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108 records – page 1 of 6.

Other Name
"UNTITLED"
Date Range From
1990
Date Range To
2000
Material Type
Artifact
Materials
PAPER, METAL, PAINT
Catalogue Number
P20190006004
  2 images  
Material Type
Artifact
Other Name
"UNTITLED"
Date Range From
1990
Date Range To
2000
Materials
PAPER, METAL, PAINT
No. Pieces
1
Length
74.8
Width
67
Description
WATERCOLOUR AND PASTEL PAINTING DEPICTING A TREE IN THE FOREGROUND IN BLACK PASTEL ON GREEN, PURPLE, PINK AND BLUE BLENDED WATERCOLOUR BACKGROUND. TREE AND GROUND OUTLINES ARE DONE IN PASTEL WITH ABSTRACT WATERCOLOUR BACKGROUNDS FOR LEAVES AND LANDSCAPE. PAINTING SIGNED IN FRONT LOWER RIGHT CORNER IN BLACK INK, "MELISSA MALKAS". PAINTING BACK IS STAINED, AND HAS INSCRIPTION IN LOWER RIGHT CORNER IN BLACK LEAD "PAINTING BY MELISSA MALKAS". PAINTING WAS DONATED IN A LAVENDER MATTE AND SILVER METAL FRAME. FRAME HAD WHITE COROPLAST BACKING WITH HANDWRITTEN TEXT IN BLUE MARKER ON LEFT SIDE "MELISSA AFTER CALGARY". MATTE CONSISTED OF A FRONT BOARD WITH THE PAINTING SECURED BY MASKING TAPE ALONG FOUR EDGES. A TREATMENT WAS CONDUCTED ON OCTOBER 24, 2019 BY CONSERVATOR JULIET GRAHAM TO REMOVE THE MASKING TAPE FROM THE BACK OF THE PAINTING, AND TO SECURE HOLLYTEX TO THE REMAINING ADHESIVE ON THE PAINTING. PAINTING HAS TWO PINHOLES AT LOWER RIGHT CORNER, AND SMALL TEARS ALONG RIGHT EDGE [REVEALED DURING TREATMENT TO REMOVE TAPE]. PAINTING HAS ADHESIVE RESIDUE ALONG FRONT EDGES FROM PREVIOUS MATTING OR FRAMING. OVERALL VERY GOOD CONDITION. FOR FURTHER CONDITION DETAILS AND THE COMPLETE TREATMENT REPORT BY CONSERVATOR JULIET GRAHAM, PLEASE SEE THE PERMANENT FILE P20190006001-GA.
Subjects
ART
Historical Association
FINE ARTS
History
ON MARCH 5, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIWEED DON FLAIG REGARDING HIS DONATION OF ARTWORKS. THE ARTWORKS WERE COLLECTED BY FLAIG’S PARENTS, HELEN AND LLOYD FLAIG. ON THE PAINTING BY MELISSA MALKAS, FLAIG RECALLED, “MY BROTHERS AND I HAD MET [MELISSA MALKAS]. WE THOUGHT HIGHLY OF HER AS AN ARTIST, [AND] AS A PERSON. I BELIEVE SHE’S NOT AROUND IN TOWN ANY MORE, BUT SHE WAS PART OF THAT RURAL SCENE, WHERE YOU HAD A GREAT AMOUNT OF FREEDOM.” “I JUST [HAD], I BELIEVE, TWO OF MELISSA’S PIECES, THE PAINTING [WAS ONE], WHICH IS VERY BIG, BEAUTIFUL, AND PRETTY. ON THE BACK IT SAYS ‘AFTER CALGARY’. I’M NOT SURE WHAT THAT MEANS.” “[WE MET THE MALKAS’S] ONCE WE MOVED OUT TO BROXBURN. I DON’T KNOW IF THEY MOVED IN BEFOREHAND. THEY WERE [OUR] NEIGHBORS. MOM WAS RAISED ON A FARM IN SASKATCHEWAN, AND [MY PARENTS] KNEW HOW TO REACH OUT TO THE NEIGHBORS, AND MAKE FRIENDS, AND TAKE FOOD OVER AND VISIT…THEY WERE ALWAYS OUT VISITING.” “I KNOW [MY PARENTS] WOULD GO OUT, AND DO THE ART ELSEWHERE, OR SOME AT HOME. IT JUST SEEMED NATURAL THAT THEY WOULD DEAL WITH THEIR ARTIST FRIENDS…THAT WOULD HAVE BEEN WHEN I WAS VERY YOUNG.” FLAIG ELABORATED ON HIS PARENTS’ AVID INTEREST IN LOCAL ART, NOTING, “MOM AND DAD ALWAYS HAD ART IN THE HOUSE. THEY WERE ALWAYS DOING ART. I REMEMBER DAD DOING LARGE PLASTER SCULPTURES, IN THE BASEMENT, IN THE CITY, AND MOM WAS ALWAYS PAINTING AND THROWING POTS, AND DOING SOMETHING FUNNY OUT IN THE BACK YARD, ART-WISE. GROWING UP, I ASSUMED EVERYBODY HAD ART IN THE HOUSE, BUT I’VE REALIZED THAT’S NOT THE CASE. NOT EVERYBODY LIKES HAVING ART AROUND, ALTHOUGH [THERE IS EFFORT IN] FINDING ART THAT YOU LIKE, AND ACQUIRING IT, OR CREATING IT, AND KEEPING IT. THERE WAS ALWAYS SOMETHING DIFFERENT HANGING ON THE WALLS IN THE HOUSE. [MOM AND DAD] WERE ALWAYS MOVING IT AROUND. THESE THREE PAINTINGS [BY MIKE PISKO AND ERNEST RIETHMAN], I’M AWARE THAT THESE PEOPLE WERE FRIENDS OF MOM AND DAD. THEY WERE …ARTISTS. I DON’T KNOW MUCH ABOUT THEM OTHER THAN THAT THEY WOULD OFTEN GO OUT TO SKETCH, AND PAINT, AND THEIR NAMES ARE FAMILIAR TO ME. [THE ARTWORKS] MEANT SOMETHING TO [MY PARENTS], WHETHER THEY BOUGHT THEM OR THEY WERE JUST GIFTS FROM OTHER ARTISTS, I’LL NEVER KNOW, BUT THERE HAS OBVIOUSLY BEEN A LOT OF CARE AND EFFORT PUT INTO THE WORKS BY THE ARTISTS. I HAVE A LARGE NUMBER OF MY MOTHER’S PAINTINGS, BUT THERE ARE LOTS OF THOSE AROUND THE CITY, AND HER WORK IS WELL PRESERVED. THESE ONES…I KNOW THEY ARE LOCAL ARTISTS SOMEWHERE NOW.” “I LEARNED LATER, THAT [MY MOTHER’S LOVE OF ART] WAS BORN OUT OF HER DESIRE TO BRING ART TO HER SISTER, FERN, WHO HAD A BRAIN ANEURYSM WHEN SHE WAS ABOUT FIFTEEN YEARS OLD. [FERN] SPENT MANY YEARS IN HOSPITAL IN LABRECQUE, IN SASKATCHEWAN, BUT [MOM] NEVER GOT THERE; NEVER GOT THE PAINTINGS OUT THERE. THE ART WORK IS, IN SOME WAYS, CRUDE. THERE ARE NO SHADOWS; THE PEOPLE ARE KIND OF LUMPY; THE COLORS ARE BRIGHT, AND ALL THESE SCENES REPRESENT SOMETHING OF HER LIFE AS A YOUNG GIRL ON A FARM, IN SASKATCHEWAN, AND HOW HARD IT MUST HAVE BEEN. THERE IS A LOT OF FEELING IN EACH ONE OF HER PAINTINGS. MANY OF THEM WE’LL NEVER KNOW THE STORIES, BUT THEY’RE ALL COUCHED IN STORIES. I HAD NO IDEA EITHER, UNTIL JUST NOW, HOW PROLIFIC SHE WAS; HOW MANY PAINTINGS SHE MUST HAVE DONE. I THINK IT WAS A CATHARSIS FOR HER, BUT ALSO REPRESENTATIVE OF THEIR LIVES, GROWING UP ON A FARM IN SASKATCHEWAN—THE ISOLATION, THE COLD, THE STRIFE AMONGST THE FAMILY, THE DIFFICULTY OF HER PARENTS HOLDING A MARRIAGE TOGETHER, AND THEIR DESPERATION, WITH SEVEN KIDS, TO GET OFF THE FARM AND GET OUT OF THERE, AND MAKE SOMETHING. IT’S A HERITAGE – HER PAINTINGS, AS ARE THESE HERE. YOU JUST LOOK AT THEM AND WONDER HOW IT IS THAT AN ARTIST CAN VISUALIZE THIS, AND PUT SO MUCH FEELING INTO EACH PIECE. THE LIGHT, THE FACIAL EXPRESSION, THE SUGGESTION OF A LINE, SOMETHING SIMPLE…SOMEBODY JUST [DAUBED] THE PAINT ON THERE, GLOBS THE YELLOW OF THE TREES. THERE’S SOMETHING THERE THAT—IT’S A HERITAGE. I [HEARD IN A MOVIE] ART IS THE TRUTH THAT WE HAVE EXISTED. THESE PEOPLE EXISTED. MOM, THE LIFE THEY HAD, WILL BE FORGOTTEN, BUT IT WAS THERE. NOW, AS OUR SUCCEEDING GENERATIONS, WE HAVE THE LIFE WE HAVE BECAUSE OF WHAT THEY WENT THROUGH. THE RICHNESS OF THEIR LIFE, WE CAN NEVER REPAY IT, BUT WE CAN HOPE TO PROFIT FROM IT.” FLAIG RECALLED HIS PARENTS AND THEIR HOME IN LETHBRIDGE, “I GREW UP IN TOWN, ON HENDERSON LAKE BOULEVARD. [MY PARENTS] MOVED OUT IN THE EARLY 1970S TO BROXBURN ROAD. SOME OF [THE PAINTINGS] I’D HAVE SEEN THERE AT HENDERSON LAKE BOULEVARD, AND THE REST WOULD HAVE BEEN ON THE FARM. THEY WOULD HAVE BEEN UP ON THE WALLS, OR DOWN IN THE BASEMENT. THINGS WERE ALWAYS MOVING AROUND, BUT THESE ARE PAINTINGS THAT ARE FAMILIAR TO ME. NOT THAT I PAID THAT MUCH ATTENTION TO THEM, BECAUSE THERE WERE ALWAYS PAINTINGS AROUND, AND I NEVER THOUGHT TO ASK.” “MIKE PISKO IS THE NAME THAT COMES [TO MIND ON ARTISTS MY MOM SPENT MORE TIME WITH]; HAS MORE PAINTINGS, MEMORY-WISE, FOR SURE. OUT ON BROXBURN ROAD, THAT’S WHEN THEY MET THE MALKAS’S. MOM SPOKE FREQUENTLY OF MELISSA, AND I PROBABLY MET THEM IN PASSING, BECAUSE I WAS ON TO OTHER STUFF. BUT I THINK THAT, WHEREVER THEY WERE, THEY WOULD HAVE REACHED OUT AND GOT IN TOUCH WITH OTHER ARTISTS. PLUS, WHERE THEY WERE ON BROXBURN ROAD, IT WAS A PLACE WHERE WE COULD DO JUST ABOUT ANYTHING—BUILDING THINGS, TEARING THINGS DOWN, MAKING ART, BLOWING STUFF UP, AS KIDS DO. THERE WERE ALWAYS ANIMALS, SOME HORSES, AND ONE DISASTROUS ATTEMPT AT RAISING SHEEP BY MY FATHER. THEY WERE ALWAYS INTO SOMETHING.” “MOM AND DAD RAISED US AS SORT OF ‘FREE RANGE’ KIDS, AND THAT CARRIED ON OUT ON THAT FIVE ACRE LITTLE FARM-ETTE. WE COULD PRETTY MUCH DO ANYTHING, AND EXPERIMENT. WE ALWAYS HAD WOODWORKING TOOLS, AND TOOLS OF ALL KINDS IN THE BASEMENT ON HENDERSON LAKE BOULEVARD, AND LOTS TO MESS AROUND WITH. IF IT WASN’T ASTRONOMY, IT WAS POETRY, IT WAS WRITING, IT WAS ART, IT WAS BUILDING SOMETHING, OR FIXING SOMETHING UP THERE. IT WAS A STYLE OF LIFE THAT, IN REFLECTION, IT WAS QUITE A GIFT, QUITE A LEGACY TO US CHILDREN.” “THEY [BUILT] THE HOUSE ON HENDERSON LAKE BOULEVARD, I THINK IT WAS THE SECOND OR THIRD HOUSE ON HENDERSON LAKE BOULEVARD. ACROSS THE STREET WAS BALD PRAIRIE AT THE TIME, SO WE COULD JUST RUN AROUND.” ON HIS MOTIVATIONS FOR DONATING, FLAIG ELABORATED, “AS TIME GOES BY, WE FIND THE NEED TO TIDY UP AND GET READY FOR THE NEXT STAGE OF LIFE. PART OF IT IS FINDING ROOM FOR SOME OF THESE WORKS OF ART THAT HAVE BEEN IN MY HOUSE AND HAVE SURVIVED, SOMEWHAT MIRACULOUSLY, SINCE MOM AND DAD LEFT A LITTLE FAR AND I TOOK THEM OVER, AS WE WERE EMPTYING OUT THE PLACE. THEY’VE BEEN IN MY BASEMENT, UNAPPRECIATED, AND I SUPPOSE AT SOME RISK OF BEING FORGOTTEN, OR LOST, OR THROWN OUT. THEY DO HAVE SOME SENTIMENTAL VALUE FOR ME, AND I CAN APPRECIATE THE ARTWORK THAT IS IN THE PIECES, MYSELF, TO A LIMITED DEGREE.” “MOM AND DAD HAD REACHED THE END OF THE ROAD, MORE OR LESS, AS BEING ABLE TO TAKE CARE OF THEIR FIVE ACRES…OUT ON BROXBURN ROAD. THEY WERE HAVING TROUBLE WITH AGE-RELATED DISEASE, AND BECOMING FORGETFUL, AND THEY HAD TO MOVE INTO TOWN. THESE WORKS WERE IN THEIR PLACE, AND, AS WE CLEANED THE PLACE OUT, I TOOK THEM AND PROTECTED THEM, AND SAVED THEM FROM THE BINS…I’M PUTTING THAT AT 2011.” “IF I HAD A BIGGER HOUSE, IF I HAD MORE ROOM, IF I WAS A VISUAL ARTIST, THEN THERE’D BE NO QUESTION THEY’D BE UP SOMEWHERE, NO MATTER WHO SAID WHAT. I HAVE A FAIR NUMBER ALREADY ON THE WALLS AT HOME, AND AS THESE ARE THINGS THAT ARE FAMILIAR TO ME, ARRAIGNED WITH MY YOUTH, AND WITH MY PARENTS BEING ARTISTS. HOWEVER, THEY WILL NOT SURVIVE IF DON’T BRING THEM HERE. WE JUST WON’T KEEP THEM, AND NOBODY IN MY FAMILY IS INTERESTED IN THEM. SO, NOT DOING ART, I GUESS IT’S GOOD THAT THEY’RE HERE. WHAT AM I GOING TO DO, JUST STACK THEM UP AGAINST THE WALL? THEY EVENTUALLY WILL PERISH.” ACCORDING TO LETHBRIDGE HERALD ARTICLES, MELISSA MALKAS WAS A SECOND GENERATION LETHBRIDGE ARTIST, THE DAUGHTER OF IRMA MALKAS (RODOWITZ) AND EGON MALKAS. MELISSA MALKAS GRADUATED FROM THE UNIVERSITY OF CALGARY IN 1986 WITH A DEGREE IN FINE ARTS, AND ALSO ATTENDED THE UNIVERSITY OF LETHBRIDGE. DURING HER CAREER, MALKAS EXHIBITED AT THE BOWMAN ARTS CENTRE WITH THE ALLIED ARTS COUNCIL OF LETHBRIDGE. MELISSA MALKAS EXHIBITED AS A SOLO ARTIST, AND WITH HER MOTHER IN 1996 AND 2003 AT THE BOWMAN ARTS CENTRE. MALKAS WAS AN INSTRUCTOR AT THE BOWMAN ARTS CENTRE FOR THE LETHBRIDGE ARTISTS CLUB IN 2005 AND 2010, TEACHING COURSES IN MIXED MEDIA WATERCOLOUR AND OILS. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND LETHBRIDGE HERALD ARTICLES, PLEASE SEE THE PERMANENT FILE P20190006001-GA.
Catalogue Number
P20190006004
Acquisition Date
2019-03
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
PLASTIC, STEEL, GLASS
Catalogue Number
P20180005000
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
1990
Materials
PLASTIC, STEEL, GLASS
No. Pieces
1
Height
30.5
Length
57
Width
11.3
Description
CAMCORDER COMPRISED OF LENS, BETACAM DECK, AND COLOR CAMERA. BETACAM DECK AT BACK OF CAMERA IS TWO-TONE GREY WITH TWO PLUG-INS FOR “AUDIO IN, CH-1, CH-2” AND ONE PLUG-IN FOR “DC-IN, 12V”. BETACAM DECK HAS TWO BLACK SLIDE BUTTONS ON TOP LABELLED IN WHITE “EJECT” AND “REW”. BETACAM DECK HAS GREY METAL HANDLE AT TOP THAT FASTENS TO BETA CASSETTE DECK. BETACAM DECK HAS YELLOWED PLASTIC WINDOW ON SIDE TO VIEW INSIDE MECHANISMS; BELOW WINDOW IS GREEN, RED AND BLUE DECAL READING “45 NEWS, 45”. REVERSE SIDE HAS SILVER “POWER ON/OF” SWITCH ABOVE METER MEASURING BATTERY CHARGE, “SONY VU”; BETACAM DECK HAS TWO ROUND BLACK BUTTONS LABELLED “RESET” AND “LIGHT” ABOVE BLACK SWITCH LABELLED “TAPE TIMER, TIME CODE”; SIDE HAS DIGITAL DISPLAY SCREEN READING “HOUR, MIN, SEC”. SIDE HAS ROW OF SIX RED LIGHTS NEAR BOTTOM LABELLED WITH WORN WHITE PAINT WITH FIRST TWO ILLEGIBLE, “HUMID, SLACK, TAPE END, BATTERY”. SIDE HAS PANEL THAT OPENS AT BOTTOM EDGE WITH SIX DARK GREY BUTTONS LABELLED IN PAIRS “HOUR, MINUTE, SECOND” AND TWO BLACK SWITCHES LABELLED “U-BIT, TIME” AND “REC RUN, FREE RUN”. SIDE HAS SILVER PLATE FIXED READING “SONY”. BACK OF BETACAM DECK HAS SILVER LABEL WITH RED, GREEN AND BLUE LOGO “45 CFCN TELEVISION”; BACK HAS BLACK LABEL WITH SILVER TEXT “SONY BETACAM, MODEL BVV-1, VIDEOCASSETTE BETACAM DECK, DCIN, 12V, 10W, NO. 11085, SONY CORPORATION, MADE IN JAPAN, 3-676-119-01”. TOP OF BETACAM DECK HAS BLACK LABEL WITH SILVER TEXT “SAVE MODE ONLY”. COLOR CAMERA IN MID-SECTION IS LIGHT GREY WITH SMALL PIECE OF SILVER TAPE FIXED TO TOP. SIDE OF CAMERA HAS YELLOW LABEL WITH BLACK “1”; SIDE HAS DARK GREY CONTROL PANEL AT BOTTON EDGE WITH EMBOSSED TEXT AND SILVER SWITCHES AND BUTTONS, “AUTO WHITE BAL, CAMERA, PRE HEAT/ON, VTR, SAVE/STOP, GAIN, 12/6/0, OUTPUT, BASS/CAM, WHITE BAL, PRE SET/AUTO”. SIDE HAS DARK GREY BUTTON ABOVE CONTROL PANEL LABELLED “VTR START”. SIDE HAS SILVER FITTING BESIDE PANEL LABELLED “PEDESTAL”. SIDE HAS SILVER LABEL WITH WORN BLACK TEXT “SONY MODEL NO. BVP-1, COLOR VIDEO CAMERA, DC, 12V, 11W, NO. 10505”. SIDE HAS SILVER LABEL WITH BLACK TEXT “FILTER, 1 3200’K, 2 5200’K + 1/4ND, 3 5200’K, 4 6800’K”. REVERSE SIDE HAS BLACK PLATE FIXED WITH SILVER TEXT “SONY” ABOVE BLACK LABEL WITH RED, GREEN, BLUE AND WHITE LOGO “TRINICON”. SIDE HAS SILVER FITTING AT LOWER EDGE WITH EMBOSSED LABEL “MONITOR OUT”; LOWER EDGE HAS SILVER KEY HOLE WITH EMBOSSED LABEL “BATTERY”. CAMERA HAS ATTACHED BLACK ABOVE-VIEWFINDER WITH RUBBER GUARD OVER GLASS LENS. VIEWFINDER IS FIXED TO FRONT OF CAMERA; VIEWFINDER HAS WHITE TAPE ATTACHED TO TOP WITH BLUE HANDWRITTEN TEXT “PASS JULZ DAMAGE TO TUBE OR MULT.PLER”. BACK OF VIEWFINDER HAS SILVER SWITCH “TALLY, ON/OF” AND TWO BLACK METAL TURN-KNOBS “BRIGHT, CONTR”. FRONT OF VIEWFINDER HAS BLACK PLATE ATTACHED WITH SILVER TEXT “SONY”. BLACK LENS AT FRONT FIXED IN LENS STAND WITH LEATHER STRAP ON SIDE AND BLACK PLASTIC BUTTONS “VTR, RET, IRIS M”; SIDE OF LENS STAND HAS BLACK SWITCHES “W/T” AND “IRIS, A/M”. LENS HAS WHITE LABEL AROUND MID-SECTION “CANON MACRO TV ZOOMJ13X9C, 9-117MM, 1.1.6, NO.80581, CANON, JAPAN”. LENS ROTATES TO ADJUST FOCUS AND DEPTH. BETACAM HAS WEAR ON LABELS AND DISCOLORATION ON PLASTIC WINDOW; COLOR CAMERA HAS WEAR ON LABELS AND ADHESIVE RESIDUE ON SIDE; HANDLE ON TOP HAS WORN AND CHIPPED PAINT; VIEWFINDER IS WORN; OVERALL VERY GOOD CONDITION.
Subjects
TELECOMMUNICATION T&E
Historical Association
PROFESSIONS
BUSINESS
History
ON MARCH 22, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED DARREN KRONLUND REGARDING HIS DONATION OF A SONY BVV-1 BETACAM AND CAMCORDER. THE CAMCORDER WAS USED IN THE 1980S BY THE CTV LETHBRIDGE FILM CREW. ON THE FUNCTION OF THE CAMERA IN THE CTV STUDIO, KRONLUND ELABORATED, “THE TECHNOLOGY WITH CAMERAS PROGRESSED QUICKER THAN THE DECKS DID. THESE CAMERAS AND DECKS ARE USED FOR ELECTRONIC FIELD PRODUCTION [AND ARE] CALLED THE EFP CAMERAS. THE DECKS KIND [ARE] THAT TECHNOLOGY WHICH THE MAJORITY OF STATIONS USED FOR THE LONGEST TIME [IN] SONY BETA CAM FORMAT. THAT’S WHAT THE DECK IS, BUT THE CAMERAS THEMSELVES HAD AT ONE TIME THREE TUBES FOR COLOUR CAMERAS. THEN TECHNOLOGY CAME WHERE THEY COULD DO IT WITH JUST SENSORS…SO YOU DIDN’T HAVE TUBES. IT WAS MORE SENSITIVE TO LIGHT AND THAT WAS AN IMPROVEMENT. YOU DIDN’T HAVE TO HAVE TO BRING A BUNCH OF LIGHTS ALONG WITH YOUR SHOOTS. AS THOSE CAMERAS CAME OUT, THEY JUST DID SUCH A BETTER JOB, THAT THESE CAMERAS WERE NO LONGER USED. ALTHOUGH THEY WORKED, THEY WOULD JUST GET STORED AND NEWER TECHNOLOGY, BETTER PICTURES AND LIGHTER [WOULD BE USED].” “[THIS CAMERA] IS A COMPOSITE. AS TECHNOLOGY EVOLVED, THEY COULD SUPPLY [THE] UPPER HALF, THE CAMERA HALF, [AND] YOU COULD CONTINUE TO USE THE OLDER DECK.” TO ME [THE DECK AND CAMERA] ARE DIFFERENT [AGES]. I THINK THE DECK IS NEWER THAN THE CAMERA. OTHERWISE THEY’D BE THE SAME COLOUR. I CAN’T REMEMBER THE OLD, ORIGINAL DECK BUT YOU COULD SWAP OUT DECKS BECAUSE THEY DID MAKE IMPROVEMENTS WITH DECKS AS WELL. THERE WAS A TIME THEY USED METAL TAPES WHICH WAS FOR AUDIO. IT HELPED, YOU COULD GET BETTER AUDIO QUALITY. THEY CALLED THEM METAL, IT’S JUST METAL PARTICLES IN THE TAPE.” “I WOULD SAY THIS CAMERA PROBABLY GOT USED, I’M GOING TO GUESS ’84…IT MIGHT HAVE BEEN IN SERVICE WHEN I GOT HERE…I PROBABLY SERVICED THE] CAMERA AND/OR DECK…[BY 1990 IT WAS] PROBABLY REPLACED WITH THE NEWEST TECHNOLOGY. NOT THE NEWEST TECHNOLOGY BUT NEWEST TO US, CALGARY WOULD HAVE HAD THE NEWEST TECHNOLOGY.” “BETA WAS THE STAPLE FORMAT FOR VIDEO FOR MANY YEARS. PROBABLY LEADING RIGHT UP TO INTO THE DIGITAL WORLD IT WAS THE KING. PANASONIC HAD A FORMAT [TOO]…HITACHI HAD THEIR OWN TOO, BUT THEY EVEN MADE THEIR CAMERAS COMPATIBLE WITH BETA DECKS THAT’S HOW BIG INFLUENCE [WAS]. SOME SMALLER, INDEPENDENT STATIONS MAYBE WENT WITH SOME OF THAT STUFF, BUT I’D SAY 90% OF THE INDUSTRY WAS BETA.” “IT WAS [FOR] REPORTERS. IT WAS FOR NEWS AND VIDEO PRODUCTION.” KRONLUND ELABORATED ON THE CAMERA’S HISTORY IN PRODUCTION, NOTING, “IT’S BEEN IN THE BASEMENT FOR PROBABLY [TEN YEARS]…I FOUND IT IN AN OLD SHIPPING CONTAINER. THERE’S BEEN NUMEROUS UPGRADES TO CAMERAS SINCE THEN, SO NOTHING WAS DONE WITH IT. THE LAST TIME IT WAS USED I’M GOING TO GUESS [WAS] ROUGHLY TEN YEARS AGO, MAYBE MORE.” “I DOUBT YOU WOULD FIND ANYONE USING IT, BUT I WOULDN’T BE SURPRISED IF SOMEBODY HAD IT IN THEIR BASEMENT [FOR] THE SAME REASON OURS WAS. JUST OUT OF SIGHT, OUT OF MIND AND YOU’RE JUST GOING ABOUT YOUR DAY–TO-DAY BUSINESS, UNTIL YOU START CLEANING OUT THINGS AND YOU GO, “OH YEAH, THE OLD BBB1.”” “[WE ACQUIRED EQUIPMENT] USUALLY USED. CALGARY WOULD GET THE NEW STUFF AND THEN THE WORKING STUFF THAT THEY WERE REPLACING WOULD COME DOWN TO US, FOR THE MOST PART. THE CAMERAS WE HAVE NOW WERE BOUGHT BRAND NEW, STATE-OF THE-ART, SO THAT WAS NICE. IT IS NICE FOR THAT, BUT THIS WAS PROBABLY PRE-DATED EVEN ME AND I HAVE BEEN HERE TWENTY-EIGHT YEARS. IT WAS PROBABLY THE CAMERA THEY WERE USING, IF NOT AT THE TIME, BUT LIKELY BEFORE I STARTED.” “THIS [CAMERA] FUNCTIONS TODAY. I’M SURE YOU COULD MAKE PICTURES WITH IT, BUT THE USE OF IT WOULD PROBABLY BE, I’M GOING TO GUESS, MAYBE FIVE OR SIX YEARS. THEN [THE] BUDGETS WOULD [GROW], THEY GOT THIS NEW TECHNOLOGY YOU CAN SHOOT UNDER LESS LIGHT. IT’S A LIGHTER CAMERA AND [THEY] HAVE THESE BENEFITS, SO THEY WOULD BUDGET IN TO UPDATE THE CAMERAS AND DECKS. THROUGH THAT CYCLE, THAT IS WHEN WE WOULD PROBABLY GET A COUPLE OF NEW CAMERAS, THE OLDER STUFF WE’D PUT IN THE BASEMENT.” “I’M [NOW] CLEANING OUT OLD EQUIPMENT, BECAUSE IT BUILDS UP AND WE RUN OUT OF ROOM. IT’S SOMETHING HARD TO GET RID OF BECAUSE THEY’RE ALWAYS WORKING AND USUALLY WORKING AND FUNCTIONING FINE, BUT TECHNOLOGY PROGRESSES AND THEY BECOME BIGGER AND BETTER--OR THERE BECOMES BIGGER AND BETTER WAYS OF DOING THE SAME JOB. IT JUST GETS OUTDATED AND HITS THE SHELF. [I] HATE TO SEE IT JUST GET RECYCLED.” “I’M NOT REALLY THAT TYPE OF [NOSTALGIC] PERSON. THE CAMERAS TODAY ARE ALL DIGITAL, THEY GO RIGHT TO A SD CARD IN DIGITAL FORMAT. THERE’S NO MECHANICAL PARTS AND THAT’S PART OF THE REASON I WAS EMPLOYED BECAUSE SO MUCH OF WHAT I DID WAS BECAUSE PARTS WEAR OUT AND NEED TO BE FIXED AND REPLACED, WHERE THE NEW CAMERAS…IT’S NOT MUCH YOU CAN DO IF IT’S IN DIGITAL FORMAT AND [HAS] NO MECHANICAL MOVING PARTS. I DON’T MISS WORKING ON THEM, THAT COULD BE FRUSTRATING BECAUSE A LOT OF TINY LITTLE GEARS AND TIMING…YOU CAN SPEND HOURS AND NOT GET ANYWHERE, AND THEN FINALLY SHIP IT OUT TO THE MANUFACTURER BECAUSE YOU JUST COULDN’T GET ANYWHERE. YOU SPENT A WEEK WORKING ON IT AND NOW YOU’VE GOT TO, IN THE END, PAY SOMEONE TO DO IT. THOSE ARE FRUSTRATIONS, BUT IT IS SATISFYING WHEN YOU DO FIX A PROBLEM AND ARE ABLE TO FIX IT. BUT THOSE DAYS ARE BEHIND US AND I CAN’T SAY I MISS THEM. IT’S JUST DIFFERENT WAYS OF MAINTAINING CAMERAS NOW.” “IT’S HARD TO THROW OUT BECAUSE THE VALUE OF IT IS LIKE BUYING A CAR…AT THAT TIME. THAT’S WHAT YOU’RE DOING IS PUTTING A CAR ON YOUR SHOULDER, MAYBE NOT QUITE A CAR, BUT I’M GOING TO GUESS THIS CAMERA WAS PROBABLY FIFTEEN THOUSAND DOLLARS BACK THEN. THAT’S A LOT OF MONEY.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180005000-GA.
Catalogue Number
P20180005000
Acquisition Date
2018-03
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
NYLON, SPANDEX, PLASTIC
Catalogue Number
P20170007005
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
1990
Materials
NYLON, SPANDEX, PLASTIC
No. Pieces
2
Length
23
Width
8.5
Description
PAIR OF WHITE, REFLECTIVE GLOVES WITH WHITE AND OPAQUE PLASTIC BEADING ON WRISTS; BEADING FORMS FLOWER PATTERNS WITH BEADED LOOP AND TWO BEADED STRANDS FROM CENTER. TAG INSIDE LEFT HAND GLOVE READS “87.30% NYLON, 12.70% SPANDEX, MADE IN TAIWAN”. FINGERTIPS ON RIGHT HAND GLOVE STAINED RED; BEADING ON BOTH GLOVES IS STAINED RED-BROWN UNDERNEATH. OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. MACLEAN ADDITIONALLY INTERVIEWED ANN MARIE MCDONALD OF THE LETHBRIDGE ORDER OF ROYAL PURPLE ON JUNE 6, 2017. ON THE GLOVES, MCDONALD ELABORATED, “WE ALWAYS WORE WHITE GLOVES FOR FUNERALS, FOR WHEN OUR SUPREME CAME. IF OUR SUPREME CAME, WE ALWAYS HAD OUR DRILL TEAM…THEY WORE LONG SKIRTS, BUT THEY DIDN’T WEAR JACKETS. IF YOU WERE HONORABLE ROYAL LADY, AND YOU HAD SOMEBODY IMPORTANT COME TO VISIT YOU, YOU WORE WHITES, WHICH MEANT WHITE GLOVES. IF YOU GO TO A FUNERAL, AND YOU DRESS IN ROYAL PURPLE, YOU’D BETTER BRING YOUR WHITE GLOVES, OR PUT YOUR HANDS IN YOUR POCKETS.” WILMA WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007005
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
COTTON, PLASTIC
Catalogue Number
P20170007002
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
1990
Materials
COTTON, PLASTIC
No. Pieces
1
Length
67
Width
44
Description
WHITE LINEN BLOUSE WITH SIX WHITE PLASTIC BUTTONS RUNNING DOWN FRONT, AND ONE AT EACH CUFF. BLOUSE HAS FLORAL-PATTERNED EMBROIDERED LINING OVER BUTTON HOLES DOWN FRONT, AND FLORAL-PATTERNED EMBROIDERY AT COLLAR. INSIDE COLLAR OF BLOUSE HAS WHITE TAG WITH YELLOW AND BLACK TEXT “ELITE, INTERNATIONAL, CA – 00034. INSIDE LEFT-WEARING SIDE OF BLOUSE IS WHITE TAG WITH BLACK TEXT “18” AND TWO WHITE PLASTIC BUTTONS. BLOUSE SHOWS LITTLE SIGNS OF WEAR; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. ON THE PURSE, WOOD NOTED, “THIS WAS THE OFFICIAL OUTFIT. I KNOW THAT SOME OF THEM, DEPENDING ON WHAT POSITION THEY HELD WITHIN THE CLUB, THEY WOULD WEAR ALL WHITE.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007002
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
POLYESTER, COTTON
Catalogue Number
P20170007003
  1 image  
Material Type
Artifact
Date Range From
1980
Date Range To
1990
Materials
POLYESTER, COTTON
No. Pieces
1
Length
71.5
Width
40
Description
WHITE PLEATED SKIRT WITH ELASTIC WAIST; INSIDE BACK OF SKIRT HAS GREY TAG WITH BLACK TEXT “TRADITION, SEARS”. WHITE TAG UNDERNEATH HAS BLACK AND RED TEXT “100% POLYESTER, CA – 02945, MODELE/STYLE 207902, LOT, 2 ½, TAILLE/SIZE, 16, FABRIQUE AU/MADE IN CANADA, EXCLUSIVE OF TRIM”. FRONT OF SKIRT IS STAINED ON RIGHT-WEARING AND LEFT-WEARING SIDES; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. ON THE PURSE, WOOD NOTED, “THIS WAS THE OFFICIAL OUTFIT. I KNOW THAT SOME OF THEM, DEPENDING ON WHAT POSITION THEY HELD WITHIN THE CLUB, THEY WOULD WEAR ALL WHITE.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007003
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
COTTON, PLASTIC, METAL
Catalogue Number
P20170007004
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
1990
Materials
COTTON, PLASTIC, METAL
No. Pieces
1
Length
71
Width
23
Description
WHITE PURSE WITH GOLD-COLOURED METAL FINISHING AND WHITE SHOULDER STRAP; PURSE CLOSES WITH GOLD-COLOURED BUTTON ON FRONT. FRONT OF PURSE HAS WHITE AND GOLD METAL TRIM ALONG EDGE OF CLOSING FLAP. INSIDE OF PURSE HAS SMALL ZIPPER COMPARTMENT WITH WHITE AND GOLD ZIPPER, AND A WHITE TAG READING “MADE IN CHINA”. FRONT OF INSIDE HAS RED STAIN; INSIDE ON FRONT OF ZIPPER COMPARTMENT IS A SMALL BROWN STAIN. OUTSIDE OF PURSE IS WORN WITH STAINING ON FRONT AND BACK NEAR TOP. OVERALL VERY GOOD CONDITION.
Subjects
PERSONAL GEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. ON THE PURSE, WOOD NOTED, “THIS WAS THE OFFICIAL OUTFIT. I KNOW THAT SOME OF THEM, DEPENDING ON WHAT POSITION THEY HELD WITHIN THE CLUB, THEY WOULD WEAR ALL WHITE.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007004
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Other Name
"MARQUIS HOTEL"
Date Range From
1928
Date Range To
2015
Material Type
Artifact
Materials
CERAMIC, PAINT
Catalogue Number
P20150037000
  1 image  
Material Type
Artifact
Other Name
"MARQUIS HOTEL"
Date Range From
1928
Date Range To
2015
Materials
CERAMIC, PAINT
No. Pieces
1
Height
5.08
Width
12.4
Description
BLACK, CERAMIC ASHTRAY. THE INSIDE OPENING OF THE ASHTRAY IS 6.4 CM. THE LETTERING ON THE TOP SAYS “THE MARQUIS HOTEL, LETHBRIDGE, ALBERTA, CANADA.” THERE IS AN ABSTRACTED FLORAL DESIGN ON EITHER SIDE OF THIS LETTERING. THE FLOWERS ARE PAINTED RED AND THEIR STEMS PAINTED GREEN. THIS WORDING AND DESIGN REPEATS ON THE OPPOSITE SIDE. THE LETTERING ON THE BOTTOM SAYS, “MADE IN JAPAN 29.” VERY GOOD CONDITION. USED WITH SOME WEAR APPARENT. BLACK PAINT IS WEARING OFF ON SOME PARTS OF THE SURFACE. SIGNIFICANT WEAR TO THE RED AND GREEN PAINT OF THE DECALS.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
DOMESTIC
BUSINESS
History
ON DECEMBER 16, 2015, DONOR CHRIS MORRISON INFORMED COLLECTIONS TECHNICIAN KEVIN MACLEAN THAT SHE CAME INTO POSSESSION OF THE ASHTRAY WHEN SHE AND HER HUSBAND BECAME STEWARDS OF A WATERTON CABIN IN 1976. THE CABIN, LOCATED AT 103 CAMERON FALLS, WAS OWNED BY HER MOTHER-IN-LAW DOROTHY MORRISON (D. 1995). IT WAS AMONG ASSORTED FURNISHINGS LEFT BEHIND WHEN DOROTHY MOVED OUT AND CHRIS MOVED IN. THE DONOR’S RECOLLECTION OF THE ASHTRAY’S USE IMMEDIATELY PRIOR TO IT BECOMING HER PROPERTY WAS AS A CONTAINER. MORRISON SAID, “IT WAS IN A [CABIN] WASHSTAND AND USED TO HOLD LITTLE OBJECTS LIKE ROLLED UP KEROSENE LANTERN TAPE WICKS”. ACCORDING TO MORRISON, IT WAS ALSO KNOWN AS “GRANDPA’S ASHTRAY”. GRANDPA REFERS TO JAMES J. MORRISON OF LETHBRIDGE. “HE ONLY SMOKED CIGARS” SAID THE DONOR, WHEREAS HER MOTHER-IN-LAW DOROTHY DID NOT SMOKE AT ALL. THE ASHTRAY’S USE AS A CONTAINER FOR LANTERN WICKS AND SMALL ITEMS CONTINUED RIGHT UP TO THE DAY THAT IT WAS OFFERED TO THE GALT IN 2015. ACCORDING TO HER OBITUARY IN THE LETHBRIDGE HERALD, DOROTHY MORRISON, PASSED AWAY IN LETHBRIDGE ON NOVEMBER 26, 1995 AT THE AGE OF 83 YEARS. JAMES JACOB MORRISON, DOROTHY’S FATHER-IN-LAW, PASSED ON FEBRUARY 18TH, 1975 AT AGE 93. THE ASHTRAY IS MARKED WITH “MARQUIS HOTEL,” WHICH COULD REFER TO THE LETHBRIDGE HOTEL THAT OPENED IN JUNE 1928. REALIZING A NEED FOR A FIRST-CLASS HOTEL IN LETHBRIDGE, ESPECIALLY ONE WITH A BANQUET HALL, THE BUSINESSMEN OF THE BOARD OF TRADE COMMITTED THEMSELVES TO THE HOTEL IN 1927. AFTER ITS OPENING, THE BOARD OF TRADE WOULD HOLD THEIR REGULAR, NOON-HOUR MEETINGS AT THE HOTEL FOR MANY YEARS TO COME. THE HOTEL CLOSED ITS DOORS IN 1985 AND THE BUILDING WAS DEMOLISHED IN 1988. THIS INFORMATION COMES FROM LETHBRIDGE HERALD ARTICLES AND A WRITE-UP ABOUT THE HOTEL IN THE PUBLICATION TITLED "WHERE WAS IT? A GUIDE TO EARLY LETHBRIDGE BUILDINGS," BY IRMA DOGTEROM. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING LETHBRIDGE HERALD ARTICLES AND A COPY OF THE INFORMATION FROM THE PUBLICATION CITED ABOVE.
Catalogue Number
P20150037000
Acquisition Date
2015-12
Collection
Museum
Images
Less detail
Other Name
BLANKET
Date Range From
1920
Date Range To
1990
Material Type
Artifact
Materials
RAW FLAX YARN
Catalogue Number
P20160003007
  2 images  
Material Type
Artifact
Other Name
BLANKET
Date Range From
1920
Date Range To
1990
Materials
RAW FLAX YARN
No. Pieces
1
Length
139
Width
99.5
Description
HAND-WOVEN BLANKET MADE FROM RAW FLAX. THE BLANKET IS COMPOSED OF 2 SECTIONS OF THE SAME SIZE OF MATERIAL THAT ARE JOINED TOGETHER WITH A SEAM AT THE CENTER. ON THE FRONT SIDE (WITH NEAT SIDE OF THE STITCHING AND PATCHES), THERE ARE THREE PATCHES ON THE BLANKET MADE FROM LIGHTER, RAW-COLOURED MATERIAL. ONE SECTION OF THE FABRIC HAS TWO OF THE PATCHES ALIGNED VERTICALLY NEAR THE CENTER SEAM. THE AREA SHOWING ON ONE PATCH IS 3 CM X 5 CM AND THE OTHER IS SHOWING 5 CM X 6 CM. ON THE OPPOSITE SECTION THERE IS ONE PATCH THAT IS 16 CM X 8.5 CM SEWN AT THE EDGE OF THE BLANKET. THE BLANKET IS HEMMED ON BOTH SHORT SIDES. ON THE OPPOSING/BACK SIDE OF THE BLANKET, THE FULL PIECES OF THE FABRIC FOR THE PATCHES ARE SHOWING. THE SMALLER PATCH OF THE TWO ON THE ONE HALF-SECTION OF THE BLANKET IS 8CM X 10 CM AND THE OTHER PATCH ON THAT SIDE IS 14CM X 15CM. THE PATCH ON THE OTHER HALF-SECTION IS THE SAME SIZE AS WHEN VIEWED FROM THE FRONT. THERE IS A SEVERELY FADED BLUE STAMP ON THIS PATCH’S FABRIC. FAIR CONDITION. THERE IS RED STAINING THAT CAN BE SEEN FROM BOTH SIDES OF THE BLANKET AT THE CENTER SEAM, NEAR THE EDGE OF THE BLANKET AT THE SIDE WITH 2 PATCHES (CLOSER TO THE LARGER PATCH), AND NEAR THE SMALL PATCH AT THE END FURTHER FROM THE CENTER. THERE IS A HOLE WITH MANY LOOSE THREADS SURROUNDING NEAR THE CENTER OF THE HALF SECTION WITH ONE PATCH. THERE ARE VARIOUS THREADS COMING LOOSE AT MULTIPLE POINTS OF THE BLANKET.
Subjects
AGRICULTURAL T&E
BEDDING
Historical Association
AGRICULTURE
DOMESTIC
ETHNOGRAPHIC
History
THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. IT WAS THERE WILLIAM KONKIN MARRIED ELIZABETH WISHLOW. IN 1928, THEIR DAUGHTER, ELSIE WAS BORN. THEY LATER MOVED TO A FARM IN VAUXHALL, ALBERTA. THE PRECEDING AND FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. A FULL HISTORY OF THE KONKIN FAMILY CAN BE FOUND WITH THE RECORD P20160003001. ACCORDING TO A NOTE THAT WAS ATTACHED TO THIS LIGHTWEIGHT BLANKET AT THE TIME OF ACQUISITION THE BLANKET IS BELIEVED TO HAVE BEEN MADE C. 1920S. MORRIS SAYS HER MEMORY OF THE BLANKET DATES AS FAR BACK AS SHE CAN REMEMBER: “RIGHT INTO THE ‘30S, ‘40S AND ‘50S BECAUSE MY MOTHER DID THAT RIGHT UP UNTIL NEAR THE END. I USE THAT EVEN IN LETHBRIDGE WHEN I HAD A GARDEN. [THIS TYPE OF BLANKET] WAS USED FOR TWO PURPOSES. IT WAS EITHER PUT ON THE BED UNDERNEATH THE MATTRESS THE LADIES MADE OUT OF WOOL AND OR ELSE IT WAS USED, A DIFFERENT PIECE OF CLOTH WOULD BE USED FOR FLAILING THINGS. [THE] FLAIL ACTUALLY GOES WITH IT AND THEY BANG ON THE SEEDS AND IT WOULD TAKE THE HULLS OFF… IT’S HAND WOVEN AND IT’S MADE OUT OF POOR QUALITY FLAX… IT’S UNBLEACHED, DEFINITELY… RAW LINEN." THIS SPECIFIC BLANKET WAS USED FOR SEEDS MORRIS RECALLS: “…IT HAD TO BE A WINDY DAY… WE WOULD PICK DRIED PEAS OR BEANS OR WHATEVER BEET SEEDS AND WE WOULD BEAT AWAY AND THEN WE WOULD STAND UP, HOLD IT UP AND THE BREEZE WOULD BLOW THE HULLS OFF AND THE SEEDS WOULD GO STRAIGHT DOWN [ONTO THE BLANKET.” THE SEEDS WOULD THEN BE CARRIED ON THE BLANKET AND THEN PUT INTO A PAIL. OF THE BLANKET’S CLEAN STATE, MORRIS EXPLAINS, “THEY’RE ALWAYS WASHED AFTER THEY’RE FINISHED USING THEM.” WHEN SHE LOOKS AT THIS ARTIFACT, MORRIS SAYS: “I FEEL LIKE I’M OUT ON THE FARM, I SEE FIELDS AND FIELDS OF FLAX, BLUE FLAX. BUT THAT’S NOT WHAT SHE USED IT FOR. SHE DID USE IT IF SHE WANTED A LITTLE BIT OF THE FLAX THEN SHE’D POUND THE FLAX, BUT THAT WASN’T OFTEN. IT WAS MOSTLY BEANS AND PEAS.” IT IS UNKNOWN WHO WOVE THIS BLANKET. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003007
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Date Range From
1907
Date Range To
1995
Material Type
Artifact
Materials
WOOD, METAL, VARNISH
Catalogue Number
P20160003008
  2 images  
Material Type
Artifact
Date Range From
1907
Date Range To
1995
Materials
WOOD, METAL, VARNISH
No. Pieces
1
Height
107
Diameter
54.5
Description
WOODEN SPINNING WHEEL COATED WITH RED WOOD VARNISH. THE BOBBIN IS APPROX. 11.5CM IN LENGTH AND APPROX. 9CM IN DIAMETER. THERE IS SOME HANDSPUN, WHITE YARN REMAINING ON THE BOBBIN, IN ADDITION TO A SMALL AMOUNT OF GREEN YARN. THE SPINNING WHEEL IS FULLY ASSEMBLED. ON EITHER SIDE OF THE FLYER THERE ARE 10 METAL HOOKS. ON THE LEFT SIDE ONE OF THE 10 HOOKS IS PARTIALLY BROKEN OFF. ON THE FRONT MAIDEN, A WHITE STRING IS TIED AROUND A FRONT KNOB WITH A METAL WIRE BENT LIKE A HOOK (POSSIBLY TO PULL YARN THROUGH THE METAL ORIFICE ATTACHED TO FLYER). LONG SECTION OF RED YARN LOOPED AROUND THE SPINNING WHEEL (MAY BE DRIVE BAND). TREADLE IS TIED TO THE FOOTMAN WITH A DARK GREY, FLAT STRING THAT IS 5MM IN WIDTH. GOOD CONDITION. TREADLE IS WELL WORN WITH VARNISH WORN OFF AND METAL NAIL HEADS EXPOSED.
Subjects
TEXTILEWORKING T&E
Historical Association
DOMESTIC
ETHNOGRAPHIC
History
THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. IT WAS THERE WILLIAM KONKIN MARRIED ELIZABETH WISHLOW. IN 1928, THEIR DAUGHTER, ELSIE WAS BORN. THEY LATER MOVED TO A FARM IN VAUXHALL, ALBERTA. THE PRECEDING AND FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. A FULL HISTORY OF THE KONKIN FAMILY CAN BE FOUND WITH THE RECORD P20160003001. MORRIS ACQUIRED THIS SPINNING WHEEL FROM HER MOTHER AT THE SAME TIME SHE ACQUIRED THE RUG (P20160003006-GA). SHE EXPLAINS: “I ASKED HER IF I COULD USE THE SPINNING WHEEL – SHE TAUGHT ME HOW TO SPIN. AND SHE ALSO TAUGHT ME HOW TO WEAVE, ACTUALLY MY GRANDMOTHER DID THAT MORE SO THAN MY MOTHER. AND I BELONG TO THE WEAVERS’ GUILD, SO I THOUGHT THAT I BETTER DO SOME SPINNING. AND I DID SOME, SO THAT’S WHY I’VE GOT IT HERE AND MOTHER SAID NOT TO BOTHER BRINGING IT BECAUSE SHE WASN’T GOING TO DO ANYMORE SPINNING. SHE HAD LOTS AND LOTS OF YARN THAT SHE DID. SO IT’S BEEN SITTING HERE; IT WAS IN THE BASEMENT.” THE WHEEL WAS MADE FOR ELIZABETH KONKIN WHEN SHE WAS A CHILD IN BRITISH COLUMBIA. MORRIS EXPLAINED THAT: “… [THE SPINNING WHEEL] WAS MADE ESPECIALLY FOR HER. SHE WAS VERY YOUNG. AND THAT IS THE CADILLAC OF SPINNING WHEELS… BECAUSE SHE KNEW WHO THE SPINNERS WERE, WHO THE SPINNING WHEEL CARPENTERS WERE. AND THERE WAS ONE PARTICULAR MAN AND HER MOTHER SAID, ‘WE’LL GO TO THAT ONE.’ AND THEN IN TURN, IN PAYMENT, SHE WOVE HIM ENOUGH MATERIAL TO MAKE A SUIT – A LINEN ONE… [T]HEY DIDN’T LIVE IN CASTELLAR, THEY LIVED IN ANOTHER PLACE. IT’S CALLED - IN RUSSIAN IT IS CALLED OOTISCHENIA. IT’S WHERE THE BIG – ONE OF THE BIG DAMS IS. IF YOU EVER GO ON THAT ROAD, THERE’LL BE DAMS – I THINK ABOUT 3 HUGE ONES… NEAR CASTELLAR, YEAH.” WHEN ASKED ABOUT THE TIME THE WHEEL WAS BUILT FOR HER MOTHER, MORRIS ANSWERED: “… [S]HE GOT IT LONG BEFORE [HER MARRIAGE].” SHE EXPLAINED THAT PRIOR TO MARRYING, GIRLS WOULD PUT TOGETHER TROUSSEAUS “AND THEY MAKE ALL KINDS OF FANCY THINGS WHICH THEY NEVER USE.” MORRIS RECALLS THE SPINNING WHEEL BEING USED WITHIN HER FAMILY’S HOME IN SHOULDICE AND IN THE LEAN-TO AREA IN THEIR HOME AT VAUXHALL: ‘WELL I THINK [THE SKILL IS] IN THE GENES ACTUALLY. BECAUSE MOST FAMILIES WOVE, AND THEY CERTAINLY SPUN, AS FAR AS I REMEMBER. I KNOW EVERY FALL THE LOOM WOULD COME OUT AND WE WERE LIVING WITH MY GRANDPARENTS ON MY DAD’S [SIDE]. WE LIVED UPSTAIRS, AND EVERY WINTER THEY’D HAUL THAT HUGE LOOM INTO THE BATHHOUSE – THE STEAM BATHHOUSE – BECAUSE THERE WAS NO ROOM ANYWHERE ELSE. AND THEY – THE LADIES SET IT UP AND IN THE SUMMERTIME. THEY TORE THE RAGS FOR THE RUGS, OR SPUN THEM. [FOR] WHATEVER THEY WERE GOING TO MAKE. MY MOM WAS SPINNING WHEN I WAS OLD. [S]HE USED MAKE MITTENS AND SOCKS FOR THE KIDS FOR MY CHILDREN AND SO WHEN SHE DIED THERE WAS A WHOLE STACK OF THESE MITTENS AND SOCKS AND I’VE BEEN GIVING IT TO MY GRAND[KIDS AND] MY GREAT GRANDKIDS” MORRIS ALSO USED THIS SPINNING WHEEL MANY TIMES HERSELF. SHE SAID, “IT WAS VERY EASY TO SPIN AND WHEN YOU TRY SOMEBODY ELSE’S SPINNING WHEEL YOU KNOW THE DIFFERENCE RIGHT AWAY. IT’S LIKE DRIVING A CADILLAC AND THEN DRIVING AN OLD FORD. IT’S JUST, IT’S SMOOTH. OUR SON, I TOLD YOU HE WAS VERY CLEVER, HE TRIED SPINNING AND HE SAID IT WAS JUST A VERY, VERY GOOD SPINNING WHEEL. WHEN I WAS IN THE GUILD I TRIED DOING [WHAT] MY MOTHER TAUGHT ME HOW TO SPIN FINE THREAD AND I WANTED HEAVY THREAD BECAUSE NOW [THEY'RE] MAKING THESE WALL HANGINGS. THEY USE THREAD AS THICK AS TWO FINGERS SO I DID THAT AND I DYED IT. I WENT OUT AND CREATED MY OWN DYES. THAT WAS FUN AND THEN I HAVE A SAMPLER OF ALL THE DYES I MADE… I STOPPED SPINNING SHORTLY BEFORE I STOPPED WEAVING… I LOVED WEAVING. FIRST OF ALL I LEARNED HOW TO EMBROIDER. I LIKED THAT THEN I LEARNED HOW CROCHET, I LIKED THAT. THEN I LEARNED HOW TO KNIT AND THAT WAS TOPS. THEN ONE DAY I WAS VISITING MY FRIEND, FRANCES, AND SHE WAS GOING TO THE BOWMAN AND I SAID, 'WHERE ARE YOU GOING?' SHE SAID 'I’M GOING THERE TO WEAVE.' I SAID, 'I DIDN’T KNOW YOU COULD WEAVE?' SHE SAID, 'OH YES,' AND I SAID ‘IS IT HARD?' SHE SAID, ‘NO,” SO I WENT THERE AND I SAW THE THINGS SHE WOVE. THEY WERE BEAUTIFUL AND SO I JOINED THE GROUP AND THEN OF COURSE I WANTED TO HAVE SOME OF THE STUFF I HAD SPUN MYSELF AND DYED MYSELF AND NOBODY ELSE WANTED. THEN I DECIDED, ‘ALRIGHT, I’VE WOVEN ALL THESE THINGS, WOVE MYSELF A SUIT, LONG SKIRT YOU NAME IT. PLACE MATS GALORE. THIS LITTLE RUNNER,’ AND I THOUGHT, ‘WELL, WHAT AM I GOING TO DO WITH THE REST BECAUSE NOBODY WANTS HOMESPUN STUFF. THEY WANT TO GO TO WALMART OR SOME PLACE AND BUY SOMETHING READYMADE,’ SO I GAVE UP SPINNING AND WEAVING… I STOPPED AFTER I MADE MY SUIT. THAT MUST HAVE BEEN ABOUT TWENTY YEARS AGO, EASILY.” MORRIS’ MOTHER WOULD WEAVE IN SHOULDICE, BUT “[I]N VAUXHALL, NO, SHE WASN’T [WEAVING]. SHE DIDN’T HAVE A LOOM.” MORRIS SAID IN SHOULDICE, “I LEARNED HOW TO THROW THE SHUTTLE BACK AND FORTH TO WEAVE RUGS BECAUSE I USED TO SIT THERE WATCHING MY GRANDMOTHER AND SHE LET ME DO THAT, AND THEN YOU SEE WHEN I GOT SO INTERESTED IN WEAVING THAT I BOUGHT A LOOM, SITTING DOWN IN THE BASEMENT. I’VE BEEN TRYING TO SELL IT EVER SINCE AND NOBODY WANTS IT. I OFFERED TO GIVE IT FOR FREE AND NOBODY WANTS IT BECAUSE THEY DON’T HAVE SPACE FOR IT.” PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003008
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Other Name
KNITTING BAG
Date Range From
1870
Date Range To
1999
Material Type
Artifact
Materials
CANVAS, FABRIC, THREAD
Catalogue Number
P20160003005
  1 image  
Material Type
Artifact
Other Name
KNITTING BAG
Date Range From
1870
Date Range To
1999
Materials
CANVAS, FABRIC, THREAD
No. Pieces
1
Length
41
Width
36
Description
HANDMADE BAG MADE OF 3 SECTIONS OF STRIPS OF ABOUT 5 INCHES (APPROX. 13 CM) EACH. IT IS RED WITH BLUE, YELLOW, GREEN, AND RAW MATERIAL ACCENTS. THE TRIM AT THE TOP OF THE BAG IS BLUE WITH A HANDLE OF THE SAME FABRIC ON EITHER SIDE. THERE IS A STRIP OF RAW, NOT PATTERNED FABRIC AT THE BOTTOM OF THE BAG. BOTH SIDES OF THE BAG HAVE THE SAME ARRANGEMENT OF PATTERNED STRIPS. THERE IS ONE SEAM CONNECTING THE FRONT AND THE BACK OF THE BAG ON BOTH SIDES. THE INSIDE IS UNLINED. GOOD TO VERY GOOD CONDITION. THERE IS SOME STITCHING COMING LOOSE AT VARIOUS POINTS OF THE PATTERNING.
Subjects
CONTAINER
Historical Association
DOMESTIC
ETHNOGRAPHIC
History
THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. IT WAS THERE WILLIAM KONKIN MARRIED ELIZABETH WISHLOW. IN 1928 THEIR DAUGHTER, ELSIE WAS BORN. THEY LATER MOVED TO A FARM IN VAUXHALL, ALBERTA. THE PRECEDING AND FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. A FULL HISTORY OF THE KONKIN FAMILY CAN BE FOUND WITH THE RECORD P20160003001. A STATEMENT WRITTEN BY MORRIS ATTACHED TO THE BAG STATES THAT THE MATERIAL OF THE BAG ORIGINATES FROM THE 1870S. THE STATEMENT READS: “THIS BAG WAS HAND WOVEN IN STRIPS [THAT WERE USED] TO SEW ON THE BOTTOM OF PETTICOATS. THE GIRLS AT THAT TIME HAD TO HAVE A TROUSEUA [SIC] TO LAST A LIFETIME BECAUSE AFTER MARRIAGE THERE WOULD BE NO TIME TO MAKE CLOTHES SO WHAT THEY MADE WAS STURDY. THEY STARTED ON THEIR TROUSEUS [SIC] AS SOON AS THEY COULD HOLD A NEEDLE. WHEN IT WAS HAYING TIME THE GIRLS WENT OUT INTO THE FIELD TO RAKE THE HAY. THEY WORE PETTICOATS OF LINEN TO WHICH THESE BANDS WERE SEWN. THE LONG SKIRTS WERE PICKED UP AT THE SIDES AND TUCKED INTO THE WAISTBANDS SO THAT THE BOTTOMS OF THE PETTICOATS WERE ON DISPLAY.” “THESE BANDS WERE ORIGINALLY MY GREAT GRANDMOTHER’S WHO CAME OUT OF RUSSIA WITH THE DOUKHOBOR SETTLEMENT IN 1899. THEY WERE PASSED ON TO MY MOTHER, ELIZABETH KONKIN, WHO MADE THEM INTO A BAG IN THE 1940S” THE STRIPS THAT MAKE UP THE BAG SERVED A UTILITARIAN PURPOSE WHEN SEWN TO THE BOTTOM OF THE PETTICOATS. IN THE INTERVIEW, MORRIS EXPLAINS: “… THESE STRIPS ARE VERY STRONG. THEY’RE LIKE CANVAS. THEY WERE SEWN ONTO THE BOTTOM OF THE LADY’S PETTICOATS AND THEY WORE A SKIRT ON TOP OF THE PETTICOATS. THESE STRIPS LASTED A LIFETIME, IN FACT MORE THAN ONE LIFETIME BECAUSE I’VE GOT THEM NOW. THEY WOULD TUCK THE SKIRTS INTO THEIR WAISTBAND ON THE SIDE SO THEIR PETTICOATS SHOWED AND THEY WERE TRYING TO PRESERVE THEIR SKIRTS NOT TO GET CAUGHT IN THE GRAIN. THE GIRLS LIKED TO WEAR THEM TO SHOW OFF BECAUSE THE BOYS WERE THERE AND THEY ALWAYS WORE THEIR VERY BEST SUNDAY CLOTHES WHEN THEY WENT CUTTING WHEAT OR GRAIN." “[THE FABRIC] CAME FROM RUSSIA. WITH THE AREA WHERE THEY CAME FROM IS NOW GEORGIA AND THEY LIVED ABOUT SEVEN MILES NORTH OF THE TURKISH BORDER, THE PRESENT DAY TURKISH BORDER… [THE DOUKHOBORS] CAME TO CANADA IN 1897 AND 1899.” MORRIS EXPLAINS THAT SURPLUS FABRIC WOULD HAVE BEEN BROUGHT TO CANADA FROM RUSSIA BY HER MATERNAL GRANDMOTHER FOR FUTURE USE AND TO AID THE GIRLS IN MAKING THEIR TROUSSEAUS: “THE TROUSSEAU THE GIRLS MADE HAD TO LAST THEM A LIFETIME BECAUSE THEY WOULDN’T HAVE TIME BUT RAISING CHILDREN TO SEWING THINGS. SEWING MACHINES WERE UNKNOWN THEN.” THE BANDS OF FABRIC THAT MAKE UP THE BAG WOULD HAVE BEEN REMAINS NEVER USED FROM ELIZABETH KONKIN’S TROUSSEAU. SHE HAND WOVE THE BAG WHILE SHE WAS LIVING IN SHOULDICE. THE BAG WAS USED BY MORRIS’ MOTHER TO STORE HER KNITTING SUPPLIES. WHEN MORRIS ACQUIRED THE BAG IN THE 1990S, IT MAINTAINED A SIMILAR PURPOSE: “WELL I USED TO CARRY MY STUFF FOR THE WEAVER’S GUILD BUT NOW I DON’T USE IT FOR ANYTHING. IT’S VERY HANDY YOU KNOW IT DOESN’T WEAR OUT.” THERE WAS ONLY ONE BAG MADE OUT OF THESE REMNANTS BY MORRIS’ MOTHER. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003005
Acquisition Date
2016-02
Collection
Museum
Images
Less detail

1993-1994 Order of the Royal Purple Officers

https://collections.galtmuseum.com/en/permalink/descriptions92457
Date Range
1993-1994
Description Level
Item
Accession No.
20171064057002
Physical Description
Colored photograph
Scope and Content
Ladies sitting together. HRL-Betty Lou Reieve, ARL- Ann Marie McDonald, PHRL-Paulette Fikus, Loyal Lady-Jessie Penner, Lect. Lady-Jo Horton, Conductress-Blanche Thomson, Chaplain-Mary Smolnicky, Inner Guard-Donna Bracha, Outer Guard-Joyce Bowen, Secretary-Dorene Mose, Treasurer-Joyce Bach, Pianist-…
  1 image  
Date Range
1993-1994
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Colored photograph
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
Ladies sitting together. HRL-Betty Lou Reieve, ARL- Ann Marie McDonald, PHRL-Paulette Fikus, Loyal Lady-Jessie Penner, Lect. Lady-Jo Horton, Conductress-Blanche Thomson, Chaplain-Mary Smolnicky, Inner Guard-Donna Bracha, Outer Guard-Joyce Bowen, Secretary-Dorene Mose, Treasurer-Joyce Bach, Pianist-Cheryl Parisien, and Historian-Ruby Gordon
Access Restrictions
Public
Accession No.
20171064057002
Collection
Archive
Images
Less detail

Receiving the Purple Cross Plaque

https://collections.galtmuseum.com/en/permalink/descriptions92458
Date Range
1993-1994
Description Level
Item
Accession No.
20171064057012
Physical Description
Colored photograph
Scope and Content
Lethbridge Lodge No 32 receiving the Purple Cross plaque for per capita donations.
  1 image  
Date Range
1993-1994
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Colored photograph
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
Lethbridge Lodge No 32 receiving the Purple Cross plaque for per capita donations.
Access Restrictions
Public
Accession No.
20171064057012
Collection
Archive
Images
Less detail
Date Range
1993-1994
Description Level
Item
Accession No.
20171064057029
Physical Description
Colored photograph
Scope and Content
Mary Smolnicky and Joyce Shackelton sharing secrets
  1 image  
Date Range
1993-1994
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Colored photograph
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
Mary Smolnicky and Joyce Shackelton sharing secrets
Access Restrictions
Public
Accession No.
20171064057029
Collection
Archive
Images
Less detail

35 Year Pin and Life Membership

https://collections.galtmuseum.com/en/permalink/descriptions92460
Date Range
1993-1994
Description Level
Item
Accession No.
20171064057037
Physical Description
Colored photograph 5x7in
Scope and Content
Joan Slavich receives 35 year pin and life membership
  1 image  
Date Range
1993-1994
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Colored photograph 5x7in
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
Joan Slavich receives 35 year pin and life membership
Access Restrictions
Public
Accession No.
20171064057037
Collection
Archive
Images
Less detail

Certificate of Appreciation

https://collections.galtmuseum.com/en/permalink/descriptions92461
Date Range
1993-1994
Description Level
Item
Accession No.
20171064057044
Physical Description
Colored photograph 5x7in
Scope and Content
HRL Betty Lou Rieve, PDD Dorene Mose present PDD Arlene Albiez a plaque for her two years as District Deputy
  1 image  
Date Range
1993-1994
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Colored photograph 5x7in
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
HRL Betty Lou Rieve, PDD Dorene Mose present PDD Arlene Albiez a plaque for her two years as District Deputy
Access Restrictions
Public
Accession No.
20171064057044
Collection
Archive
Images
Less detail

STARS Ambulance Donation Presentation

https://collections.galtmuseum.com/en/permalink/descriptions92462
Date Range
1993-1994
Description Level
Item
Accession No.
20171064057050
Physical Description
Colored photograph 5x7in
Scope and Content
Order of the Royal Purple Ladies present STARS with van ticket sales
  1 image  
Date Range
1993-1994
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Colored photograph 5x7in
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
Order of the Royal Purple Ladies present STARS with van ticket sales
Access Restrictions
Public
Accession No.
20171064057050
Collection
Archive
Images
Less detail
Date Range
1993-1994
Description Level
Item
Accession No.
20171064057072
Physical Description
Colored photograph 5x7in
Scope and Content
Betty Lou Reieve presents the Purple Cross plaque to Lodge No.32 for the largest donation per member in lodges over 150.
  1 image  
Date Range
1993-1994
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Colored photograph 5x7in
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
Betty Lou Reieve presents the Purple Cross plaque to Lodge No.32 for the largest donation per member in lodges over 150.
Access Restrictions
Public
Accession No.
20171064057072
Collection
Archive
Images
Less detail

Order of the Royal Purple Rummage Sale 1993

https://collections.galtmuseum.com/en/permalink/descriptions92465
Date Range
1993-1994
Description Level
Item
Accession No.
20171064057062
Physical Description
Colored photograph 5x7in
Scope and Content
Dorene Mose and Jo Horton at the Rummage Sale October 29-30, 1993.
  1 image  
Date Range
1993-1994
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Colored photograph 5x7in
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
Dorene Mose and Jo Horton at the Rummage Sale October 29-30, 1993.
Access Restrictions
Public
Accession No.
20171064057062
Collection
Archive
Images
Less detail

Drug Awareness plaque for second place in essay contest

https://collections.galtmuseum.com/en/permalink/descriptions92466
Date Range
1993-1994
Description Level
Item
Accession No.
20171064057094
Physical Description
Colored photograph 5x7in
Scope and Content
D.D Barbara Goodwin, Louisa Bennett and Arlene Albeiz with Drug Awareness plaque. Louisa Bennett recieved the plaque for placing second in the provincial essay contest.
  1 image  
Date Range
1993-1994
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Colored photograph 5x7in
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
D.D Barbara Goodwin, Louisa Bennett and Arlene Albeiz with Drug Awareness plaque. Louisa Bennett recieved the plaque for placing second in the provincial essay contest.
Access Restrictions
Public
Accession No.
20171064057094
Collection
Archive
Images
Less detail

Drug Awareness program of the Order of the Royal Purple

https://collections.galtmuseum.com/en/permalink/descriptions92467
Date Range
1993-1994
Description Level
Item
Accession No.
20171064057130
Physical Description
Colored photograph 5x7in
Scope and Content
Ladies of the Royal Purple standing in front of posters from the Drug Awareness program
  1 image  
Date Range
1993-1994
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Colored photograph 5x7in
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
Ladies of the Royal Purple standing in front of posters from the Drug Awareness program
Access Restrictions
Public
Accession No.
20171064057130
Collection
Archive
Images
Less detail

108 records – page 1 of 6.