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10 records – page 1 of 1.

Date Range From
1950
Date Range To
1980
Material Type
Artifact
Materials
BAKELITE, LEATHER, VELVET
Catalogue Number
P20160044003
  2 images  
Material Type
Artifact
Date Range From
1950
Date Range To
1980
Materials
BAKELITE, LEATHER, VELVET
No. Pieces
11
Height
27
Length
38
Width
11.5
Description
A: CASE: GREEN AND OFF-WHITE LEATHER CASE. BLACK PLASTIC/SILVER METAL LABEL THAT READS “CONN” ON FRONT OF CASE. GREEN HANDLE AT TOP WITH TWO METAL LATCHES ON EITHER SIDE. HINGES ON THE BOTTOM OF CASE TO OPEN. FOUR METAL FEET ON BOTTOM. CORK EDGES AROUND THE SIDES, STITCHED ON AND PAINTED OFF-WHITE COLOUR. INSIDE IS LINED WITH A GREEN VELVET. TOP FOLDS DOWN AND IS FASTENED WITH LEATHER STRAP AND METAL SNAP BUTTON. “CONN” LABEL IN TOP LEFT CORNER OF CASE THAT IS GOLD WITH BLACK AND RED PAINT INSIDE. THREE PEOPLE OF A MARCHING BAND IN IMAGE ON LABEL. THE BOTTOM HALF OF THE INSIDE OF CASE HAS EIGHT SECTIONS FOR INSTRUMENT PIECES AND ACCESSORIES. FAIR CONDITION: MODERATE TO SEVERE SURFACE DIRT OVERALL. VARIOUS GREEN STAINS AT TOP OF CASE. METAL COMPONENTS SCUFFED. SOME STITCHING AS SIDES COMING LOOSE. LOSS OF PAINT IN SEVERAL PLACES ALONG CORK EDGE. INSIDE FABRIC WORN. B: BLACK BAKELITE CLARINET BELL WITH SILVER AROUND BOTH EDGES. “CONN DIRECTOR U.S.A.” ETCHED ON OUTER SURFACE. 11 CM LENGTH. 8 CM BELL DIAMETER. C: BLACK BAKELITE LOWER JOINT WITH SILVER KEYS. CORK EDGE ON BOTTOM AND SILVER RIM AROUND TOP. “721800” ETCHED ON BACK NEAR CORK. PADDED THUMB REST ON BACK OF THIS JOINT. 25.5 CM X 2.5 CM. D: BLACK BAKELITE UPPER JOINT WITH SILVER KEYS. BOTH ENDS COVERED IN CORK. LOGO WITH THREE MARCHING BAND FIGURES ETCHED ON FRONT NEAR THE TOP. 22.5 CM X 2.3 CM (TOP DIAMETER SLIGHTLY WIDER). E: BLACK BAKELITE BARREL JOINT WITH SILVER EDGES. 6 CM X 3 CM (BOTTOM DIAMETER) 2.8 CM (TOP DIAMETER). F: BLACK BAKELITE MOUTHPIECE WITH CORK AT BOTTOM. METAL LIGATURE WITH ITS TWO SCREWS ATTACHED SECURING A REED TO THE MOUTHPIECE. 9 CM LONG WITH 2.1 CM DIAMETER AT BOTTOM. VERY GOOD CONDITION FOR B-F: SLIGHT SCUFFS OF SURFACE G: SILVER METAL MARCHING LYRE. CIRCULAR BAND WITH ADJUSTABLE SCREW FOR ATTACHMENT TO INSTRUMENT. THIS SCREWS ONTO A STEM, WHICH EXTENDS TO CONNECT TO A LYRIFORM SPRING CLAMP THAT IS MEANT TO HOLD MUSIC. FAIR CONDITION: SEVERE GREEN STAINING IN MANY AREAS OF SURFACE. METAL SLIGHTLY SCRATCHED OVERALL. H: BLACK PLASTIC REED HOLDER WITH SLOTS FOR TWO REEDS (ONE ON FRONT AND ONE ON). “LAVOZ” ETCHED IN PLASTIC ON FRONT AND BACK AND “USA” ABOVE THAT.7.7 CM X 2 CM. I: CLARINET REED ENCASED IN REED HOLDER (H).”RICO” IN MUSIC STAFF STAMPED ON BACKSIDE AND SIZE “V-2 ½” STAMPED BELOW THE LOGO. GOOD TO VERY GOOD CONDITION FOR H-I: SOME WEAR TO SIDE OF REED HOLDER WITH REED. REED SHOWS SIGNS OF USE. J: WHITE ENVELOPE THAT READS, “CONN EXCLUSIVE TUNING RING” WITH TEXT BELOW AND DIAGRAM OF THE TUNING RING PRINTED ALL IN BLACK INK ON THE FRONT OF THE ENVELOPE. THE BACK HAS SCOTCH TAPE SECURING THE RIGHT SIDE ENVELOPE FLAP. CAN FEEL ONE TUNING RING INSIDE ENVELOPE. 14 CM X 7.9 CM. FAIR TO GOOD CONDITION: PAPER OF ENVELOPE HAS SEVERELY YELLOWED. K-N: TWO IDENTICAL TUBES OF CORK GREASE WITH CAPS. WHITE PLASTIC TUBE THAT READS, “PARAMOUNT MUSIC “PREMIUM” CORK GREASE” AND AN ADDRESS BELOW ALL IN RED FONT. TWISTABLE END TO EXTEND THE GREASE IN TUBE. GREASE STILL PRESENT IN TUBES. RED PLASTIC CAPS. ONE READS “B 7 ETHYL” (K) ON INSIDE OF CAP AND THE OTHER READS “B 87 ETHYL” (N). 6.8 CM X 1,7 CM. GOOD TO VERY GOOD CONDITION: SLIGHT SURFACE DIRT ON LABEL. DISCOLOURING OF PLASTIC AROUND BOTTOM EDGES. GREASE IS CRYSTALIZING. O-P: SMALL, BLACK PLASTIC GREASE CONTAINER IN CUBE WITH GOLD METALLIC LETTERS ON LID “YAMAHA CORK GREASE”. HINGE ATTACHING LID TO CONTAINER, SO LID COMPLETE DETACHES. GREASE INSIDE OF THE CONTAINER. 2.7 CM X 2.7 CM X 2 CM. GOOD CONDITION: SLIGHT SCRATCHING ON SURFACE. BROKEN HINGE. Q: CLARINET CLEANING SWAB WAND WITH TWISTED WIRE WAND/HANDLE AND MULTICOLOURED (BLUES AND PINKS), FABRIC SWAB. THE SWAB IS SHAGGED. 29 CM X 2.5 CM. GOOD TO VERY GOOD CONDITION: WIRE IS SLIGHTLY BENT. R: CLOTH CLEANING SWAB WITH NATURAL-COLOURED TAN SUEDE CLOTH (APPROX. 12.5 CM X 6.3 CM) THAT HAS ROUGH EDGES. ONE CORNER OF SUEDE IS PINCHED TOGETHER WITH A SILVER METAL CLASP (TOOTHED), WHICH SECURES IT AROUND A BLACK STRING (57 CM IN LENGTH) WITH A SILVER-COLOURED WEIGHT AT THE END. FAIR CONDITION: STRING IS FRAYING MODERATELY IN ONE PLACE AND SLIGHTLY IN OTHERS. SUEDE FABRIC SHOWS DIRT. WEIGHT’S METAL IS SCUFFED.
Subjects
MUSICAL T&E
Historical Association
MILITARY
LEISURE
PERSONAL CARE
History
THE LATE ALICE PEARL HUMMEL (13 JUNE 1922 – 7 APRIL 2016) PERFORMED AS PART OF THE “ANDERSON SISTERS ORCHESTRA” ALONGSIDE HER SISTERS – FLORENCE JEANNETTE MCINTOSH (MAY 1917 – 18 MARCH 1999), MARIE EVELYN POPSON (C.1921 - 8 MARCH 2008) AND RUTH GINZER (C. 1926 - D. 2016). THE FOUR DAUGHTERS WERE BORN TO PARENTS, MARTIN EDWARD ANDERSON AND IDA JOHANNA ANDERSON (NEE JOHNSON). THE BAND WAS A FAMILY AFFAIR THAT SAW GREAT SUCCESS IN THE SOUTHERN ALBERTA REGION. ALICE’S DAUGHTERS, ELEANOR SMITH AND RUTH HUMMEL, HONOURED THEIR MOTHER’S WISHES TO DONATE A NUMBER OF HER EFFECTS FROM HER TIME WITH LETHBRIDGE BAND TO THE MUSEUM. THIS CLARINET WAS PLAYED BY THREE GENERATIONS OF THE DONORS’ FAMILY. IN 2016 DECEMBER 16, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE DAUGHTERS ABOUT THE DONATION. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT EXCHANGE. RUTH EXPLAINED, “IT WAS PURCHASED BRAND NEW [IN THE] EARLY ‘50S WITH THE INTENT THAT HER FIRST SON, BERNIE (BORN IN 1950) WOULD PLAY THE CLARINET, WHICH HE DID. MOM DID USE IT FOR SOME LATER PERFORMANCES WITH THE ANDERSON SISTERS, BUT IT WAS PURCHASED [FOR HIM]. AND HIS DAUGHTER, CONNIE, ALSO PLAYED THE CLARINET.” SPEAKING OF WHY THEY SELECTED THIS OBJECT TO BE DONATED TO THE MUSEUM, RUTH SAID, “WHEN WE WERE GATHERING THINGS TOGETHER, WE THOUGHT [OF] WHAT INSTRUMENTS WE HAD THAT HAVE A CONNECTION. SO IT WAS DECIDED [ON THE CLARINET]. CONNIE WAS QUITE HAPPY TO KNOW THAT IT WAS COMING IN THIS DIRECTION, SINCE IT WAS GRANDMA’S CLARINET, IT SHOULD GO WITH GRANDMA’S THINGS.” OF ALL THE INSTRUMENTS ALICE KNEW HOW TO PLAY, THE CLARINET “WAS THE MAIN ONE,” RUTH CONTINUED, “BUT SHE PLAYED THE SAXOPHONE AS WELL. AND ALSO TAUGHT PIANO FOR YEARS AND YEARS AND YEARS. [ALL THE SISTERS] PLAYED PIANO REALLY WELL. SHE PLAYED OTHER INSTRUMENTS LIKE THE ORGAN, AND THERE WERE ACTUALLY INSTANCES TOO WHERE SOMEONE WOULD CALL ON HER TO LEARN HOW TO PLAY AN INSTRUMENT, AND SHE WOULD TEACH THEM HOW TO PLAY IT WITHOUT KNOWING HOW TO PLAY IT HERSELF, BECAUSE SHE KNEW THE TECHNIQUE [OR] WOULD LEARN THE TECHNIQUE. BUT THE CLARINET WAS HER MAIN THING WITH, AS I SAID, SAXOPHONE AND PIANO PROBABLY THE NEXT CLOSEST IN LINE.” THE SISTERS STATE THAT THEY REMEMBER THEIR MOTHER PLAYING THIS SPECIFIC CLARINET. ELEANOR SAID, “SHE DIDN’T PASS IT [ON] UNTIL CONNIE WANTED TO USE IT, BECAUSE BERNIE DIDN’T TAKE IT WITH HIM [FROM HOME].” RUTH ADDED, “YEAH, THAT’S RIGHT. I THINK IT’S REALLY ALWAYS BEEN HERS.” THE LAST TIME THEY REMEMBER HER PLAYING IT WOULD HAVE BEEN THE LAST TIME THE ANDERSON SISTERS ORCHESTRA PERFORMED, WHICH WAS A PERFORMANCE FOR THE ELKS IN GRANUM IN THE 1970S. THE FOLLOWING IS A BRIEF HISTORY OF THE ANDERSON SISTERS AS TOLD BY DONORS ELEANOR SMITH AND RUTH HUMMEL IN THE 2016 INTERVIEW: “[THE ANDERSON SISTERS ORCHESTRA WAS] THE LONGEST RUNNING GROUP AT WATERTON LAKES PAVILION … [WHERE THEY PLAYED] FOR FIVE YEARS STRAIGHT,” ELEANOR EXPLAINED, “IN ADDITION TO DOING ALL KINDS OF OTHER THINGS, THEY WERE CONSTANTLY TRAVELLING [AND] WE HAVE THE RECORDINGS OF THAT.” RUTH ADDED, “THEY WERE ORIGINALLY FROM MONITOR (SASK). IN THE DIRTY 30S, WHEN THINGS GOT BAD FOR A LOT OF FARMS, THEY FOUND A WAY TO HAVE MUSIC LESSONS AND…PLAY FOR LOCAL DANCES. [ULTIMATELY, THE FAMILY] DECIDED TO LEAVE THE FARM AND HEADED OUT IN THE DIRECTION OF LETHBRIDGE (VIA DRUMHELLER). IT WAS TOUGH TIMES FOR A LOT OF PEOPLE IN THE 30S IN ALBERTA, BUT THE GIRLS, WITH THE TALENT THEY HAD, … HAD A WAY OUT…THEY COULD DO A LOT WHEN THEY STUCK TOGETHER AS A FAMILY. AND THEN THE ORCHESTRA REALLY CAME OUT OF THAT...” THE OBITUARY OF DONORS’ GRANDFATHER, MARTIN ANDERSON, (PUBLISHED IN THE LETHBRIDGE HERALD, 1981) STATES THE FAMILY ARRIVED IN LETHBRIDGE IN 1940. “THEY WERE SERIOUS MUSICIANS - VERY HUMBLE AND VERY QUIET,” RUTH CONTINUED, “[AS FAR AS PROMOTING THE BAND,] THAT WAS MORE GRANDPA’S JOB. WHEN IT CAME TO MUSIC, IT WAS A GIFT THEY PASSED ON - IN THE LATE ‘30S, ‘40S AND INTO THE ‘50S A BIT – [AND] IT WAS SOMETHING THEY FELT REALLY PRIVILEGED TO BE ABLE TO CONTRIBUTE IN THEIR OWN COMMUNITIES. [DURING] THE WAR YEARS, [THEY PLAYED FOR] THE ARMY BASES THAT WERE ALL CLOSE HERE AND [THEY WERE] A PART OF THAT HISTORY.” “[THEY WERE] ON THE ROAD 6 DAYS A WEEK [WITH THEIR CAR AND TRAILER]… PLAYING NOT JUST IN LETHBRIDGE [BUT] FAR REACHING OVER IN B.C., THE NORTHERN STATES, AND QUITE FAR NORTH IN ALBERTA. SO THEY WERE A REAL PART OF THINGS AND WORKED REAL HARD. I THINK IT’S AN IMPORTANT PART OF THE MUSIC HISTORY IN ALBERTA. THEY WERE, AFTER THE ANDERSON SISTERS [BAND WAS FINISHED], PROUD TO TAKE [MUSIC] INTO THE COMMUNITIES WHERE THEY WERE TEACHERS AND STILL PERFORMERS EVEN PAST THE FOUR OF THEM BEING TOGETHER.” WHEN ASKED ABOUT THEIR PERSONAL MEMORIES OF THE SISTERS PERFORMING TOGETHER, RUTH ANSWERED, “WELL ELEANOR WOULD HAVE BEEN A TODDLER, MYSELF AS WELL, THE LAST FEW TIMES THAT THEY PERFORMED AS THE ANDERSON SISTERS IN THAT ERA. BUT GROWING UP THROUGH THE YEARS, THERE WASN’T A TIME WHEN WE GOT TOGETHER AS A FAMILY WHERE WE DIDN’T HAVE A LOT OF MUSIC. THEY WOULD PLAY FOR US [AND] THEY WERE CALLED BACK SOMETIMES TO PERFORM AT COMMUNITY EVENTS… THE LAST ONE THAT I RECALL WAS SOMETHING IN GRANUM FOR AN ELKS 5OTH ANNIVERSARY IN GRANUM…THAT WAS THE LAST TIME PUBLICLY I REMEMBER.” THE FOLLOWING INFORMATION COMES FROM A HISTORY PUBLISHED IN THE LETHBRIDGE HERALD IN 24 MAY 2003 TITLED, “SISTER ACT: SOUTHERN ALBERTA’S SWINGIN’ ANDERSON SISTERS WERE ALL THE RAGE DURING THE SECOND WORLD WAR.” “IT WAS THE ERA OF SWUNG, OF MUSIC WITH MEMORABLE LYRICS, AND OF DANCE. IT WAS ALSO THE TIME OF THE SECOND WORLD WAR AND THE HEYDAY OF THE ANDERSON SISTERS, AND LITERALLY EVERY TOWN IN SOUTHERN ALBERTA WAS SWINGING AND SWAYING TO THE SOUNDS OF FLORENCE, MARIE, ALICE, AND RUTH." "DUBBED THE FOUR MAIDS OF MELODY BY CJOC RADIO…" THE ARTICLE CONTINUED, "[THE SISTERS] WERE THE TOAST OF SOUTHERN ALBERTA’S DANCE HALLS." INTERVIEWED FOR THE ARTICLE WAS ONE OF THE SISTERS, MARIE POPSON. SHE WAS QUOTED, "WE PLAYED THE TRIANON A LOT, THE OLD BUCKET OF BLOOD. THEY CALLED IT THAT BECAUSE IT WAS DURING THE WAR AND THERE WERE A LOT OF FIGHTS. PRIOR TO AND AFTER THE TRIANON WAS OK, BUT IT WAS REAL LIVELY DURING THE WAR… THE CROWDS [THERE] WERE SO LARGE THEY WERE AFRAID THE FLOOR WOULD WEAKEN… THE DANCE FLOOR WAS ON THE SECOND STORY OF THE BUILDING." THE ARTICLE EXPLAINED, "FLORENCE WAS THE ELDEST OF THE ANDERSON SISTERS AND AS SUCH WAS THE BAND’S LEADER. [SHE] PLAYED THE SAXOPHONE AND THE PIANO. MARIE… PLAYED THE PIANO AND ALICE PLAYED THE SAXOPHONE AND CLARINET. RUTH, 'THE BABY,' … PLAYED THE DRUMS, CLARINET AND TRUMPET." THE ARTICLE READS, "'RUTH STARTED PLAYING THE DRUMS AT AGE 11 AND LATER SHE COULD HANDLE THE DRUMMING WITH HER FEET AND PLAY THE TRUMPET AT THE SAME TIME FOR SOME OF OUR NUMBERS,’ SAYS MARIE WITH A TWIRL OF THE HAND. ‘FLO AND ALICE WERE OUR MAIN SINGERS AND I MADE UP THE TRIO SOMETIMES. RUTH DIDN’T SING. WHEN WE SANG AS A TRIO RUTH WOULD PLAY THE PIANO. ALICE WOULD ALSO SING SOLO. WE PLAYED ALL THE POPULAR MUSIC OF THE DAY AND OLD-TIME MUSIC AS WELL… MY SISTERS COULD ALSO PLAY THAT FAST-PACED SQUARE DANCE MUSIC ON THE SAX, AND THAT WAS SOMETHING. WE PLAYED WALTZES, POLKAS AND EVERYTHING… YOU NAME IT, WE PLAYED IT... OUR THEME SONG WAS BREEZING ALONG WITH THE BREEZE BUT MY FAVOURITE HAD TO BE SIDE BY SIDE, WHICH WE WERE AS A GROUP. WE WERE VERY CLOSE.'" THAT ARTICLE STATES THAT MARTIN AND IDA HAD EIGHT DAUGHTERS, IN FACT, BUT ONLY FOUR LIVED TO BECOME TEENAGERS. THE FOUR SURVIVING SISTERS BEGAN THEIR MUSICAL EDUCATION AT AN EARLY AGE, ALL BEGINNING WITH PIANO. THEY BEGAN PLAYING FOR VARIOUS TYPES OF EVENTS NEAR MONITOR, WHERE THEY WERE BORN. WHILE FLORENCE WAS WITH THE ALL GIRLS BAND IN CALGARY, THE THREE YOUNGER SISTERS FORMED THEIR OWN ORCHESTRA, MAKING THEIR DEBUT IN 1937. THE FOLLOWING YEAR, AFTER FLORENCE’S RETURN, THE ANDERSON SISTERS ORCHESTRA WAS FORMED. UPON ARRIVING IN LETHBRIDGE IN 1940, THEY AUDITIONED FOR THE CJOC RADIO STATION. THE ARTICLE STATES, “FOUR DAYS LATER THEY WERE ON THE AIR, LIVE, ON THE CHRISTMAS SHOPPER PROGRAM HEARD THREE TIMES A WEEK. THEY WERE ALSO ON THE AIR MONDAY NIGHTS FROM 9:15 TO 9:30 PM.” A NOTE THAT CAME WITH THE DONATION SAYS THE WEEKLY SHOW WITH CJOC WAS “BROADCAST LIVE ‘FROM HIGH ATOP THE MARQUIS HOTEL.’” BACK IN THE 2016 INTERVIEW AT THE MUSEUM, ALICE’S DAUGHTER ELEANOR COMMENTS ON THE BAND’S LEGACY. “I VOLUNTEER AT THE HOSPITAL [AND PLAY THE PIANO]. I USUALLY HAVE SENIORS INVOLVED THERE… AND WHEN I MENTION MY MOM’S NAME OR MY AUNT’S NAME, THEY REMEMBER DANCING TO THE ANDERSON SISTERS. SO, YOU KNOW, EVEN IN THIS DAY AND AGE, [PEOPLE] REMEMBER HOW MUCH FUN THEY HAD. [IT SHOWS] HOW RESPECTED THEY WERE AND I FIND THAT [BACKGROUND] JUST THRILLING.” “[MUSIC] WAS THEIR LIVELIHOOD,” RUTH ILLUMINATED, “SO [IT] WAS DRIVING THEM [THROUGH] TOUGH TIMES (SUCH AS THE DEPRESSION IN ALBERTA). THE GIRLS TOGETHER [WITH] THE TALENT THEY HAD, HAD A WAY OUT, WHERE A LOT OF OTHER PEOPLE HAD SOME BIGGER STRUGGLES. AND IT WAS THE TALENT IN THEM BEING TOGETHER. THEY COULD DO A LOT WHEN THEY STUCK TOGETHER AS A FAMILY.” PLEASE SEE PERMANENT FILE FOR FURTHER INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTION, LETHBRIDGE HERALD ARTICLES AND CLIPPINGS ABOUT THE ANDERSON SISTERS AND THEIR SHOWS, AND FAMILY OBITUARIES.
Catalogue Number
P20160044003
Acquisition Date
2016-12
Collection
Museum
Images
Less detail
Date Range From
1941
Date Range To
1985
Material Type
Artifact
Materials
METAL, RHINESTONE
Catalogue Number
P20160044005
  2 images  
Material Type
Artifact
Date Range From
1941
Date Range To
1985
Materials
METAL, RHINESTONE
No. Pieces
2
Height
2.1
Length
2.5
Width
0.9
Description
A-B: PAIR OF GOLD-COLOURED COSTUME JEWELRY EARRINGS. CRESENT-SHAPED, CURVING OUT TO FRONT. WHITE RHINESTONES SET IN GOLD-COLOURED METAL VERTICALLY DOWN CURVE OF EARRING. SCREW-ON CLASP AT BACK. FAIR TO GOOD CONDITION: BOTTOM RHINESTONE MISSING OFF COMPONENT A AND SECOND FROM THE TOP RHINESTONE MISSING OFF B. METAL MODERATELY WORN/SCUFFED.
Subjects
ADORNMENT
Historical Association
LEISURE
PERSONAL CARE
History
THE LATE ALICE PEARL HUMMEL (13 JUNE 1922 – 7 APRIL 2016) PERFORMED AS PART OF THE “ANDERSON SISTERS ORCHESTRA” ALONGSIDE HER SISTERS – FLORENCE JEANNETTE MCINTOSH (MAY 1917 – 18 MARCH 1999), MARIE EVELYN POPSON (C.1921 - 8 MARCH 2008) AND RUTH GINZER (C. 1926 - D. 2016). THE FOUR DAUGHTERS WERE BORN TO PARENTS, MARTIN EDWARD ANDERSON AND IDA JOHANNA ANDERSON (NEE JOHNSON). THE BAND WAS A FAMILY AFFAIR THAT SAW GREAT SUCCESS IN THE SOUTHERN ALBERTA REGION. ALICE’S DAUGHTERS, ELEANOR SMITH AND RUTH HUMMEL, HONOURED THEIR MOTHER’S WISHES TO DONATE A NUMBER OF HER EFFECTS FROM HER TIME WITH LETHBRIDGE BAND TO THE MUSEUM. IN 2016 DECEMBER 16, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE DAUGHTERS ABOUT THE DONATION. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT EXCHANGE. OF THESE EARRINGS, RUTH RECALLED, “I KNOW THAT THESE WERE WORN WHEN THEY WERE PERFORMING. IF THEY WERE DRESSED ALIKE, THEY USUALLY HAD THE SAME JEWELRY AS WELL.” BOTH RUTH AND ELEANOR RECALLED THE EARRINGS BEING WORN BY THEIR MOTHER UP UNTIL THE 1980S. THE JEWELRY THE SISTERS WORE DURING THE PERFORMANCES “SHOWED A LOT OF USE,” RUTH EXPLAINED. “OTHER ONES REPLACED [OLDER PAIRS AS THEY WORE OUT] AND THEY WERE JUST SET ASIDE.” “ALL [THE SISTERS] LOVED TO DRESS UP. THERE WERE SOME OUTFITS THEY HAD THAT ACTUALLY HAVE GONE DOWN THROUGH FAMILY MEMBERS. HER GRANDDAUGHTER HAS A BEAUTIFUL FORMAL THAT [EACH SISTER] HAD. WHEN THEY DRESSED UP, THEY [REALLY] DRESSED UP. IT WAS WITH BRILLIANT, SHINY, BEAUTIFUL JEWELRY,” RUTH REMEMBERED. THE FOLLOWING IS A BRIEF HISTORY OF THE ANDERSON SISTERS AS TOLD BY DONORS ELEANOR SMITH AND RUTH HUMMEL IN THE 2016 INTERVIEW: “[THE ANDERSON SISTERS ORCHESTRA WAS] THE LONGEST RUNNING GROUP AT WATERTON LAKES PAVILION … [WHERE THEY PLAYED] FOR FIVE YEARS STRAIGHT,” ELEANOR EXPLAINED, “IN ADDITION TO DOING ALL KINDS OF OTHER THINGS, THEY WERE CONSTANTLY TRAVELLING [AND] WE HAVE THE RECORDINGS OF THAT.” RUTH ADDED, “THEY WERE ORIGINALLY FROM MONITOR (SASK). IN THE DIRTY 30S, WHEN THINGS GOT BAD FOR A LOT OF FARMS, THEY FOUND A WAY TO HAVE MUSIC LESSONS AND…PLAY FOR LOCAL DANCES. [ULTIMATELY, THE FAMILY] DECIDED TO LEAVE THE FARM AND HEADED OUT IN THE DIRECTION OF LETHBRIDGE (VIA DRUMHELLER). IT WAS TOUGH TIMES FOR A LOT OF PEOPLE IN THE 30S IN ALBERTA, BUT THE GIRLS, WITH THE TALENT THEY HAD, … HAD A WAY OUT…THEY COULD DO A LOT WHEN THEY STUCK TOGETHER AS A FAMILY. AND THEN THE ORCHESTRA REALLY CAME OUT OF THAT...” THE OBITUARY OF DONORS’ GRANDFATHER, MARTIN ANDERSON, (PUBLISHED IN THE LETHBRIDGE HERALD, 1981) STATES THE FAMILY ARRIVED IN LETHBRIDGE IN 1940. “THEY WERE SERIOUS MUSICIANS - VERY HUMBLE AND VERY QUIET,” RUTH CONTINUED, “[AS FAR AS PROMOTING THE BAND,] THAT WAS MORE GRANDPA’S JOB. WHEN IT CAME TO MUSIC, IT WAS A GIFT THEY PASSED ON - IN THE LATE ‘30S, ‘40S AND INTO THE ‘50S A BIT – [AND] IT WAS SOMETHING THEY FELT REALLY PRIVILEGED TO BE ABLE TO CONTRIBUTE IN THEIR OWN COMMUNITIES. [DURING] THE WAR YEARS, [THEY PLAYED FOR] THE ARMY BASES THAT WERE ALL CLOSE HERE AND [THEY WERE] A PART OF THAT HISTORY.” “[THEY WERE] ON THE ROAD 6 DAYS A WEEK [WITH THEIR CAR AND TRAILER]… PLAYING NOT JUST IN LETHBRIDGE [BUT] FAR REACHING OVER IN B.C., THE NORTHERN STATES, AND QUITE FAR NORTH IN ALBERTA. SO THEY WERE A REAL PART OF THINGS AND WORKED REAL HARD. I THINK IT’S AN IMPORTANT PART OF THE MUSIC HISTORY IN ALBERTA. THEY WERE, AFTER THE ANDERSON SISTERS [BAND WAS FINISHED], PROUD TO TAKE [MUSIC] INTO THE COMMUNITIES WHERE THEY WERE TEACHERS AND STILL PERFORMERS EVEN PAST THE FOUR OF THEM BEING TOGETHER.” WHEN ASKED ABOUT THEIR PERSONAL MEMORIES OF THE SISTERS PERFORMING TOGETHER, RUTH ANSWERED, “WELL ELEANOR WOULD HAVE BEEN A TODDLER, MYSELF AS WELL, THE LAST FEW TIMES THAT THEY PERFORMED AS THE ANDERSON SISTERS IN THAT ERA. BUT GROWING UP THROUGH THE YEARS, THERE WASN’T A TIME WHEN WE GOT TOGETHER AS A FAMILY WHERE WE DIDN’T HAVE A LOT OF MUSIC. THEY WOULD PLAY FOR US [AND] THEY WERE CALLED BACK SOMETIMES TO PERFORM AT COMMUNITY EVENTS… THE LAST ONE THAT I RECALL WAS SOMETHING IN GRANUM FOR AN ELKS 5OTH ANNIVERSARY IN GRANUM…THAT WAS THE LAST TIME PUBLICLY I REMEMBER.” THE FOLLOWING INFORMATION COMES FROM A HISTORY PUBLISHED IN THE LETHBRIDGE HERALD IN 24 MAY 2003 TITLED, “SISTER ACT: SOUTHERN ALBERTA’S SWINGIN’ ANDERSON SISTERS WERE ALL THE RAGE DURING THE SECOND WORLD WAR.” “IT WAS THE ERA OF SWUNG, OF MUSIC WITH MEMORABLE LYRICS, AND OF DANCE. IT WAS ALSO THE TIME OF THE SECOND WORLD WAR AND THE HEYDAY OF THE ANDERSON SISTERS, AND LITERALLY EVERY TOWN IN SOUTHERN ALBERTA WAS SWINGING AND SWAYING TO THE SOUNDS OF FLORENCE, MARIE, ALICE, AND RUTH." "DUBBED THE FOUR MAIDS OF MELODY BY CJOC RADIO…" THE ARTICLE CONTINUED, "[THE SISTERS] WERE THE TOAST OF SOUTHERN ALBERTA’S DANCE HALLS." INTERVIEWED FOR THE ARTICLE WAS ONE OF THE SISTERS, MARIE POPSON. SHE WAS QUOTED, "WE PLAYED THE TRIANON A LOT, THE OLD BUCKET OF BLOOD. THEY CALLED IT THAT BECAUSE IT WAS DURING THE WAR AND THERE WERE A LOT OF FIGHTS. PRIOR TO AND AFTER THE TRIANON WAS OK, BUT IT WAS REAL LIVELY DURING THE WAR… THE CROWDS [THERE] WERE SO LARGE THEY WERE AFRAID THE FLOOR WOULD WEAKEN… THE DANCE FLOOR WAS ON THE SECOND STORY OF THE BUILDING." THE ARTICLE EXPLAINED, "FLORENCE WAS THE ELDEST OF THE ANDERSON SISTERS AND AS SUCH WAS THE BAND’S LEADER. [SHE] PLAYED THE SAXOPHONE AND THE PIANO. MARIE… PLAYED THE PIANO AND ALICE PLAYED THE SAXOPHONE AND CLARINET. RUTH, 'THE BABY,' … PLAYED THE DRUMS, CLARINET AND TRUMPET." THE ARTICLE READS, "'RUTH STARTED PLAYING THE DRUMS AT AGE 11 AND LATER SHE COULD HANDLE THE DRUMMING WITH HER FEET AND PLAY THE TRUMPET AT THE SAME TIME FOR SOME OF OUR NUMBERS,’ SAYS MARIE WITH A TWIRL OF THE HAND. ‘FLO AND ALICE WERE OUR MAIN SINGERS AND I MADE UP THE TRIO SOMETIMES. RUTH DIDN’T SING. WHEN WE SANG AS A TRIO RUTH WOULD PLAY THE PIANO. ALICE WOULD ALSO SING SOLO. WE PLAYED ALL THE POPULAR MUSIC OF THE DAY AND OLD-TIME MUSIC AS WELL… MY SISTERS COULD ALSO PLAY THAT FAST-PACED SQUARE DANCE MUSIC ON THE SAX, AND THAT WAS SOMETHING. WE PLAYED WALTZES, POLKAS AND EVERYTHING… YOU NAME IT, WE PLAYED IT... OUR THEME SONG WAS BREEZING ALONG WITH THE BREEZE BUT MY FAVOURITE HAD TO BE SIDE BY SIDE, WHICH WE WERE AS A GROUP. WE WERE VERY CLOSE.'" THAT ARTICLE STATES THAT MARTIN AND IDA HAD EIGHT DAUGHTERS, IN FACT, BUT ONLY FOUR LIVED TO BECOME TEENAGERS. THE FOUR SURVIVING SISTERS BEGAN THEIR MUSICAL EDUCATION AT AN EARLY AGE, ALL BEGINNING WITH PIANO. THEY BEGAN PLAYING FOR VARIOUS TYPES OF EVENTS NEAR MONITOR, WHERE THEY WERE BORN. WHILE FLORENCE WAS WITH THE ALL GIRLS BAND IN CALGARY, THE THREE YOUNGER SISTERS FORMED THEIR OWN ORCHESTRA, MAKING THEIR DEBUT IN 1937. THE FOLLOWING YEAR, AFTER FLORENCE’S RETURN, THE ANDERSON SISTERS ORCHESTRA WAS FORMED. UPON ARRIVING IN LETHBRIDGE IN 1940, THEY AUDITIONED FOR THE CJOC RADIO STATION. THE ARTICLE STATES, “FOUR DAYS LATER THEY WERE ON THE AIR, LIVE, ON THE CHRISTMAS SHOPPER PROGRAM HEARD THREE TIMES A WEEK. THEY WERE ALSO ON THE AIR MONDAY NIGHTS FROM 9:15 TO 9:30 PM.” A NOTE THAT CAME WITH THE DONATION SAYS THE WEEKLY SHOW WITH CJOC WAS “BROADCAST LIVE ‘FROM HIGH ATOP THE MARQUIS HOTEL.’” BACK IN THE 2016 INTERVIEW AT THE MUSEUM, ALICE’S DAUGHTER ELEANOR COMMENTS ON THE BAND’S LEGACY. “I VOLUNTEER AT THE HOSPITAL [AND PLAY THE PIANO]. I USUALLY HAVE SENIORS INVOLVED THERE… AND WHEN I MENTION MY MOM’S NAME OR MY AUNT’S NAME, THEY REMEMBER DANCING TO THE ANDERSON SISTERS. SO, YOU KNOW, EVEN IN THIS DAY AND AGE, [PEOPLE] REMEMBER HOW MUCH FUN THEY HAD. [IT SHOWS] HOW RESPECTED THEY WERE AND I FIND THAT [BACKGROUND] JUST THRILLING.” “[MUSIC] WAS THEIR LIVELIHOOD,” RUTH ILLUMINATED, “SO [IT] WAS DRIVING THEM [THROUGH] TOUGH TIMES (SUCH AS THE DEPRESSION IN ALBERTA). THE GIRLS TOGETHER [WITH] THE TALENT THEY HAD, HAD A WAY OUT, WHERE A LOT OF OTHER PEOPLE HAD SOME BIGGER STRUGGLES. AND IT WAS THE TALENT IN THEM BEING TOGETHER. THEY COULD DO A LOT WHEN THEY STUCK TOGETHER AS A FAMILY.” PLEASE SEE PERMANENT FILE FOR FURTHER INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTION, LETHBRIDGE HERALD ARTICLES AND CLIPPINGS ABOUT THE ANDERSON SISTERS AND THEIR SHOWS, AND FAMILY OBITUARIES.
Catalogue Number
P20160044005
Acquisition Date
2016-12
Collection
Museum
Images
Less detail
Date Range From
1941
Date Range To
1985
Material Type
Artifact
Materials
METAL, PAINT
Catalogue Number
P20160044006
  1 image  
Material Type
Artifact
Date Range From
1941
Date Range To
1985
Materials
METAL, PAINT
No. Pieces
1
Height
3.7
Length
5
Width
0.6
Description
SILVER AND BLACK OVAL BROOCH; 3 RAISED SILVER METAL LINES (LIKE A STAFF ON SHEET MUSIC) HORIZONTALLY ACROSS BROOCH WITH A SILVER SIXTEENTH NOTE SET ON TOP OF THE LINES. BACKGROUND IS COATED IN MATTE BLACK VARNISH. GOOD CONDITION: BLACK PAINT PRESENT ON SILVER METAL IN A COUPLE OF SPOTS. SLIGHT LOSS OF VARNISH IN SOME PLACES ON FRONT OF BROOCH.
Subjects
ADORNMENT
Historical Association
LEISURE
PERSONAL CARE
History
THE LATE ALICE PEARL HUMMEL (13 JUNE 1922 – 7 APRIL 2016) PERFORMED AS PART OF THE “ANDERSON SISTERS ORCHESTRA” ALONGSIDE HER SISTERS – FLORENCE JEANNETTE MCINTOSH (MAY 1917 – 18 MARCH 1999), MARIE EVELYN POPSON (C.1921 - 8 MARCH 2008) AND RUTH GINZER (C. 1926 - D. 2016). THE FOUR DAUGHTERS WERE BORN TO PARENTS, MARTIN EDWARD ANDERSON AND IDA JOHANNA ANDERSON (NEE JOHNSON). THE BAND WAS A FAMILY AFFAIR THAT SAW GREAT SUCCESS IN THE SOUTHERN ALBERTA REGION. ALICE’S DAUGHTERS, ELEANOR SMITH AND RUTH HUMMEL, HONOURED THEIR MOTHER’S WISHES TO DONATE A NUMBER OF HER EFFECTS FROM HER TIME WITH LETHBRIDGE BAND TO THE MUSEUM. THE ANDERSON SISTERS HAD MATCHING UNIFORMS THEY WOULD OFTEN WEAR FOR PERFORMANCES, WHICH INCLUDED PIECES SUCH AS THIS BROOCH. IN 2016 DECEMBER 16, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE DAUGHTERS ABOUT THE DONATION. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT EXCHANGE. RUTH EXPLAINED, “IF THEY WERE DRESSED ALIKE, THEY USUALLY HAD THE SAME JEWELRY AS WELL.” BOTH RUTH AND ELEANOR RECALLED THE BROOCH BEING WORN BY THEIR MOTHER UP UNTIL THE 1980S. THE JEWELRY THE SISTERS WORE DURING THE PERFORMANCES “SHOWED A LOT OF USE,” RUTH EXPLAINED. “OTHER ONES REPLACED [OLDER PAIRS AS THEY WORE OUT] AND THEY WERE JUST SET ASIDE.” “ALL [THE SISTERS] LOVED TO DRESS UP. THERE WERE SOME OUTFITS THEY HAD THAT ACTUALLY HAVE GONE DOWN THROUGH FAMILY MEMBERS. HER GRANDDAUGHTER HAS A BEAUTIFUL FORMAL THAT [EACH SISTER] HAD. WHEN THEY DRESSED UP, THEY [REALLY] DRESSED UP. IT WAS WITH BRILLIANT, SHINY, BEAUTIFUL JEWELRY,” RUTH REMEMBERED. THE FOLLOWING IS A BRIEF HISTORY OF THE ANDERSON SISTERS AS TOLD BY DONORS ELEANOR SMITH AND RUTH HUMMEL IN THE 2016 INTERVIEW: “[THE ANDERSON SISTERS ORCHESTRA WAS] THE LONGEST RUNNING GROUP AT WATERTON LAKES PAVILION … [WHERE THEY PLAYED] FOR FIVE YEARS STRAIGHT,” ELEANOR EXPLAINED, “IN ADDITION TO DOING ALL KINDS OF OTHER THINGS, THEY WERE CONSTANTLY TRAVELLING [AND] WE HAVE THE RECORDINGS OF THAT.” RUTH ADDED, “THEY WERE ORIGINALLY FROM MONITOR (SASK). IN THE DIRTY 30S, WHEN THINGS GOT BAD FOR A LOT OF FARMS, THEY FOUND A WAY TO HAVE MUSIC LESSONS AND…PLAY FOR LOCAL DANCES. [ULTIMATELY, THE FAMILY] DECIDED TO LEAVE THE FARM AND HEADED OUT IN THE DIRECTION OF LETHBRIDGE (VIA DRUMHELLER). IT WAS TOUGH TIMES FOR A LOT OF PEOPLE IN THE 30S IN ALBERTA, BUT THE GIRLS, WITH THE TALENT THEY HAD, … HAD A WAY OUT…THEY COULD DO A LOT WHEN THEY STUCK TOGETHER AS A FAMILY. AND THEN THE ORCHESTRA REALLY CAME OUT OF THAT...” THE OBITUARY OF DONORS’ GRANDFATHER, MARTIN ANDERSON, (PUBLISHED IN THE LETHBRIDGE HERALD, 1981) STATES THE FAMILY ARRIVED IN LETHBRIDGE IN 1940. “THEY WERE SERIOUS MUSICIANS - VERY HUMBLE AND VERY QUIET,” RUTH CONTINUED, “[AS FAR AS PROMOTING THE BAND,] THAT WAS MORE GRANDPA’S JOB. WHEN IT CAME TO MUSIC, IT WAS A GIFT THEY PASSED ON - IN THE LATE ‘30S, ‘40S AND INTO THE ‘50S A BIT – [AND] IT WAS SOMETHING THEY FELT REALLY PRIVILEGED TO BE ABLE TO CONTRIBUTE IN THEIR OWN COMMUNITIES. [DURING] THE WAR YEARS, [THEY PLAYED FOR] THE ARMY BASES THAT WERE ALL CLOSE HERE AND [THEY WERE] A PART OF THAT HISTORY.” “[THEY WERE] ON THE ROAD 6 DAYS A WEEK [WITH THEIR CAR AND TRAILER]… PLAYING NOT JUST IN LETHBRIDGE [BUT] FAR REACHING OVER IN B.C., THE NORTHERN STATES, AND QUITE FAR NORTH IN ALBERTA. SO THEY WERE A REAL PART OF THINGS AND WORKED REAL HARD. I THINK IT’S AN IMPORTANT PART OF THE MUSIC HISTORY IN ALBERTA. THEY WERE, AFTER THE ANDERSON SISTERS [BAND WAS FINISHED], PROUD TO TAKE [MUSIC] INTO THE COMMUNITIES WHERE THEY WERE TEACHERS AND STILL PERFORMERS EVEN PAST THE FOUR OF THEM BEING TOGETHER.” WHEN ASKED ABOUT THEIR PERSONAL MEMORIES OF THE SISTERS PERFORMING TOGETHER, RUTH ANSWERED, “WELL ELEANOR WOULD HAVE BEEN A TODDLER, MYSELF AS WELL, THE LAST FEW TIMES THAT THEY PERFORMED AS THE ANDERSON SISTERS IN THAT ERA. BUT GROWING UP THROUGH THE YEARS, THERE WASN’T A TIME WHEN WE GOT TOGETHER AS A FAMILY WHERE WE DIDN’T HAVE A LOT OF MUSIC. THEY WOULD PLAY FOR US [AND] THEY WERE CALLED BACK SOMETIMES TO PERFORM AT COMMUNITY EVENTS… THE LAST ONE THAT I RECALL WAS SOMETHING IN GRANUM FOR AN ELKS 5OTH ANNIVERSARY IN GRANUM…THAT WAS THE LAST TIME PUBLICLY I REMEMBER.” THE FOLLOWING INFORMATION COMES FROM A HISTORY PUBLISHED IN THE LETHBRIDGE HERALD IN 24 MAY 2003 TITLED, “SISTER ACT: SOUTHERN ALBERTA’S SWINGIN’ ANDERSON SISTERS WERE ALL THE RAGE DURING THE SECOND WORLD WAR.” “IT WAS THE ERA OF SWUNG, OF MUSIC WITH MEMORABLE LYRICS, AND OF DANCE. IT WAS ALSO THE TIME OF THE SECOND WORLD WAR AND THE HEYDAY OF THE ANDERSON SISTERS, AND LITERALLY EVERY TOWN IN SOUTHERN ALBERTA WAS SWINGING AND SWAYING TO THE SOUNDS OF FLORENCE, MARIE, ALICE, AND RUTH." "DUBBED THE FOUR MAIDS OF MELODY BY CJOC RADIO…" THE ARTICLE CONTINUED, "[THE SISTERS] WERE THE TOAST OF SOUTHERN ALBERTA’S DANCE HALLS." INTERVIEWED FOR THE ARTICLE WAS ONE OF THE SISTERS, MARIE POPSON. SHE WAS QUOTED, "WE PLAYED THE TRIANON A LOT, THE OLD BUCKET OF BLOOD. THEY CALLED IT THAT BECAUSE IT WAS DURING THE WAR AND THERE WERE A LOT OF FIGHTS. PRIOR TO AND AFTER THE TRIANON WAS OK, BUT IT WAS REAL LIVELY DURING THE WAR… THE CROWDS [THERE] WERE SO LARGE THEY WERE AFRAID THE FLOOR WOULD WEAKEN… THE DANCE FLOOR WAS ON THE SECOND STORY OF THE BUILDING." THE ARTICLE EXPLAINED, "FLORENCE WAS THE ELDEST OF THE ANDERSON SISTERS AND AS SUCH WAS THE BAND’S LEADER. [SHE] PLAYED THE SAXOPHONE AND THE PIANO. MARIE… PLAYED THE PIANO AND ALICE PLAYED THE SAXOPHONE AND CLARINET. RUTH, 'THE BABY,' … PLAYED THE DRUMS, CLARINET AND TRUMPET." THE ARTICLE READS, "'RUTH STARTED PLAYING THE DRUMS AT AGE 11 AND LATER SHE COULD HANDLE THE DRUMMING WITH HER FEET AND PLAY THE TRUMPET AT THE SAME TIME FOR SOME OF OUR NUMBERS,’ SAYS MARIE WITH A TWIRL OF THE HAND. ‘FLO AND ALICE WERE OUR MAIN SINGERS AND I MADE UP THE TRIO SOMETIMES. RUTH DIDN’T SING. WHEN WE SANG AS A TRIO RUTH WOULD PLAY THE PIANO. ALICE WOULD ALSO SING SOLO. WE PLAYED ALL THE POPULAR MUSIC OF THE DAY AND OLD-TIME MUSIC AS WELL… MY SISTERS COULD ALSO PLAY THAT FAST-PACED SQUARE DANCE MUSIC ON THE SAX, AND THAT WAS SOMETHING. WE PLAYED WALTZES, POLKAS AND EVERYTHING… YOU NAME IT, WE PLAYED IT... OUR THEME SONG WAS BREEZING ALONG WITH THE BREEZE BUT MY FAVOURITE HAD TO BE SIDE BY SIDE, WHICH WE WERE AS A GROUP. WE WERE VERY CLOSE.'" THAT ARTICLE STATES THAT MARTIN AND IDA HAD EIGHT DAUGHTERS, IN FACT, BUT ONLY FOUR LIVED TO BECOME TEENAGERS. THE FOUR SURVIVING SISTERS BEGAN THEIR MUSICAL EDUCATION AT AN EARLY AGE, ALL BEGINNING WITH PIANO. THEY BEGAN PLAYING FOR VARIOUS TYPES OF EVENTS NEAR MONITOR, WHERE THEY WERE BORN. WHILE FLORENCE WAS WITH THE ALL GIRLS BAND IN CALGARY, THE THREE YOUNGER SISTERS FORMED THEIR OWN ORCHESTRA, MAKING THEIR DEBUT IN 1937. THE FOLLOWING YEAR, AFTER FLORENCE’S RETURN, THE ANDERSON SISTERS ORCHESTRA WAS FORMED. UPON ARRIVING IN LETHBRIDGE IN 1940, THEY AUDITIONED FOR THE CJOC RADIO STATION. THE ARTICLE STATES, “FOUR DAYS LATER THEY WERE ON THE AIR, LIVE, ON THE CHRISTMAS SHOPPER PROGRAM HEARD THREE TIMES A WEEK. THEY WERE ALSO ON THE AIR MONDAY NIGHTS FROM 9:15 TO 9:30 PM.” A NOTE THAT CAME WITH THE DONATION SAYS THE WEEKLY SHOW WITH CJOC WAS “BROADCAST LIVE ‘FROM HIGH ATOP THE MARQUIS HOTEL.’” BACK IN THE 2016 INTERVIEW AT THE MUSEUM, ALICE’S DAUGHTER ELEANOR COMMENTS ON THE BAND’S LEGACY. “I VOLUNTEER AT THE HOSPITAL [AND PLAY THE PIANO]. I USUALLY HAVE SENIORS INVOLVED THERE… AND WHEN I MENTION MY MOM’S NAME OR MY AUNT’S NAME, THEY REMEMBER DANCING TO THE ANDERSON SISTERS. SO, YOU KNOW, EVEN IN THIS DAY AND AGE, [PEOPLE] REMEMBER HOW MUCH FUN THEY HAD. [IT SHOWS] HOW RESPECTED THEY WERE AND I FIND THAT [BACKGROUND] JUST THRILLING.” “[MUSIC] WAS THEIR LIVELIHOOD,” RUTH ILLUMINATED, “SO [IT] WAS DRIVING THEM [THROUGH] TOUGH TIMES (SUCH AS THE DEPRESSION IN ALBERTA). THE GIRLS TOGETHER [WITH] THE TALENT THEY HAD, HAD A WAY OUT, WHERE A LOT OF OTHER PEOPLE HAD SOME BIGGER STRUGGLES. AND IT WAS THE TALENT IN THEM BEING TOGETHER. THEY COULD DO A LOT WHEN THEY STUCK TOGETHER AS A FAMILY.” PLEASE SEE PERMANENT FILE FOR FURTHER INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTION, LETHBRIDGE HERALD ARTICLES AND CLIPPINGS ABOUT THE ANDERSON SISTERS AND THEIR SHOWS, AND FAMILY OBITUARIES.
Catalogue Number
P20160044006
Acquisition Date
2016-12
Collection
Museum
Images
Less detail
Date Range From
1933
Date Range To
2000
Material Type
Artifact
Materials
CLOTH, FELT, PAINT
Catalogue Number
P20160003002
  1 image  
Material Type
Artifact
Date Range From
1933
Date Range To
2000
Materials
CLOTH, FELT, PAINT
No. Pieces
2
Height
29.5
Width
15
Description
A: HANDMADE DOLL. THE “ESKIMO” DOLL IS MADE WITH LIGHT BLUE, FELT-LIKE FABRIC WITH WHITE FABRIC ACCENTS. THE FACE IS MADE OUT OF A LIGHTER FABRIC THAT IS PEACH-COLOURED. THE FACIAL DETAILS ARE HAND PAINTED. THE DOLL HAS BLUE EYES, EYEBROWS, NOSTRILS, RED LIPS, AND ROSY CHEEKS. THE LIGHT BLUE FABRIC THAT MAKES UP THE MAJORITY OF THE DOLL’S BODY IS ENCOMPASSING THE DOLL’S FACE LIKE A HOOD. THE DOLL’S TORSO IS COVERED IN THE LIGHT BLUE FELT. TWO HEART-SHAPED ARMS, MADE OF THE SAME MATERIAL, ARE ATTACHED TO EITHER SIDE OF THE BODY. THE DOLLS UPPER LEG AND FEET ARE COVERED IN THE LIGHT BLUE FELT. FROM THE KNEES TO THE ANKLES, A LIGHTER, WHITE FABRIC IS COVERING THE LEGS. B: DOLL SKIRT. AROUND THE DOLL’S WAIST IS A DETACHABLE SKIRT MADE OF THE SAME FABRIC AND A WHITE WAISTBAND. POOR CONDITION. ALL FABRIC IS WELL-WORN AND THREADBARE IN MULTIPLE PLACES. THE DOLL’S RED STUFFING IS VISIBLE THROUGH PARTS OF THE FABRIC. THERE IS DISCOLORATION (YELLOWING) OVERALL. THE STUFFING IS NOT EVENLY DISTRIBUTED THROUGHOUT THE DOLL. THE SEAMS AT THE ARMS ARE FRAGILE. THE PAINT FOR THE DOLL’S FACE IS SEVERELY FADED.
Subjects
TOY
Historical Association
ETHNOGRAPHIC
LEISURE
History
THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. IT WAS THERE WILLIAM KONKIN MARRIED ELIZABETH WISHLOW. IN 1928 THEIR DAUGHTER, ELSIE WAS BORN. THE FAMILY LATER MOVED TO A FARM IN VAUXHALL, ALBERTA. THE PRECEDING AND FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. A FULL HISTORY OF THE KONKIN FAMILY CAN BE FOUND WITH THE RECORD P20160003001. THIS DOLL BELONGED TO MORRIS AS A CHILD. SHE EXPLAINS, “THIS CAME FROM A GREAT AUNT WHO CAME TO VISIT US AND SHE ALWAYS BROUGHT GIFTS AND THIS ONE WAS MINE AND I LOVED THIS DOLL… I REMEMBER PLAYING WITH IT, IT WAS SOFT AND CUDDLY WHEN I HAD IT… MY DAUGHTER WENT THROUGH IT AND MY GRANDDAUGHTER AND THEN I PUT A STOP TO IT BEFORE THEY ATE IT UP OR DID SOMETHING… THEY LOVED IT AND THEY, YOU KNOW LITTLE KIDS, THEY’RE CARELESS SO I’LL KEEP IT...” IN A PHONE CALL WITH COLLECTIONS ASSISTANT ELISE PUNDYK ON OCTOBER 24, 2017, MORRIS SAID SHE RECIEVED THE DOLL FROM HER GREAT AUNT WHO HAD BROUGHT IT FROM VISITING BRITISH COLUMBIA. MORRIS PLAYED WITH THE DOLL AS A CHILD, AS DID MORRIS' CHILDREN. THE DOLL WAS LOVED BY MULTIPLE GENERATIONS IN MORRIS' FAMILY AS HER GRANDCHILDREN AND GREAT GRANDCHILDREN WOULD ALSO PLAY WITH THE DOLL WHEN THEY CAME TO VISIT. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003002
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Other Name
"RED DAWN"
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
PAPER, INK
Catalogue Number
P20180029001
  2 images  
Material Type
Artifact
Other Name
"RED DAWN"
Date Range From
1980
Date Range To
1990
Materials
PAPER, INK
No. Pieces
1
Length
104
Width
68.8
Description
POSTER WITH IMAGE ON FRONT OF PURPLE AND BLUE SKY WITH SUNRISE AND PARATROOPERS DESCENDING OVER TOWN SURROUNDED BY MOUNTAINS AT BOTTOM EDGE. POSTER HAS WHITE BORDERS; POSTER HAS WHITE TEXT PRINTED ON IMAGE “IN OUR TIME NO FOREIGN ARMY HAS EVER OCCUPIED AMERICAN SOIL. UNTIL NOW” AND RED PRINTED TEXT BELOW WITH RUSSIAN SYLLABICS OVER “RED DAWN”; POSTER HAS WHITE CREDITS ALONG BOTTOM EDGE, “A VALKYRIE FILM A SIDNEY BECKERMAN PRODUCTION RED DAWN…” WITH LISTING OF CAST AND CREW MEMBERS. LOWER LEFT CORNER OF IMAGE HAS TEXT WARNING “PG-13, PARENTS ARE STRONGLY CAUTIONED TO GIVE SPECIAL GUIDANCE FOR ATTENDANCE OF CHILDREN UNDER 13, SOME MATERIAL MAY BE INAPPROPRIATE FOR YOUNG CHILDREN”, AND TEXT BESIDE “[COPYRIgHT SYMBOL” 1984 UNITED ARTISTS CORPORATION”; LOWER RIGHT CORNER OF IMAGE HAS LOGO “METRO GOLDWYN MAYER UNITED ARTISTS, DIAMOND JUBILEE, SIXTY YEARS OF GREAT ENTERTAINMENT”; POSTER HAS TEXT ALONG LOWER BORDER “PROPERTY OF NATIONAL SCREEN CORPORATION LICENSED FOR USE ONLY IN CONNECTION WITH THE EXHIBITION OF THIS PICTURE AT THE THEATRE LICENSING THIS MATERIAL. LICENSEE AGREES NOT TO TRADE, SELL OR GIVE IT AWAY, OR PERMIT OTHERS TO USE IT, NOR SHALL LICENSEE BE ENTITLED TO ANY CREDIT UPON RETURN OF THIS MATERIAL. THIS MATERIAL EITHER MUST BE RETURNED OR DESTROYED IMMEDIATELY AFTER USE. LITHO. IN U.S.A., RED DAWN 840077”. BACK OF POSTER HAS HANDWRITTEN TEXT IN RED INK IN LOWER LEFT CORNER “KEVIN MCLEAN $2.00” AND HANDWRITTEN TEXT IN BLUE INK “RED DAWN”. POSTER HAS TEARS AT RIGHT AND LEFT EDGES, AND LOWER EDGE; FRONT IS CREASED; BACK OF CORNERS HAS LOSS FROM REMOVAL OF ADHESIVES. OVERALL GOOD CONDITION.
Subjects
ADVERTISING MEDIUM
Historical Association
BUSINESS
LEISURE
History
ON DECEMBER 21, 2018, GALT MUSEUM CURATOR AIMEE BENOIT INTERVIEWED KEVIN MACLEAN REAGARDING HIS DONATION OF PERSONAL OBJECTS. THE OBJECTS DONATED BY MACLEAN REFLECTED HIS LIFE AND IDENTITY THROUGH HIS TIME IN LETHBRIDGE. ON THE “RED DAWN” FILM POSTER, MACLEAN ELABORATED, “THE POSTER [WAS] UP [IN MY ROOM].” “[IN] THE 1980S, AS A KID, AND I DON’T KNOW IF IT WAS JUST ME ‘CAUSE I WAS A NEWS JUNKIE, THE COLD WAR WAS A BIG DEAL IN THE EARLY ‘80S. THERE WERE SHOWS ON TV THAT WERE SCARING THE CRAP OUT OF ME. THERE WAS ONE CALLED "THE DAY AFTER" AND THAT WAS IN ’83. THEN IN 1984 THIS MOVIE COMES OUT WHICH IS CALLED RED DAWN WHICH IS, AGAIN, ABOUT RUSSIAN COMMUNIST INVASIONS OF NORTH AMERICA. IT’S A SMALL TOWN THAT ALL THESE TROOPS DROP INTO. TO SAY THE LEAST, I WAS SEMI-OBSESSED WITH THE SUBJECT MATTER.” “IF YOU WATCHED "THE DAY AFTER"…ON ONE HAND, THAT KIND OF SUBJECT MATTER CAN FEEL FOREIGN AND ABSTRACT AND NOT RELEVANT. BUT, IF AT THE SAME TIME YOU’RE A KID, AND YOUR PARENTS ARE WATCHING THE NEWS EVERY NIGHT, AND YOU HAVE AN INTEREST IN WHAT’S GOING ON—A LOT OF KIDS DON’T CARE BUT FOR SOME REASON, I WAS VERY INTERESTED. THEN YOU THOUGHT, “NO, THIS IS A VERY REAL PROSPECT. THIS COULD ACTUALLY HAPPEN.” I WAS TERRIFIED ABOUT IT. BUT, AT THE SAME TIME, I WAS ALSO ATTRACTED TO IT, LIKE A FLAME. IT WAS…ROCKETS…I DON’T KNOW WHAT IT WAS BUT I WAS ACTIVELY INTERESTED IN [THEM]. THEN AT SOME POINT, THAT PIVOTED, WHICH IS WHEN I KNOW I WAS LOOKING AT THE SOLDIER OF FORTUNE MAGAZINES AND THEN I STARTED BUYING COMIC BOOKS…WORLD WAR TWO COMIC BOOKS.” “WE DIDN’T HAVE MUCH TV OUT IN PICTURE BUTTE. [OTHER PEOPLE] PROBABLY HAD LOTS OF CHANNELS IN LETHBRIDGE. ONE CHANNEL WE DID HAVE—I THINK WE ONLY HAD THREE—WAS CBC. I REMEMBER [MY PARENTS] WATCHING THE NATIONAL. I THINK [THERE] WAS [A SHOW] CALLED THE JOURNAL WITH BARBARA FRUM [THAT MY PARENTS] WOULD WATCH AT TEN O’CLOCK EVERY SINGLE NIGHT. I WOULD SNEAK OUT OF MY ROOM AND HIDE BEHIND THE COUCH, AND [THE COLD WAR IS] ON THE NEWS EVERY SINGLE NIGHT.” “IN TERMS OF [THE COLD WAR] MANIFESTING ITSELF LOCALLY…I THINK TRUDEAU’S IN POWER, AND THERE’S A WHOLE DEBATE ABOUT CANADA HAVING NUKES IN THIS COUNTRY. ULTIMATELY, IT DIDN’T HAPPEN. BUT, THE U.S. WAS TESTING CRUISE MISSILES IN ALBERTA, AND NOT FAR FROM MY FRIEND’S HOUSE OUT NEAR PICTURE BUTTE, WHEN THE TALK OF A CRUISE MISSILE BEING TESTED IN ALBERTA WAS IN THE NEWS, ACTIVELY, PEOPLE WERE UNHAPPY AND PROTESTING. A BUNCH OF TRACTOR TRAILERS PULLED UP ON THE TOP OF A HILL, TWO MILES AWAY FROM [MY FRIEND’S] HOUSE, WITH U.S. LICENSE PLATES. OTHERWISE, THEY WERE TOTALLY UNMARKED. THEY BUILT THIS RADAR INSTALLATION UP ON THE TOP OF THE HILL, WHERE IT REMAINED…FOR THREE DAYS OR [SO]…AND THEN IT ALL DISAPPEARED.” “I CAN’T SAY THAT I KNOW FOR A FACT THAT IT WAS RELATED TO CRUISE MISSILE TESTING.” “GENERALLY TO SAY…WITH THESE [OBJECTS] I CAN DRAW A BIT OF A LINE FROM MY HAVING POSSESSED THEM ALL THE WAY, IN SOME FORM…THEY WOULD HAVE HAD AN IMPACT ON [MY] IDENTITY AND WHO I THINK I AM TODAY. I DON’T VALUE THEM BECAUSE THEY DON’T HAVE UTILITY AND THEY DON’T HAVE PRACTICAL VALUE. I DON’T LOOK AT THEM ALL THE TIME, BUT I KNOW THAT THEY HAVE SOME IMPORTANCE LIFE-WISE.” “IN SCHOOL, THERE WAS A GAME THAT WE WERE PLAYING. THIS IS AT A TIME WHEN THERE’S ONE COMPUTER FOR THE ENTIRE SCHOOL. IT WAS AN APPLE…AND IT WAS A WW2-BASED GAME. MY INTEREST, INITIALLY, WAS IN CONTEMPORARY-TYPE STUFF. THEN WE’RE PLAYING THIS GAME WHICH I’M NOT REALLY–IT’S ABSTRACT TO ME. WE’RE JUST PLAYING THIS GAME AND THEN, BECAUSE I’M INTO THIS, I’M BUYING MAGAZINES CALLED SOLDIER OF FORTUNE, AND I CAN REMEMBER FLIPPING THROUGH THE PAGES OF [THE] PROXY WAR IN AFGHANISTAN. [THE RUSSIANS] HAD GONE INTO AFGHANISTAN, AND I SAW A WW2 PICTURE AND I CONNECTED IT TO THIS GAME AND I [THOUGHT], “OH, THIS IS A REAL THING.” THEN, ALL OF A SUDDEN, THIS CONTEMPORARY STUFF IS OF LESSER INTEREST AND THEN IT BECOMES MORE SECOND WORLD WAR INTEREST AFTER THAT.” “MAYBE I STILL AM [THAT PERSON] TODAY A BIT…IN DIFFERENT RESPECTS. [THE OBJECTS] TAKE UP SOME SPACE BUT I COULDN’T LET THEM GO BECAUSE THEY’RE SYMBOLS, IN A WAY. THEY’RE ONLY THAT BECAUSE OF WHAT IS IN MY HEAD, SO I THOUGHT AT SOME POINT IT WAS GOOD TO [DONATE THEM]…IT WOULD HAVE BEEN MAYBE EASIER TO LET SOME OF THIS STUFF GO.” FOR MORE INFORMATION INCLUDING ARTICLES FROM THE LETHBRIDGE HERALD, BRANDON SUN, MEDICINE HAT NEWS, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180029001-GA.
Catalogue Number
P20180029001
Acquisition Date
2018-12
Collection
Museum
Images
Less detail
Other Name
CASSETTE TAPE
Date Range From
1985
Date Range To
1990
Material Type
Artifact
Materials
PLASTIC, PAPER
Catalogue Number
P20180029005
  2 images  
Material Type
Artifact
Other Name
CASSETTE TAPE
Date Range From
1985
Date Range To
1990
Materials
PLASTIC, PAPER
No. Pieces
3
Height
1.7
Length
11
Width
7
Description
A. CASSETTE TAPE CASE, 11 CM LONG X 7 CM WIDE X 1.7 CM TALL. CLEAR PLASTIC RECTANGULAR CASE WITH TWO PLASTIC PRONGS INSIDE. CASE FRONT HAS EMBOSSED STAMP IN LOWER RIGHT CORNER “TDK, MADE IN JAPAN”. RIGHT SIDE HAS INDENT FOR OPENING; CASE IS HINGED ON LEFT SIDE. CASE IS SCRATCHED AND SCUFFED, WITH BLACK STAINING ON FRONT, BACK, AND LEFT SIDE; OVERALL VERY GOOD CONDITION. B. CASSETTE TAPE, 10 CM LONG X 6.4 CM WIDE X 0.7 CM TALL. TAPE IS BLACK PLASTIC WITH TWO HOLES THROUGH CASSETTE; TAPE HAS CLEAR PLASTIC WINDOW BETWEEN HOLES SHOWING TAPE INSIDE; BOTTOM EDGE OF TAPE HAS FIVE SQUARE OPENINGS SHOWING BROWN TAPE. TAPE HAS WHITE TEXT ON FRONT AND BACK; FRONT TEXT “AC DC * BACK IN BLACK, HELLS BELLS/SHOOT TO THRILL/, WHAT DO YOU DO FOR MONEY HONEY, GIVE THE DOG A BONE/LET ME PUT MY LOVE IN YOU, CP 1, DOLBY SYSTEM, XCS 16018, ATLANTIC”, LOWER LABEL HAS WHITE TEXT BILUNGUAL [ENGLISH AND FRENCH] “MANUFACTURED & DISTRIBUTED BY WEA MUSIC OF CANADA LTD., 810 BIRCHMOUNT RD SCARBOROUGH ONTARIO, A WARNER COMMUNICATIONS COMPANY”. TOP EDGE OF TAPE HAS EMBOSSED TEXT “MADE IN CANADA”. BACK OF TAPE HAS WHITE TEXT “AC DC * BACK IN BLACK, BACK IN BLACK/YOU SHOOK ME ALL NIGHT LONG, HAVE A DRINK ON ME, SHAKE A LEG/ROCK AND ROLL AIN’T NOISE POLLUTION, CP 2, DOLBY SYSTEM, XCS 16018, ATLANTIC”, LOWER LABEL HAS WHITE TEXT BILINGUAL [ENGLISH AND FRENCH] “MANUFACTURED & DISTRIBUTED BY WEA MUSIC OF CANADA LTD., 810 BIRCHMOUNT RD SCARBOROUGH ONTARIO, A WARNER COMMUNICATIONS COMPANY”. TEXT ON TAPE IS WORN AND FADED; LOWER EDGE OF TAPE IS SCUFFED AND STAINED; OVERALL VERY GOOD CONDITION. C. PAPER INSERT FOR CASSETTE TAPE, 10.3 CM LONG X 6.6 CM WIDE X 1.4 CM TALL. PAPER BOOKLET WITH BLACK COVER AND WHITE TEXT; FRONT OF COVER HAS TEXT “AC DC, BACK IN BLACK, ATLANTIC, SUPER CASSETTE”; SIDE OF COVER HAS TEXT “AC/DC, BACK IN BLACK, DOLBY SYSTEM, XCS-16018, SUPER CASSETTE”; BACK OF COVER HAS TEXT INCLUDING TRACK LIST FOR “SIDE ONE/SIDE TWO” AND PHOTOGRAPH OF MAN PLAYING GUITAR, TEXT BELOW PHOTOGRAPH “1980 LEIDSPELEIN PRESSE B.V., UNAUTHORIZED REPRODUCTION OF THIS RECORDING IS PROHIBITED BY LAW AND SUBJECT TO CRIMINAL PROSECUTION”, TEXT BELOW IS BILINGUAL [ENGLISH AND FRENCH] “MANUFACTURED & DISTRIBUTED BY, WEA MUSIC OF CANADA LTD., 1810 BIRCHMOUNT RD. SCARBOROUGH, ONTARIO, A WARNER COMMUNICATIONS COMPANY”. INSIDE OF COVER WHITE WITH BLACK TEXT “ALL SONGS WRITTEN BY YOUNG, YOUNG AND JOHNSON, PRODUCED BY ROBERT JOHN “MUTT” LANGE, ENGINEERED BY TONY PLATT, ASSISTANT ENGINEERS: JACK NEWBER, BENJI ARMBRISTER, RECORDED AT COMPASS POINT STUDIOS, APRIL-MAY 1980, MIXING ENGINEER: BRAD SAMUELSON, ART DIRECTION: BOB DEFRIN, PHOTOS: ROBERT ELLIS”, WITH “THANKS” BELOW, TEXT BELOW “FOR MORE INFORMATION ON AC/DC’S FAN CLUB AND MERCHANDISING, PLEASE SEND A SELF-ADDRESSED ENVELOPE TO: AC/DC FAN CLUB, 18 WATSON CLOSE, BURY ST. EDMUNDS, SUFFOLK ENGLAND, ALBERT PRODUCTIONS”. BACK INSIDE INCLUDES TEXT ON “NEW LEVELS OF EXCELLENCE” IN ENGLISH AND FRENCH. BACK OF BOOKLET HAS TWO HOLES PUNCHED THROUGH; COVER IS WORN AND FADED; OVERALL VERY GOOD CONDITION.
Subjects
SOUND COMMUNICATION T&E
Historical Association
LEISURE
HOME ENTERTAINMENT
History
ON DECEMBER 21, 2018, GALT MUSEUM CURATOR AIMEE BENOIT INTERVIEWED KEVIN MACLEAN REAGARDING HIS DONATION OF PERSONAL OBJECTS. ON THE CASSETTE TAPE, MACLEAN ELABORATED, “I WOULD THINK IT’S…IN THE WINTER OF GRADE 10 THAT I FOUND AC/DC AND THE SONG WAS, “FOR THOSE ABOUT TO ROCK”. I REMEMBER LISTENING TO IT WITH A BUDDY IN KALISPELL AND PLAYING ARCADE GAMES IN THE HOTEL AND THINKING, “OH, MY GOD, THIS IS THE COOLEST.”” “[BECAUSE] I’M A CATHOLIC KID…WE WERE PRETTY INNOCENT KIDS, AND [LISTENING TO BANDS LIKE AC/DC AND IRON MAIDEN] WOULD BE LIKE, “OH, I’M NOT GONNA GO THERE.” IT’S JUST TOO GRAPHIC…I THOUGHT IT DIDN’T REPRESENT ANYTHING GOOD. AC/DC CAME FIRST [FOR ME].” “THE OTHER THING THAT ATTRACTED ME TO AC/DC…THIS IS 1985, SO PART OF [MY INTEREST] IS THAT THEY’RE QUITE BLUE COLLAR…THE GLAM-ROCK THING…NEVER DID AS MUCH FOR ME. BUT THESE GUYS LOOK LIKE ORDINARY, WORKING-CLASS GUYS WHICH…IN TERMS OF WANTING TO FIT IN AND NOT HAVE A LOOK THAT STANDS OUT THEN, THERE WAS SOME APPEAL TO THESE GUYS, TOO.” “THIS, “BACK IN BLACK”, I’M CARRYING IN MY JEAN JACKET IN THE LEFT BREAST POCKET. WHEN I GO TO PARTIES, EVERY SINGLE WEEKEND, I HAD THIS TAPE BECAUSE IF PEOPLE DIDN’T HAVE “BACK IN BLACK” IN THEIR HOUSE, THEN I HAD IT. THEY COULD PLAY IT WHILE WE WERE PARTYING.” MACLEAN RECALLED HIS INTEREST IN MUSIC IN THE 1980S, NOTING, “[MY] DAD LISTENED TO COUNTRY MUSIC, CHARLEY PRIDE AND WILLIE NELSON, WHICH I WASN’T REALLY GETTING ANYTHING OUT OF. MY MOM, THOUGH, HAS ALWAYS BEEN INTERESTED IN CONTEMPORARY STUFF, WHATEVER THAT WORLD MIGHT BE. SHE IS THE ONE IN THE FAMILY WHO’S PROBABLY BUYING MOST OF THE RECORDS AND WHO IS LISTENING TO MUSIC LOTS, IN THE HOUSEHOLD. SHE DID JAZZERCISE STUFF SO SHE TAUGHT CLASSES. THERE’S LOTS OF VINYL IN THE HOUSE WHEN I’M GROWING UP. AT SOME POINT IN TIME, I DON’T KNOW HOW IT HAPPENED, BUT THERE WAS A RECORD PLAYER THAT WENT INTO MY BEDROOM AND INITIALLY, [BECAUSE] IT’S PROBABLY THE ONLY TIME I LISTENED TO VINYL, IT WAS MOM AND DAD’S KENNY ROGERS RECORD. I THINK I LIKED IT [BECAUSE] I COULD SING TO IT.” “IN ABOUT 1983, I WOULD HAVE AN ALLOWANCE. I START BUYING MUSIC AND THAT’S ALL I WANTED MONEY FOR; TO BUY MUSIC AND TO BUY A TAPE BACK THEN BECAUSE TAPES [WERE] COMPETING WITH VINYL RECORDS. WHERE I HAVE FRIENDS WHO ARE YOUNGER THAN ME OR WHO ARE THE SAME AGE AS ME WHO ARE BUYING VINYL, IT’S GENERALLY, I WOULD SAY, BECAUSE THEY HAVE SIBLINGS WHO ARE ALSO BUYING VINYL. THEY’RE DOING THE RECORD PLAYER THING BUT I WENT RIGHT TO CASSETTE.” “WHEN I FIRST STARTED BUYING MUSIC, THE FIRST [CASSETTE] I BOUGHT WAS MICHAEL JACKSON “THRILLER”; THAT WAS THE FIRST ONE. ALMOST AT THE EXACT SAME TIME, I BOUGHT DURAN DURAN “RIO” AND I THINK MY THIRD TAPE WAS EDDY GRANT; IT WAS A SONG CALLED “ELECTRIC AVENUE”. WHEN I’M BUYING MUSIC, I’M COMING INTO LETHBRIDGE. I REMEMBER THERE WAS A MUSIC STORE—THERE [WAS] NO PARK PLACE MALL—IN THE LETHBRIDGE CENTRE MALL.” “MY COUSIN, WHO’S LIVING WITH US—REG—IS SIX YEARS OLDER THAN ME. HE [HAS] A TAPE CASE BEFORE I BUY MY FIRST TAPE CASE. HIS MUSIC IS PREDOMINANTLY CANADIAN ROCK FROM THE EARLY ‘80S. SO, BANDS THAT WERE ALL COMING OUT AT THE SAME TIME LIKE STREETHEART, TORONTO, CHILLIWACK, HEADPINS, PRISM, THE STUFF THAT RON SAKAMOTO, THE PROMOTER, WAS BRINGING INTO THE SPORTSPLEX. BUT I WAS NOT INTERESTED IN ROCK. I WANTED POP MUSIC AND I REMEMBER SHARING MY LOVE OF MY POP MUSIC WITH MY FRIENDS. I REMEMBER WHEN I GOT DURAN DURAN “RIO”, I WOULD CALL UP MY FRIEND ON THE ROTARY DIAL PHONE AND WITH MY VIKING CASSETTE RECORDER/TAPE PLAYER PUSH ‘PLAY’ AND HOLD THE RECEIVER OVER SO THAT HE COULD HEAR THIS MUSIC THAT I WAS SO EXCITED TO SHARE.” “WHEN I BUY, WHEN I TELL MY NEIGHBOUR FRIEND, [I ASK], “IS THIS OKAY? IS THIS A GOOD ONE?” AND THE ONE TIME, I REMEMBER HIM GOING, “YEAH, THAT’S A GOOD CHOICE.” IT WAS A BAND CALLED, THE TUBES. THAT WOULD BE GRADE 8 AND PROBABLY INTO GRADE 9 AND MY TAPE CASE WOULD BE FULL OF STUFF THAT WOULD BE POP, DURAN DURAN AND MICHAEL JACKSON.” “[IN] GRADE 9, RIGHT BEFORE HIGH SCHOOL, I FIND TWISTED SISTER…THIS WOULD BE BY THE SUMMER OF ’84. [THEIR] VIDEO WAS GETTING TO BE A BIG DEAL…THERE WAS, “WE’RE NOT GONNA TAKE IT” WHICH IS REBELLION FROM YOUR PARENTS AND THE DAD IS LIKE A DRILL SERGEANT. THEN [THE KIDS] ALL TURN INTO TWISTED SISTER. I LOVED THIS TAPE. I PLAYED IT OVER AND OVER AGAIN. [IT WAS] MY FIRST ROCK TAPE AND IT WAS LIFE-CHANGING BECAUSE THEN, ALL THIS POP THAT HAD BEEN IN MY TAPE CASE…I SOLD TO JACK PEACOCK BY GRADE 10. I GOT RID OF ALL MY POP, SO WHERE THAT POP HAD BEEN DEFINING…ALL OF A SUDDEN IT’S LIKE, “I’M NOT THAT, ANYMORE.” IT WAS LIKE A LIGHT SWITCH WENT ON…IN GRADE 10.” “I WAS WEARING A JEAN JACKET IN GRADE 11…WHICH IS ABOUT AS MUCH AS, IN TERMS OF ME AND MY DRESS, HOW I’M REFLECTING [MY IDENTITY]. THIS IS A BIG DEAL BECAUSE WHERE MAYBE YOU DON’T WANT, IN YOUR OWN PARTICULAR DRESS, TO BE WEARING CAMOUFLAGE, YOU COULD THEN OPEN UP A TAPE CASE AND, BY PEOPLE SEEING WHAT’S IN YOUR TAPE CASE, THAT IS SPEAKING TO WHO YOU ARE.” “LISTENING TO MUSIC HASN’T NECESSARILY BEEN CONSISTENT BECAUSE THERE WERE YEARS WHEN WE WERE [AT HOME] THAT WE DIDN’T HAVE A STEREO SYSTEM BECAUSE IT JUST DIDN’T FEEL LIKE IT WAS THE RIGHT THING TO DO AT THE TIME. I WOULD HAVE BEEN LISTENING TO [TAPES] MORE IN MY VEHICLE. WHEN WE GOT OUR…SYSTEM BACK, THEN ALL OF A SUDDEN I’M LISTENING TO IT A LOT, AGAIN. BUT, THERE’S NO QUESTION, IT’S BEEN A MAINSTAY.” “MAYBE IT’S BECAUSE MY EYES ARE SO CRAPPY, [I ASK] IF YOU HAD TO CHOOSE BETWEEN YOUR EYESIGHT AND YOUR HEARING, WHAT WOULD YOU CHOOSE? DO I REALLY WANT TO LOSE MY HEARING? I WANT MONEY TO BUY MUSIC. THAT’S ALL I WANT MONEY FOR. NOTHING ELSE…THE FUNNY PART WITH THAT, TOO, THAT I LEARNED WAS THAT YOU NEVER WANTED TO BUY TOO MUCH MUSIC AT THE SAME TIME. IF YOU DID, YOU DIDN’T LISTEN TO A TAPE AS INTENSELY BECAUSE YOU HAD TWO OR THREE TAPES, SO YOU WOULDN’T APPRECIATE THEM EQUALLY. I LEARNED EARLY, YOU SHOULD ONLY BUY ONE RECORD OR ONE TAPE AT A TIME AND LISTEN TO IT OVER AND OVER AND OVER AGAIN.” “I SWITCHED OVER TO CD’S IN THE SUMMER OF ’89. MY TAPE LISTENING WOULD BE A VERY SHORT TIME. TAPES DON’T LAST VERY LONG. CASSETTE TAPES DON’T LAST. WHEN YOU THINK OF CD’S, WHICH YOU CAN STILL GO AND BUY AND THEY WERE BEING SOLD BY, AT LEAST LOCALLY, FOR SURE, BY 1987, AND THEY’RE STILL BEING SOLD, CASSETTE TAPES [DIDN’T LAST LONG]. FOR ME, [I’M BUYING CASSETTE TAPES FROM] ’83 TO ’88. SIX YEARS.” “IT’S FUNNY, BECAUSE [MY TAPE CASE] WOULD HAVE BEEN FULL AND, FOR SOME REASON, I CHOSE TO GET RID OF THE OTHER TAPES. PROBABLY BECAUSE I WASN’T LISTENING TO THEM AND I THOUGHT, ‘OH, I CAN TAKE THEM TO A USED PLACE,’ BUT I SHOULDN’T HAVE DONE THAT. I SHOULD HAVE ACTUALLY KEPT IT FULL. I WISH I HAD [BECAUSE] I HAD ALL THE AC/DC’S. BUT YOU CAN TELL BY WHAT I KEPT, I OBVIOUSLY KNEW THAT THIS WAS A REALLY IMPORTANT TAPE; TWISTED SISTER [AND] “BACK IN BLACK”. THOSE ARE THE MOST IMPORTANT…” FOR MORE INFORMATION INCLUDING ARTICLES FROM THE LETHBRIDGE HERALD, BRANDON SUN, MEDICINE HAT NEWS, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180029001-GA.
Catalogue Number
P20180029005
Acquisition Date
2018-12
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1985
Material Type
Artifact
Materials
METAL, GLASS, CORK
Catalogue Number
P20100049001
  2 images  
Material Type
Artifact
Date Range From
1950
Date Range To
1985
Materials
METAL, GLASS, CORK
No. Pieces
3
Height
34.5
Width
27
Diameter
21.5
Description
A: LARGE, GREEN AND SILVER PORTABLE THERMAL JUG. MAIN BODY OF THE JUG IS FOREST GREEN, WITH THE UPPER PORTION MADE OF SILVER COLOURED METAL. LARGE SILVER HANDLE ON SIDE AND TWO SILVER POSTS OPPOSITE EACH OTHER, (POSSIBLY FOR A STRAP TO BE ATTACHED). INTERIOR IS LINED WITH GLASS. "WILLOUGHBY" WRITTEN IN BLACK MARKER ON BOTTOM. B: REMOVABLE LID IS METAL AND CORK, WITH A METAL SECTION ON THE INSIDE TO PROTECT THE CORK FROM THE LIQUID WITHIN. ADJUSTABLE HANDLE ON TOP HAS A BOLT THAT CAN BE SCREWED INTO THE LID, TO KEEP THE LID IN PLACE. C: SMALL CORK STOPPER IN THE SPOUT ON THE LID. JUG HAS BEEN WELL USED. GREEN PORTION IS IN GOOD CONDITION, WITH ONLY A FEW SPOTS WHERE THE FINISH HAS WORN OFF. UPPER SILVER PORTION HAS SEVERAL SEVERAL DENTS, SCUFF MARKS, AND A LARGE DRIP OF GREY PAINT. SIDE HANDLE HAS A YELLOW SUBSTANCE ON THE METAL. CORK IN LID DARK AND DISCOLOURED ON LOWER PORTION. INTERIOR METAL PORTION OF LID HAS COME AWAY FROM THE CORK SLIGHTLY. CORK STOPPER WELL WORN AND APPEARS TO HAVE BEEN HAND CARVED, POSSIBLY FROM A WINE CORK. INTERIOR GLASS IN VERY GOOD CONDITION.
Subjects
FOOD SERVICE T&E
Historical Association
DOMESTIC
LEISURE
History
THIS WATER COOLER/THERMAL JUG USUALLY HELD LEMONADE, EITHER FROZEN OR POWERED “LEMON SQUASH”. IN AN ORAL INTERVIEW WITH THE DONOR, BARB CAVERS, AND HER SISTER KIT MCRAE, CONDUCTED BY KEVIN MACLEAN IN JULY 2015, BARB RECALLED THAT “DAD WOULD SELL POWDERED LEMON SQUASH. HE HAD A BIN OF IT IN THE BASEMENT OF THE STORE … HE WOULD PROVIDE IT FOR THE SOUTHMINSTER SUNDAY SCHOOL PICNICS … BUT WE HAD THE FROZEN LEMONADE TOO, THAT WAS A TREAT.” BARB ELABORATED FURTHER IN A SHORT HISTORY SHE WROTE, SUBMITTED AT THE TIME OF DONATION, SAYING: "WE WOULD HAVE LEMONADE IN THE BIG GREEN THERMOS, WITH ANOTHER THERMOS OF COFFEE FOR MUM. COKES WERE ALWAYS A TREAT. WE WOULD HAVE BUNS FROM ERICKSEN’S AND CARROT AND CELERY STICKS. THERE WAS OFTEN POTATO SALAD, BUT I DIDN’T CARE FOR IT. THERE WAS ALWAYS DESSERT, EVEN ON PICNICS – USUALLY HOMEMADE COOKIES. I’M SURE THERE WAS MORE, AS MUM WAS A GREAT COOK, BUT THESE ARE THE THINGS THAT STAND OUT.” THIS WATER COOLER IS PART OF A PICNIC SET, WHICH WAS USED BY THE WILLOUGHBY FAMILY, BEGINNING IN THE 1950s UNTIL THE 1980s. GEORGE AND JEAN WOULD TAKE THEIR DAUGHTERS, BARB AND KIT (CATHERINE), FOR PICNICS IN THE SUMMER, ON SUNDAYS. THE FAMILY OUTINGS WERE AN OPPORTUNITY FOR GEORGE TO RELAX FOLLOWING A LONG WORK WEEK. THE PICNICS WERE A CHANCE FOR GEORGE TO “GET OUT IN HIS NICE CAR AND GO FOR A DRIVE”, ONE OF HIS FAVOURITE PASTTIMES. PICNICS WERE HELD IN VARIOUS PLACES, INCLUDING LITTLE BOW, CHAIN LAKES, WILLOW CREEK CAMPGROUND, PARK LAKE, WATERTON NATIONAL PARK, AND THE ST. MARY’S DAM. IN HER NARRATIVE HISTORY, SUBMITTED AT THE TIME OF DONATION, BARB CONTINUED: “OUR SUNDAY DRIVES TOOK US TO MANY PLACES IN THE SURROUNDING AREA. EARLY TRIPS WERE TO THE ST. MARY RIVER. WE WOULD PUT ON OUR SNEAKERS AND WADE ACROSS THE RIVER TO THE HUGE SAND BAR, WHERE WE WOULD PLAY IN THE SAND FOR HOURS.” IN HER NARRATIVE HISTORY, BARB EXPLAINED THAT “OUR PICNIC MEALS WERE OFTEN QUITE ELABORATE. MUM WOULD BE UP EARLY MAKING FRIED CHICKEN, WHICH SHE WOULD PACK IN A SMALL ROUND ROASTER AND WRAP IT IN NEWSPAPER BEFORE PACKING IT INTO A CARDBOARD BOX, WHERE IT WOULD STAY WARM FOR SEVERAL HOURS. OTHER PICNICS MIGHT BE JUST SANDWICHES INSTEAD OF THE CHICKEN. I REMEMBER SLICED CHICKEN, TUNA SALAD, AND CHEESE IN DOUBLE DECKER SANDWICHES, AND OF COURSE, PEANUT BUTTER AND CRABAPPLE JELLY WHEN WE WERE YOUNGER." ACCORDING TO JEAN’S OBITUARY, GEORGE AND JEAN WERE CLASSMATES IN THE FACULTY OF PHARMACY AT THE UNIVERSITY OF ALBERTA. FOLLOWING THE COMPLETION OF THEIR DEGREES, THEY WERE MARRIED IN EDMONTON IN SEPTEMBER 1941. THEY MOVED TO LETHBRIDGE IN 1948 WITH THEIR TWO DAUGHTERS AND OPERATED WILLOUGHBY DRUGS (LATER KNOWN AS THE MARQUIS DRUGSTORE), LOCATED IN THE MARQUIS HOTEL. JEAN RENEWED HER PHARMACIST LICENSE IN 1961 AND SHE AND GEORGE WORKED TOGETHER UNTIL 1980, WHEN THEY RETIRED. GEORGE PASSED AWAY IN 2005 AT THE AGE OF 90 AND JEAN IN 2009 AT THE AGE OF 93. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND ADDITIONAL INFORMATION ABOUT THE WILLOUGHBY FAMILY.
Catalogue Number
P20100049001
Acquisition Date
2010-11
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1985
Material Type
Artifact
Materials
METAL, PLASTIC
Catalogue Number
P20100049002
  2 images  
Material Type
Artifact
Date Range From
1950
Date Range To
1985
Materials
METAL, PLASTIC
No. Pieces
7
Height
36
Width
32.3
Diameter
29.5
Description
RED PLAID, 4-GALLON, CLYINDRICAL COOLER WITH RED HANDLE, REMOVABLE LID, PLASTIC SHELF INSERT, AND ICE PACKS. A: COOLER BODY. RED, BLACK, AND YELLOW PLAID. AROUND THE BOTTOM AND TOP OF COOLER IS A TAN SECTION, WITH A DOUBLE YELLOW DOTTED LINE, TO GIVE THE EFFECT OF STITCHES IN FABRIC. RED PLASTIC HANDLE ATTACHED ON ONE SIDE WITH A BLACK SCREW (MISSING ON OTHER SIDE). INSIDE OF COOLER IS SILVER COLOURED AND HAS A SMALL LIP 4.2CM DOWN FROM EDGE FOR THE SHELF (C) TO SIT ON. OVERALL GOOD CONDITION. BLACK SCREW FOR ONE SIDE OF HANDLE MISSING. LARGE DENT IN CENTRE OF COOLER ON ONE SIDE. DENT DOES NOT EXTEND TO THE INSIDE OF THE COOLER. LOTS OF SCUFF MARKS AND SCRATCHES IN THE PLAID SURFACE ALL OVER BODY OF COOLER. SILVER COLOURED LINING SCUFFED AND SCRATCHED. RUST MARKS ON THE BOTTOM OF COOLER FROM ICE PACKS. B: COOLER LID. CIRCULAR. RED, BLACK, AND YELLOW PLAID. AROUND THE OUTSIDE IS A TAN SECTION, WITH A DOUBLE YELLOW DOTTED LINE, TO GIVE THE EFFECT OF STITCHES IN FABRIC. SLIGHT INDENDATIONS OPPOSITE EACH OTHER MAKE HAND GRIPS TO REMOVE LID. INSIDE OF LID IS SILVER COLOURED. STAMPED ONTO INSIDE OF LID: "HAMILTON - THE SKOTCH KOOLER* - A PETRA CABOT DESIGN - THE HAMILTON METAL PRODUCTS CO. HAMILTON, OHIO, PAT. APP. FOR" OVERALL GOOD CONDITION. SURFACE HAS SOME SMALL SCRATCHES. A FEW WATER MARKS ON THE SURFACE. A FEW VERY SMALL DENTS ON THE INSIDE SURFACE. C: SHELF. CLEAR PLASTIC, CIRCULAR, REMOVABLE SHELF. HAS TWO INDENTED SECTIONS, OPPOSITE EACH OTHER, TO FACILITATE THE REMOVAL OF THE SHELF. GOOD CONDITION. PLASTIC IS SLIGHTLY OPAQUE FROM SCRATCHES. SMALL CRACK (5.5CM LONG) IN PLASTIC. SOME CIRCULAR RUST SPOTS ON SHELF. D-G: ICE PACKS. SMALL METAL CANS, RED, BLACK, AND YELLOW PLAID. AT JOINT OF CAN, THERE IS A 2.1CM STRIPE OF UNFINISHED METAL. TOPS AND BOTTOMS ARE TAN AND HAVE A YELLOW DOTTED LINE AROUND THE OUTSIDE. IN THE CENTRE READS: "HAMILTON - SKOTCH ICE - FREEZE AGAIN AND AGAIN - DO NOT OPEN". OTHER END READS: "HAMILTON - SKOTCH ICE - THE HAMILTON METAL PRODUCTS CO. HAMILTON, OHIO" OVERALL GOOD CONDITION. SOME SMALL SCRATCHES IN PLAID FINISH. EVIDENCE OF RUST ON TOPS AND BOTTOMS AND ALONG EXPOSED METAL SURFACE OF CAN.
Subjects
FOOD SERVICE T&E
Historical Association
DOMESTIC
LEISURE
History
THIS COOLER SET WAS ACQUIRED SOMETIME IN THE LATE 1950s. IN AN ORAL INTERVIEW WITH THE DONOR, BARB CAVERS, AND HER SISTER, KIT MCRAE, CONDUCTED BY KEVIN MACLEAN IN JULY 2015, BARB AND KIT BELIEVE THAT THE COOLER CAME FROM A WHOLESALE STORE LOCATED ON 5TH STREET, AND THAT THE STOREFRONT IS NOW OCCUPIED BY BREAD, MILK, AND HONEY (FORMERLY THE ROUND STREET CAFÉ). BARB RECALLED THAT “BECAUSE DAD HAD A RETAIL STORE HE COULD GO AND BUY THINGS THERE … AND THIS MAY HAVE COME FROM THERE OR IT MAY HAVE BEEN A PROMOTION THAT IF YOU BOUGHT SO MANY ITEMS FROM A PARTICULAR WHOLESALER, THAT THEY WOULD GIVE YOU STUFF … I DON’T THINK WE EVER ASKED WHERE IT CAME FROM. BUT IT WOULD BE IN THE LATE ‘50s THAT WE STARTED USING IT.” IN A NARRATIVE HISTORY, SUMITTED AT THE TIME OF DONATION, BARB SPECULATED THAT THE COOLER WAS “A PROMOTIONAL GIFT RECEIVED THROUGH THE DRUG STORE (LOCATED IN THE MARQUIS HOLTEL), BUT IT MAY HAVE BEEN PURCHASED IN THE LATE 50s.” THIS COOLER SET IS PART OF A LARGER SET OF PICNIC ITEMS THAT WERE USED BY THE WILLOUGHBY FAMILY, BEGINNING IN THE 1950s UNTIL THE 1980s. GEORGE AND JEAN WOULD TAKE THEIR DAUGHTERS, BARB AND KIT (CATHERINE), FOR PICNICS IN THE SUMMER, ON SUNDAYS. THE FAMILY OUTINGS WERE AN OPPORTUNITY FOR GEORGE TO RELAX FOLLOWING A LONG WORK WEEK. THE PICNICS WERE A CHANCE FOR GEORGE TO “GET OUT IN HIS NICE CAR AND GO FOR A DRIVE”, ONE OF HIS FAVOURITE PASTTIMES. PICNICS WERE HELD IN VARIOUS PLACES, INCLUDING LITTLE BOW, CHAIN LAKES, WILLOW CREEK CAMPGROUND, PARK LAKE, WATERTON NATIONAL PARK, AND THE ST. MARY’S DAM. IN HER NARRATIVE HISTORY, SUBMITTED AT THE TIME OF DONATION, BARB CONTINUED, SAYING: “OUR SUNDAY DRIVES TOOK US TO MANY PLACES IN THE SURROUNDING AREA. EARLY TRIPS WERE TO THE ST. MARY RIVER. WE WOULD PUT ON OUR SNEAKERS AND WADE ACROSS THE RIVER TO THE HUGE SAND BAR, WHERE WE WOULD PLAY IN THE SAND FOR HOURS.” IN HER NARRATIVE HISTORY, BARB EXPLAINED THAT “OUR PICNIC MEALS WERE OFTEN QUITE ELABORATE. MUM WOULD BE UP EARLY MAKING FRIED CHICKEN, WHICH SHE WOULD PACK IN A SMALL ROUND ROASTER AND WRAP IT IN NEWSPAPER BEFORE PACKING IT INTO A CARDBOARD BOX, WHERE IT WOULD STAY WARM FOR SEVERAL HOURS. OTHER PICNICS MIGHT BE JUST SANDWICHES INSTEAD OF THE CHICKEN. I REMEMBER SLICED CHICKEN, TUNA SALAD, AND CHEESE IN DOUBLE DECKER SANDWICHES, AND OF COURSE, PEANUT BUTTER AND CRABAPPLE JELLY WHEN WE WERE YOUNGER." ACCORDING TO JEAN’S OBITUARY, GEORGE AND JEAN WERE CLASSMATES IN THE FACULTY OF PHARMACY AT THE UNIVERSITY OF ALBERTA. FOLLOWING THE COMPLETION OF THEIR DEGREES, THEY WERE MARRIED IN EDMONTON IN SEPTEMBER 1941. THEY MOVED TO LETHBRIDGE IN 1948 WITH THEIR TWO DAUGHTERS AND OPERATED WILLOUGHBY DRUGS (LATER KNOWN AS THE MARQUIS DRUGSTORE), LOCATED IN THE MARQUIS HOTEL. JEAN RENEWED HER PHARMACIST LICENSE IN 1961 AND SHE AND GEORGE WORKED TOGETHER UNTIL 1980, WHEN THEY RETIRED. GEORGE PASSED AWAY IN 2005 AT THE AGE OF 90 AND JEAN IN 2009 AT THE AGE OF 93. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND ADDITIONAL INFORMATION ABOUT THE WILLOUGHBY FAMILY.
Catalogue Number
P20100049002
Acquisition Date
2010-11
Collection
Museum
Images
Less detail
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
WICKER, LEATHER, WOOD
Catalogue Number
P20100049003
  2 images  
Material Type
Artifact
Date Range From
1970
Date Range To
1980
Materials
WICKER, LEATHER, WOOD
No. Pieces
1
Height
24.3
Length
51.5
Width
38.7
Description
RECTANGULAR, UNPAINTED WICKER PICNIC BASKET. TWO ADJUSTABLE HANDLES, ATTACHED TO BASKET WITH WICKER. HINGED LID, CLOSES WITH SIMPLE HOOK AND EYE CLOSURE. THERE ARE TWO THIN LEATHER STRIPS, WITH METAL BUCKLES, ON THE OUTSIDE OF THE LID. THESE STRAPS CONTINUE INTO THE BASKET AND HOLD A WOODEN ORGANIZATION INSERT TO THE UNDERSIDE THE INSIDE OF THE LID. INSERT HAS LEATHER STRAPS FOR PLATES AND CUTLERY. TWO PIECES OF LEATHER, AT EITHER END OF BASKET, ATTACH LID TO BASE. OVERALL IN VERY GOOD/EXCELLENT CONDITION. FRONT LEFT HANDLE ATTACHED WITH LEATHER STRING, RATHER THAN WICKER. BACK RIGHT HANDLE HAS A FEW SPOTS OF WHITE PAINT. LEATHER STRAPS HAVE A FEW MOISTURE STAINS.
Subjects
FOOD SERVICE T&E
Historical Association
DOMESTIC
LEISURE
History
THIS PICNIC BASKET WAS USED TO HOLD ALL OF THE GLASSES, DISHES, TABLECLOTH, ETC. NECESSARY FOR A PICNIC. IN AN ORAL INTERVIEW WITH THE DONOR, BARB CAVERS, AND HER SISTER KIT MCRAE, CONDUCTED BY KEVIN MACLEAN IN JULY 2015, BARB RECALLED THAT “WE DIDN’T HAVE THIS WHEN WE WERE KIDS … THEY ACQUIRED THAT, I THINK, WHEN WE STARTED HAVING FAMILY PICNICS IN THE ‘70s, ‘80s.” IN A SHORT NARRATIVE HISTORY, SUBMITTED AT THE TIME OF DONATION, BARB EXPLAIND THAT "I DON'T HAVE AS MANY MEMORIES OF THE PICNIC BASKET, AS I THINK THAT MIGHT HAVE BEEN ACQUIRED AFTER I LEFT HOME. IN MY CHILDHOOD, OUR PLATES AND OTHER SUPPLIES WERE SIMPLY PACKED IN A CARDBOARD BOX." THESE PICNIC ITEMS WERE USED BY THE WILLOUGHBY FAMILY, BEGINNING IN THE 1950s UNTIL THE 1980s. GEORGE AND JEAN WOULD TAKE THEIR DAUGHTERS, BARB AND KIT (CATHERINE), FOR PICNICS IN THE SUMMER, ON SUNDAYS. THE FAMILY OUTINGS WERE A CHANCE FOR GEORGE TO RELAX FOLLOWING A LONG WORK WEEK. THE PICNICS WERE AN OPPORTUNITY FOR GEORGE TO “GET OUT IN HIS NICE CAR AND GO FOR A DRIVE”, ONE OF HIS FAVOURITE PASTTIMES. PICNICS WERE HELD IN VARIOUS PLACES, INCLUDING LITTLE BOW, CHAIN LAKES, WILLOW CREEK CAMPGROUND, PARK LAKE, WATERTON NATIONAL PARK, AND THE ST. MARY’S DAM. IN HER NARRATIVE HISTORY, SUBMITTED AT THE TIME OF DONATION, BARB CONTINUED, SAYING: “OUR SUNDAY DRIVES TOOK US TO MANY PLACES IN THE SURROUNDING AREA. EARLY TRIPS WERE TO THE ST. MARY RIVER. WE WOULD PUT ON OUR SNEAKERS AND WADE ACROSS THE RIVER TO THE HUGE SAND BAR, WHERE WE WOULD PLAY IN THE SAND FOR HOURS.” IN HER NARRATIVE HISTORY, BARB EXPLAINED THAT “OUR PICNIC MEALS WERE OFTEN QUITE ELABORATE. MUM WOULD BE UP EARLY MAKING FRIED CHICKEN, WHICH SHE WOULD PACK IN A SMALL ROUND ROASTER AND WRAP IT IN NEWSPAPER BEFORE PACKING IT INTO A CARDBOARD BOX, WHERE IT WOULD STAY WARM FOR SEVERAL HOURS. OTHER PICNICS MIGHT BE JUST SANDWICHES INSTEAD OF THE CHICKEN. I REMEMBER SLICED CHICKEN, TUNA SALAD, AND CHEESE IN DOUBLE DECKER SANDWICHES, AND OF COURSE, PEANUT BUTTER AND CRABAPPLE JELLY WHEN WE WERE YOUNGER." ACCORDING TO JEAN’S OBITUARY, GEORGE AND JEAN WERE CLASSMATES IN THE FACULTY OF PHARMACY AT THE UNIVERSITY OF ALBERTA. FOLLOWING THE COMPLETION OF THEIR DEGREES, THEY WERE MARRIED IN EDMONTON IN SEPTEMBER 1941. THEY MOVED TO LETHBRIDGE IN 1948 WITH THEIR TWO DAUGHTERS AND OPERATED WILLOUGHBY DRUGS (LATER KNOWN AS THE MARQUIS DRUGSTORE), LOCATED IN THE MARQUIS HOTEL. JEAN RENEWED HER PHARMACIST LICENSE IN 1961 AND SHE AND GEORGE WORKED TOGETHER UNTIL 1980, WHEN THEY RETIRED. GEORGE PASSED AWAY IN 2005 AT THE AGE OF 90 AND JEAN IN 2009 AT THE AGE OF 93. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND ADDITIONAL INFORMATION ABOUT THE WILLOUGHBY FAMILY.
Catalogue Number
P20100049003
Acquisition Date
2010-11
Collection
Museum
Images
Less detail
Date Range From
1960
Date Range To
1985
Material Type
Artifact
Materials
PAPER, CARDBOARD
Catalogue Number
P20100049004
  2 images  
Material Type
Artifact
Date Range From
1960
Date Range To
1985
Materials
PAPER, CARDBOARD
No. Pieces
52
Height
2.1
Length
27.1
Width
9.2
Diameter
0.4
Description
A: BOX OF STRAWS. BOX IS CARDBOARD, WITH A SMALL CLEAR PLASTIC WINDOW. BACKGROUND OF BOX IS A LIGHT BROWN WOOD GRAIN PATTERN. "EXTRA-LONG STRAWS FOR EXTRA-TALL BOTTLED DRINKS - SWEETHEART EXTRA-LONG DRINKING STRAWS - 100-10 1/2" SWEETHEART STRAWS. MANUFACTURED BY THE IMPERIAL CONE COMPANY, LONDON - CANADA". ON REVERSE: "THE CONVENIENT SANITARY WAY TO DRINK ... MILK, ICED DRINKS, BOTTLED BEVERAGES". PRICE STAMPED ONTO TOP OF BOX, VERY FADED, APPEARS TO READ "2/35 CENTS". BOTTOM LEFT CORNER IS AN IMAGE OF A BOY IN A RED SHIRT DRINKING FROM A GLASS BOTTLE. BEHIND HIM ARE THREE ADULTS, 2 WOMEN IN DRESSES AND APRONS AND ONE MAN WITH A CHEF'S HAT. B-AAA: BOX CONTAINS 52 STRAWS: 18 ARE OFF-WHITE; 16 ARE LIGHT PINK; 15 ARE MEDIUM-LIGHT GREEN AND; 3 ARE BRIGHT ORANGE.
Subjects
FOOD SERVICE T&E
Historical Association
LEISURE
DOMESTIC
History
THESE STRAWS ARE PART OF A PICNIC SET THAT WERE USED BY THE WILLOUGHBY FAMILY, BEGINNING IN THE 1950s UNTIL THE 1980s. GEORGE AND JEAN WOULD TAKE THEIR DAUGHTERS, BARB AND KIT (CATHERINE), FOR PICNICS IN THE SUMMER, ON SUNDAYS. IN AN ORAL INTERVIEW WITH THE DONOR, BARB CAVERS, AND HER SISTER KIT MCRAE, CONDUCTED BY KEVIN MACLEAN IN JULY 2015, BARB RECALLED THAT "MOM ALWAYS HAD HER THERMOS OF COFFEE". BARB ELABORATED FURTHER IN A SHORT HISTORY SHE WROTE, SUBMITTED AT THE TIME OF DONATION, SAYING: "WE WOULD HAVE LEMONADE IN THE BIG GREEN THERMOS, WITH ANOTHER THERMOS OF COFFEE FOR MUM. COKES WERE ALWAYS A TREAT." THE FAMILY OUTINGS WERE AN OPPORTUNITY FOR GEORGE TO RELAX FOLLOWING A LONG WORK WEEK. THE PICNICS WERE A CHANCE FOR GEORGE TO “GET OUT IN HIS NICE CAR AND GO FOR A DRIVE”, ONE OF HIS FAVOURITE PASTTIMES. PICNICS WERE HELD IN VARIOUS PLACES, INCLUDING LITTLE BOW, CHAIN LAKES, WILLOW CREEK CAMPGROUND, PARK LAKE, WATERTON NATIONAL PARK, AND THE ST. MARY’S DAM. IN A NARRATIVE HISTORY, SUBMITTED AT THE TIME OF DONATION, BARB ELABORATED WRITING: “OUR SUNDAY DRIVES TOOK US TO MANY PLACES IN THE SURROUNDING AREA. EARLY TRIPS WERE TO THE ST. MARY RIVER. WE WOULD PUT ON OUR SNEAKERS AND WADE ACROSS THE RIVER TO THE HUGE SAND BAR, WHERE WE WOULD PLAY IN THE SAND FOR HOURS.” IN HER NARRATIVE HISTORY, BARB EXPLAINED THAT “OUR PICNIC MEALS WERE OFTEN QUITE ELABORATE. MUM WOULD BE UP EARLY MAKING FRIED CHICKEN, WHICH SHE WOULD PACK IN A SMALL ROUND ROASTER AND WRAP IT IN NEWSPAPER BEFORE PACKING IT INTO A CARDBOARD BOX, WHERE IT WOULD STAY WARM FOR SEVERAL HOURS. OTHER PICNICS MIGHT BE JUST SANDWICHES INSTEAD OF THE CHICKEN. I REMEMBER SLICED CHICKEN, TUNA SALAD, AND CHEESE IN DOUBLE DECKER SANDWICHES, AND OF COURSE, PEANUT BUTTER AND CRABAPPLE JELLY WHEN WE WERE YOUNGER." ACCORDING TO JEAN’S OBITUARY, GEORGE AND JEAN WERE CLASSMATES IN THE FACULTY OF PHARMACY AT THE UNIVERSITY OF ALBERTA. FOLLOWING THE COMPLETION OF THEIR DEGREES, THEY WERE MARRIED IN EDMONTON IN SEPTEMBER 1941. THEY MOVED TO LETHBRIDGE IN 1948 WITH THEIR TWO DAUGHTERS AND OPERATED WILLOUGHBY DRUGS (LATER KNOWN AS THE MARQUIS DRUGSTORE), LOCATED IN THE MARQUIS HOTEL. JEAN RENEWED HER PHARMACIST LICENSE IN 1961 AND SHE AND GEORGE WORKED TOGETHER UNTIL 1980, WHEN THEY RETIRED. GEORGE PASSED AWAY IN 2005 AT THE AGE OF 90 AND JEAN IN 2009 AT THE AGE OF 93. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND ADDITIONAL INFORMATION ABOUT THE WILLOUGHBY FAMILY.
Catalogue Number
P20100049004
Acquisition Date
2010-11
Collection
Museum
Images
Less detail

10 records – page 1 of 1.