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Date Range From
1990
Date Range To
2000
Material Type
Artifact
Materials
FELT, PAINT, WOOD
Catalogue Number
P20170038000
  2 images  
Material Type
Artifact
Date Range From
1990
Date Range To
2000
Materials
FELT, PAINT, WOOD
No. Pieces
1
Length
41.5
Width
88
Description
BLUE FELT BANNER WITH WOOD DOWEL POLE AT END, DOWEL WIDTH 88CM, BANNER WIDTH 74 CM. DOWEL ENDS ARE ROUNDED WITH SCREWS IN ENDS; RIGHT END OF DOWEL AS BLUE LINE AROUND POLE. BANNER IS FELT WITH WHITE FELT SEWN ON IN LETTERS “CFUW”, ROUND FELT MOSAIC OF COULEES UNDER A BLUE SKY BELOW, AND WHITE FELT SEWN TEXT “LETHBRIDGE & REGION”. LOWER EDGE OF BANNER HAS BLUE COTTON STRING TASSELS. BACK OF BANNER HAS WHITE OUTLINES OF LETTERS IN THREAD FROM STITCHING ON FRONT. LOOSE THREAD ON LETTER “G” IN “REGION” TEXT; LETTERS HAVE RED STAINING ON LOWER TEXT; WRINKILING OF FELT ON RIGHT SIDE OF BANNER; OVERALL VERY GOOD CONDITION.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
DECORATIVE ARTS
ASSOCIATIONS
History
ON APRIL 16, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED KATHYRN YOSHIDA AND ROSE JURISICH REGARDING THE DONATION OF A WALL BANNER FROM THE CANADIAN FEDERATION OF UNIVERSITY WOMEN [CFUW]. YOSHIDA AND JURISICH WERE MEMBERS OF THE LETHBRIDGE CHAPTER OF THE CFUW WHEN THE HANGING WAS MADE IN THE 1990S. ON THE WALL BANNER, JURISICH RECALLED, “I THINK THAT [LAURIE] KAMINSKI MADE IT…SHE HASN’T BEEN A MEMBER FOR A LONG TIME… LAURIE MADE IT I THINK IN [PROBABLY THE ‘90S]. WE HAVE A NEW BANNER NOW THAT’S CURRENT. I DON’T REMEMBER WHO ELSE LAURIE DID IT [WITH]. SHE DIDN’T DO IT HERSELF, SHE DID IT WITH A COMMITTEE. BUT I DON’T REMEMBER WHO IT WAS.” “[WE USED THIS AT] PRAIRIE MEETINGS, WHERE WE ALL MET, AND THEY THOUGHT THAT EACH CLUB SHOULD HAVE A BANNER. THAT’S WHY WE GOT IT, AND THEN WE DIDN’T USE IT, I GUESS, BECAUSE IT’S HERE. I DON’T THINK [THE BANNER WAS IN USE] UP UNTIL 2010.” YOSHIDA ADDED, “I THINK [WE USED THE BANNER AT] MORE PROVINCIAL MEETINGS, NOT FOR THE GENERAL MONTHLY MEETINGS, BUT FOR ANYTHING A LITTLE BIT MORE SPECIAL.” “I REALLY LIKE [THE BANNER]…THE PRAIRIE AND THE COULEES. THERE’S A DIFFERENT…GRAPHIC ON THE NEW [BANNER]. THE NEW ONE WAS JUST UNVEILED A COUPLE YEARS AGO.” MACLEAN INTERVIEWED BARBARA DOYLE ON DECEMEBER 22, 2017 REGARDING HER TIME WITH THE CANADIAN FEDERATION OF UNIVERSITY WOMEN AND ON THE WALL BANNER. ON THE BANNER, DOYLE NOTED, “WE [USED] IT WHEN WE [WERE HAVING] A GATHERING OF PEOPLE FOR ONE THING—[THE] AGM. SOMETIMES, WE HOST [THE AGM], JUST THE ALBERTA ONE. IT GOES TO DIFFERENT CITIES, SO WE PUT [THE BANNER] UP THERE, WHEN SOMETHING LIKE THAT [HAPPENS].” “I THINK THIS IS JUST THE ‘HOME’ THING, AND THEY ALL HAVE A ‘HOME’ PLACE THERE, TOO. WHEREVER THEY ARE GOING, THERE IS PROBABLY SOMETHING LIKE [THIS BANNER DISPLAYED] TOO.” “I THINK I DO [REMEMBER THE BANNER BEING ON DISPLAY], BECAUSE I THINK [THE] NEW ONE HAS BEEN IN THE WORKS IN THE LAST FIVE YEARS.” “[WHEN I FIRST STARTED, THE BANNER] WOULD JUST HANG IT IN THE HOUSE, WHEN THERE WAS A MEETING… IT WOULD BE FOLDED UP AND PUT IN THE CLOSET.” YOSHIDA ELABORATED ON THE HISTORY OF THE CANADIAN FEDERATION OF UNIVERSITY WOMEN IN LETHBRIDGE, NOTING, “WE USED TO MEET AT THE [ATCO] GAS COMPANY [BUILDING]…IN THE 70S AND 80S…WE HAD TO GO DOWN STAIRS, AND I THINK THE STAIRS BECAME A PROBLEM FOR SOME OF OUR WOMEN. FROM THE GAS COMPANY [WE WENT] TO THE BULLMAN.” JURISICH ADDED, “WE WERE ALSO AT SAVE-ON-FOODS. [ATCO HAD] AN AUDITORIUM DOWNSTAIRS. THAT WAS QUITE LARGE. THEY [HAD] A VERY LARGE ROOM DOWNSTAIRS WITH A KITCHEN. IT WAS ACTUALLY VERY NICE EXCEPT THAT THE STAIRS WERE LIKE GOING INTO THE DEPTHS. THE STEPS WERE VERY STEEP AND VERY LONG. AND NO ELEVATOR.” DOYLE NOTED, “WE DON’T HAVE A BUILDING. BOOK CLUB IS AT PEOPLE’S HOUSES. WE ROTATE, AND WE HAVE A LITTLE, NOT A LUNCH, BUT NIBBLEY’S, (THAT’S FINGER FOOD), THERE. I DON’T KNOW WHERE THE BRIDGE GOES – THE BRIDGE PEOPLE. I THINK MAYBE TO THE SENIOR’S, ON THE SOUTH SIDE…WE USED TO GO TO THE POLICE STATION, BECAUSE THEY HAD A ROOM THERE, AND THEY LET US HAVE OUR MEETINGS THERE. I THINK IT WAS USUALLY MONTHLY THAT WE WERE DOING SOMETHING THERE.” “THAT SPACE [AT THE POLICE STATION] IS GONE, AND I WAS TOTALLY OUT OF IT THIS PAST SEMESTER, BECAUSE I WAS SO BUSY…I DON’T KNOW WHERE THEY WENT.” ON HER TIME WITH THE GROUP, JURISICH RECALLED, “I MOVED HERE IN 1971 AND A FRIEND BROUGHT ME TO THE ORGANIZATION. SHE THOUGHT I WOULD BE INTERESTED IN A MEMBERSHIP. IT WAS LIKE-MINDED WOMEN AND WE HAD A LOT OF DISCUSSIONS ABOUT WHITE PAPERS AND [OTHER TOPICS].” “AN UNDERGRADUATE DEGREE WAS FINE [TO BE A MEMBER], JUST SO LONG AS YOU HAD A DEGREE. THEY DIDN’T HAVE NURSING DEGREES AT ONE TIME, IT WAS JUST REGISTERED NURSE WHICH WASN’T CONSIDERED A DEGREE. NOW THEY HAVE NURSING DEGREES. BUT IF YOU HAD THAT KIND OF EDUCATION, THEN YOU WERE AN ASSOCIATE MEMBER…THEY ALSO WERE QUITE RESTRICTIVE AS TO LEGITIMATE UNIVERSITIES, AND THEY DON’T HAVE ANY OF THAT ANYMORE.” “I REMEMBER WHEN WE STUDIED THE WHITE PAPER ON THE MURDOCH CASE, WHERE THAT WOMAN WAS MARRIED FOR…FORTY YEARS OR SOMETHING AND THEY LIVED ON A FARM. HE LEFT SO THEY CHANGED THE LAWS ABOUT WOMEN CONTRIBUTING TO LIFE AND I THINK THE CHANGE WAS IN THE ‘70S OR ‘80S.” “THE SCHOOL SYSTEM [WAS AN IMPORTANT TOPIC] WHEN THEY WERE INTRODUCING THE GIFTED PROGRAM. I REMEMBER GOING TO MEETINGS ABOUT THAT AND REPORTING BACK.” “[OUR ACTIVISM] VARIES [BY] THE ISSUE, WE WERE VERY ACTIVE WITH THE ANTI-FRACKING. WE WERE DEMONSTRATING ON THE STREETS FOR THAT…I THINK WE WERE MORE INVOLVED WITH DISCUSSING THINGS. I DON’T THINK THE ADVOCACY WAS GREATER [THEN]. I THINK IT’S GREATER NOW.” “I REMEMBER THAT WE USED TO WRITE LETTERS AND THINGS, I THINK AT THE TIME. WE STILL DO THAT ACTUALLY.” “THE MEETINGS ARE ON SATURDAY, THAT’S TO ACCOMMODATE ANYBODY THAT’S WORKING THAT CAN COME. OTHERWISE THEY WOULD PROBABLY BE WORKING OTHER DAYS. THAT WAS PROBABLY WHY, ORIGINALLY, IT WAS DECIDED TO HAVE IT ON THE SATURDAY. SATURDAY AT NOON ACTUALLY. IT USED TO BE IN THE EVENING ALL THE TIME, THIRD MONDAY OF THE MONTH.” “FOR ME IT WAS THE FIRST ORGANIZATION THAT I WAS INTRODUCED TO AND I WAS WORKING. I HAD A WORKING LIFE AND A HOME LIFE WHERE I HAD CHILDREN. I DID BELONG TO SOMETHING ELSE AT ONE TIME, I THINK THE HOME EC ASSOCIATION. I ENJOYED THE PEOPLE IN IT AND IT WAS INTERESTING FOR ME. IT WAS DIFFERENT THAN ANYTHING I HAD DONE, SO THAT’S WHY I CONTINUED.” YOSHIDA ADDED, “I BECAME A MEMBER IN 1968, THE YEAR THAT WE CAME TO LETHBRIDGE, AND I WAS BROUGHT TO THE MEETING BY ANOTHER FACULTY MEMBER’S WIFE, JENNIFER BUTTERFIELD. I THINK SHE KNEW THAT WE WERE NEW TO TOWN AND WE DIDN’T REALLY KNOW ANYBODY. SHE REALLY DID A VERY NICE JOB OF INTRODUCING ME TO LETHBRIDGE AND WHERE THE MEAT MARKET AND VALUE VILLAGE [WERE], PLACES TO SHOP AND PLACES TO GO. CFUW WAS ONE PLACE THAT SHE BROUGHT ME TO. AT THE TIME, I WAS NOT ONLY NEW TO TOWN, BUT I WAS A STAY-AT-HOME WITH A BABY AND DIDN’T HAVE MUCH SOCIAL EXPERIENCES. THIS GROUP MET ONCE A MONTH AND IT WAS MY EVENING OUT AND, AS ROSE SAID, THEY HAD EXCELLENT SPEAKERS ABOUT [TOPICS], PEOPLE FROM THE COMMUNITY WHO WOULD COME AND TALK. IT WAS MY INTELLECTUAL EVENING, IT WAS AWAY FROM DIAPERS AND BABIES AND A CHANCE TO BE WITH ADULTS. THAT, FOR ME, REALLY SERVED A VERY IMPORTANT PURPOSE. AT THAT TIME I DIDN’T REALLY KNOW WHAT IT STOOD FOR AND THE PROVINCIAL OR NATIONAL AGENDAS, IT WAS JUST THAT IT WAS NICE.” “MANY WERE [IN THE] UNIVERSITY WOMEN’S CLUB. AT THE TIME, YOU HAD TO BE A GRADUATE OF A UNIVERSITY OR HAVE A DIPLOMA[TO BE A] FULL-FLEDGED MEMBER. I THINK THEY’RE DESPERATE FOR MEMBERS, BECAUSE I THINK THIS GROUP, AS OTHER GROUPS/CLUBS ARE NOTICING A DECLINE IN INTEREST THAT THEY HAVE TAKEN THAT [REQUIREMENT] AWAY. WHEN ROSE SAYS LIKE-MINDED PEOPLE, THE WOMEN WERE EDUCATED, THEY WERE KEEN, AT THAT TIME IT WAS THE WOMEN’S MOVEMENT, MS MAGAZINE WAS BIG, THE PLACE OF WOMEN AND EQUAL MEMBERS. WE’RE STILL WORKING ON IT…I REMEMBER WHEN IT WAS REALLY IMPORTANT…ALL ALONG IT HAS ALWAYS BEEN [ABOUT] THE STATUS OF WOMEN.” “DAYCARE WAS [AN] IMPORTANT [TOPIC] AT ONE TIME… SOMETIMES THE WOMEN IN OUR GROUP ARE INVOLVED IN OTHER AGENCIES OR GROUPS, SO IT KIND OF MESHES, AND I’M NOT SURE WHERE ONE BEGINS AND THE OTHER ENDS.” “[I JOINED THE GROUP BECAUSE] I GUESS NOBODY ELSE ASKED ME TO JOIN ANYTHING. ALTHOUGH, WHEN YOU ARE A ONE-CAR FAMILY AND YOU HAVE A BABY AND YOU ARE…TRADING, LIKE, I’LL LOOK AFTER YOUR CHILD THIS AFTERNOON SO THAT YOU CAN DO THIS AND THEN IT’S MY TURN, I WAS IN THAT SORT OF SITUATION. I GUESS I WASN’T INTERESTED IN PURSUING OTHER THINGS LIKE KINETTES, THE ‘Y’.” DOYLE ELABORATED ON HER TIME WITH THE CANADIAN FEDERATION OF UNIVERSITY WOMEN, STATING, “I WAS ASKED TO JOIN [THE GROUP BY A FRIEND, PATTY JOHNSON, ABOUT 2008], AND I ENJOY IT VERY MUCH. IT’S A WOMEN’S GROUP, AND WE COLLECT MONEY, FOR A [SCHOLARSHIP]…WE DO TWO SCHOLARSHIPS A YEAR, AND IT’S ALSO A FRIENDSHIP GET-TOGETHER, AND A LEARNING PROCESS. WE HAVE PEOPLE COME IN, AND [TELL] US WHAT’S GOING ON, AND WHAT’S GOING ON IN THE CITY…IT’S REALLY QUITE ENJOYABLE.” “I HAVE TWO DEGREES, SO I ENJOY THE COMPANY OF PEOPLE, THAT WE HAVE A LOT TO TALK ABOUT. I LIKE THE FACT THAT WE ARE GIVING BACK, TO THE KNOWLEDGE THAT WE LEARNED, IN THE FORM OF SCHOLARSHIPS.” “WHEN THIS STARTED, AND IT’S BEEN GOING IN LETHBRIDGE UNDER A DIFFERENT NAME, THE WIVES OF THE PROFESSORS THAT MOVED INTO TOWN, AND THE UNIVERSITY OF LETHBRIDGE WAS FORMED. THEY WERE THE ONES THAT STARTED THIS CHAPTER.” “I THINK MOST OF THE WOMEN THAT MARRIED WERE HOUSEWIVES, AFTER THEY WERE MARRIED, AND HAVING CHILDREN, BUT THEY HAVE DEGREES. THAT WAS THE REQUIREMENT FOR BELONGING – THAT YOU HAD A DEGREE, BUT JUST IN THE NEAR PAST NOW [ABOUT 2 – 3 - 4 YEARS], THE DOORS ARE OPEN TO ALL WOMEN NOW. THERE ARE A FEW PROFESSIONALS IN OTHER AREAS, AND SOME, WE DON’T ASK. IF THEY WANT TO JOIN, THAT’S FINE.” “THEY HAVE A PRESIDENT, VICE-PRESIDENT, SECRETARY. I’M FINDING, AS WE ARE ALL FINDING, AS WE ARE AGING, WE HAVE VERY FEW YOUNGER PEOPLE, BECAUSE THEY ARE ALL AT UNIVERSITY, AND VERY BUSY. THE ONES THAT HAVE JOBS, THEY ARE VERY BUSY TOO. AS WE AGE, WE ARE ALL ACTIVE, AND IT KEEPS US REALLY ACTIVE. IT’S GOOD TO GET OUT, AND BE WITH OTHER PEOPLE.” “WE DO HAVE PEOPLE IN THE GROUP THAT GO TO OTHER THINGS THAT ARE GOING ON, IN DIFFERENT PROVINCES. THEY SOMETIMES DO THE NATIONAL ONE, EVEN, AND FLY SOMEWHERE, AND THAT GOES ON ONCE A YEAR. IT’S CERTAINLY A WORTHWHILE GROUP, AND REALLY QUITE ACTIVE. WE HAVE A YOUNG PRESIDENT NOW, SHE IS DOING HER PHD, AND HER MOTHER IS A PROF [AT THE UNIVERSITY OF LETHBRIDGE].” “I THINK [THE GROUP IS RAISING AWARENESS] THAT TIMES ARE CHANGING. IT HAS BEEN, IN THE PAST, KIND OF SNOBBISH, HAVING TO BE VETTED IN, SO THIS IS REALLY GOOD, AND IT’S WORKED WELL. WE HAVE GOT SOME WONDERFUL PEOPLE WORKING IN [THE GROUP]…WHEN THEY HAD THE WOMEN’S PARADE, THE WOMEN’S PROTEST…THERE WAS A NUMBER OF US THAT PARTICIPATED IN THAT, AND THEY MADE THE HATS FOR IT. WE ARE ACTIVE IN THINGS LIKE THAT, THAT PERTAIN TO WOMEN.” “IT’S LIKE WOMEN ARE RISING, AND THAT SEEMS QUITE APPARENT. I AM IN THE UNIVERSITY BUILDING ENOUGH THAT I SEE IT AMONG THE YOUNG WOMEN. BOY, THEY DON’T LET ANYTHING GO BY. THEY’RE ACTUALLY REALLY QUITE GOOD, I THINK…[SEEING THAT MAKES ME FEEL] REALLY GOOD. IT’S ABOUT TIME. WE HAVE LOTS OF ENGAGEMENT WITH WOMEN—THE PEOPLE AROUND TOWN, WHO ARE THE ‘SHAKERS’ HERE, AND THEY SHAKE THINGS UP. THAT’S REALLY GOOD.” ACCORDING TO LETHBRIDGE HERALD ARTICLES, THE CANADIAN FEDERATION OF UNIVERSITY WOMEN FORMED A CHAPTER IN LETHBRIDGE IN 1944. DR. URSILLA MACDONNELL, DEAN OF WOMEN AT THE UNIVERSITY OF MANITOBA, SPOKE TO A GROUP OF LETHBRIDGE WOMEN ON FORMING A CHAPTER. BY 1958, THE LETHBRIDGE CHAPTER WAS SENDING REPRESENTATIVES FOR THE CANADIAN FEDERATION OF UNIVERSITY WOMEN’S NATIONAL CONVENTION. FOR MORE INFORMATION INCLUDING COPIES OF LETHBRIDGE HERALD ARTICLES AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20170038000-GA.
Catalogue Number
P20170038000
Acquisition Date
2017-12
Collection
Museum
Images
Less detail
Other Name
"MARQUIS HOTEL"
Date Range From
1928
Date Range To
2015
Material Type
Artifact
Materials
CERAMIC, PAINT
Catalogue Number
P20150037000
  1 image  
Material Type
Artifact
Other Name
"MARQUIS HOTEL"
Date Range From
1928
Date Range To
2015
Materials
CERAMIC, PAINT
No. Pieces
1
Height
5.08
Width
12.4
Description
BLACK, CERAMIC ASHTRAY. THE INSIDE OPENING OF THE ASHTRAY IS 6.4 CM. THE LETTERING ON THE TOP SAYS “THE MARQUIS HOTEL, LETHBRIDGE, ALBERTA, CANADA.” THERE IS AN ABSTRACTED FLORAL DESIGN ON EITHER SIDE OF THIS LETTERING. THE FLOWERS ARE PAINTED RED AND THEIR STEMS PAINTED GREEN. THIS WORDING AND DESIGN REPEATS ON THE OPPOSITE SIDE. THE LETTERING ON THE BOTTOM SAYS, “MADE IN JAPAN 29.” VERY GOOD CONDITION. USED WITH SOME WEAR APPARENT. BLACK PAINT IS WEARING OFF ON SOME PARTS OF THE SURFACE. SIGNIFICANT WEAR TO THE RED AND GREEN PAINT OF THE DECALS.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
DOMESTIC
BUSINESS
History
ON DECEMBER 16, 2015, DONOR CHRIS MORRISON INFORMED COLLECTIONS TECHNICIAN KEVIN MACLEAN THAT SHE CAME INTO POSSESSION OF THE ASHTRAY WHEN SHE AND HER HUSBAND BECAME STEWARDS OF A WATERTON CABIN IN 1976. THE CABIN, LOCATED AT 103 CAMERON FALLS, WAS OWNED BY HER MOTHER-IN-LAW DOROTHY MORRISON (D. 1995). IT WAS AMONG ASSORTED FURNISHINGS LEFT BEHIND WHEN DOROTHY MOVED OUT AND CHRIS MOVED IN. THE DONOR’S RECOLLECTION OF THE ASHTRAY’S USE IMMEDIATELY PRIOR TO IT BECOMING HER PROPERTY WAS AS A CONTAINER. MORRISON SAID, “IT WAS IN A [CABIN] WASHSTAND AND USED TO HOLD LITTLE OBJECTS LIKE ROLLED UP KEROSENE LANTERN TAPE WICKS”. ACCORDING TO MORRISON, IT WAS ALSO KNOWN AS “GRANDPA’S ASHTRAY”. GRANDPA REFERS TO JAMES J. MORRISON OF LETHBRIDGE. “HE ONLY SMOKED CIGARS” SAID THE DONOR, WHEREAS HER MOTHER-IN-LAW DOROTHY DID NOT SMOKE AT ALL. THE ASHTRAY’S USE AS A CONTAINER FOR LANTERN WICKS AND SMALL ITEMS CONTINUED RIGHT UP TO THE DAY THAT IT WAS OFFERED TO THE GALT IN 2015. ACCORDING TO HER OBITUARY IN THE LETHBRIDGE HERALD, DOROTHY MORRISON, PASSED AWAY IN LETHBRIDGE ON NOVEMBER 26, 1995 AT THE AGE OF 83 YEARS. JAMES JACOB MORRISON, DOROTHY’S FATHER-IN-LAW, PASSED ON FEBRUARY 18TH, 1975 AT AGE 93. THE ASHTRAY IS MARKED WITH “MARQUIS HOTEL,” WHICH COULD REFER TO THE LETHBRIDGE HOTEL THAT OPENED IN JUNE 1928. REALIZING A NEED FOR A FIRST-CLASS HOTEL IN LETHBRIDGE, ESPECIALLY ONE WITH A BANQUET HALL, THE BUSINESSMEN OF THE BOARD OF TRADE COMMITTED THEMSELVES TO THE HOTEL IN 1927. AFTER ITS OPENING, THE BOARD OF TRADE WOULD HOLD THEIR REGULAR, NOON-HOUR MEETINGS AT THE HOTEL FOR MANY YEARS TO COME. THE HOTEL CLOSED ITS DOORS IN 1985 AND THE BUILDING WAS DEMOLISHED IN 1988. THIS INFORMATION COMES FROM LETHBRIDGE HERALD ARTICLES AND A WRITE-UP ABOUT THE HOTEL IN THE PUBLICATION TITLED "WHERE WAS IT? A GUIDE TO EARLY LETHBRIDGE BUILDINGS," BY IRMA DOGTEROM. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING LETHBRIDGE HERALD ARTICLES AND A COPY OF THE INFORMATION FROM THE PUBLICATION CITED ABOVE.
Catalogue Number
P20150037000
Acquisition Date
2015-12
Collection
Museum
Images
Less detail
Other Name
"RED DAWN"
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
PAPER, INK
Catalogue Number
P20180029001
  2 images  
Material Type
Artifact
Other Name
"RED DAWN"
Date Range From
1980
Date Range To
1990
Materials
PAPER, INK
No. Pieces
1
Length
104
Width
68.8
Description
POSTER WITH IMAGE ON FRONT OF PURPLE AND BLUE SKY WITH SUNRISE AND PARATROOPERS DESCENDING OVER TOWN SURROUNDED BY MOUNTAINS AT BOTTOM EDGE. POSTER HAS WHITE BORDERS; POSTER HAS WHITE TEXT PRINTED ON IMAGE “IN OUR TIME NO FOREIGN ARMY HAS EVER OCCUPIED AMERICAN SOIL. UNTIL NOW” AND RED PRINTED TEXT BELOW WITH RUSSIAN SYLLABICS OVER “RED DAWN”; POSTER HAS WHITE CREDITS ALONG BOTTOM EDGE, “A VALKYRIE FILM A SIDNEY BECKERMAN PRODUCTION RED DAWN…” WITH LISTING OF CAST AND CREW MEMBERS. LOWER LEFT CORNER OF IMAGE HAS TEXT WARNING “PG-13, PARENTS ARE STRONGLY CAUTIONED TO GIVE SPECIAL GUIDANCE FOR ATTENDANCE OF CHILDREN UNDER 13, SOME MATERIAL MAY BE INAPPROPRIATE FOR YOUNG CHILDREN”, AND TEXT BESIDE “[COPYRIgHT SYMBOL” 1984 UNITED ARTISTS CORPORATION”; LOWER RIGHT CORNER OF IMAGE HAS LOGO “METRO GOLDWYN MAYER UNITED ARTISTS, DIAMOND JUBILEE, SIXTY YEARS OF GREAT ENTERTAINMENT”; POSTER HAS TEXT ALONG LOWER BORDER “PROPERTY OF NATIONAL SCREEN CORPORATION LICENSED FOR USE ONLY IN CONNECTION WITH THE EXHIBITION OF THIS PICTURE AT THE THEATRE LICENSING THIS MATERIAL. LICENSEE AGREES NOT TO TRADE, SELL OR GIVE IT AWAY, OR PERMIT OTHERS TO USE IT, NOR SHALL LICENSEE BE ENTITLED TO ANY CREDIT UPON RETURN OF THIS MATERIAL. THIS MATERIAL EITHER MUST BE RETURNED OR DESTROYED IMMEDIATELY AFTER USE. LITHO. IN U.S.A., RED DAWN 840077”. BACK OF POSTER HAS HANDWRITTEN TEXT IN RED INK IN LOWER LEFT CORNER “KEVIN MCLEAN $2.00” AND HANDWRITTEN TEXT IN BLUE INK “RED DAWN”. POSTER HAS TEARS AT RIGHT AND LEFT EDGES, AND LOWER EDGE; FRONT IS CREASED; BACK OF CORNERS HAS LOSS FROM REMOVAL OF ADHESIVES. OVERALL GOOD CONDITION.
Subjects
ADVERTISING MEDIUM
Historical Association
BUSINESS
LEISURE
History
ON DECEMBER 21, 2018, GALT MUSEUM CURATOR AIMEE BENOIT INTERVIEWED KEVIN MACLEAN REAGARDING HIS DONATION OF PERSONAL OBJECTS. THE OBJECTS DONATED BY MACLEAN REFLECTED HIS LIFE AND IDENTITY THROUGH HIS TIME IN LETHBRIDGE. ON THE “RED DAWN” FILM POSTER, MACLEAN ELABORATED, “THE POSTER [WAS] UP [IN MY ROOM].” “[IN] THE 1980S, AS A KID, AND I DON’T KNOW IF IT WAS JUST ME ‘CAUSE I WAS A NEWS JUNKIE, THE COLD WAR WAS A BIG DEAL IN THE EARLY ‘80S. THERE WERE SHOWS ON TV THAT WERE SCARING THE CRAP OUT OF ME. THERE WAS ONE CALLED "THE DAY AFTER" AND THAT WAS IN ’83. THEN IN 1984 THIS MOVIE COMES OUT WHICH IS CALLED RED DAWN WHICH IS, AGAIN, ABOUT RUSSIAN COMMUNIST INVASIONS OF NORTH AMERICA. IT’S A SMALL TOWN THAT ALL THESE TROOPS DROP INTO. TO SAY THE LEAST, I WAS SEMI-OBSESSED WITH THE SUBJECT MATTER.” “IF YOU WATCHED "THE DAY AFTER"…ON ONE HAND, THAT KIND OF SUBJECT MATTER CAN FEEL FOREIGN AND ABSTRACT AND NOT RELEVANT. BUT, IF AT THE SAME TIME YOU’RE A KID, AND YOUR PARENTS ARE WATCHING THE NEWS EVERY NIGHT, AND YOU HAVE AN INTEREST IN WHAT’S GOING ON—A LOT OF KIDS DON’T CARE BUT FOR SOME REASON, I WAS VERY INTERESTED. THEN YOU THOUGHT, “NO, THIS IS A VERY REAL PROSPECT. THIS COULD ACTUALLY HAPPEN.” I WAS TERRIFIED ABOUT IT. BUT, AT THE SAME TIME, I WAS ALSO ATTRACTED TO IT, LIKE A FLAME. IT WAS…ROCKETS…I DON’T KNOW WHAT IT WAS BUT I WAS ACTIVELY INTERESTED IN [THEM]. THEN AT SOME POINT, THAT PIVOTED, WHICH IS WHEN I KNOW I WAS LOOKING AT THE SOLDIER OF FORTUNE MAGAZINES AND THEN I STARTED BUYING COMIC BOOKS…WORLD WAR TWO COMIC BOOKS.” “WE DIDN’T HAVE MUCH TV OUT IN PICTURE BUTTE. [OTHER PEOPLE] PROBABLY HAD LOTS OF CHANNELS IN LETHBRIDGE. ONE CHANNEL WE DID HAVE—I THINK WE ONLY HAD THREE—WAS CBC. I REMEMBER [MY PARENTS] WATCHING THE NATIONAL. I THINK [THERE] WAS [A SHOW] CALLED THE JOURNAL WITH BARBARA FRUM [THAT MY PARENTS] WOULD WATCH AT TEN O’CLOCK EVERY SINGLE NIGHT. I WOULD SNEAK OUT OF MY ROOM AND HIDE BEHIND THE COUCH, AND [THE COLD WAR IS] ON THE NEWS EVERY SINGLE NIGHT.” “IN TERMS OF [THE COLD WAR] MANIFESTING ITSELF LOCALLY…I THINK TRUDEAU’S IN POWER, AND THERE’S A WHOLE DEBATE ABOUT CANADA HAVING NUKES IN THIS COUNTRY. ULTIMATELY, IT DIDN’T HAPPEN. BUT, THE U.S. WAS TESTING CRUISE MISSILES IN ALBERTA, AND NOT FAR FROM MY FRIEND’S HOUSE OUT NEAR PICTURE BUTTE, WHEN THE TALK OF A CRUISE MISSILE BEING TESTED IN ALBERTA WAS IN THE NEWS, ACTIVELY, PEOPLE WERE UNHAPPY AND PROTESTING. A BUNCH OF TRACTOR TRAILERS PULLED UP ON THE TOP OF A HILL, TWO MILES AWAY FROM [MY FRIEND’S] HOUSE, WITH U.S. LICENSE PLATES. OTHERWISE, THEY WERE TOTALLY UNMARKED. THEY BUILT THIS RADAR INSTALLATION UP ON THE TOP OF THE HILL, WHERE IT REMAINED…FOR THREE DAYS OR [SO]…AND THEN IT ALL DISAPPEARED.” “I CAN’T SAY THAT I KNOW FOR A FACT THAT IT WAS RELATED TO CRUISE MISSILE TESTING.” “GENERALLY TO SAY…WITH THESE [OBJECTS] I CAN DRAW A BIT OF A LINE FROM MY HAVING POSSESSED THEM ALL THE WAY, IN SOME FORM…THEY WOULD HAVE HAD AN IMPACT ON [MY] IDENTITY AND WHO I THINK I AM TODAY. I DON’T VALUE THEM BECAUSE THEY DON’T HAVE UTILITY AND THEY DON’T HAVE PRACTICAL VALUE. I DON’T LOOK AT THEM ALL THE TIME, BUT I KNOW THAT THEY HAVE SOME IMPORTANCE LIFE-WISE.” “IN SCHOOL, THERE WAS A GAME THAT WE WERE PLAYING. THIS IS AT A TIME WHEN THERE’S ONE COMPUTER FOR THE ENTIRE SCHOOL. IT WAS AN APPLE…AND IT WAS A WW2-BASED GAME. MY INTEREST, INITIALLY, WAS IN CONTEMPORARY-TYPE STUFF. THEN WE’RE PLAYING THIS GAME WHICH I’M NOT REALLY–IT’S ABSTRACT TO ME. WE’RE JUST PLAYING THIS GAME AND THEN, BECAUSE I’M INTO THIS, I’M BUYING MAGAZINES CALLED SOLDIER OF FORTUNE, AND I CAN REMEMBER FLIPPING THROUGH THE PAGES OF [THE] PROXY WAR IN AFGHANISTAN. [THE RUSSIANS] HAD GONE INTO AFGHANISTAN, AND I SAW A WW2 PICTURE AND I CONNECTED IT TO THIS GAME AND I [THOUGHT], “OH, THIS IS A REAL THING.” THEN, ALL OF A SUDDEN, THIS CONTEMPORARY STUFF IS OF LESSER INTEREST AND THEN IT BECOMES MORE SECOND WORLD WAR INTEREST AFTER THAT.” “MAYBE I STILL AM [THAT PERSON] TODAY A BIT…IN DIFFERENT RESPECTS. [THE OBJECTS] TAKE UP SOME SPACE BUT I COULDN’T LET THEM GO BECAUSE THEY’RE SYMBOLS, IN A WAY. THEY’RE ONLY THAT BECAUSE OF WHAT IS IN MY HEAD, SO I THOUGHT AT SOME POINT IT WAS GOOD TO [DONATE THEM]…IT WOULD HAVE BEEN MAYBE EASIER TO LET SOME OF THIS STUFF GO.” FOR MORE INFORMATION INCLUDING ARTICLES FROM THE LETHBRIDGE HERALD, BRANDON SUN, MEDICINE HAT NEWS, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180029001-GA.
Catalogue Number
P20180029001
Acquisition Date
2018-12
Collection
Museum
Images
Less detail
Other Name
RAILWAY SWITCH / C.P.R.
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
BRASS, COPPER, METAL
Catalogue Number
P20150023000
  2 images  
Material Type
Artifact
Other Name
RAILWAY SWITCH / C.P.R.
Date Range From
1970
Date Range To
1980
Materials
BRASS, COPPER, METAL
No. Pieces
5
Length
12.3
Width
2.1
Description
5 RAILWAY KEYS OR SWITCHES ON A KEYRING. .A: BRASS. 5.0CM X 2.4CM (L X W). SKELETON KEY. ROUND TOP, WITH A SQUARE HOLE IN THE MIDDLE. AROUND THE TOP EDGE OF THE CIRCLE, STAMPED "C.P.R.". "T" STAMPED BELOW AND TO THE LEFT OF THE "C". ILLEGIBLE MAKER'S MARK ON THE OTHER SIDE OF THE KEY. .B: SILVER COLOURED METAL. 5.3CM X 2.5CM (L X W). ROUND TOP, WITH A SMALL ROUND HOLE NEAR THE TOP. EMBOSSED "103" ON ONE SIDE OF THE ROUND TOP AND STAMPED "CPR" ON THE OTHER. .C: COPPER. 5.2CM X 2.3CM (L X W). ROUND TOP, WITH A MEDIUM SIZED CIRCULAR HOLE IN THE CENTRE. AROUND THE EDGE, EMBOSSED WITH "R. M. CO." OPPOSITE SIDE HAS "C.P.R." EMBOSSED ALONG THE TOP, WITH AN "S" EMBOSSED BELOW AND TO THE LEFT OF THE "C". .D: BRASS. 5.0CM X 2.2CM (L X W). ROUND TOP, WITH A MEDIUM SIZED CIRCULAR HOLE IN THE CENTRE. AROUND THE EDGE, STAMPED WITH "C.P.R.". MAKER'S MARK STAMPED ON REVERSE: "...ITCHE... CANADA" .E: COPPER. 12.3CM X 2.1CM (L X W). ROUND TOP, WITH A MEDIUM SIZED CIRCULAR HOLE IN THE CENTRE. NO IDENTIFYING MARKS. TEETH OF KEY FORM A SIDEWAYS 'E'. ALL KEYS IN GOOD TO VERY GOOD CONDITION. TWO COPPER KEYS HAVE TARNISHED.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
TRANSPORTATION
History
THESE RAILWAY SWITCH KEYS WERE USED BY THE DONOR, ARNOLD “RED” ERVIN, WHEN HE WORKED ON THE RAILWAY. IN JULY 2015, COLLECTIONS TECHNICIAN KEVIN MACLEAN, CONDUCTED AN INTERVIEW WITH ARNOLD AND HIS WIFE JOYCE ERVIN. THE FOLLOWING INFORMATION COMES FROM THAT INTERVIEW. ARNOLD WAS BORN IN 1932 IN NIPIWIN, SK AND CAME TO LETHBRIDGE TO PLAY JUNIOR HOCKEY IN 1950. HE GOT A GOOD JOB WITH THE RAILWAY AND DECIDED TO STAY IN LETHBRIDGE. JOYCE WAS BORN IN 1931 IN FOREMOST, AB, ATTENDED MOUNT ROYAL COLLEGE IN CALGARY AND WORKED FOR SEVERAL YEARS IN CALGARY. SHE WORKED FOR THE GOVERNMENT, IN DEFENCE PRODUCTION, THEN WENT ON TO SHELL OIL. SHE MOVED TO LETHBRIDGE IN 1954 TO BE CLOSER TO HOME AND SHE GOT A JOB WITH THE RAILROAD. ARNOLD AND JOYCE MET THROUGH THEIR WORK AND WERE MARRIED IN 1955. SAID ARNOLD ABOUT THE KEYS: “[THESE ARE] OLD RAILROAD KEYS, UNLOCKED EVERY SWITCH FROM HERE TO VANCOUVER…I DIDN’T HAVE TO THROW SWITCHES BUT THERE WAS TIMES WHEN SNOW WAS TOO DEEP, YOU WERE OUT THERE SWITCHING, MAYBE [A TRAINMAN] WAS SICK AND YOU HAD TO GET OUT AND DO THAT…THEY’RE ALL THE SAME KEYS EXCEPT THIS ONE HERE (KEY E). ON THE PASSENGER TRAINS YOU HAD THOSE - YOU DIDN’T NEED THEM, BUT ONCE IN A WHILE IF YOU WERE OUT THERE…JUST HAD A FEW LOCKS THERE THAT EVERYBODY, EVERYBODY THAT WORKED ON THE PASSENGER TRAINS COULD UNLOCK CERTAIN [LOCKS]. THE BOTTOMS BELOW THERE, THEY USED TO UNLOCK THEM.” ARNOLD STARTED WORKING FOR THE RAILWAY IN 1951 IN THE ROUND HOUSE, AFTER DECIDING TO NOT PURSUE HOCKEY BEYOND THE JUNIOR LEVEL: “THEY PUT YOU IN [THE ROUND HOUSE] TEAMED UP, STARTED UNTIL YOU WORKED YOUR WAY UP TO A FIREMAN – FROM FIREMAN TO ENGINEER.” HE CONTINUED TO PLAY HOCKEY FOR FUN: “I STILL PLAYED HOCKEY WITH A BUNCH OF PEOPLE THAT [I] KNEW AND YOU DIDN’T HAVE TO GO ON TO THE BIG LEAGUES BUT JUST ENTERTAINMENT. LETHBRIDGE WAS A GOOD HOCKEY PLACE. AND A NICE CITY TO LIVE IN.” IN RECALLING HIS FIRST DAYS AND WEEKS AT HIS JOB, HE SAID: “WELL, IT WAS WORKING IN THE ROUNDHOUSE. THE ENGINES WERE THERE AND YOU HAD TO GET UP AND THERE WAS COAL ENGINES AND YOU HAD TO SHOVEL THE COAL TO GET IT BACK INTO PLACES WHERE IT WAS SUPPOSED TO BE, SO ALL OVER. … YEAH, TECHNICALLY THEY CALLED YOU A WIPER. YOU HAD TO GO IN AND CLEAN THE WINDOWS … FOR THE ENGINEER COMING OUT EVERYTHING HAD TO BE CLEAN OR HE CALLED YOU BACK UP AND YOU DID IT OVER AGAIN. SO, IT WAS BETTER TO DO IT GOOD AND GET IT DONE.” ARNOLD CONTINUED: “I LIKED WORKING WITH THE RAILROAD, ENJOYED IT, AND STARTED IN THAT ROUNDHOUSE AND YOU WORKED YOUR WAY UP TO A FIREMAN AND UP TO AN ENGINEER AND THEN I WAS IN CHARGE OF ALL THE ENGINEERS. SO IT WAS A CAREER FROM NOT EVEN KNOWING WHAT THE RAILROAD LOOKED LIKE TO FIFTY/FIFTY-ONE WHEN I FINISHED. … IT WAS A PRETTY COMPATIBLE BUNCH OF PEOPLE AND AS IT TURNED OUT THE MANAGER OF THE HOCKEY TEAM WAS YARDMASTER HERE SO KNOWING THE BOSS KIND OF HELPED A LITTLE BIT. HE WAS LOOKING AFTER THE YARDS AND HE WAS THE MANAGER OF THE JUNIOR HOCKEY TEAM UNTIL HE RETIRED FROM THE RAILROAD. IT WAS A GOOD PLACE TO WORK, PEOPLE TREATED YOU RIGHT.” STEAM ENGINES WERE STILL IN USE WHEN HE FIRST STARTED: “[THE STEAM ENGINES] WERE WHEN I FIRST STARTED YES. FROM STARTING IN THE SHOP YOU GREW UP TO BE ON A FIRE AND THEN ENGINES AND JUST ABOUT THAT TIME THE DIESEL ENGINES WERE COMING IN AND OPERATING AND [IT WAS A] TOTALLY DIFFERENT RAILROAD FROM A HAND-FIRED COAL ENGINE TO A DIESEL LOCOMOTIVE. SO, IT WAS QUITE INTERESTING AND IT EITHER COULD BE AS GOOD AS YOU WANTED OR AS BAD AS YOU WANTED. KINDA HAD NO BOSSES IN THE RAILROAD - YOU WERE KIND OF THE CREW - YOU HAD TO LIKE THE JOB OR YOU DIDN’T STAY THERE. AND I LIKED THE RAILROAD, LIKED THE TRAVELLING, TRAVELLING IN THE ENGINES AND SOME PEOPLE WOULD GIVE THEIR EYE TEETH TO GET UP ON ONE OF THEM ENGINES, RIDE UP TO CROWSNEST AND IN THE MOUNTAINS.” HE WAS NOT DISAPPOINTED TO SEE THE STEAM LOCOMOTIVES GO OUT OF SERVICE: “IF YOU HAD YOUR CHOICE TO GO ON A STEAM ENGINE ON A TRIP, GETTING ON A DIESEL ENGINE WAS A LOT EASIER THAN GETTING ON AN OLD COAL ENGINE, COAL-FIRED ENGINE, WHERE YOU BASICALLY TOOK COAL AND THREW IT IN THE BOILER. YOU TOOK IT FROM A CAR RIGHT BEHIND YOU AND PUT THE COAL IN THE ENGINES THEN BOIL IT AND THAT’S WHERE ALL THE POWER CAME FROM.” BY 1975, ARNOLD WAS WORKING AS AN ENGINEER FIREMAN AND CONTINUED TO RECEIVE ON THE JOB TRAINING: “YEAH, ALL ON-THE-JOB TRAINING. MOST OF IT - THERE WAS OTHER THINGS GOING ON BUT THE BASIC THING WAS DOING TRAINING AS AN ENGINEER TO BECOME AN ENGINEER. IT WAS WHERE I WANTED TO BE, WAS AN ENGINEER, AND THE RAILROAD WORKS IN SENIORITY - THEY DON’T CARE IF YOU’RE EVEN BETTER, YOU HAD TO WORK YOUR WAY THROUGH. WHEN THEY NEEDED YOU, YOU GOT THE BEST JOB WHEN YOU GOT MORE SENIORITY. IT WASN’T NECESSARILY ALWAYS THE BEST GUY [THAT] GOT IT, SENIORITY PREVAILED ON THE RAILROAD AND YOU GOT YOUR JOBS AS YOU BECAME OLDER … THE BETTER JOBS BEING MAYBE A DIESEL ENGINES ON ONE JOB AND A FIREMAN ON THE OTHER JOB.” HE RECALLED A COUPLE OF ACCIDENTS WHILE WORKING ON THE RAILROAD: WHILE WORKING AS AN ENGINEER, ARNOLD’S TRAIN HIT A CAR ON THE TRACKS NEAR BLAIRMORE AND HE RECALLED SEEING THE EYES OF THE CAR DRIVER: “I LOOKED UP AND [SAW] HER EYES LOOKING AT [ME].” ARNOLD REMEMBERED THAT ONE OF THE SCARIEST ROUTES WAS THE ONE GOING TO PINCHER CREEK, WHERE THERE WAS A HILL WITH A 2.3 GRADE, WHICH MADE CONTROLLING THE TRAIN CHALLENGING. HE SAID: “YOU’D LIKE TO KNOW IF YOU’D SET THE BRAKE, YOU HAD CONTROL OVER IT BUT IT WAS SUCH A HILL AND SUCH A HEAVY TRAIN BEHIND YOU THAT IT WAS SCARY SOMETIMES … THAT WAS A VERY INTERESTING TRIP DOWN THERE THEN WITH THE DOWN 2.3 GRADE AND THEN 100,000 TON POTASH BEHIND YOU, PUSHING YOU. … YOU KNOW TRAINS STOP BUT IT TOOK A LONG TIME TO STOP … EVERY BRAKE ON THE TRAIN IS ON AND YOU’D STILL GO ANOTHER HALF A MILE DOWN THE TRACK. NOBODY COULD BELIEVE YOU WHY YOU COULDN’T STOP THAT THING – IT DOESN’T WORK THAT WAY – YOU COULD HARDLY EXPLAIN THAT IT TAKES THAT LONG TO STOP A TRAIN, BUT IT DOES.” HE ALSO RECALLED A RUNAWAY TRAIN THAT HE WAS CALLED IN TO HELP WITH: “THEY STOPPED AT COLEMAN TO SET A CAR OFF AND DIDN’T PUT THE BRAKES ON [AND] THE AIR SLEAKED OFF [OF] THE AIRBRAKES … YOU HAD TO HAVE THE COMPRESSORS WORKING TO KEEP THE TRAINS PUMPED UP TO KEEP [THE] BRAKES ON AND IT STARTED CREEPING DOWN.” HE CONTINUED SAYING THAT THE TRAIN STARTED “GOING BACKWARDS AND AS THE HILL GOT A LITTLE STEEPER [THE TRAIN] GOT GOING FASTER AND IT CAME DOWN TO LUNDBRECK WHERE YOU GO ACROSS THE RIVER THERE [AT] THE BRIDGE. [AT] THAT TIME, I WAS MANAGEMENT, [SO] I GOT IN A CAR AND WENT UP THERE AND TOLD THEM EXACTLY WHERE THAT TRAIN WAS GOING TO BE. [THE TRAIN WAS MOVING] TOO FAST TO GO ON THE REVERSE CURVE JUST COMING INTO LUNDBRECK AND IT FLEW LIKE A PLANE INTO THE RIVER THERE.” IT WAS ESTIMATED THAT THE TRAIN WAS TRAVELLING AT MORE THAN SEVENTY MILES PER HOUR. ARNOLD SAID: “THERE’S A REVERSE CURVE JUST BEFORE YOU GET TO LUNDBRECK. [THE TRAIN] LIFTED UP QUITE A BIT BECAUSE IT WAS GOING WAY TOO FAST AND THEN WHEN IT REVERSED THE OTHER SIDE, IT DIDN’T COME DOWN ON THE RAILS - IT LIFTED AND EVERY CAR ENDED UP IN THE LUNDBRECK RIVER.” FOR ADDITIONAL INFORMATION, INCLUDING DETAILS ABOUT JOYCE ERVIN’S TIME WITH THE CPR, AND INTERVIEW TRANSCRIPT, SEE PERMANENT FILE.
Catalogue Number
P20150023000
Acquisition Date
2015-07
Collection
Museum
Images
Less detail