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Other Name
BEADED MAN'S
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
GLASS BEADS, BUCKSKIN
Catalogue Number
P19641155000
Material Type
Artifact
Other Name
BEADED MAN'S
Date Range From
1900
Date Range To
1910
Materials
GLASS BEADS, BUCKSKIN
No. Pieces
1
Description
SIZE 38 BEAD, BUCKSKIN, CLOTH LINED WITH COTTON, TRIMMED WITH BLACK VELVET AROUND EDGES, BACK FACED WITH BLACK VELVET COVERED WITH AN OPEN MESH DESIGN IN WHITE BEADS. GEOMETRIC PANELS IN BLUE, RED, GREEN, YELLOW BEADS ON BACK. FRONT PANELS COMPLETELY COVERED IN BEADWORK WITH GEOMETRIC & CURVO-LINEAR DESIGNS, FEATHERED HEAD-DRESS MALE PROFILE FIGURE ON EACH FRONT PANEL. FIGURE IS DONE IN RED, BLUE, WHITE, YELLOW, GREEN, PINK AND GILDED BEADS. BACKGROUND OF SOLID WHITE BEADS TRIMMED WITH GEOMETRIC DESIGN IN RED, GREEN AND GILDED BEADS. FLORAL DESIGN IN RED, BLUE AND GREEN ON EACH PANEL. SMALL PORTION OF BEADS MISSING AT BOTTOM FRONT ON LEFT SIDE AND UPPER LEFT BACK (SHOULDER AREA). CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
CLOTHING-OUTERWEAR
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS CULTURE - BLACKFOOT. HANDMADE BY MRS. E. BOYCHIEF. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641155000
Acquisition Date
1964-07
Collection
Museum
Less detail
Other Name
LETHBRIDGE BREWERY
Date Range From
1981
Date Range To
1990
Material Type
Artifact
Materials
ACRYLIC
Catalogue Number
P20120028003
  1 image  
Material Type
Artifact
Other Name
LETHBRIDGE BREWERY
Date Range From
1981
Date Range To
1990
Materials
ACRYLIC
No. Pieces
1
Height
77
Length
52
Width
7.5
Description
HUNTER GREEN SWEATER WITH LONG SLEEVES AND V-NECK. GOLDEN EMBROIDERY ON RIGHT BREAST SAYS, “LETHBRIDGE BREWERY.” TAG AT BACK OF COLLAR SAYS, “CORPORATE WEAR, LARGE GRAND, MADE IN/FAIT AU CANADA, CA 04948, ASTRO SPORTSWEAR TORONTO, 100% ACRYLIC.” CUFFS ARE FOLDED OVER.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
BUSINESS
History
AT THE TIME OF DONATION, GALT STAFF CONDUCTED AN INTERVIEW WITH DONOR LINDA LIPTAK. WHEN ASKED ABOUT HOW SHE CAME INTO POSSESSION OF THE SWEATER, LIPTAK RESPONDED BY SAYING, “I WORKED IN THE BREWERY HOSPITALITY ROOM FOR 9 YEARS, AND, WHAT I BELIEVE THIS IS A SWEATER THAT CAME IN AS A PROMOTIONAL [IN THE MID 90S] (LIPTAK MISSPOKE WHEN SHE STATED MID-1990S ON ACCOUNT THAT LETHBRIDGE BREWERY WAS CLOSED AND DEMOLISHED BY 1991). YOU KNOW, WE GOT THINGS FOR BONSPIELS FOR PROMOTIONAL THINGS, AND I BELIEVE THIS WAS ONE OF THEM. NOW I’M NOT POSITIVE ABOUT THAT. THE OTHER ALTERNATIVE WOULD BE THAT THE BREWERY HAD THESE AND GAVE THEM TO EMPLOYEES…. THE BREWERY ITSELF. THE HOSPITALITY ROOM, MY BOSS, MY BOSS’ BOSS, WAS OUT OF CALGARY. WE BASICALLY WORKED OUT OF THE CALGARY OFFICE. THE LETHBRIDGE BREWERY…..WE WERE LOCATED IN THE LETHBRIDGE BREWERY BUT NOT REALLY PART OF IT. I WAS ALWAYS INCLUDED AND THE BREWERY DID THINGS LIKE THIS AND, SO THIS COULD HAVE BEEN A SWEATER THAT THE BREWERY ITSELF IN LETHBRIDGE HAD MADE UP. I KIND OF THINK THAT IS WHAT IT WAS BECAUSE IT’S LETHBRIDGE BREWERY. IF IT HAD COME OUT OF CALGARY, IT WOULD HAVE BEEN MOLSON BUT THEY HAD THESE MADE UP FOR EMPLOYEES AND AGAIN FOR PROMOTIONAL THINGS. MY HUSBAND WORE THIS; I GOT IT FOR MY HUSBAND, AND SO I REMEMBER THE HOUSE OF LETHBRIDGE…..THE LOGO ON IT. AND…..HE WORE IT A FEW TIMES; DIDN’T WEAR IT A WHOLE LOT.” WHEN ASKED ABOUT HOW SHE CAME TO HAVE HER POSITION AT THE BREWERY, LIPTAK SAID, “WHAT HAPPENED WAS THAT I HAD BEEN LOOKING FOR A PART-TIME JOB BECAUSE MY KIDS WERE IN SCHOOL. I HAD QUIT WORK AND STAYED HOME, MY KIDS WERE IN SCHOOL, AND I WAS LOOKING FOR A PART-TIME JOB. AND MY HUSBAND WAS IN HUMAN RESOURCES, AND ONE OF HIS FRIENDS SAID, THE BREWERY WAS LOOKING FOR SOMEONE, SO I APPLIED FOR IT, HAD AN INTERVIEW AND GOT IT. I WAS IN THE HOSPITALITY ROOM THE WHOLE TIME; IT WAS A PART-TIME JOB, BUT IT WAS MOSTLY EVENINGS; IT WAS HOSTING THINGS IN THE HOSPITALITY ROOM. WE HOSTED THE SHIRTSLEEVE BONSPIEL; WE HOSTED THE LADIES ANNUAL BONSPIEL; WE HOSTED THE BRONCOS, THE PREDECESSOR OF THE HURRICANES; WE HOSTED, THERE WERE UNION MEETINGS THAT WE WOULD HOST. ONE THING I REALLY REMEMBER THAT WAS QUITE NICE WAS, AT CHRISTMAS WE WOULD HAVE A CHRISTMAS SOCIAL, AND INVITE FRIENDS OF THE BREWERY. ERICKSON’S WOULD ALWAYS CATER FOR US AND THEY ALWAYS HAD GREAT BIG JUMBO SHRIMP IN A BIG BOWL. IT WAS AN AFTERNOON WHERE CUSTOMERS AND FRIENDS OF THE BREWERY, WOULD COME DOWN AND SPEND THE AFTERNOON. I REMEMBER, AT ONE POINT, MY BOSS, OUT OF CALGARY, GEORGE REED, SAID “YOU’RE USING ERICKSON’S TOO MUCH. WE SELL BEER THROUGHOUT LETHBRIDGE. YOU NEED TO USE OTHER PEOPLE.” AND I SAID, ‘OH, BUT ERICKSON’S IS SO GOOD AND THEY KNOW US SO WELL.” BUT, ANYWAY, I TRIED ANOTHER OUTFIT, AND WAS NOT HAPPY WITH THEM. THEIR FOOD WAS O.K. BUT IT WASN’T ERICKSON’S. AND ERICKSON’S, THEY HAD EXCELLENT FOOD. THEY ALWAYS HAD EXTRA FOOD BACK AT THE RESTAURANT IF WE RAN OUT. THEY KNEW US. WHEN WE ORDERED SANDWICHES FOR LUNCH, MOST PLACES WOULD GIVE YOU 1 SANDWICH PER PERSON; THEY WOULD ALWAYS GIVE US 1 ½ SANDWICHES PER PERSON BECAUSE IT WAS ALL MEN LOTS OF TIMES. ANYWAY, I JUST REALLY LIKED THEM, BUT ANYWAY, I USED THIS OTHER ONE, AND WE RAN OUT OF FOOD; SO I WENT BACK TO HIM AND SAID, “I’M SORRY, GEORGE, BUT I’M GOING BACK TO ERICKSON’S. THIS IS WHAT HAPPENED WHEN I USED ANOTHER ONE.” AND, SO HE WAS O.K. WITH THAT. BUT, I STILL SEE PEOPLE WHO CATERED TO OUR HOSPITALITY ROOM [SNAKE ROOM] FROM ERICKSON’S, AND IT WAS WONDERFUL. …WHEN I WAS, AS I WORKED THERE LONGER, I WOULD TAKE CARE OF SOME OF THE COMPLAINTS, OR I WOULD RESPOND TO WRITTEN COMPLAINTS ABOUT BEER, SO I WAS IN THE OFFICE A LITTLE BIT MORE AND DOING MORE THINGS LIKE THAT. IT WAS INTERESTING, MY BOSS, THE TWO FELLOWS THAT I WORK WITH IN THE MARKETING PART, THEY ALWAYS SAID WHEN PEOPLE BRING BEER IN, THERE WOULD BE A FOREIGN OBJECT OF SOME KIND IN IT. AND THEY WOULD SAY, IF IT’S OPENED, PROVE THAT YOU DIDN’T PUT IT IN THERE. YOU CAN’T PROVE THAT IT WAS IN THERE IF IT’S CLOSED ITS NOT HURTING YOU ANYWAY. BUT THEY ALWAYS GOT A CASE OF BEER IF THEY BROUGHT IT IN AND BROUGHT A COMPLAINT.” WHEN ASKED ABOUT HER MEMORIES PERTAINING TO THE BREWERY, LIPTAK SAID, “I’M LDS, I DO NOT DRINK BEER, AND I DO NOT LIKE BEER. I HAD A FELLOW FROM MAGRATH WHERE I GREW UP COME IN ONE DAY AND HE SAYS ‘LINDA! WHAT ARE YOU DOING IN HERE?’ I SAID ‘THEY’VE GOT TO HAVE SOMEBODY SOBER TO SERVE IT!’ THERE WERE SOME PEOPLE WHO WERE SURPRISED THAT I WAS THERE, THERE WERE SOME PEOPLE WHO WERE SURPRISED THAT I WORKED THERE BUT I HAD A REALLY GOOD RELATIONSHIP WITH EVERYBODY AND MY HUSBAND LOVED IT. I GOT TWO CASES OF FREE BEER EVERY WEEK I THINK IT WAS OR EVERY MONTH. WE COULD GO AND BUY IT AND HAND OUR RECEIPTS IN. SO MY HUSBAND LOVED IT BECAUSE HE LOVED BEER! LIPTAK RELAYED HER FEELINGS ON FINDING OUT THAT MOLSON’S WAS CLOSING THE BREWERY BY SAYING, “I WAS REALLY DISAPPOINTED. I SAID “THIS IS MY PERFECT JOB! I WAS GOING TO STAY HERE AND RETIRE HERE.” BECAUSE IT WAS A PART TIME JOB, THAT’S ALL I WANTED AND I WAS REALLY SADDENED BUT THERE WASN’T A WHOLE LOT YOU COULD DO. IN THE MEANTIME, THEY GAVE US LOTS OF NOTICE. LIKE THERE WAS NO PAYOUT AT THE END BECAUSE THEY GAVE US WHATEVER NOTICE WE HAD TO HAVE. THEY TREATED THE FULL TIME EMPLOYEES REALLY WELL. BUT THEY DIDN’T EVEN CONSIDER ME PERMANENT PART-TIME. I WAS JUST CASUAL AND SO I DIDN’T GET THE BENEFITS THAT THEY DID. A LOT OF THEM ACTUALLY WENT TO SCHOOL AND THE BREWERY PAID FOR THEM TO GO BACK TO SCHOOL. SOME OF THEM RELOCATED TO CALGARY. A COUPLE OF THEM MAY HAVE RELOCATED TO EDMONTON, I’M NOT SURE BUT THEY WERE VERY FAIR WITH THE EMPLOYEES. I DIDN’T THINK THEY WERE FAIR TO ME BECAUSE I HAD BEEN THERE FOR NINE YEARS AND I WAS STILL CONSIDERED CASUAL BUT THEY GAVE US…I HAD ALL KINDS OF BENEFITS WITH MERCHANDISE YOU KNOW. IT WAS…I THOUGHT IT WAS A PERFECT JOB BECAUSE MY HUSBAND COULD BABYSIT.” WHEN ASKED ABOUT THE PHYSICAL LOCATION OF THE HOSPITALITY ROOM, WHEN IT WAS BUILT AND HOW TO GET THERE, LIPTAK RESPONDED BY SAYING, “I WOULD GUESS IT WAS [BUILT] WHEN THE OFFICE BUILDING OR SHORTLY AFTER THE OFFICE BUILDING WAS BUILT. IT WAS ON THE EAST, YES AND IT WAS SOUTH OF THE RECEIVING. [I]F YOU WANTED TO GO TO THE SNAKE ROOM AND THE OFFICE YOU WOULD GO RIGHT BEFORE YOU GOT TO THE BEER STORE. THE HOSPITALITY ROOM WAS NOT PART OF THE BREWERY. IT WAS A SEPARATE OFFICE BUILDING, AND THE HOSPITALITY ROOM WAS DOWNSTAIRS IN THIS OFFICE BUILDING. IT HAD A BACK ENTRY DOOR AND YOU JUST WENT DOWN THE STAIRS AND THAT’S WHERE THE SNAKE ROOM WAS, THE HOSPITALITY ROOM, AND HE REMEMBERS GOING OVER THERE AFTER WORK. IF YOU REMEMBER, WHEN THERE WAS DRUNK DRIVING; THERE WAS A HORRIFIC ACCIDENT, AND I THINK SOMEONE CAME OUT OF ONE OF THESE SNAKE ROOMS…..IT WASN’T IN LETHBRIDGE; BUT I REMEMBER THE GOVERNMENT REALLY STEPPING DOWN ON THESE AND SAYING “THIS IS NOT A PUBLIC ROOM. IT IS NOT AVAILABLE FOR PEOPLE.” AND SO THAT IS WHEN LINDA GODLINGTON WAS THERE…..LINDA LARSON WAS HER NAME….SHE WORKED THERE, AND SHE QUIT, AND I WENT IN. AND, SO SHE WAS THERE FOR 4-5 YEARS, AND THEN I WAS THERE FOR 9 YEARS. AND THEN IT CLOSED. THEN IT BECAME PART-TIME, AND IT BECAME ON INVITATION. I WAS TELLING YOU ABOUT THE GLASSES WE ALWAYS HAD THERE. WE HAD KEGS FOR SPECIAL EVENTS, BUT WE ALWAYS HAD BOTTLED BEER DOWN THERE, BUT, WHEN IT WAS THE BONSPIELS, WE WOULD USUALLY, THEY WOULD USUALLY BRING A KEG OVER FROM THE BREWERY, AND THAT WAS WHAT I WOULD SERVE THEM; AND EVEN IN BOTTLES, WE WOULD PUT IT IN GLASSES. I REMEMBER WHEN WE HAD THE WOMEN THERE…WHEN THE MEN WERE THERE THEY WOULD SAY “THESE ARE NICE GLASSES, CAN I TAKE ONE HOME?” AND WE ALWAYS SAID, “SURE”, BECAUSE IT’S NOT A BIG DEAL. IT WAS PROMOTION. THE WOMEN WOULD COME IN….. AND THEY WOULD, SOME OF THEM WOULD COME WITH BIG PURSES, BECAUSE THE YEAR BEFORE, THEY HAD TAKEN 4 GLASSES, AND THIS YEAR THEY HAD TO HAVE AT LEAST 2 MORE TO MAKE THEIR SET UP. AND, THEY DIDN’T ASK ….THEY WOULD JUST COLLECT THE GLASSES OFF THE TABLES AND TAKE THEM HOME. AND, OF COURSE, WE DIDN’T SAY ANYTHING BECAUSE WE’RE HOSTING THEM, AND IT WASN’T REALLY A BIG DEAL. AND BEING A WOMAN THERE, MOST OF THE EVENTS WERE MALES; THE NOON LUNCHEONS WOULD SOMETIMES HAVE A FEW FEMALES, BUT THE MEN’S BONSPIEL, THE HOCKEY, MOST OF IT WAS MEN. I WAS QUITE COMFORTABLE WITH THAT; I DIDN’T HAVE A PROBLEM WITH THAT, BUT, I DO REMEMBER THAT THE COARSEST LANGUAGE WAS WHEN THE WOMEN’S BONSPIEL WAS THERE. WHEN ASKED IF SHE COULD DESCRIBE THE HOSPITALITY ROOM ALSO KNOWN AS THE SNAKE ROOM, LIPTAK REPLIED, “FROM THE DOWNSTAIRS YOU TURN TO YOUR LEFT AND YOU WENT IN THE MAIN ROOM. DIRECTLY ON YOUR RIGHT WOULD BE THE BAR, A SMALL BAR THERE WAS A FRIDGE THERE AND A SMALL SINK AND A DRAINER THERE. IF YOU WENT TO THE LEFT YOU WOULD GO INTO THE STORAGE ROOM SO THAT WAS ALONG THERE. THERE WAS, WHAT WAS ON THAT WALL..I DON’T KNOW BUT WE HAD TABLES AND THEY WERE LOW TABLES, BIG ROUND LOW TABLES WITH CHAIRS ALONG THERE AND THEN …IF YOU WENT A LITTLE FURTHER THERE WAS A JUT TO THE LEFT AND THERE WAS A ROOM THERE WITH ANOTHER BIG TABLE THERE. THE KITCHEN WAS OPPOSITE, IF YOU KEPT GOING FROM THE BAR THE KITCHEN AREA WAS DOWN THERE AND IT HAD A BIG LONG SERVING. IT WAS A U-TYPE THING. FROM THE KITCHEN THERE WERE STAIRS THAT WENT UP AND YOU WOULD COME INTO THE FRONT ENTRY WAY OFF THE BREWERY OFFICE UPSTAIRS. BETWEEN THAT ENTRY AND THE BAR THERE WAS TWO STAIRS THAT WENT DOWNSTAIRS, WENT DOWN, AND THAT WAS A BIG ROOM LIKE THIS AND IT HAD A BIG LONG TABLE AND IT HAD CHAIRS AROUND IT. IT HAD A TV UP IN THE CORNER MOST OF THE TIME I BELIEVE, AND THERE WERE PICTURES OF YOU KNOW HISTORICAL PICTURES IN THAT ROOM. THERE WERE IT SEEMS LIKE THERE COULD HAVE BEEN PICTURES OF CELEBRITIES WHO HAD BEEN THERE BECAUSE VERY OFTEN PEOPLE THAT CAME TO TOWN BECAUSE THEY, BEFORE I WAS INVOLVED WITH THEM THEY HAD A SPORTSMAN’S BANQUETS AND THEY ALWAYS HAD A FUNCTION DOWN THERE WITH THE CELEBRITIES. THAT WAS PRIOR TO MY TIME. SO THEY HAD PICTURES OF THESE CELEBRITY SIGNED PICTURES. WHEN WE DID CELEBRATE THE 200TH ANNIVERSARY, AND THAT WAS A REALLY BIG SPLASH IN LETHBRIDGE, FOR THE 200TH ANNIVERSARY OF MOLSON. WE ORDERED, WE HAD ALL KINDS OF TRAYS AND GLASSES AND CLOTHES AND JUST MANY MANY THINGS.” IN REGARDS TO TOURS ENDING IN THE HOSPITALITY ROOM, LIPTAK SAID, “THEY DID NOT HAVE SCHEDULED TOURS OF THE BREWERY. IT WASN’T SET UP, I HAD BEEN, MY HUSBAND WAS A BEER DRINKER, WHENEVER WE WENT ON HOLIDAYS WE WOULD STOP AT BREWERIES, AND I HAVE SEEN BREWERIES WHERE THEY ARE SETUP TO SHOW PEOPLE. THE LETHBRIDGE BREWERY WAS NOT SET UP TO HAVE TOURS. I GOT TO GO THROUGH IT TWO OR THREE TIMES, JUST BECAUSE I NEEDED TO KNOW, PEOPLE WOULD ASK QUESTIONS, SO THEY WANTED ME TO BE ABLE TO ANSWER THE QUESTIONS. THEY WOULD TAKE INDIVIDUAL PEOPLE THROUGH OR A VERY SMALL GROUP ONCE IN A WHILE, BUT YES, AFTER THE BREWERY, AFTER THE TOUR THEY WOULD COME DOWN. PEOPLE WHO WOULD KIND OF ASK ME FOR A TOUR, WE WOULD USUALLY TAKE THEM DOWN INTO THE SNAKE ROOM AND EXPLAIN HOW WE BREWED OUR BEER, AND THEN THEY WOULD HAVE A SAMPLE. A BOTTLE, OR TWO OF THE YOU KNOW, WHATEVER BRAND THEY WOULD LIKE. IN THE PLANT ITSELF, IN THE LUNCH ROOM THERE WAS ALWAYS BEER IN THE LUNCH ROOM THAT THE GUYS COULD HAVE. THEY HAD TO; I MEAN THEY MONITORED WHAT THEY DRANK. THE BEER WAS AVAILABLE THERE. WHEN ASKED ABOUT HER HUSBAND’S USE OF THE SWEATER, LIPTAK RESPONDED BY SAYING, “HE [AL LIPTAK] DIDN’T GET DRESSED UP A WHOLE LOT. HE RODE A MOTORCYCLE HIS WHOLE LIFE THAT’S WHY I RIDE NOW. SO BLUE JEANS AND A T-SHIRT WERE HIS APPAREL, YES. SO HE DID, I REMEMBER, LIKE IF WE WOULD GO OUT TO A SOCIAL, HE WOULD WEAR THIS, LIKE I SAID TO A BREWERY SOCIAL HE WOULD WEAR IT. BUT ONCE HE GOT INTO HARLEY’S, HE WOULD RATHER WEAR HIS HARLEY APPAREL THAN THE BREWERY. …HE DIED FIVE YEARS AGO AND WHEN I WENT THROUGH EVERYTHING, I LOOKED AT THIS AND I THOUGHT WELL MAYBE THAT I WOULD WEAR THIS SOMETIME BECAUSE HE WASN’T THAT MUCH BIGGER THAN ME. AND SO I KEPT IT. WELL, I’M MOVING TO RED DEER IN NOVEMBER AND DOWNSIZING AGAIN. FOR MORE INFORMATION, INCLUDING TRANSCRIBED INTERVIEW WITH LINDA LIPTAK, PLEASE SEE PERMANENT FILE. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING SOME THAT ORIGINALLY HUNG IN THE "SNAKE ROOM" AT THE LETHBRIDGE BREWERY. SHE ALSO CORRELATED THIS ARTIFACT'S HISTORY WITH ANOTHER INTERVIEW CONDUCTED BY COLLECTIONS TECH KEVIN MACLEAN WITH GUNTER HORN, FORMER BREWMASTER, ABOUT HIS MEMORIES OF THE SNAKE ROOM; SEE RECORD P20100013007 FOR FURTHER INFORMATION.
Catalogue Number
P20120028003
Acquisition Date
2012-08
Collection
Museum
Images
Less detail
Other Name
THREE-PIECE SUIT
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
WOOL, COTTON
Catalogue Number
P19950073176
  3 images  
Material Type
Artifact
Other Name
THREE-PIECE SUIT
Date Range From
1950
Date Range To
1960
Materials
WOOL, COTTON
No. Pieces
3
Length
77.7
Width
45
Description
1. NAVY BLUE WOOL SUIT JACKET WITH THIN RED AND BLUE PINSTRIPES. SILVER-BLUE RAYON LINING. TWO FRONT POCKETS WITH FLAPS AND TWO INSIDE BREAST POCKETS. RIGHT BREAST POCKET HAS LABEL WITH "WOODWARD'S MENS SHOPPE" AND TAG BELOW WITH "PURE VIRGIN WOOL". TWO BUTTONS AT FRONT CLOSURE; THREE BUTTONS AT EACH CUFF. WIDE LAPELS; SINGLE-BREASTED. 2. VEST: 61.2CM (L) X 39.5CM (W). MATCHING VEST. 6 BUTTONS AT FRONT CLOSURE. TAPERED TO A "V" AT BOTTOM OF FRONT WITH TWO POCKETS. HALF BELTED WITH ADJUSTABLE BUCKLE. RAYON TAFETTA BACKING (MATCHING JACKET LINING). 3. TROUSERS: 96CM (L) X 36CM (W). MATCHING TROUSERS. TWO FRONT POCKETS AND TWO BACK POCKETS. ZIPPER, BUTTON, AND HOOK CLOSURE AT WAIST. HEMMED AT BOTTOM AND ALTERED AT WAISTBAND TO DECREASE SIZE. WAISTBAND AND POCKETS LINED WITH GREY COTTON. WIDE STRAIGHT CUT LEGS WITH HOLE IN RIGHT KNEE AND SMALL HOLE IN RIGHT LEG HEM.
Subjects
CLOTHING-OUTERWEAR
Historical Association
BUSINESS
PERSONAL CARE
History
BELONGED TO DONOR'S FATHER. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073176
Acquisition Date
1995-11
Collection
Museum
Images
Less detail
Date Range From
1912
Date Range To
1915
Material Type
Artifact
Materials
LEATHER, BEAD, COTTON
Catalogue Number
P19780209000
  1 image  
Material Type
Artifact
Date Range From
1912
Date Range To
1915
Materials
LEATHER, BEAD, COTTON
No. Pieces
1
Length
76.2
Width
50.8
Description
PONCHO OR CAPE. THE TOP COMPLETED BEADED IN AN INTRICATE GEOMETRIC PATTERN USING MANY DIFFERENT COLOURED BEADS. LEATHER THONG FRINGES ALONG EDGES. BOTTOM HAS BEIGE COTTON LINING (BROWN WITH AGE). HOLE IN THE CENTRE WITH BLACK CLOTH LINING. FRINGE SEPARATING FROM LEATHER BODY; DRYING. SMALL HOLE IN BEADING.
Subjects
INDIGENOUS
CLOTHING-OUTERWEAR
ADORNMENT
Historical Association
ETHNOGRAPHIC
History
ACQUIRED FROM JOE HEALY A BLOOD TRIBE MEMBER BY DONOR'S HUSBAND HERBERT HUSBAND ABOUT 1912. SEE P197800207000-GA FOR HISTORY. ON 26 JANUARY 2011, GALT CURATOR WENDY AITKENS PROFILED THIS CAPE (P19780209000) AS PART OF HER CURATOR PRESENTS’ FAKES AND FORGERIES PROGRAM. AITKENS WAS INFORMED BY COLLECTIONS STAFF THAT THE CAPE WAS FEATURED IN A GALT-SUBMITTED, LETHBRIDGE LIVING MAGAZINE ARTICLE (ON FILE), AUTHORED BY FORMER GALT STAFF MEMBER DR. JANAY NUGENT IN 1999. MRS. PAULINE DEMPSEY, GRANDDAUGHTER OF JOE HEALY, RECALLED IN FEBRUARY 2011 THAT SHE CONTACTED DR. NUGENT AFTER THE ARTICLE’S PUBLICATION TO INFORM HER HAT SHE QUESTIONED THE ARTICLE-CLAIMED MAKER(S) OF THE CAPE, FEELING IT WAS NOT OF BLACKFOOT DESIGN. JOE HEALY, ACCORDING TO DEMPSEY, TRAVELLED EXTENSIVELY AND SHE THOUGHT IT WAS MORE LIKELY THAT THE CAPE WAS GIVEN TO HIM WHEN HE VISITED OTHER TRIBES. BIOGRAPHICAL INFORMATION ON DONORS META AND HERBERT HUSBAND, AS PROVIDED BY KOOTENAI BROWN PIONEER VILLAGE CURATOR FARLEY WUTH ON 17 FEBRUARY 2011, CAN BE FOUND IN THE PERMANENT FILE. *UPDATE* IN 2014 LOUISE-MARIE CROP EARED WOLF, A MEMBER OF THE KAINAI (BLOOD TRIBE), AND A FOURTH YEAR NATIVE AMERICAN STUDIES MAJOR AT THE UNIVERSITY OF LETHBRIDGE COMPLETED AN APPLIED STUDIES PROJECT WITH THE COLLECTIONS DEPARTMENT AT THE GALT MUSEUM. SHE PHOTOGRAPHED ETHNOGRAPHIC ARTIFACTS ASSOCIATED WITH FIRST NATIONS CULTURES IN SOUTHERN ALBERTA AND WROTE THE FOLLOWING TEXT TO PRESENT HER FOCUSED RESEARCH ON FOUR SPECIFIC ARTIFACTS (P19641186000, P19780209000, P19780208000, AND P19790235000): “I WANT TO DISPLAY THE KAINAI WOMEN BEADED ITEMS FROM THE GALT MUSEUM COLLECTIONS FOR THEIR ARTISTIC MERIT AND NOT JUST FOR THEIR ETHNOLOGICAL VALUE. THE FOUR ARTIFACTS SELECTED ARE REPRESENTATIVE OF FOUR GENERATIONS OF BEADERS: GRANDMOTHERS, MOTHERS, SISTER, AND DAUGHTERS. THE COLOURS ARE MEANINGFUL AND THE TRADITIONAL SYMBOLS ARE USED THROUGHOUT. THE ADHERENCE TO THE TRADITION, HOWEVER, DOES NOT SUPPRESS ARTISTIC EXPRESSION; THE BEADERS USE A FAIR DEGREE OF CREATIVITY IN THEIR CHOICE OF MATERIALS, SYMBOLS AND COLORS. THE ART OF BEADING IS NOT A “DYING ART” – IT IS THE ARTISTS, ARTISTIC EXPRESSION AND IT IS A “LIVING ART”. FOR GENERATIONS, KAINAI WOMEN BEADERS AND CLOTHING DESIGNERS HAVE BEEN MAKING CLOTHING FOR THE ENTIRE COMMUNITY. THE BEADED CLOTHING HONOURS THE FAMILY FROM ONE GENERATION TO THE NEXT IN A CONTINUOUS CIRCLE OF HONOURING. THE BEADED CLOTHING AND ACCESSORIES SUCH AS MOCCASINS, LEGGINGS, AND BELTS, COMMUNICATE THE IMPORTANCE OF THE FAMILY AND ILLUSTRATE HOW TRADITIONS ARE PASSED DOWN THROUGH GENERATIONS. THE BEADED WORK CONNECTS A BEADING ARTIST TO HER ANCESTORS. EVERY MOTIF, DESIGN, COLOUR OF SEED BEADS, STANDS FOR SOMETHING IMPORTANT TO THE ARTIST’S FAMILY, REFLECTING THE ARTIST’S SURROUNDINGS AND REINFORCING HER CULTURAL VALUES. LEARNING BY OBSERVATION, AN ARTIST PAYS RESPECT TO THE PAST, PRESENT, AND FUTURE KAINAI WOMEN BEADERS. THIS CAPE IS FULLY BEADED AND IS WORN OVER ELKS HIDE; DEER HIDE DRESS, OR CLOTH DRESS. TRADITIONAL GEOMETRIC AND NATURALISTIC MOTIFS ARE COMBINED INTO A DISTINCTIVE AND PERSONAL CREATIVE EXPRESSION. THIS TYPE OF CAPE IS WORN BY YOUNG GIRLS; THE PATTERNS AND SYMBOLS TELL STORIES THAT HONOUR HER COMMUNITY, HER FAMILY, AND HER ANCESTORS. THE END RESULT IS BOTH A CREATION OF UTILITARIAN AND AESTHETIC VALUE. THE BREAK IN PATTERN ON THE NAPE AREA IS DELIBERATE – THE UNIQUE SIGNATURE OF THE ARTIST WHO CREATED THE PIECE. THIS METHOD OF ‘AUTHENTICATING’ IS COMMONLY USED BY KAINAI BEADERS." *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF JOE HEALY, WHO WAS PURPORTEDLY THE ORIGINAL OWNER OF THIS CAPE. THE FOLLOWING BIOGRAPHY ON JOE HEALY WAS DEVELOPED WITH INFORMATION FROM THE GALT ARCHIVES AND 'THE AMAZING DEATH OF CALFSHIRT: THREE HUNDRED YEARS OF BLACKFOOT HISTORY' BY HUGH DEMPSEY: POTAI'NA "FLYING CHIEF' JOE HEALY (LATER CALLED WOLF MOCCASIN) WAS BORN IN 1854 ON THE MONTANA BLACKFEET RESERVATION, TO THE LEADER OF THE BLOOD TRIBE, MANY BRAIDS. MANY BRAIDS HAD BECOME FRIENDLY WITH JOHN J. HEALY, CO-OPERATOR OF THE SUN RIVER CROSSING TRADING POST WITH ALFRED B. HAMILTON. DURING A ROUTINE VISIT TO THE TRADING POST, THE BLOODS' CAMP WAS RAIDED AT NIGHT BY A BAND OF PEND D'OREILLE WARRIORS. MANY BRAIDS, HIS WIFE, BABY AND TEENAGE DAUGHTER WERE KILLED IN THE CONFLICT, WHICH WAS WITNESSED BY JOHN HEALY. BEFORE HE DIED, MANY BRAIDS ASKED JOHN HEALY TO TAKE CARE OF HIS SON, FLYING CHIEF, THE ONLY SURVIVING MEMBER OF THE FAMILY. JOHN HEALY GAVE THE EIGHT YEAR OLD BOY THE NAME JOE HEALY, AND KEPT HIM AT THE TRADING POST UNTIL THE SUMMER, WHEN HE WAS ENROLLED IN THE SCHOOL AT NEARBY FORT SHAW. THERE JOE DEVELOPED HIS KNOWLEDGE OF ENGLISH. IN 1869, WHILE JOE WAS IN SCHOOL, HEALY AND HAMILTON WENT NORTH AND OPENED A TRADING POST AT THE CONFLUENCE OF THE OLDMAN AND ST. MARY RIVERS; THIS POST WOULD BECOME KNOWN AS FORT WHOOP-UP AND WAS INFAMOUS FOR ITS CONTRIBUTIONS TO THE WHISKEY TRADE AND VIOLENCE IN THE AREA UNTIL THE ARRIVAL OF THE NORTH-WEST MOUNTED POLICE IN 1874. THREE YEARS LATER, DUE TO A DECLINE IN THE BUFFALO POPULATIONS AND THUS THE ROBE MARKET, HEALY CLOSED THE SUN RIVER CROSSING POST AND MOVED TO FORT BENTON. JOE WAS NOW SIXTEEN AND WAS COMPELLED TO RETURN TO HIS RELATIVES AMONG THE BLOODS. HE FOLLOWED THE LAST BUFFALO HERDS WITH BULL SHIELD, AND JOINED IN RELIGIOUS AND WARFARE ACTIVITIES OF THE TRIBE. WHEN THE BLOODS SETLLED ON THEIR RESERVE IN 1881, JOE WAS THE ONLY MEMBER OF THE TRIBE WHO WAS FLUENT IN BLACKFOOT AND ENGLISH. HE WAS AN OUTSPOKEN SUPPORTER OF RELIGIOUS TRADITIONS AND DEFIED ATTEMPTS BY THE GOVERNMENT TO SUPRESS DANCES AND FESTIVALS. HE MARRIED WIDE NOSTRILS, THE DAUGHTER OF IRON PIPE, AND THEY HAD SIX DAUGHTERS AND FOUR SONS. JOE WORKED AS AN OFFICIAL INTERPRETER FOR THE GOVERNMENT WHEN A NEW TREATY WAS MADE IN 1883, AND AS A SCOUT FOR THE RNWMP. IN LATER YEARS HE CO-ORDINATED FIRST NATIONS' PARTICIPATION IN THE LETHBRIDGE EXHIBITION AND STAMPEDE. JOE HEALY DIED AT ST. PAUL'S MISSION ON THE BLOOD RESERVE IN 1936 AS ONE OF THE MOST RESPECTED PATRIARCHS OF THE BLOOD TRIBE.
Catalogue Number
P19780209000
Acquisition Date
1978-07
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
WOOL, NYLON, COTTON
Catalogue Number
P20170027000
  2 images  
Material Type
Artifact
Date
1971
Materials
WOOL, NYLON, COTTON
No. Pieces
1
Length
98
Width
59
Description
RED WOOL COAT WITH BROWN EDGING AT CUFFS AND ON TWO FRONT POCKETS; COAT HAS RED ZIPPER RUNNING DOWN FRONT; COAT HAS BROWN STITCHED DETAILING ON FRONT WITH A FLOWER WITH STEM ON BOTH SIDES OF ZIPPER, AND SINGLE BROWN HUMMINGBIRDS ON BOTH FRONT POCKETS. POCKETS HAVE WHITE COTTON LINING INSIDE. COAT HOOD HAS BLACK-TIPPED, BROWN FUR TRIM. INSIDE COAT SLEEVES IS WHITE ELASTIC LINING. INSIDE COAT IS RED LINING. BACK OF JACKET HAS THREE PANELS WITH BROWN STITCHED DETAILING, ON FIRST AND THIRD PANELS ARE SINGLE BEAVERS AND ON SECOND PANEL IS TREE STUMP. SEWN INSIDE COAT ON BACK IS BLACK TAG WITH YELLOW EBROIDERED TEXT “ORIGINAL CREE INDIAN GARMENT HANDCRAFTED BY THE BEAVER LAKE INDIAN BAND OF ALBERTA, AMISK”, WHITE TAG WITH BLACK BILUNGUAL ENGLISH/FRENCH TEXT “BEAVER LAKE FASHIONS & SPORTSWEAR, BOX 1207 LAC LA BICHE, ALBERTA, T0A 2C0, STYLE 2053, SIZE L, SHELL 100% PRIME NEW ZEALAND PURE VIRGIN WOOL, LINING, FACE: NYLON, QUILL: NEW FORTEL, MADE IN CANADA, DRY CLEAN ONLY”, AND WHITE TAG WITH BLACK TEXT UNDER FIRST WHITE TAG “NOT TO BE REMOVED UNTIL SOLD BY RETAIL AND DELIVERED, THIS LABEL IS AFFIXED IN COMPLIANCE WITH THE REGULATIONS UNDER THE PUBLIC HEALTH ACT OF CANADA, THIS ARTICLE CONTAINS NEW MATERIALS ONLY”. COAT HAS FRAYING THREADS INSIDE SLEEVES, INSIDE LOWER TRIM, AND INSIDE AT COLLAR; ZIPPER PULL HAS PAINT CHIPPED SHOWING SILVER METAL UNDER RED; COAT HAS LINING SEPARATED FROM OUTER SHELL ON THE INSIDE; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
INDIGENOUS
Historical Association
PERSONAL CARE
History
ON AUGUST 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED RAYMOND AND INGRID SPEAKER REGARDING THEIR DONATION OF A CREE-MADE WOOL COAT. SPEAKER WAS RAISED IN SOUTHERN ALBERTA AND WAS ELECTED A MINISTER IN THE ALBERTA GOVERNMENT IN 1963 WITH THE SOCIAL CREDIT PARTY. SPEAKER WAS INVOLVED WITH THE FORMATION OF THE WHITE PAPER ON HUMAN RESOURCE DEVELOPMENT IN 1967. RAYMOND SPEAKER PROVIDED BACKGROUND ON THE COAT IN HIS POSSESSION, NOTING, “ONE OF [THE] PROJECTS [I WORKED ON AS A MINISTER] WAS TO HAVE A NATIVE PROJECT THAT PRODUCED THESE JACKETS…AFTER THAT, I BOUGHT ONE FOR MY WIFE, AND ONE FOR MYSELF FOR, I THINK, $100.00 EACH [IN 1971].” “I‘D HAVE TO SAY WE DIDN’T [WEAR THE COATS ANNUALLY], AND NOT BECAUSE OF ANY REASON. JUST BECAUSE YOU HAD ONE JACKET THAT YOU USUALLY PICKED UP OUT OF THE CLOSET AND, ON THE FARM, YOU HAVE THIS ONE THAT YOU GO OUTSIDE, AND MUCK AROUND IN, AND GET DIRTY. IF THEY HAD BEEN HANGING IN THE RIGHT PLACE [WE MIGHT HAVE WORN THEM MORE]…WE KEPT THEM IN THE CAR” INGRID STATED, “THEY ARE VERY WARM. YOU ALMOST NEED 20- 30 BELOW WEATHER, SO WHEN WE WERE TRAVELING, MANY A TIME, WE TOOK THEM WITH US, KNOWING THEY WOULD SEE US THROUGH VERY COLD WEATHER…THEY ARE ALSO A BIT HEAVY, SO FOR SHOPPING YOU’D PROBABLY HAVE SOMETHING ELSE WITH YOU. THEY’RE VERY WARM.” “WE WORE THEM [TO GREY CUP GAMES] AND JUST ABOUT FROZE. WHEN IT WAS BITTERLY COLD, AT THAT GREY CUP GAME, WE WORE THEM. WE WORE THEM TO A HOCKEY GAME IN CALGARY. WHENEVER YOU WERE TOUGH TRAVELING, KNOWING THERE WAS A TWO HOUR TRIP TO THE FARM, YOU ALWAYS FELT SAFE WITH THIS.” RAYMOND ADDED, “A FELLOW BY THE NAME OF NEIL GILLIETTE BROUGHT THEM TO MY OFFICE IN EDMONTON, WHEN I WAS THE MINISTER, SO I PAID HIM THE CHEQUE BECAUSE I HAD SEEN THEM WHEN I HAD TRAVELED INTO THE NORTH. I HAD SEEN THEM AT THAT TIME, AND I SAID, 'OH, MAN, I’D SURE LIKE TO HAVE THOSE COATS.'…WE DIDN’T BUY THEM DIRECTLY…FROM THE FACTORY.” “THE REASON I HAD IT…WAS THAT I FELT THAT, IF SOMEBODY CHALLENGED ME ABOUT SOME OF THE NATIVE PROJECTS WE DID, I COULD SAY, 'LOOK, HERE’S A PROJECT THAT HAPPENED, THAT WORKED. WE DID IT.' WE TRIED TO MEET ALL THE OBJECTIVES OF SELF-DETERMINATION, SELF-MANAGEMENT, FULLY-FUNDED PROJECT THAT SHOULD HAVE WORKED. IT WORKED FOR A WHILE, BUT, ALL-OF-A-SUDDEN, IT DIDN’T.” THE DONOR ELABORATED ON HIS TIME AS AN ALBERTA GOVERNMENT MINISTER AND THE PROJECTS THAT LED TO THE CREATION OF THE COAT, “I WAS ASSOCIATED WITH PRESTON MANNING, WHO WAS THE SON OF THE PREMIER OF THE PROVINCE. AT THE TIME, HE AND I WERE AT UNIVERSITY TOGETHER, AND TALKED A LOT ABOUT GOVERNMENT AND WHAT FORMATS GOVERNMENT SHOULD TAKE, NOT ONLY PROVINCIALLY BUT FEDERALLY. IN 1967, BETWEEN PRESTON, HIS DAD, AND MYSELF, AND ONE OTHER RESEARCHER, ERIC SCHMIDT, WE DECIDED THAT THE SOCIAL CREDIT GOVERNMENT SHOULD HAVE A NEW OBJECTIVE, AND BE DEFINED IN A BETTER AND CLEARER WAY THAN IT WAS. [THE PARTY] NEEDED TO BE RE-VITALIZED IN TERMS OF ITS OBJECTIVE. WORKING TOGETHER WITH THESE FOUR PARTICIPANTS, WE CAME UP WITH A WHITE PAPER, CALLED THE WHITE PAPER ON HUMAN RESOURCE DEVELOPMENT, IN MARCH OF 1967, AND PRESENTED IT TO THE ALBERTA LEGISLATURE. THERE WAS ECONOMIC GROWTH IN THE PROVINCE. AT THE SAME TIME, THE PEOPLE OF THE PROVINCE NEEDED A CERTAIN AMOUNT OF ATTENTION IN TERMS OF SOCIAL GROWTH, AND SO WE SAID TO OURSELVES, THERE MUST BE SOME WAY OF INTEGRATING ECONOMIC GROWTH WITH SOCIAL DEVELOPMENT. THE WHITE PAPER DOES THAT. IT TALKS ABOUT IF YOU CAN GROW THE ECONOMY OF THE PROVINCE, YOU SHOULD ALSO PARALLEL THAT WITH SOCIAL DEVELOPMENT GROWTH. IN THE WHITE PAPER, WE SET OUT THAT OBJECTIVE, IN 1967. AFTER THE LEGISLATURE ACCEPTED THE PAPER, THEN WE HAD TO DEVELOP IT. I WAS APPOINTED, SHORTLY AFTER THAT, THE MINISTER OF SOCIAL DEVELOPMENT, AND ONE OF MY RESPONSIBILITIES WAS TO DEVELOP THE CONCEPTS OF THE WHITE PAPER. IN ORDER TO BRING TOGETHER ECONOMIC DEVELOPMENT AND SOCIAL DEVELOPMENT, WE SET UP A BODY CALLED THE HUMAN RESOURCE DEVELOPMENT AUTHORITY, AND IT HAD HUGE POWERS TO CHANGE THE FUNCTIONS OF THE DIFFERENT DEPARTMENTS OF GOVERNMENT, REORGANIZE THE BUDGETING OF THE GOVERNMENT, AS A WHOLE, TO FOCUS ON THIS NEW OBJECTIVE. I WAS THE CHAIRMAN OF THAT HUMAN RESOURCE DEVELOPMENT AUTHORITY.” “THE FIRST ASSIGNMENT, WHEN I GOT ELECTED IN 1963, [WAS] I MET WITH MR. MANNING, AND HE SAID, ‘I NEED HELP – SOMEBODY TO DO NORTHERN DEVELOPMENT – HELP WITH THE METIS SETTLEMENTS, WITH THE ABORIGINAL SETTLEMENTS, AND WITH THE NEW FARMERS. THERE’S A WHOLE AREA. WE’VE PUT HOMESTEADERS INTO NEW AREAS, AND THEY’RE ALL HAVING TROUBLE. WHAT I’D LIKE YOU TO DO IS GO OUT AND SEE WHAT YOU CAN DO –GO OUT AND VISIT THESE COMMUNITIES.'” “HERE WAS A FARM KID – NEVER HAD THAT EXPERIENCE BEFORE – HAD NO IDEA WHAT WAS NORTH OF EDMONTON. I THOUGHT IT WAS ALL BUSH…ALL OF A SUDDEN, I WAS MEETING ALL THESE GREAT PEOPLE THAT HAD NEEDS, AND WERE TRYING TO ACHIEVE, IN VERY DIFFICULT CIRCUMSTANCES. BECAUSE I…HAD MET PEOPLE ON ALL OF THE METIS SETTLEMENTS, GOT TO KNOW PEOPLE BECAUSE OF THAT, MET A BUNCH OF ABORIGINAL PEOPLE AND GOT TO KNOW THE COMMUNITIES OF THE NORTH, THEN WHEN I WAS APPOINTED MINISTER OF SOCIAL DEVELOPMENT, AND THE CHAIRMAN OF THE HUMAN RESOURCE DEVELOPMENT AUTHORITY, I HAD BACKGROUND. I AUTOMATICALLY FELL INTO IT. RATHER THAN DOING SOUTHERN ALBERTA DEVELOPMENT, I WAS DOING NORTHERN ALBERTA DEVELOPMENT, AND ENJOYED IT VERY MUCH. IT WAS A GREAT EXPERIENCE, WONDERFUL PEOPLE…WITH GREAT AMBITIONS, AND THEY NEEDED OUR HELP. THAT’S WHY I GOT INVOLVED IN IT.” “ONE OF THE PROGRAMS THAT WE ESTABLISHED…WAS TO WORK AND COOPERATE WITH THE FEDERAL GOVERNMENT. THE FEDERAL GOVERNMENT HAD SET UP WHAT WAS CALLED SPECIAL AREAS ACROSS CANADA THAT THEY FELT NEEDED EXTRA FOCUS, FOR SOCIAL AND ECONOMIC DEVELOPMENT. ALBERTA, BECAUSE IT HAD ECONOMIC GROWTH AT THE TIME, WAS JUST ABOUT LEFT OUT OF THE FORMULA. THE BLOOD RESERVE WAS A BENEFACTOR OF THAT SPECIAL AREAS.” “THE OTHER PROGRAM WAS SOCIAL AND ECONOMIC DEVELOPMENT IN NORTHERN ALBERTA. THERE [WERE] A LOT OF METIS SETTLEMENTS, ABORIGINAL SETTLEMENTS – ALSO SOME NEW HOMESTEAD SETTLEMENTS – THAT NEEDED SPECIAL ATTENTION. WHAT I DID, AS THE CHAIRMAN OF THE HUMAN RESOURCE DEVELOPMENT AUTHORITY, ESTABLISHED COMMUNITY DEVELOPMENT OFFICERS, TO GO INTO THESE DIFFERENT AREAS. ONE OF THESE AREAS THAT HAD A COMMUNITY DEVELOPMENT OFFICER WAS THE COMMUNITY OF SLAVE LAKE…THESE COMMUNITY DEVELOPMENT OFFICERS WERE TO TRY AND FOCUS THIS SOCIAL AND ECONOMIC DEVELOPMENT OF THE WHITE PAPER THAT WE HAD PRESENTED.” “I HAD HEARD THAT THE [FEDERAL] MINISTER, THE HONORABLE MR. MARCHAND, MIGHT BE OPEN TO A LITTLE SPECIAL AREA IN NORTHERN ALBERTA. WE HALF-SUGGESTED TO HIM, VERBALLY, ON THE PHONE, 'WHAT DO YOU THINK ABOUT SLAVE LAKE?' HE THOUGHT IT WAS NOT A BAD IDEA. I SAID TO MY STAFF IN SLAVE LAKE, 'LET’S PUT TOGETHER A PROPOSAL, AND GO TO OTTAWA, AND PRESENT IT TO MR. MARCHAND.' WE PUT THE PROPOSAL TOGETHER, BUT WE ALSO FOUND OUT THAT [MANCHARD’S] DEPUTY MINISTER…WAS ANTI-ALBERTA. HE’D WORKED IN ALBERTA; HE DIDN’T LIKE ALBERTA VERY MUCH, AND HE WASN’T IN FAVOR OF ANY SPECIAL AREA FOR THE NORTHERN PART OF OUR PROVINCE. I THOUGHT WE’VE GOT TO GET AROUND [HIM]…HAVE A MEETING WITH THE MINISTER, WITHOUT THE DEPUTY MINISTER. I ARRANGED FOR THE MEETING AT 9 O’CLOCK IN OTTAWA. I GOT ON THE PLANE AT MIDNIGHT, FLEW DOWN [TO OTTAWA] WITH TWO OF MY STAFF, WALKED OFF THE AIRPLANE, [AND] DRAGGED ME INTO HIS OFFICE. I SAID TO HIM, 'WE’RE HERE. WE WANT TO TALK ABOUT A SPECIAL AREA, ESPECIALLY SLAVE LAKE. WOULD YOU BE INTERESTED?'” “[HE SAID] 'OH, RAY, I WOULD LOVE TO DO THAT.' I SAID, 'IF WE HAD A PROPOSAL, WOULD YOU ACCEPT IT, AND COULD WE MOVE ON IT, AND WOULD YOU BE BEHIND IT?' [MANCHARD SAID] 'RAY, I’D ENDORSE IT RIGHT NOW, IF YOU HAD A PROPOSAL.' I OPENED MY BRIEFCASE, AND PUT IT ON THE TABLE. I SAID, 'HERE’S THE FIRST ONE.' IT WAS FOR $4,000,000, SO THEN WE STARTED COMMUNITY DEVELOPMENT, SOCIAL DEVELOPMENT, ECONOMIC DEVELOPMENT IN THE SLAVE LAKE AREA, WITH THIS $4,000,000 PROJECT. ONE OF THE ITEMS WAS METIS/ABORIGINAL…ASSISTING THEM IN DEVELOPING A BUSINESS CLIMATE TOWARD SELF-SUFFICIENCY.” “WE WERE MOST LIKELY ONE OF THE FIRST PROJECTS THAT WERE IMPLEMENTED IN CANADA. WE HAD THE AUTHORITY TO SPEND THE MONEY AS WE SAW FIT. THERE WAS VERY LITTLE INTERVENTION FROM THE FEDERAL GOVERNMENT. THEY LET US DO WHAT WE WANTED TO DO, SO ONE OF THE RESULTS OF THAT WAS THIS MANUFACTURING OF JACKETS BY ABORIGINAL LADIES.” “THE OTHER PART OF [THIS PROGRAM]…THERE WAS A SPECIAL AREA HERE IN THE SOUTHERN PART OF THE PROVINCE. THE OTHER PROJECT WE PUT TOGETHER WITH JEAN CHRETIEN WAS A PROJECT ON THE BLOOD RESERVE. WE SET UP KAINAI INDUSTRIES. THIS WAS THE BUILDING OF HOMES, AND WE BUILT A WHOLE BUNCH OF HOMES. WE HAD TRUDEAU, THE OLDER FATHER, COME OUT AND CUT THE RIBBON, AND WE BUILT THE FACTORY. THE FEDERAL [GOVERNMENT PUT IN] ONLY ABOUT $100,000 INTO IT, BUT THE FEDERAL GOVERNMENT BUILT THE FACTORY. THEY PUT A SUM OF MONEY IN THE BANK TO OPERATE IT, AND DID ON-SITE TRAINING FOR THE NATIVE PEOPLE TO RUN THE THING. WE HAD THE FOX BROTHERS RUN IT TO BEGIN WITH…THAT WAS ONE OF THE OTHER SPIN-OFFS OF THIS SPECIAL AREA OF CANADA THAT I WAS INVOLVED IN. IT WAS ANOTHER WAY THAT WE FELT WE COULD DO SOCIAL DEVELOPMENT WITH THE ABORIGINAL PEOPLE.” “THERE WAS A MARKET PLACE FOR THE JACKETS. THERE WAS A MARKET PLACE FOR PRE-BUILT HOMES. KAINAI INDUSTRIES SOLD THOUSANDS OF HOMES IN SOUTHERN ALBERTA. THEY WERE GOOD CONSTRUCTION, GOOD QUALITY HOMES.” WHEN ASKED ABOUT THE MOTIVATION FOR DONATING THE COAT, RAYMOND SPEAKER STATED, “WE’RE MAKING A MAJOR MOVE FROM OUR HOMESTEAD FARM…[IT] WAS HOMESTEADED BY MY GRANDFATHER IN 1908…MY FATHER TOOK OVER THE FARM IN 1925, AND I TOOK OVER THE FARM IN 1975. NOW WE’RE MOVING TO LETHBRIDGE...WE’RE TRYING TO DEAL WITH ISSUES AND STORAGE THINGS...THE JACKETS ARE PART OF THAT ACCUMULATION.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION AND LETHBRIDGE HERALD ARTICLES, PLEASE SEE THE PERMANENT FILE P20170027000-GA.
Catalogue Number
P20170027000
Acquisition Date
2017-08
Collection
Museum
Images
Less detail
Other Name
COAT AND BOOTIES
Date Range From
1940
Date Range To
1945
Material Type
Artifact
Materials
WOOL
Catalogue Number
P20010070022
  2 images  
Material Type
Artifact
Other Name
COAT AND BOOTIES
Date Range From
1940
Date Range To
1945
Materials
WOOL
No. Pieces
3
Length
22.7
Width
43.0
Description
1. CLOAK. ABOVE DIMENSIONS. CROCHETED BABY'S SWEATER. OFF WHITE WITH LIGHT BLUE TRIM. BOTTOM EDGE OF COAT HAS A JAGGED EDGE. SLEEVES ARE SORT OF PUFFY AT CUFFS. 2. BOOTIES. 8.5 X 5.3. CROCHETED BABY BOOTIES. OFF WHITE WITH LIGHT BLUE TRIM. TOP OF BOOTIES ARE FOLDED OVER. ONE BOOTEE HAS A BLUE PIECE OF YARN AROUND LEG WITH POM POMS ATTACHED TO THE ENDS. OTHER BOOTEE ALSO A PIECE OF YARN AROUND LEG, BUT POM POMS ARE MISSING. THIS BOOTEE HAS A SMALL ORANGEY STAIN ON ONE SIDE.
Subjects
CLOTHING-OUTERWEAR
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
History
MADE BY DONOR'S MOTHER DAGMAR DOYLE SIMPSON. THE GARMENTS WERE NEVER USED. DONOR SUSPECTS HER MOTHER MADE THE ITEMS IN HOPES OF ONE DAY HAVING A BABY BOY, BUT WAS UNABLE TO DO SO. DAGMAR OLSEN WAS BORN DECEMBER 28, 1914, RAISED ON A FAMILY FARM, AND SCHOOLED IN STAVLEY, ALBERTA. HER PARENTS, HILDA AND JOHN OLSEN, WERE IMMIGRANT PIONEERS FROM NORWAY. HER MOTHER HILDA, GOT DAGMAR HER FIRST JOB AS A TELEPHONE OPERATOR WITH THE STAVELY AGENCY AT THE AGE OF 15 YEARS. AFTER LIVING AT HOME WORKING SEVEN YEARS IN STAVELY, DAGMAR MOVED TO LETHBRIDGE AND WORKED FOR AGT UNTIL SHE MARRIED LAWRENCE DOYLE, ALSO FROM STAVELY AND PRINCE EDWARD ISLAND. DAGMAR AND LAWRENCE HAD ONE DAUGHTER, BARBARA. DAGMAR LATER RETURNED TO AGT AS AN OPERATOR UNTIL HER RETIREMENT AT AGE 60, WHEN SHE MARRIED CLARE SIMPSON. CLARE AND DAGMAR LIVED IN LETHBRIDGE, SOCIALIZED, AND TRAVELED EXTENSIVELY UNTIL HIS DEATH IN 1985. DAGMAR OLSEN DOYLE SIMPSON DIED MARCH 14, 2001. SHE WAS RUMORED TO BE ONE OF THE MOST BEAUTIFUL WOMEN IN LETHBRIDGE. DONOR, BARBARA DOYLE, WAS BORN AND SCHOOLED IN LETHBRIDGE. SHE TRAINED AT ST. MICHAEL'S HOSPITAL AS A LABORATORY TECHNOLOGIST; GRADUATED 1962. SHE WORKED IN THE LAB AT ST. MICHAEL'S FOR 5 YEARS; MARRIED AND HAD 2 SONS. GRADUATED FROM THE UNIVERSITY OF CALGARY WITH A BACHELOR OF ARTS, THEN A MASTERS OF ARTS IN ENGLISH, IN 1987. SHE TAUGHT AT UNIVERSITYS OF CALGARY AND LETHBRIDGE, THEN MOVED TO MONTREAL FROM 1990-1996. SHE RETURNED TO LETHBRIDGE TO RETIRE. *UPDATE* IN 2016 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING CLOTHING ITEMS DONATED BY BARBARA DOYLE. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. DAGMAR CHRISTINA SIMPSON (NEE OLSEN) PASSED AWAY ON MARCH 14, 2001 AT THE AGE OF 88. SHE MARRIED LAWRENCE PATRICK (LARRY) DOYLE ON DECEMBER 4, 1940. LAWRENCE WAS BORN IN PEI IN 1910. HE MOVED TO VULCAN IN 1920, STAVELY IN 1924, AND TO LETHBRIDGE IN 1937. HE PASSED AWAY AT THE AGE OF 58 ON MARCH 28, 1969. LAWRENCE WAS THE SON OF GEORGE FRANKLIN AND MINNIE MAGDALEN DOYLE. DAGMAR WAS REMARRIED ON MARCH 29, 1975 TO CLARE C. SIMPSON. CLARE WAS BORN AND RAISED IN BELLEVILE, ON AND MOVED TO LETHBRIDGE IN 1930 TO WORK FOR AGT. HE ENLISTED IN 1939 AND WAS A POW FOR 3.5 YEARS FOLLOWING DIEPPE. HE PASSED AWAY AT THE AGE OF 75 ON FEBRUARY 18, 1983. THE DONOR, BARBARA DOYLE, IS THE DAUGHTER OF DAGMAR AND LAWRENCE. IN 1969, BARBARA WAS MARRIED TO PAUL TURNER AND IN 1983, SHE WAS THE WIFE OF MR. B.F. MCFADDEN. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD. *UPDATE* IN 2018 COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED A SURVEY OF THE COLLECTION, INCLUDING A NUMBER OF ARTIFACTS DONATED BY BARBARA DOYLE. ON SEPTEMBER 7, 2018, PUNDYK SAT DOWN WITH DOYLE FOR AN INTERVIEW REGARDING THAT DONATION. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: DOYLE EXPLAINED THAT HER MOTHER DAGMAR OLSEN – THE ORIGINAL OWNER OF THE ARTIFACTS – WAS BORN IN STAVLEY AND WAS THE THIRD OF FOUR SISTERS. GROWING UP IN A HOUSE OF DAUGHTERS PLAYED A SIGNIFICANT ROLE IN OLSEN’S LIFE. DOYLE DESCRIBED THE SISTERS BY SAYING, “BESSIE WAS THE OLDEST, AND NORAH WAS THE SECOND OLDEST, AND THEN MY MOTHER, AND THEN VICKI. AUNT VICKI WENT BIG [BY MOVING] TO TORONTO. SHE WANTED TO GET OUT OF TOWN. SHE WAS BORED. SHE WAS BORN IN STAVELY AND THERE WAS NO WAY SHE WAS GOING TO STAY THERE. SHE WAS THE YOUNGEST, SO SHE GOT THINGS THAT THE OTHERS DIDN’T GET IN THEIR LIFE. NORAH TOOK TO CALGARY. SHE WENT UP THERE AND SHE WORKED FOR A WHILE AT PACKING COOKIES OR SOMETHING LIKE THAT. BESSIE WAS [WORKING] WITH MRS. JOURNEK AND THEN IN CALGARY THAT WAY TOO.” MOVING ON TO DESCRIBE HER MOTHER, DOYLE ILLUMINATED, “SHE WORKED [AS A TELEPHONE OPERATOR] FROM WHEN SHE WAS 15 IN STAVELY FOR ABOUT 7 YEARS. SHE WAS THERE FOR THE FIRST TELEPHONES COMING IN. THEN SHE MOVED TO LETHBRIDGE. SHE KNEW MY DAD FROM STAVELY, AND THEN HE MOVED TO LETHBRIDGE AS WELL AND THEY LIVED SEPARATELY IN A BOARDING HOUSE UNTIL THEY GOT MARRIED…SHE HAD BREAKS [IN BETWEEN WHEN SHE FIRST STARTED WORKING AND HER RETIREMENT] WHEN SHE COULDN’T WORK BECAUSE OF THE WAR. [ADDITIONALLY,] I WAS BORN IN ’42, AND ONCE YOU HAD A CHILD, YOU COULDN’T GO TO WORK. EVEN WHEN THE WAR WAS OVER, THE WOMEN COULD NOT GO TO WORK BECAUSE THEY WERE MAKING WAY FOR THE PEOPLE COMING BACK FROM THE WAR FOR THE JOBS. THAT WAS REALLY HARD ON MY MOTHER. SHE WAS SO INDEPENDENT AND TO NOT BE ABLE TO HAVE HER OWN MONEY AND EVERYTHING [WAS DIFFICULT].” “[MY MOTHER] KNITTED [THIS BABY SWEATER] BEFORE [LEAVING WORK TO HAVE CHILDREN]. I DON’T KNOW AT THAT TIME IF IT WAS BLUE FOR BOYS STRICTLY, AND GIRLS FOR PINK. AND I DON’T KNOW WHETHER I EVER WORE IT. [THIS IS FROM] MY MOTHER’S HANDIWORK AND SHE WASN’T ONE THAT CROCHETED VERY MUCH. WHEN SHE WAS WORKING [SHE WOULDN’T HAD A LOT OF EXTRA TIME]. AND I GUESS AT THAT TIME AFTER SHE HAD ME, SHE WASN’T WORKING, BUT OUR OLD WASHERS THAT HAD THE RINGERS AND STUFF LIKE THAT [WERE TIME-CONSUMING]. SHE HAD TO WORK HARDER AROUND THE HOUSE AND EVERYTHING TOO,” DOYLE EXPLAINED. “I WAS BORN IN LETHBRIDGE,” DOYLE CONTINUED, “[I LEFT MY PARENTS’ HOUSE] WHEN I WAS 18 BECAUSE I WAS IN RESIDENCE WHEN I WAS DOING MY LABORATORY STUFF. I WAS A LAB TECHNICIAN FIRST. AFTER I GOT MARRIED IN ’64, WE LIVED FIVE YEARS HERE BEFORE WE STARTED MOVING AROUND. IT WAS ’71 [WHEN] WE LEFT AND WENT TO SASKATCHEWAN, REGINA.” “[I RECEIVED THESE ITEMS FROM MY MOTHER] AFTER SHE PASSED AWAY. [THEY WERE] IN THE HOUSE,” DOYLE STATED, "ALL OF THIS STUFF WAS IN THE HOUSE ON THE SOUTH SIDE. I FEEL LIKE MY MOTHER IS STILL IN THE HOUSE. I HAD REALLY GOOD PARENTS. WE WEREN’T POOR, BUT WE WEREN’T RICH EITHER, YOU KNOW. WE WERE JUST COMFORTABLE, BUT THEY WORKED VERY HARD FOR IT. THEY BOTH WORKED VERY HARD.” PLEASE SEE PERMANENT FILE P20010070001 FOR MORE INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPT.
Catalogue Number
P20010070022
Acquisition Date
2001-12
Collection
Museum
Images
Less detail
Other Name
CANADIAN PACIFIC RAILWAY "BACEDA"
Material Type
Artifact
Materials
COTTON, BRASS
Catalogue Number
P20110026000
  1 image  
Material Type
Artifact
Other Name
CANADIAN PACIFIC RAILWAY "BACEDA"
Date
1955
Materials
COTTON, BRASS
No. Pieces
1
Height
90
Length
56
Width
18.2
Description
SUIT JACKET, NAVY BLUE, DOUBLE BREASTED WITH EIGHT BRASS BUTTONS. EACH BOTTOM HAS EMBOSSED, “CANADIAN PACIFIC” WITH BEAVER MOTIF IN CENTER. EACH CUFF HAS TWO SMALL BRASS BUTTONS WITH SAME DECORATION. WIDE PEAKED LAPELS WITH ONE BUTTON HOLE ON EACH SIDE. POCKETS AT FRONT ON LEFT AND RIGHT WITH SQUARE CUT FLAPS. FRONT LEFT BREAST POCKET WITHOUT FLAP. PADDED SHOULDERS. INSIDE HAS BLACK POLYESTER LINING WITH SEAM AT BOTTOM DETACHED IN PLACES. RIGHT AND LEFT BREAST POCKETS. INSIDE RIGHT BREAST POCKET IS TAG THAT READS, “GORDON CAMPBELL LTD., VANCOUVER, CANADA, MR. B. BACEDA., DATE NOV/55, NO.3059-G 9955.” SPARE BLACK BUTTON UNDER LEFT BREAST POCKET. SLEEVES LINED WITH WHITE, BLUE AND GREY STRIPED COTTON. FABRIC LOOP AT INSIDE BACK COLLAR.
Subjects
CLOTHING-OUTERWEAR
PERSONAL SYMBOL
Historical Association
TRANSPORTATION
INDUSTRY
BUSINESS
History
ACCORDING TO INFORMATION PROVIDED BY DONOR DOUG HEGLAND AT THE TIME OF DONATION, THE JACKET WAS ACQUIRED IN 1983 FROM A LOCKER AT THE "OLD STATION" IN LETHBRIDGE WHEN STAFF MOVED TO A NEW TRAIN STATION AT KIPP YARD. THE DONOR FOUND THE JACKET AS A RESULT OF WANTING SOME OF THE STATION’S OLD LOCKERS. DONOR STARTED A CAREER WITH THE CPR IN 1978. ACCORDING TO INFORMATION SOLICITED FROM BRUNO BACEDA’S SON LONNIE IN FEBRUARY 2012, “BRUNO BACEDA LIVED IN THE LETHBRIDGE AREA HIS WHOLE LIFE. HE WAS A BAGGAGE MASTER WITH THE CANADIAN PACIFIC RAILWAY IN 1959 AND WORKED FOR A WHILE AS CONDUCTOR.” ACCORDING TO HIS OBITUARY IN THE LETHBRIDGE HERALD, “BRUNO JOHN BACEDA PASSED AWAY IN LETHBRIDGE ON DECEMBER 13, 2004 AT THE AGE OF 76. BACEDA WAS BORN IN COALHURST ON NOVEMBER 7, 1928 WHERE HE ATTENDED SCHOOL AND BEGAN HIS 38 YEAR CAREER WITH THE CPR.” FOR MORE INFORMATION, PLEASE SEE PERMANENT FILE.
Catalogue Number
P20110026000
Acquisition Date
2011-07
Collection
Museum
Images
Less detail

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