON JUNE 14, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED HAROLD PALMER REGARDING HIS DONATION OF A LETHBRIDGE VETS TEAM HOCKEY SWEATER. THE SWEATER BELONGED TO HAROLD PALMER’S FATHER, MURRAY YALE PALMER. ON HIS FATHER’S CONNECTION TO THE SWEATER, HAROLD PALMER RECALLED, “IT WAS IN MY DAD’S HOCKEY BAG AND HE DIED IN 1971. I NEVER REALLY WENT THROUGH STUFF UNTIL JUST RECENTLY…I’VE HAD IT SINCE 1971 IN MY POSSESSION BUT I’VE NEVER DONE ANYTHING WITH IT. [MY FATHER’S] DAD WAS A DOCTOR IN WW I, IN THE FIELD, SO HE WOULD BE VERY FAMILIAR WITH THE WAR EFFORT. HE WOULD BE IN THE HOME AS A YOUNG BOY AND HIS DAD WAS AWAY IN THE SERVICES. HE PLAYED HOCKEY ALL HIS LIFE. HE HAD TOLD ME [ABOUT] VARIOUS TEAMS THAT HE HAD PLAYED FOR AND WHEN HE DIED AT SIXTY-SEVEN YEARS OLD, HE DIED ON THURSDAY AND THEY HAD PLAYED HOCKEY ON MONDAY NIGHT WITH THE OLDTIMERS. WE GREW UP KNOWING THAT DAD PLAYED HOCKEY AND THAT HE ALWAYS HAD A RINK IN THE BACK YARD.” “[MY SON] GOT [THE CONNECTION] THAT THERE WAS A HOCKEY TEAM BY THE NAME OF “VETS” IN LETHBRIDGE FROM 1919…THIS IS WHERE THE SWEATER ORIGINATED FROM THEN, BECAUSE THERE WOULDN’T BE MANY HOCKEY CLUBS CALLED “VETS”.” “[MY FATHER] LIVED IN CLARESHOLM AT ONE TIME BECAUSE HIS DAD WAS A MEDICAL DOCTOR AND HE WOULD BE A YOUNG MAN THEN…HE WAS A RURAL DOCTOR, HE WAS A COUNTRY DOCTOR. THEY DEFINITELY LIVED IN THAT AREA AT ONE TIME.” “MY DAD HAD A RINK IN OUR BACK YARD FROM THE POINT THAT HE BOUGHT THREE LOTS IN RED DEER. [THE] FIRST [LOT] WAS THE HOUSE, THE SECOND ONE WAS PLANED OFF FOR A BASEBALL FIELD AND THEN IT WAS HOCKEY RINK IN THE WINTER TIME.” “[MY FATHER] PASSED AWAY IN RED DEER, AND HE’D BEEN IN RED DEER FROM 1939 TIL HIS PASSING.” PHOTOGRAPHS FROM THE PROVINCIAL ARCHIVES OF ALBERTA NOTES THAT THE LETHBRIDGE VETS WAS CONSIDERED A SENIOR TEAM. THE VETS WON THE 1919-1920 ALBERTA SENIOR PLAYOFFS, HOWEVER LOST IN THE 1919-1920 WESTERN CANADA ALLAN CUP PLAYOFFS. THE VETS COMPETED IN THE 1922-23 ALBERTA SENIOR PLAYOFFS AGAIN. LETHBRIDGE HERALD ARTICLES FROM 1923-1924 LIST PALMER AS A PLAYER FOR THE LETHBRIDGE VETS HOCKEY TEAM, AND IN 1926-1927 LIST MURRAY PALMER AS A PLAYER IN CLARESHOLM, ALBERTA. MURRAY YALE PALMER WAS THE SON OF SPRAGUE MURRAY PALMER AND ARLETTE PALMER. SPRAGUE PALMER WAS A DOCTOR IN LETHBRIDGE AND CLARESHOLM FOLLOWING HIS SERVICE IN WW1 AS A DOCTOR WITH THE 22ND CAVALRY FIELD AMBULANCE. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPT, COPIES OF LETHBRIDGE HERALD ARTICLES, AND COPIES OF PROVINCIAL ARCHIVES OF ALBERTA RECORDS PLEASE SEE THE PERMANENT FILE P20180015000-GA.
Catalogue Number
P20180015000
Acquisition Date
2018-06
Collection
Museum
Images
Less detail
Other Name
JACKET, SHIRT AND SKIRT
Material Type
Artifact
Materials
COTTON, POLYESTER, METAL
Catalogue Number
P20180008001
  2 images  
Material Type
Artifact
Other Name
JACKET, SHIRT AND SKIRT
Date
1965
Materials
COTTON, POLYESTER, METAL
No. Pieces
3
Length
60
Width
41.5
Description
A. CREAM WOMAN’S SUIT JACKET, 60 CM LONG X 41.5 CM WIDE. JACKET LINED WITH CREAM COTTON FABRIC; JACKET HAS THREE CREAM CLOTH-COVERED BUTTONS DOWN LEFT-WEARING SIDE AND THREE CREAM CLOTH-COVERED BUTTONS DOWN RIGHT-WEARING SIDE, WITH TWO STRAPS WITH SINGLE BUTTON HOLES EXTENDING FROM LEFT AND RIGHT SIDES AT WAIST. JACKET HAS STAIN BELOW BUTTON HOLE ON RIGHT-WEARING WAIST STRAP; OVERALL EXCELLENT CONDITION. B. SHIRT, 46.8 CM LONG X 39 CM WIDE. CREAM COTTON-BLEND SHIRT WITH SILVER ZIPPER RUNNING DOWN BACK; ZIPPER HAS CLOTH COVERING. SHIRT IS SLEEVELESS WITH MACHINE STITCHING ALONG HEM, NECK AND ARM HOLES. SHIRT HAS FOLDED STITCHING UP SIDES AND DIAGONALLY FROM HEM TO CENTER OF CHEST. SHIRT HAS STAINING ON FRONT AND UNDER SLEEVE HOLES; OVERALL VERY GOOD CONDITION. C. SKIRT, 58 CM LONG X 38 CM WIDE. CREAM COTTON-BLEND FABRIC WITH SILVER ZIPPER RUNNING DOWN SIDE AND TWO SILVER HOOKS INSIDE WAIST WITH TWO SILVER LOOPS ON TAB AT WAIST. SKIRT WIDENS AT HEM; SKIRT HAS CREAM INNER LINING. SEAMS ARE MACHINE STITCHED. PINK STAIN ON LEFT-WEARING SIDE; CREASES DOWN FRONT AND BACK; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
ON APRIL 24, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED BARB CLARKE REGARDING HER DONATION OF A WEDDING DRESS AND GOING-AWAY ENSEMBLE. THE WEDDING GOWN AND GOING-AWAY ENSEMBLE WERE WORN BY CLARKE FOR HER WEDDING IN 1965. ON HER WEDDING AND HER SELECTION OF THE GOING-AWAY ENSEMBLE, CLARKE RECALLED, “IT’S BEEN WORN A FEW TIMES…THE WEDDING WAS AUGUST 21, 1965. IT HAPPENED HERE IN SOUTHMINSTER CHURCH, AND REVEREND JOHN O’NEAL WAS THE MINISTER.” “MY SISTER-IN-LAW [JOAN HUGHSON] AND I HAD GONE TO UNIVERSITY TOGETHER. HER BABY WAS BORN IN JULY, AND DAVE [CLARKE] AND I WERE GETTING MARRIED IN AUGUST. SHE WAS AN EXTREMELY GOOD SEAMSTRESS, SO SHE MADE MY GOING-AWAY OUTFIT FOR ME. I BOUGHT A VOGUE PATTERN, FOUND THE FABRIC, AND SHE MADE THE DRESS, OR THE GOING-AWAY OUTFIT.” ON HER WEDDING, CLARKE ELABORATED, “[I MARRIED] DAVE CLARKE. HE GREW UP AT CASTOR, ALBERTA, WHICH IS 200 MILES NORTH OF TABER, ON HIGHWAY 36. WE MET WHEN WE WERE BOTH TEACHERS. WE MET AT CARSTAIRS. HE WAS TEACHING, AND I STARTED AN INTERNSHIP PROGRAM THERE. WE MET IN THE SPRING, AND THEN I GOT A JOB THERE THAT FALL. WE DATED THROUGHOUT THAT YEAR, AND GOT MARRIED THE FOLLOWING YEAR.” “I GREW UP EAST OF MILK RIVER, IN THE COMMUNITY OF MASINASIN BY WRITING-ON-STONE PARK. I HAD COMPLETED MY HIGH SCHOOL IN MILK RIVER, AND THEN I WENT OFF TO CALGARY TO UNIVERSITY. TWO YEARS OF UNIVERSITY…WAS ALL THAT WAS REQUIRED AT THAT TIME. THERE WAS A TEACHER SHORTAGE, SO YOU COULD GET A JOB AFTER TWO YEARS, WITHOUT YOUR DEGREE, AND THAT’S WHAT I DID. THEN I MET DAVE. WE DECIDED TO GET MARRIED. DAVE WAS HELPING OUT HIS PARENTS AT THEIR FARM IN CASTOR BECAUSE THEY WERE MOVING A HOUSE DURING THAT SUMMER, AND HE WAS HELPING GET THAT HOUSE MOVED FOR HIS PARENTS. I WAS PICKING UP SOME COURSES AT EDMONTON UNIVERSITY. IT JUST HAPPENED THAT I HAD NOT FELT THAT IT WAS IMPORTANT TO HAVE A WEDDING. I JUST THOUGHT WE WOULD JUST GET MARRIED, AND HAVE FAMILY MEMBERS THERE, AND THAT WOULD BE IT. OF COURSE, MY MOM AND DAD SAID, 'NO, WE’RE GOING TO HAVE A WEDDING.' SO, I SAID, 'WELL, I’M GOING.' AFTER MY YEAR OF SCHOOL TEACHING IN CARSTAIRS THAT FINISHED THE END OF JUNE, I WAS DUE IN EDMONTON FOR MY SUMMER SCHOOL CLASSES. SO, I SAID TO MOM AND DAD, 'I GUESS IF YOU WANT A WEDDING, WE’LL TALK BY PHONE, BUT YOU’LL HAVE TO MAKE ALL THE ARRANGEMENTS, AND THE PLANS FOR IT.' SO, THEY DID. WE HAD THE WEDDING.” “[THE WEDDING] WAS ALL THE SAME DAY. THE WEDDING WAS AT ONE O’CLOCK IN THE AFTERNOON [AT SOUTHMINSTER CHURCH]. THEN THE RECEPTION WAS A BIT EARLIER [AT EL RANCHO, WHICH IS NOW THE COAST HOTEL]. THEN WE DROVE DOWN TO THE FARM, AND WE HAD A BIT OF AN ‘OPEN HOUSE’ THERE. THE DANCE WAS AT NINE O’CLOCK [AT THE MASINASIN SCHOOL]. I WAS IN THE [WEDDING] DRESS UNTIL TOWARDS THE END OF THE WEDDING DANCE BECAUSE AT THE WEDDING DANCE YOU HAD TO HAVE YOUR FIRST DANCE WITH YOUR DAD. THEN I WENT BACK TO THE FARM, WHICH WAS ONLY THREE MILES AWAY, AND CHANGED INTO THE GOING AWAY OUTFIT. WE CAME BACK TO THE DANCE, AND SAID GOODBYE TO EVERYBODY THERE, AND THEN WE LEFT FROM THERE.” “IT WOULDN’T HAVE BEEN A COMMUNITY EVENT. I WAS THE YOUNGEST IN MY FAMILY, AND THE ONLY GIRL. MOM AND DAD HAD BEEN VERY ACTIVE IN THE COMMUNITY, AND CERTAINLY HOSTING A WEDDING FOR YOUR DAUGHTER WAS VERY IMPORTANT TO THEM. I GREW UP THINKING, 'HUH, IT DOESN’T MATTER TO ME IF I HAVE A WEDDING OR NOT.' BUT IT CERTAINLY WAS TO THEM, AND TO THE EXTENDED FAMILY IT WAS IMPORTANT. I WAS AMAZED – EVEN WHEN I LOOK THROUGH MY WEDDING BOOK NOW – ALL OF THE AUNTS AND UNCLES THAT CAME. SOME CAME FROM THE UNITED STATES, AND DAVE’S UNCLE, WHO WAS MASTER OF CEREMONIES AT THE RECEPTION, WAS THERE FROM EDMONTON. I WAS AMAZED THAT PEOPLE WOULD COME. I DIDN’T THINK THAT I WAS THAT IMPORTANT THAT ANYBODY WOULD COME, BUT IT TURNED OUT TO BE A VERY, VERY NICE OCCASION, EVERYBODY HAD A VERY GOOD TIME. IT WAS CERTAINLY THE INTRODUCTION OF THE TWO FAMILIES TOGETHER. I RECOGNIZED AFTER-–SOME YEARS LATER-–THAT WEDDINGS ARE HAPPY OCCASIONS, AND THAT IF EXTENDED FAMILIES DON’T GET TOGETHER FOR HAPPY OCCASIONS, THEY OFTEN GET TOGETHER JUST FOR FUNERALS AND MORE SAD OCCASIONS. I CERTAINLY UNDERSTAND NOW HOW IMPORTANT IT WAS TO MY PARENTS, AND THAT IT WAS A GOOD OCCASION FOR THE WHOLE EXTENDED FAMILY.” “THE WAY THE SUMMER PROGRESSED, DAVE WAS VERY BUSY WITH HIS PARENTS…AND I WAS BUSY AT SUMMER SCHOOL. IF YOU KNOW ANYTHING ABOUT SUMMER SCHOOL, YOU KNOW THAT YOU ARE CRAMMING, AND TAKING CLASSES, AND YOU’RE DOING EXAMS. EVERYTHING IS FAST BECAUSE YOU ARE TRYING TO GET IT ALL DONE IN 6 WEEKS, AND YOU’RE TRYING TO MAKE SURE THAT YOU ARE GETTING A FULL CREDIT FOR YOUR COURSE. MY FINAL EXAM WAS ON A TUESDAY, AND I PACKED UP MY THINGS, AND WENT TO CASTOR ON THE WEDNESDAY. [I] PICKED UP DAVE, AND WE CAME TO LETHBRIDGE ON THE THURSDAY. WE MET WITH THE MINISTER ON THE THURSDAY, AND HE SAID THAT HE WAS BEGINNING TO WONDER IF THERE WAS A BRIDE AND GROOM BECAUSE HE HADN’T MET US…WE HAD THE REHEARSAL ON FRIDAY; THE WEDDING ON SATURDAY. FOR OUR HONEYMOON, WE WENT DOWN TO SANDPOINT AND COEUR D’ ALENE ON A LITTLE TRIP DOWN THERE. ONE WEEK LATER WE WERE IN A SMALL TOWN, NEIGHBOURING TO CASTOR, WHERE WE HAD TEACHING JOBS BECAUSE THE SCHOOL YEAR WAS TO START. WE HAD NO TIME TO SET UP A LITTLE TEACHERAGE. THE SCHOOL BOARD THERE RENTED US A HOUSE…THAT WAS HOW WE STARTED. IT WASN’T A VERY GRAND BEGINNING.” “[LETHBRIDGE WAS THE MID-POINT] TO ACCOMMODATE THE FAMILIES. MOM HAD MADE THE ARRANGEMENTS, SO I THINK IT MIGHT HAVE BEEN SOMETHING TO DO WITH WHETHER OR NOT THEY COULD HAVE THE RECEPTION CLOSE [TO SOUTHMINSTER CHURCH]. BECAUSE I WENT TO SUNDAY SCHOOL AND BELONGED TO THE CHURCH IN MILK RIVER – SO DID MY PARENTS –WE WERE AFFILIATED WITH THE UNITED CHURCH. SOUTHMINSTER WAS DEFINITELY NOT OUR HOME CHURCH AT THAT TIME.” CLARKE SPOKE TO HER MOTIVES FOR KEEPING AND DONATING THE WEDDING GOWN AND GOING-AWAY ENSEMBLE, STATING, “IT’S ALWAYS [BEEN] EASY TO KEEP IT. I DON’T THINK I’M A HOARDER, BUT I DO LOVE SENTIMENTAL THINGS, AND I HAVE MY MOTHER’S WEDDING DRESS AND GOING-AWAY OUTFIT. THEY ARE VALUABLE PIECES. THIS DRESS AND THIS OUTFIT, I HAD IT OUT AT OUR 25TH WEDDING ANNIVERSARY. I COULDN’T WEAR IT MYSELF BECAUSE MY ARMS CHANGED, BUT MY NIECE WORE IT, AND WE HAD A BIG PARTY-–FAMILY PARTY–-FOR OUR 25TH. THEN A FEW YEARS AGO SOUTHMINSTER CHURCH HAD A 100TH ANNIVERSARY, SO WE WERE ALL INVITED TO TAKE WHATEVER WE WANTED FROM OUR OWN HISTORY, AND SO [MY WEDDING] DRESS WAS WORN AT THAT OCCASION AS WELL.” “I’VE HUNG ONTO THESE MATERIALS FOR 52 YEARS, AND NOW I’M DOWNSIZING MY HOME SO THAT I CAN LIVE IN A CONDO. MY HUSBAND DIED LAST YEAR, AND, AS I’M DOWNSIZING, I LOOK THROUGH ALL OF THE THINGS THAT WE HAVE ACQUIRED AND PACKED AROUND WITH US FOR ALL OF OUR MARRIED YEARS. I DECIDED THAT THIS DRESS AND THIS OUTFIT WERE NOT GOING ANYWHERE AS LONG AS IT WAS IN MY STUFF, AND THAT PERHAPS THERE WAS SOME VALUE IN IT HAVING IT AS PROPERTY OF THE MUSEUM.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND PHOTOGRAPHS, PLEASE SEE THE PERMANENT FILE P20180008001-GA.
Catalogue Number
P20180008001
Acquisition Date
2018-04
Collection
Museum
Images
Less detail
Other Name
DRESS, WEDDING
Material Type
Artifact
Materials
COTTON, POLYESTER, METAL
Catalogue Number
P20180008002
  2 images  
Material Type
Artifact
Other Name
DRESS, WEDDING
Date
1965
Materials
COTTON, POLYESTER, METAL
No. Pieces
2
Length
134
Width
43
Description
A. WHITE WEDDING DRESS, 134 CM LONG X 43 CM WIDE. DRESS HAS CREAM LACE OVERLAID DOWN FRONT AND AROUND SHOULDERS; FRONT HAS WHITE BOW AT WAIST. SLEEVES ARE POINTED AT CUFFS WITH THREE WHITE CLOTH-COVERED BUTTONS ALONG CUFFS. BACK OF DRESS HAS WHITE METAL ZIPPER RUNNING FROM NECK TO WAIST, AND SILVER FASTENING HOOKS AND LOOPS AT COLLAR AND WAIST. BACK HAS FOUR WHITE SNAP-BUTTONS UNDER LACE AT SHOULDERS FOR FASTENING TRAIN; COLLAR HAS SILVER SNAP BUTTON FOR CLOSING LACE OVERLAY. BACK HEM HAS SLIT UP CENTER. DRESS HAS STAINING AND RIP ON FRONT LEFT SLEEVE; RIGHT SLEEVE HAS STAINING ON BACK; OVERALL EXCELLENT CONDITION. B. TRAIN FOR WEDDING DRESS, 210.4 CM WIDE X 174 CM LONG, DETACHABLE. TRAIN HAS FIVE METAL SNAP BUTTONS AT NECK PAINTED WHITE AT BASES; TRAIN HAS A TRIANGULAR SLIT CUT OUT OF BACK AT LOWER EDGE; CUT-OUT IS OVERLAID WITH CREAM LACE, WITH IVORY BOW AT THE PEAK OF THE CUT-OUT. MACHINE-STITCHED AT EDGES; CREASED; STAINED ALONG INSIDE LOWER EDGE; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
CEREMONIAL ARTIFACT
Historical Association
PERSONAL CARE
History
ON APRIL 24, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED BARB CLARKE REGARDING HER DONATION OF A WEDDING GOWN AND GOING-AWAY ENSEMBLE. THE WEDDING GOWN AND GOING-AWAY ENSEMBLE WERE WORN BY CLARKE FOR HER WEDDING IN 1965. ON HER WEDDING AND HER SELECTION OF THE WEDDING GOWN, CLARKE RECALLED, “I WENT SHOPPING FOR A WEDDING DRESS, AND THIS WAS THE FIRST DRESS I TRIED ON. IT COST ME $75.00. I JUST BOUGHT IT, AND SAID, 'OK, IT FITS. I GUESS WE’LL PUT IT AWAY, AND HANG IT UP IN THE CLOSET, AND IT’LL BE READY WHEN WE GET [IT].' AFTER SUMMER SCHOOL–-I GUESS I HAD WORKED HARD–-BUT I HAD LOST SOME WEIGHT. WHEN I STOOD IN THE DRESS THE HEM HUNG ON THE FLOOR, SO FOR THE PICTURES I HAD TO STAND UP ON MY TIPTOES, SO THAT THE DRESS WAS NOT CRUMPLING IN FRONT OF ME.” “[I BOUGHT IT FROM] ONE OF THE DRESS SHOPS ON FOURTH AVE. THERE’S A NUMBER OF DRESS SHOPS ALONG THAT STREET. IT WAS NOT A BIG SHOP; IT WAS NOT A BIG ‘WEDDING DRESS’ SHOP LIKE THEY HAVE NOW. IT WAS JUST A SHOP THAT SEEMED LIKE THEY HAD SOME WEDDING DRESSES IN ONE SECTION.” “[IT] WAS NOT A BIG POUFY DRESS. I JUST WANTED SOMETHING VERY SIMPLE, BUT SOMETHING VERY STRAIGHT AND EASY TO WEAR. I ALWAYS LIKED THE ‘HEAVY LACE’ KINDS OF THINGS. WHEN I FOUND THIS, AND IT WAS 75 DOLLARS, [IT] SEEMED LIKE A LOT OF MONEY, BUT I WAS TEACHING. I HAD ALSO BORROWED SOME MONEY FROM MY DAD TO BUY A CAR, AND I WASN’T MAKING MUCH MONEY. WHEN I WAS STARTING TEACHING, MY COUSIN WHO WAS WORKING IN A BANK MADE MORE MONEY THAN I DID, BUT I HAD TO PAY OFF THE LOAN TO MY DAD FOR THE CAR. BUT I WAS ABLE TO SQUEEZE OUT ENOUGH MONEY TO BUY THIS DRESS.” “THIS WAS SOMEWHAT OF A DEPARTURE BECAUSE IT WAS JUST A STRAIGHT SHEATHE DRESS. MANY OF THEM WERE—I DON’T WANT TO SAY MORE STRAPLESS, BUT THEY HAD MORE ‘BEADING’, MORE ‘NETTING’, MORE POUFY WITH CRINOLINES, AND WIDER DRESSES. I JUST WAS TRYING TO GO AS SIMPLE AS I COULD. THIS ONE HAD THIS NICE LITTLE TRAIN ON IT, SO THAT MADE IT A LITTLE BIT MORE DRESSY AND ELEGANT. IT WAS NOT OVER-THE-TOP WITH POUFINESS. I WAS BRIDESMAID A FEW TIMES-–SO I THOUGHT I WAS NEVER GOING TO BE A BRIDE. MOST OF THE OTHER GIRLS HAD WIDER DRESSES. THIS ONE HAS THE LONG SLEEVES WITH THE LITTLE POINTY THING ON YOUR WRIST AND HAND, AND NOT MANY OF THEM WERE LIKE THAT. MOST OF THEM WERE SHORTER SLEEVES. I’M NOT SURE THAT THIS ONE WOULD BE TOTALLY REPRESENTATIONAL [OF THE FASHION OF THE TIME], BUT IT ALWAYS ACQUIRED MANY COMPLIMENTS AS BEING A VERY NICE DRESS.” ON HER WEDDING, CLARKE ELABORATED, “[I MARRIED] DAVE CLARKE. HE GREW UP AT CASTOR, ALBERTA, WHICH IS 200 MILES NORTH OF TABER, ON HIGHWAY 36. WE MET WHEN WE WERE BOTH TEACHERS. WE MET AT CARSTAIRS. HE WAS TEACHING, AND I STARTED AN INTERNSHIP PROGRAM THERE. WE MET IN THE SPRING, AND THEN I GOT A JOB THERE THAT FALL. WE DATED THROUGHOUT THAT YEAR, AND GOT MARRIED THE FOLLOWING YEAR.” “I GREW UP EAST OF MILK RIVER, IN THE COMMUNITY OF MASINASIN BY WRITING-ON-STONE PARK. I HAD COMPLETED MY HIGH SCHOOL IN MILK RIVER, AND THEN I WENT OFF TO CALGARY TO UNIVERSITY. TWO YEARS OF UNIVERSITY…WAS ALL THAT WAS REQUIRED AT THAT TIME. THERE WAS A TEACHER SHORTAGE, SO YOU COULD GET A JOB AFTER TWO YEARS, WITHOUT YOUR DEGREE, AND THAT’S WHAT I DID. THEN I MET DAVE. WE DECIDED TO GET MARRIED. DAVE WAS HELPING OUT HIS PARENTS AT THEIR FARM IN CASTOR BECAUSE THEY WERE MOVING A HOUSE DURING THAT SUMMER, AND HE WAS HELPING GET THAT HOUSE MOVED FOR HIS PARENTS. I WAS PICKING UP SOME COURSES AT EDMONTON UNIVERSITY. IT JUST HAPPENED THAT I HAD NOT FELT THAT IT WAS IMPORTANT TO HAVE A WEDDING. I JUST THOUGHT WE WOULD JUST GET MARRIED, AND HAVE FAMILY MEMBERS THERE, AND THAT WOULD BE IT. OF COURSE, MY MOM AND DAD SAID, 'NO, WE’RE GOING TO HAVE A WEDDING.' SO, I SAID, 'WELL, I’M GOING.' AFTER MY YEAR OF SCHOOL TEACHING IN CARSTAIRS THAT FINISHED THE END OF JUNE, I WAS DUE IN EDMONTON FOR MY SUMMER SCHOOL CLASSES. SO, I SAID TO MOM AND DAD, 'I GUESS IF YOU WANT A WEDDING, WE’LL TALK BY PHONE, BUT YOU’LL HAVE TO MAKE ALL THE ARRANGEMENTS, AND THE PLANS FOR IT.' SO, THEY DID. WE HAD THE WEDDING.” “[THE WEDDING] WAS ALL THE SAME DAY. THE WEDDING WAS AT ONE O’CLOCK IN THE AFTERNOON [AT SOUTHMINSTER CHURCH]. THEN THE RECEPTION WAS A BIT EARLIER [AT EL RANCHO, WHICH IS NOW THE COAST HOTEL]. THEN WE DROVE DOWN TO THE FARM, AND WE HAD A BIT OF AN ‘OPEN HOUSE’ THERE. THE DANCE WAS AT NINE O’CLOCK [AT THE MASINASIN SCHOOL]. I WAS IN THE [WEDDING] DRESS UNTIL TOWARDS THE END OF THE WEDDING DANCE BECAUSE AT THE WEDDING DANCE YOU HAD TO HAVE YOUR FIRST DANCE WITH YOUR DAD. THEN I WENT BACK TO THE FARM, WHICH WAS ONLY THREE MILES AWAY, AND CHANGED INTO THE GOING AWAY OUTFIT. WE CAME BACK TO THE DANCE, AND SAID GOODBYE TO EVERYBODY THERE, AND THEN WE LEFT FROM THERE.” “IT WOULDN’T HAVE BEEN A COMMUNITY EVENT. I WAS THE YOUNGEST IN MY FAMILY, AND THE ONLY GIRL. MOM AND DAD HAD BEEN VERY ACTIVE IN THE COMMUNITY, AND CERTAINLY HOSTING A WEDDING FOR YOUR DAUGHTER WAS VERY IMPORTANT TO THEM. I GREW UP THINKING, 'HUH, IT DOESN’T MATTER TO ME IF I HAVE A WEDDING OR NOT.' BUT IT CERTAINLY WAS TO THEM, AND TO THE EXTENDED FAMILY IT WAS IMPORTANT. I WAS AMAZED – EVEN WHEN I LOOK THROUGH MY WEDDING BOOK NOW – ALL OF THE AUNTS AND UNCLES THAT CAME. SOME CAME FROM THE UNITED STATES, AND DAVE’S UNCLE, WHO WAS MASTER OF CEREMONIES AT THE RECEPTION, WAS THERE FROM EDMONTON. I WAS AMAZED THAT PEOPLE WOULD COME. I DIDN’T THINK THAT I WAS THAT IMPORTANT THAT ANYBODY WOULD COME, BUT IT TURNED OUT TO BE A VERY, VERY NICE OCCASION, EVERYBODY HAD A VERY GOOD TIME. IT WAS CERTAINLY THE INTRODUCTION OF THE TWO FAMILIES TOGETHER. I RECOGNIZED AFTER-–SOME YEARS LATER-–THAT WEDDINGS ARE HAPPY OCCASIONS, AND THAT IF EXTENDED FAMILIES DON’T GET TOGETHER FOR HAPPY OCCASIONS, THEY OFTEN GET TOGETHER JUST FOR FUNERALS AND MORE SAD OCCASIONS. I CERTAINLY UNDERSTAND NOW HOW IMPORTANT IT WAS TO MY PARENTS, AND THAT IT WAS A GOOD OCCASION FOR THE WHOLE EXTENDED FAMILY.” “THE WAY THE SUMMER PROGRESSED, DAVE WAS VERY BUSY WITH HIS PARENTS…AND I WAS BUSY AT SUMMER SCHOOL. IF YOU KNOW ANYTHING ABOUT SUMMER SCHOOL, YOU KNOW THAT YOU ARE CRAMMING, AND TAKING CLASSES, AND YOU’RE DOING EXAMS. EVERYTHING IS FAST BECAUSE YOU ARE TRYING TO GET IT ALL DONE IN 6 WEEKS, AND YOU’RE TRYING TO MAKE SURE THAT YOU ARE GETTING A FULL CREDIT FOR YOUR COURSE. MY FINAL EXAM WAS ON A TUESDAY, AND I PACKED UP MY THINGS, AND WENT TO CASTOR ON THE WEDNESDAY. [I] PICKED UP DAVE, AND WE CAME TO LETHBRIDGE ON THE THURSDAY. WE MET WITH THE MINISTER ON THE THURSDAY, AND HE SAID THAT HE WAS BEGINNING TO WONDER IF THERE WAS A BRIDE AND GROOM BECAUSE HE HADN’T MET US…WE HAD THE REHEARSAL ON FRIDAY; THE WEDDING ON SATURDAY. FOR OUR HONEYMOON, WE WENT DOWN TO SANDPOINT AND COEUR D’ ALENE ON A LITTLE TRIP DOWN THERE. ONE WEEK LATER WE WERE IN A SMALL TOWN, NEIGHBOURING TO CASTOR, WHERE WE HAD TEACHING JOBS BECAUSE THE SCHOOL YEAR WAS TO START. WE HAD NO TIME TO SET UP A LITTLE TEACHERAGE. THE SCHOOL BOARD THERE RENTED US A HOUSE…THAT WAS HOW WE STARTED. IT WASN’T A VERY GRAND BEGINNING.” “[LETHBRIDGE WAS THE MID-POINT] TO ACCOMMODATE THE FAMILIES. MOM HAD MADE THE ARRANGEMENTS, SO I THINK IT MIGHT HAVE BEEN SOMETHING TO DO WITH WHETHER OR NOT THEY COULD HAVE THE RECEPTION CLOSE [TO SOUTHMINSTER CHURCH]. BECAUSE I WENT TO SUNDAY SCHOOL AND BELONGED TO THE CHURCH IN MILK RIVER – SO DID MY PARENTS –WE WERE AFFILIATED WITH THE UNITED CHURCH. SOUTHMINSTER WAS DEFINITELY NOT OUR HOME CHURCH AT THAT TIME.” CLARKE SPOKE TO HER MOTIVES FOR KEEPING AND DONATING THE WEDDING GOWN AND GOING-AWAY ENSEMBLE, STATING, “IT’S ALWAYS [BEEN] EASY TO KEEP IT. I DON’T THINK I’M A HOARDER, BUT I DO LOVE SENTIMENTAL THINGS, AND I HAVE MY MOTHER’S WEDDING DRESS AND GOING-AWAY OUTFIT. THEY ARE VALUABLE PIECES. THIS DRESS AND THIS OUTFIT, I HAD IT OUT AT OUR 25TH WEDDING ANNIVERSARY. I COULDN’T WEAR IT MYSELF BECAUSE MY ARMS CHANGED, BUT MY NIECE WORE IT, AND WE HAD A BIG PARTY-–FAMILY PARTY–-FOR OUR 25TH. THEN A FEW YEARS AGO SOUTHMINSTER CHURCH HAD A 100TH ANNIVERSARY, SO WE WERE ALL INVITED TO TAKE WHATEVER WE WANTED FROM OUR OWN HISTORY, AND SO [MY WEDDING] DRESS WAS WORN AT THAT OCCASION AS WELL.” “I’VE HUNG ONTO THESE MATERIALS FOR 52 YEARS, AND NOW I’M DOWNSIZING MY HOME SO THAT I CAN LIVE IN A CONDO. MY HUSBAND DIED LAST YEAR, AND, AS I’M DOWNSIZING, I LOOK THROUGH ALL OF THE THINGS THAT WE HAVE ACQUIRED AND PACKED AROUND WITH US FOR ALL OF OUR MARRIED YEARS. I DECIDED THAT THIS DRESS AND THIS OUTFIT WERE NOT GOING ANYWHERE AS LONG AS IT WAS IN MY STUFF, AND THAT PERHAPS THERE WAS SOME VALUE IN IT HAVING IT AS PROPERTY OF THE MUSEUM.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND PHOTOGRAPHS, PLEASE SEE THE PERMANENT FILE P20180008001-GA.
Catalogue Number
P20180008002
Acquisition Date
2018-04
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2015
Material Type
Artifact
Materials
NYLON, SPANDEX, PLASTIC
Catalogue Number
P20170007005
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2015
Materials
NYLON, SPANDEX, PLASTIC
No. Pieces
2
Length
23
Width
8.5
Description
PAIR OF WHITE, REFLECTIVE GLOVES WITH WHITE AND OPAQUE PLASTIC BEADING ON WRISTS; BEADING FORMS FLOWER PATTERNS WITH BEADED LOOP AND TWO BEADED STRANDS FROM CENTER. TAG INSIDE LEFT HAND GLOVE READS “87.30% NYLON, 12.70% SPANDEX, MADE IN TAIWAN”. FINGERTIPS ON RIGHT HAND GLOVE STAINED RED; BEADING ON BOTH GLOVES IS STAINED RED-BROWN UNDERNEATH. OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. MACLEAN ADDITIONALLY INTERVIEWED ANN MARIE MCDONALD OF THE LETHBRIDGE ORDER OF ROYAL PURPLE ON JUNE 6, 2017. ON THE GLOVES, MCDONALD ELABORATED, “WE ALWAYS WORE WHITE GLOVES FOR FUNERALS, FOR WHEN OUR SUPREME CAME. IF OUR SUPREME CAME, WE ALWAYS HAD OUR DRILL TEAM…THEY WORE LONG SKIRTS, BUT THEY DIDN’T WEAR JACKETS. IF YOU WERE HONORABLE ROYAL LADY, AND YOU HAD SOMEBODY IMPORTANT COME TO VISIT YOU, YOU WORE WHITES, WHICH MEANT WHITE GLOVES. IF YOU GO TO A FUNERAL, AND YOU DRESS IN ROYAL PURPLE, YOU’D BETTER BRING YOUR WHITE GLOVES, OR PUT YOUR HANDS IN YOUR POCKETS.” WILMA WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007005
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Other Name
SANDAL
Date Range From
2010
Date Range To
2017
Material Type
Artifact
Catalogue Number
P20170007006
  2 images  
Material Type
Artifact
Other Name
SANDAL
Date Range From
2010
Date Range To
2017
No. Pieces
2
Length
26.3
Width
9.3
Description
PAIR OF WHITE SANDALS, LADIES’ SIZE 8.5. SANDALS HAVE ANKLE STRAP WITH SILVER BUCKLE AND TOE STRAP WITH A CENTER STRAP CONNECTING TOE STRAP TO ANKLE; INSIDE OF SANDALS IS SILVER; BOTTOM OF SANDALS IS BROWN. LABELS INSIDE SANDALS READ “GEORGE” ON BOTTOM, “8 ½, 29 PADDY, MADE IN CAMBODIA, FABRIQUE EN CAMBODGE, 030829470 36131215 S14” INSIDE ANKLES. INSIDE LININGS HAVE RED/BROWN GRIME BUILDUP AROUND EDGES; ANKLES OF SANDALS ARE WORN AND DISCOLOURED; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-FOOTWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. ON THE SANDALS, WOOD ELABORATED, “THESE ARE RELATIVELY NEW SHOES [ABOUT FIVE OR SIX YEARS OLD] THAT WE GOT WHEN SHE WENT TO PARK MEADOWS BECAUSE SHE COULDN’T HAVE HEELS ANY MORE, OR ANY HEIGHT. SHE AND I WENT OUT AND WE FOUND THESE SHOES THAT SHE COULD WEAR TO THE MEETINGS.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007006
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1970
Date Range To
2015
Material Type
Artifact
Materials
COTTON, POLYESTER, PLASTIC
Catalogue Number
P20170007007
  2 images  
Material Type
Artifact
Date Range From
1970
Date Range To
2015
Materials
COTTON, POLYESTER, PLASTIC
No. Pieces
2
Height
5.5
Diameter
19
Description
A. PURPLE ROUND CAP WITH PURPLE AND WHITE TASSEL ATTACHED TO CENTER BUTTON. INSIDE OF CAP HAS BLACK VELCRO STRIP STAPLED TO BROWN LEATHER LINING, AND BLACK DOUBLE-ELASTIC STRAP ATTACHED. WHITE TAG INSIDE CAP READS “LOT. MEDIUM” WITH HANDWRITTEN INSCRIPTION IN BLUE INK “D. TAYLOR”. HAT HAS TWO PINS ON FRONT, ONE DIAMOND-SHAPED WITH RHINESTONE EDGING AND A STAG WITH PURPLE EYES IN THE CENTER, OVERALL EXCELLENT CONDITION; SECOND PIN COMPRISED OF FOURTEEN RHINESTONES ATTACHED WITH METAL CASINGS WITH TWO PIN ENDS AND PIN BACKINGS ATTACHED, OVERALL VERY GOOD CONDITION. BOTH PINS HAS SILVER-COLOURED FINISHING; RHINESTONE-CHAIN PIN HAS TARNISHING ON PIN ENDS. INSIDE OF CAP HAS STAINS ALONG BACK EDGE AND ON INSIDE LINING; OVERALL VERY GOOD CONDITION. B. HAT BAG, 33CM LONG X 22.5CM WIDE X 6.4CM DEEP, GREY EXTERIOR WITH BLACK, VINYL INTERIOR; HANDLE STITCHED TO TOP OF BAG. TOP FLAP ON BAG SECURES WITH BLACK AND SILVER SNAP BUTTON. INSIDE OF BAG HAS PAPER CARD INSERTED IN PLASTIC SLEEVE THAT READS “NAME DOROTHY TAYLOR, STREET 403 515-6 ST. S, TOWN LETHBRIDGE, PROV. ALTA, PHONE 8-9867, O.O.R.P. LODGE NO. 32”. RIGHT SIDE OF BAG INSIDE HAS GOLD “O.O.R.P.” DIAMOND SEAL WITH ELK IN CENTER. BAG HAS ROUNDED BASE; UPPER FLAP IS CURLED OUT AND BENT, AND TORN AT LOWER RIGHT AND LEFT CORNERS WHERE ATTACHED TO THE BAG; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-HEADWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. MACLEAN ADDITIONALLY INTERVIEWED ANN MARIE MCDONALD OF THE LETHBRIDGE ORDER OF ROYAL PURPLE ON JUNE 6, 2017. ON THE HAT AND HAT BAG, MCDONALD ELABORATED, “WHEN YOU JOIN THE LODGE, THIS IS THE HAT YOU GET. THIS IS STANDARD. ALL THE LADIES GET THIS. WHEN YOU JOIN THE LODGE, YOUR TASSEL IS JUST PURPLE. WHEN YOU ARE HONORABLE ROYAL LADY, YOU TAKE YOUR TASSEL OFF, AND YOU PUT THIS [PURPLE AND CREAM] TASSEL ON.” “[THE BAG] MUST BE FROM BRANDON. OUR HAT BOXES ARE WHITE, AND THEY ARE HARD, AND YOU PUT YOUR HAT IN. [THEN] YOU TIP YOUR HAT UP, AND YOU PUT YOUR GLOVES AND ANYTHING THAT YOU WANT TO STORE IN THE HAT BOX. THE HAT BOXES ARE QUITE A BIT BIGGER…THEY HAVE A HANDLE ON THEM SO YOU CAN…CARRY THEM. EVERYBODY USED TO KEEP THEIR GLOVES IN THEIR HAT BOX.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007007
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Other Name
RAGDOLL
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
WOOL, COTTON
Catalogue Number
P20120045001
  2 images  
Material Type
Artifact
Other Name
RAGDOLL
Date Range From
1970
Date Range To
1980
Materials
WOOL, COTTON
No. Pieces
4
Length
42
Width
26
Description
A. RAGDOLL KNIT WITH WHITE, YELLOW, GREEN, RED, AND BLACK YARN. BODY IS WHITE WITH YELLOW UNDERWEAR, GREEN AND WHITE STOCKINGS, AND RED AND BLACK SHOES. DOLL HAS BRIGHT ORANGE HAIR MADE FROM YARN; FACE IS HAND-STITCHED WITH WHITE AND BLACK EYES, RED TRIANGULAR NOSE, AND RED FROWNING MOUTH. DOLL HAS RED YARN TIED AROUND HANDS. WHITE TAG ON BACK READS, IN BLACK, “HAND KNIT BY RESIDENTS OF FORESTER HAVEN”. DOLL SHOWS LITTLE SIGNS OF WEAR; OVERALL EXCELLENT CONDITION. B. NECK-SCARF TIED TO DOLL; (33CM WIDE X 15CM LONG); RED COTTON TRIANGULAR NECK-SCARF WITH SCALLOPED EDGES. SCARF IS HEAVILY CREASED FROM BEING TIED ON THE DOLL; EDGES ARE FRAYED; OVERALL CONDITION IS VERY GOOD. C. GREEN AND WHITE DOTTED OVERALLS, WORN BY RAGDOLL. OVERALLS HAVE WHITE SCALLOPED TRIM AROUND ANKLES AND BIB; OVERALLS ARE SECURED WITH TWO WHITE PLASTIC AND METAL BUTTON-SNAPS. FRONT OF OVERALLS HAS FELT LETTERS “IOF” SEWN ON. OVERALLS SHOW LITTLE SIGNS OF WEAR; OVERALL EXCELLENT CONDITION. D. HAT FOR RAGOLL; STYLE OF A BASEBALL CAP WITH GREEN AND WHITE DOTTED BRIM. CAP IS FORMED BY THREE TRIANGULAR GREEN AND WHITE DOTTED PATCHES AND THREE SOLID WHITE PATCHES WITH WHITE PLASTIC BUTTON SEWN ONTO TOP. CAP HAS GREEN THREAD STITCHED AROUND BASE EDGE AND SECURING BRIM. CAP SHOWS LITTLE SIGN OF WEAR; OVERALL EXCELLENT CONDITION.
Subjects
TOY
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE OF THE RAGDOLL, CAREFOOT NOTED, “THESE DOLLS…WERE PART OF WHAT WE USED FOR…THE PREVENTION OF CHILD ABUSE…THAT WAS ONE OF THE THINGS THAT WE USED IN ADVERTISING…OCCASIONALLY, WHEN THERE WAS SOMETHING GOING ON IN THE CITY, WE’D RENT A SPACE AND HAVE A BOOTH AND THIS WAS ONE OF THE THINGS THAT WE’D PROJECT.” “WE DIDN’T MAKE AND SELL THEM. IT WAS JUST A DEMONSTRATION OF CHILDREN, CAUGHT PEOPLE’S EYE.” “THIS TOOK PLACE [IN] CANADA AND THE UNITED STATES BECAUSE THE INDEPENDENT ORDER OF FORESTERS WAS BIG IN THE UNITED STATES AS WELL AND IT GREW OVER TO ENGLAND…WE WOULD HAVE ACTIVITIES WHERE WE COULD MAKE SOME MONEY AND WE’D DONATE IT TO THE GROUPS THAT WERE [PREVENTING] CHILD ABUSE…WE WOULD HAVE A PRINCESS IN THE VARIOUS COMMUNITIES CLOSE AROUND AND THEY WOULD SELL TICKETS FOR VARIOUS THINGS SO THAT WE WOULD ACCUMULATE THE MONEY…WE WOULD THEN DONATE [THE MONEY] ON BEHALF OF [THE BUYERS] TO [THE] PREVENTION OF CHILD ABUSE.” “TODAY, IT HAS SORT OF FLOATED DOWN TO WHERE IT’S HARDLY NEGLIGIBLE ANYMORE BECAUSE OTHER THINGS HAVE HAPPENED IN THE COMMUNITY THAT WERE PROBABLY DOING BETTER THAN WE WERE.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045001
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Other Name
RAGDOLL
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
WOOL, COTTON
Catalogue Number
P20120045002
  2 images  
Material Type
Artifact
Other Name
RAGDOLL
Date Range From
1970
Date Range To
1980
Materials
WOOL, COTTON
No. Pieces
2
Length
40
Width
26
Description
A.RAGDOLL WEARING GREEN AND WHITE DOTTED DRESS; DOLL IS KNIT FROM WOOL AND HAS BRIGHT ORANGE YARN HAIR. DOLL FACE IS HAND-STITCHED WITH WHITE AND BLACK EYES, RED NOSE AND RED FROWNING MOUTH SEWN INTO WOOL. DOLL HAS KNIT YELLOW PANTIES, GREEN AND WHITE STOCKINGS, AND RED AND BLACK SHOES ALL PART OF MAIN BODY. WHITE TAG ON BACK READS, IN BLACK, “HAND KNIT BY RESIDENTS OF FORESTER HAVEN”. DOLL SHOWS LITTLE SIGNS OF WEAR; OVERALL EXCELLENT CONDITION. B. DOLL DRESS; GREEN AND WHITE WITH WHITE SCALLOPED HEM AND SLEEVES, AND WHITE COLLAR. DRESS HAS ELASTIC SLEEVES. DRESS ATTACHED AT BACK OF THE NECK WITH SILVER HOOK-CLASP. OVERALL EXCELLENT CONDITION.
Subjects
TOY
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE OF THE RAGDOLL, CAREFOOT NOTED, “THESE DOLLS…WERE PART OF WHAT WE USED FOR…THE PREVENTION OF CHILD ABUSE…THAT WAS ONE OF THE THINGS THAT WE USED IN ADVERTISING…OCCASIONALLY, WHEN THERE WAS SOMETHING GOING ON IN THE CITY, WE’D RENT A SPACE AND HAVE A BOOTH AND THIS WAS ONE OF THE THINGS THAT WE’D PROJECT.” “WE DIDN’T MAKE AND SELL THEM. IT WAS JUST A DEMONSTRATION OF CHILDREN, CAUGHT PEOPLE’S EYE.” “THIS TOOK PLACE [IN] CANADA AND THE UNITED STATES BECAUSE THE INDEPENDENT ORDER OF FORESTERS WAS BIG IN THE UNITED STATES AS WELL AND IT GREW OVER TO ENGLAND…WE WOULD HAVE ACTIVITIES WHERE WE COULD MAKE SOME MONEY AND WE’D DONATE IT TO THE GROUPS THAT WERE [PREVENTING] CHILD ABUSE…WE WOULD HAVE A PRINCESS IN THE VARIOUS COMMUNITIES CLOSE AROUND AND THEY WOULD SELL TICKETS FOR VARIOUS THINGS SO THAT WE WOULD ACCUMULATE THE MONEY…WE WOULD THEN DONATE [THE MONEY] ON BEHALF OF [THE BUYERS] TO [THE] PREVENTION OF CHILD ABUSE.” “TODAY, IT HAS SORT OF FLOATED DOWN TO WHERE IT’S HARDLY NEGLIGIBLE ANYMORE BECAUSE OTHER THINGS HAVE HAPPENED IN THE COMMUNITY THAT WERE PROBABLY DOING BETTER THAN WE WERE.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045002
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
METAL, PAPER, LEATHER
Catalogue Number
P20120045003
  2 images  
Material Type
Artifact
Date Range From
1960
Date Range To
1970
Materials
METAL, PAPER, LEATHER
No. Pieces
1
Height
28.5
Length
26.7
Width
46.2
Description
GREY CHEST WITH BLACK TRIM ALONG EDGES AND GOLD-FINISHED METAL CLASPS, NAILS, AND TRIM. CORNERS HAVE GOLD-FINISHED METAL PROTECTORS. HANDLE ON TOP OF CASE IS BLACK LEATHER WITH METAL RINGS CONNECTED TO GOLD-FINISHED BASES. CHEST HAS THREE CLASPS ON FRONT WITH LARGER CENTER CLASP INCLUDING A LOCK. TWO CLASPS ON OUTER ENDS HAVE STAMP READING “EAGLE LOCK[…], TERRYVILLE, MADE IN U.S.A.”. CENTER CLASP WITH LOCK HAS STAMPED TEXT ON RIGHT SIDE OF CLASP “126” AND STAMPED TEXT ON LOWER CLASP READING “U.S.A., EXCELSIOR, STAMFORD, CONN.”. TOP OF CASE HAS RED LABEL IN SHIELD SHAPE WITH GOLD BORDER AND GOLD GLOBE SURROUNDED BY LUGGAGE, TEXT BELOW READS “MCBRINE BAGGAGE”. INSIDE OF CASE IS LINED WITH WHITE AND BLUE FOUR-LEAF CLOVER PATTERNED PAPER. PAPER ON INSIDE IS STAINED WITH RED AND BLACK; OUTSIDE OF CASE SHOWS HEAVY RUSTING AND CORROSION ON RIGHT SIDE AND ALONG TOP AND BOTTOM EDGES OF FRONT. TOP OF CASE IS RUSTED; HANDLE ON TOP IS WORN WITH LEATHER CRACKLING AND CREASED, AND LEATHER TORN AND FRAYED AROUND METAL LOOPS SECURING IT TO THE CASE. BOTTOM EDGES ARE SCRATCHED AND RUSTED; BASE IS RUSTED AND CORRODED. OVERALL FAIR CONDITION.
Subjects
PERSONAL GEAR
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE HISTORY AND PURPOSE OF THE TRUNK, CAREFOOT NOTED, “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE SOME OF] THESE [DONATED] THINGS. IT PRE-DATES ME.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “IT WENT TO EACH CHIEF RANGER OR PRESIDENT.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045003
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
LEATHER, BRASS, PAPER
Catalogue Number
P20120045004
  2 images  
Material Type
Artifact
Date Range From
1950
Date Range To
1960
Materials
LEATHER, BRASS, PAPER
No. Pieces
4
Length
63
Width
32
Description
A. SCROLL WITH BRASS ROD AND WHITE AND BROWN LEATHER DOCUMENT. SCROLL END HAS A WOODEN ROD INSERTED IN STITCHED LEATHER LOOP, WITH TWO GOLD-BROWN COTTON PULL-ROPES WITH TASSELS. RECTO (INSIDE) OF SCROLL HAS BLACK PRINTED TEXT “ORATOR, MY FRIENDS, PLACE YOUR RIGHT HAND OVER YOUR HEART AS A TOKEN OF YOUR SINCERITY AND ANSWER THE FOLLOWING QUESTIONS BY SAYING “I DO”.” AND BELOW INCLUDES TEXT LISTING 5 DECLARATIONS FOR INDEPENDENT ORDER OF FORESTERS MEMBERS. HANDWRITTEN TEXT IN BLACK INK IN TOP LEFT CORNER OF THE RECTO READS “1ST ASH AUDIENCE [ILLEGIBLE] STAND, 2ND FORESTER CREED [ILLEGIBLE] RECORD” WITH THIRD LINE ILLEGIBLE. HANDWRITTEN TEXT IN BLUE INK IN UPPER RIGHT CORNER OF RECTO READS “[SINGLE X IN CIRCLE] ATTENTION, [TWO X MARKS IN CIRCLES] SIT DOWN, [THREE X MARKS IN CIRCLES] STAND UP.” END OF POINT 5 ON RECTO HAS TWO HAND-DRAWN X MARKS THROUGH DOTS IN BLACK INK. RECTO AND VERSO (OUTSIDE) OF SCROLL HAVE PINK INK MARKS ON LEATHER; VERSO HAS BLUE INK BLEEDING THROUGH LEATHER IN UPPER LEFT CORNER AND ALONG LEFT EDGE, AND BLACK SMUDGE ABOVE LOWER EDGE. TOP EDGE OF LEATHER IS STITCHED AT CONNECTION TO SCROLL ROD, WITH COTTON THREAD FRAYING AT ENDS FROM WEAR. OVERALL VERY GOOD CONDITION. B. PAPER WITH INITIATION STEPS FOR INDEPENDENT ORDER OF FORESTERS WITH BLACK TYPED AND HANDWRITTEN NOTES. FIRST LINES OF TEXT INCLUDE “C.R. [HAVE CROSSED OUT] WILL [HANDWRITTEN, BLACK INK] HAVE THE OFFICERS ASSUME THEIR ACCUSTOMED STATIONS IN THE COURT?” AND “*BROS., COMPS., LADIES & GENTLEMEN, AS CHIEF RANGER, I AM ABOUT TO OPEN COURT WINDY WEST #562 OF THE INDEPENDENT ORDER OF FORESTERS FOR INITIATION.” INCLUDES TEXT FOR WOODWARDS, TEXT FOR ORATOR CUT OUT, V.C.R., C.R., S.W., C.R., P.C.R., C.R., ORATOR, C.R., V.C.R., C.R., TEXT FOR ORATOR CUT OUT, V.C.R., WOODWARDS, C.R. PAPER HAS DISCOLORED OPAQUE TAPE ALONG RIGHT EDGE, AND ADHESIVE STAINING ALONG TOP, LEFT, AND BOTTOM EDGES. LOWER EDGE HAS YELLOWING AND DISCOLORATION FROM ADHESIVE. PAPER HAS BLEEDING FROM FRONT TEXT ONTO BACK OF PAPER. PAPER IS SEVERELY CREASED AND FOLDED. OVERALL FAIR CONDITION. C. PAPER CUT OUT WITH BLACK TYPED TEXT, 17.9CM LONG X 3CM WIDE. TEXT READS “OUR FATHER, WE BOW AGAIN IN SUBMISSION BEFORE THEE. WE PRAY THY BLESSING UPON OUR EFFORTS TO MAKE THY KINGDOM COME ON EARTH AND WE EARNESTLY BESEECH THEE TO GRANT EACH OF US WISDOM AND STRENGTH TO WALK IN THE PATH OF PEACE, VIRTUE AND MORALITY. GUIDE OUR FOOTSTEPS IN SAFETY THROUGH THE JOURNEY OF LIFE, AND, FINALLY, IN THY LOVE AND MERCY BRING US TO THY HEAVENLY COURT WHERE WE SHALL. SEE THEE FACE TO FACE AND PRAISE THEE AS WE OUGHT. AMEN.” PAPER HAS ADHESIVE STAINING ON LEFT AND RIGHT EDGES; PAPER HAS TEAR IN LOWER LEFT CORNER, AND FOLD IN LOWER RIGHT CORNER. PAPER HAS BLEEDING FROM FRONT TEXT ONTO BACK OF PAPER. OVERALL FAIR CONDITION. D. PAPER CUT OUT WITH BLACK TYPED TEXT, 18.6CM LONG X 3.1CM WIDE. TEXT READS, “GREAT AND MERCIFUL GOD, ASSEMBLED IN THY HOLY NAME, WE HUMBLY INVOKE THY BLESSING NOT ONLY UPON THE MEMBERS OF THIS COURT BUT UPON THY PEOPLE EVERYWHERE. INCLINE OUR HEARTS TO DO THY WILL; TEACH US TO BE WISE, MODERATE AND JUST IN ALL OUR ACTIONS AND COURTEOUS AND FORGIVING TO ONE ANOTHER. INSPIRE US TO MAKE TRUTH, JUSTICE AND CHARITY THE FOUNDATION OF ALL OUR ACTS; AND TO THEE BE ASCRIBED ALL THE GLORY AND PRAISE, NOW AND EVERMORE. AMEN.” PAPER HAS DISCOLORED OPAQUE TAPE ATTACHED TO RIGHT EDGE, AND ADHESIVE STAINING ALONG LEFT EDGE. PAPER HAS FOLD IN THE CENTER, AND UPPER LEFT AND LOWER RIGHT EDGES ARE CURLING IN. BACK OF PAPER HAS FOLDING IN LOWER LEFT CORNER, AND LEFT EDGE IS YELLOWED. UPPER RIGHT CORNER IS CREASED ON BACK. PAPER HAS BLEEDING FROM FRONT TEXT ONTO BACK OF PAPER. OVERALL FAIR CONDITION.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE AND HISTORY OF THE SCROLL, CAREFOOT NOTED, “[THIS WAS PART OF] ANOTHER RITUAL. [IT SHOWS WHAT THE]] PAST CHIEF RANGER, WHAT HE WOULD SAY…I DON’T KNOW [WHEN IT WAS RECITED] BECAUSE THEY NEVER USED IT AT A MEETING I WAS AT. THEY WERE JUST PART OF WHAT WE HAD. IT WAS PART OF WAY BACK WHEN. WE WEREN’T USING THE RITUAL WORDS SO THAT WAS PART OF [THE SCROLL].” “WE DIDN’T USE [THE SCROLL] ANYMORE. THE ORATOR HAD A SPIEL, A COMMITMENT. HE READ IT IN THE DAYS OF OLD ENGLAND. IT WASN’T PART OF OUR RITUAL ANYMORE BECAUSE WE DIDN’T HOLD TO AS STRONG A RITUAL AS THEY DID IN PREVIOUS YEARS…I WOULD SAY THAT IN THE LATE ‘50S THIS WAS ENDING [BECAUSE] I DON’T REMEMBER BEING AT A MEETING WHERE THEY USED [THE SCROLL].” “[MEMBERS STOPPED USING IT BECAUSE] SOCIETY HAD CHANGED ENOUGH THAT THEY DIDN’T WANT TO BOTHER WITH THAT RITUAL. I SUSPECT THAT’S WHY. [THE RITUALS WERE] KIND OF STRANGE TO ME. BUT I ACCEPTED IT BECAUSE THAT IS PART OF WHAT YOU DID.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045004
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Other Name
BYCOCKET
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
FELT, COTTON, PLASTIC
Catalogue Number
P20120045005
  2 images  
Material Type
Artifact
Other Name
BYCOCKET
Date Range From
1960
Date Range To
1970
Materials
FELT, COTTON, PLASTIC
No. Pieces
1
Height
17
Length
29
Description
GREEN FELT BYCOCKET (ARCHER’S CAP) WITH RED FELT TRIM ALONG BOTTOM AND FOLD BETWEEN RED TRIM AND GREEN CAP; FRONT SIDE OF CAP HAS THREE SYNTHETIC FEATHERS TUCKED INTO FOLD, ONE YELLOW, ONE RED, AND ONE GREEN. FRONT SIDE OF CAP HAS GOLDEN GLITTER-GLUE HANDWRITTEN TEXT “LETHBRIDGE 562”; BACK SIDE OF CAP HAS GOLDEN GLITTER-GLUE HANDWRITTEN TEXT SEWN ONTO GREEN PATCH ON CAP “GINNY”. GLITTER-GLUE IS PEELING IN SPOTS ON FRONT AND BACK TEXT; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-HEADWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. “THAT ONE WAS ALMOST AHEAD OF ME IN THE FORESTERS BECAUSE IT WASN’T REALLY SOMETHING THAT WE USED. IN EARLY DAYS, WHEN THEY HAD SOMETHING OFFICIAL, THEY WORE THE CAP, AND THEY WORE A GOWN. IT ALL GOES BACK TO ROBIN HOOD DAYS BECAUSE THE FORESTERS WERE DEVELOPED IN THAT TIME SPAN OF YEARS.” “[MEMBERS STOPPED USING IT BECAUSE] SOCIETY HAD CHANGED ENOUGH THAT THEY DIDN’T WANT TO BOTHER WITH THAT RITUAL. I SUSPECT THAT’S WHY. [THE RITUALS WERE] KIND OF STRANGE TO ME. BUT I ACCEPTED IT BECAUSE THAT IS PART OF WHAT YOU DID. IF YOU HAD AN OPEN PARTY BEFORE ‘70 AND YOU WERE WEARING ONE OF THOSE…PEOPLE RECOGNIZED YOU AS BEING ONE OF THE WORKERS…OTHER THAN THAT IT WASN’T SOMETHING THAT I REALLY WANTED TO WEAR, PARTICULARLY…THE RITUAL…I’D SAY IT HAS DISAPPEARED. “MY WIFE [RUTH] AND A NEIGHBOUR WHO WAS ALSO A MEMBER [MADE THE HATS]. THEY MADE A GROUP OF THEM FOR US. THIS ONE WAS GINNY; SHE WAS PAST-PRESIDENT…IT’S NOT MINE.” “[THE RITUAL WAS] A SPILL-OVER FROM WHAT WAS HAPPENING IN ENGLAND. THE FORESTERS WERE SUCCESSFUL, [SO] THEY CARRIED ON WITH SOME OF THE ORIGINAL RITUALS. IT’S SOMETHING THAT HAD MADE THEM STRONG OR HELPED TO MAKE THEM STRONG. [THE RITUAL AND REGALIA] ALSO MADE THEM NOTABLE, NOTED.” “THE RITUAL WAS…FROM ENGLAND...IF YOU TALK TO THE PRESIDENT THEN IT WAS ‘THE CHIEF RANGER’ AND THE LANGUAGE THAT WENT WITH THE RITUAL IN THOSE YEARS GONE BY – AND WE USE SOME OF THAT LANGUAGE…AS A PREFERENCE IN STARTING OUR MEETINGS. ESPECIALLY IF IT WAS…A SPECIAL MEETING WHERE WE WERE GOING TO GIVE FIVE THOUSAND DOLLARS TO THIS OR TWO THOUSAND DOLLARS TO THAT. [THE RITUAL WAS PERFORMED IN ADVANCE OF] SOMETHING A LITTLE BIT NOTABLE WITHIN OUR GROUP.” “THE CLOTHES WERE…GIVEN TO US BY THE PREVIOUS MEMBERSHIP. THAT’S HOW WE WOUND UP WITH A HAT AND ONE OF THE CLOAKS THAT WE WORE.” “[THIS HAT] WOULD HAVE BEEN [MADE] ABOUT THE ‘80S…THOSE ARE THE LAST OF THE HATS THAT WE MADE. [WE STOPPED PERFORMING THE RITUAL] BEFORE 1990.” “WE USED THE IOOF HALL [ODD FELLOWS HALL], UPSTAIRS…WE USED THE GYM AT OUR SCHOOL, AT LAKEVIEW SCHOOL. WE RENTED PLACES…FOR OUR MEETINGS AND FOR OUR RITUALS. THE LEGION, WHEN IT WAS OVER FACING THE RAILROAD TRACK IS THE FIRST ONES I REMEMBER.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045005
Acquisition Date
2012-12
Collection
Museum
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