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2 records – page 1 of 1.

Marion Biggs fonds

https://collections.galtmuseum.com/en/permalink/descriptions83289
Date Range
1985-1988
Description Level
Fonds
Accession No.
20131046
Physical Description
25 cm of textual records; over 500 photographs
Scope and Content
The fonds includes the following records: - Marion Biggs' education certificates and diplomas - records related to the Secretarial College - lists of students, articles, promotional brochures and a letter detailing the experience of opening the school in September 1939 - Sketch book of pencil drawi…
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Date Range
1985-1988
Description Level
Fonds
Creator
Marion Biggs
Physical Description
25 cm of textual records; over 500 photographs
History / Biographical
Marion Phyllis Biggs (1909-2013) grew up on a Beynon Ranch near Drumheller (Rosebud area). She graduated from the Drumheller Business College in 1936 and in 1939 moved to Lethbridge to found the Lethbridge Secretarial College. She run the business until she retired. In her later years she dedicated most of her time to painting and was an active member of the Lethbridge Sketch Club. She was also involved with the Lethbridge Symphony as a musician. The Lethbridge Secretarial College was founded by Marion Biggs in 1939 as a member of Business Educators' Association of Canada. The institution offered Secretarial, Stenography, Cleritype, Typewriting, Bookkeeping, and Machine Calculation. For several decades, Marion Biggs operated the business and served as Principal. Marion Biggs's study of drawing and painting began with a correspondence course from the Art Instructions Schools in Minneapolis in 1969. In 1970 and 1973, she attended short summer sessions at the Banff School of Fine Art. Since 1968, Marion Biggs was a member of the Lethbridge Sketch Club. Her works were exhibited in local galleries and in Frame/Craft Gallery in Edmonton. In 1978, one of her paintings was chosen to tour Canada with the Canada Nature Art Exhibition; another in 1986 by the Alberta Art Foundation. Many of Marion Biggs paintings are found in private collections throughout Canada. Marion Biggs worked mainly in landscape genre using acrylics and colored pencils.
Custodial History
The materials were donated by Sue Wilkie in 2013 after Marion Biggs passed away
Scope and Content
The fonds includes the following records: - Marion Biggs' education certificates and diplomas - records related to the Secretarial College - lists of students, articles, promotional brochures and a letter detailing the experience of opening the school in September 1939 - Sketch book of pencil drawings - Inventory of paintings sold - over 500 photographs reflecting Marion Biggs's private life, travel, and artwork - Christmas postcard mailing list (1952-1988) - Cowling system violin playing lessons - Personal correspondence, ID cards, articles by M. Biggs, records concerning ownership of Beynon Ranch (Springfield Ranch) and plans to convert into a Historic Site
Accession No.
20131046
Collection
Archive
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Annora Brown fonds

https://collections.galtmuseum.com/en/permalink/descriptions90156
Date Range
1947-1987
Description Level
Fonds
Accession No.
20171094
Physical Description
0.3 m of textual records, over 500 photographs, 1 sketch
Scope and Content
The materials were preserved and enhanced through research by Joyce Sasse 001: 1963 Day planner 002: 1964 Day planner 003: 1965 Day planner 004: Book- Proud Procession (1947) 005: Book- Young Explorers (1947) 006: Book- Totem Tipi and Tumpline (1955) 007: Book- No Man Stands Alone (1965) 008: Book…
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Date Range
1947-1987
Description Level
Fonds
Creator
Annora Brown
Physical Description
0.3 m of textual records, over 500 photographs, 1 sketch
History / Biographical
Annora Brown was born outside of Red Deer in 1899 and died at the age of 88 in Deep Cove, British Columbia in 1987 where she retired. Brown is one of the Alberta’s foremost early artists. Based for much of her life in historic Fort Macleod, Brown played a major role in creating a ‘picture’ of Southern Alberta: its wild landscape, First Nations, pioneer rural communities, local history- above all its wondrous nature symbolized by the wildflower. Her work was able to capture the culture of the First nation communities that she lived near. Her father was Edmund Foster Brown and mother was Elizabeth Ethel (Cody) Brown. Her mother supported and encouraged Brown’s love for art and from 1925-1929 Brown attended the Ontario College of Art in Toronto. She returned in 1929 and developed and art program for Calgary’s Mounted Royal College but later had to leave due to her mother’s illness. A student of the celebrated landscape painters, known as the Group of Seven (1920-1933), Brown’s artistic practice spans the 1930s to mid-1980s. During that time, she cobbled together a living as an artist, often by teaching, illustrating books and magazines, and selling, whenever she could, her captivating paintings in watercolor, tempera oil and later serigraph prints. In 1945-1950, brown worked as a respected artist and teacher at the Banff School of Fine Arts. She was also commissioned to paint over 200 western wild flowers for the Glenbow Foundation. Brown’s work was also included in Crescent Heights High School in Calgary, University of Alberta in Edmonton, United College in Winnipeg, and the Canadian Handicrafts Guild in Montreal. She was also awarded a prize in the Alberta Government’s 1955 Jubilee Contest for Alberta painters. In 1965 Brown retired to Deep Cove British Columbia to paint and garden. She had given a “voice” to a region that had been rarely presented in Canadian art. Her attention to the unique aspects of Old Man’s Country like Niitsitapi, the character and isolation of its small rural communities as well as its unforgettable environment was expressed mainly through her focus on wildflowers and native plants. Buoyed by the conviction that a woman’s activities “need not be limited to polishing furniture and raising babies”, Brown was also a writer and author of two books: the Western Canadian classic Old Man’s Garden and her autobiographical Sketches from Life. She was the first woman to receive an honorary degree from the University of Lethbridge in 1971 for her contribution to “western art and living.” (written by Mary-Beth Laviolette; Summer 2016 Gallery Exhibit at Galt Museum)
Scope and Content
The materials were preserved and enhanced through research by Joyce Sasse 001: 1963 Day planner 002: 1964 Day planner 003: 1965 Day planner 004: Book- Proud Procession (1947) 005: Book- Young Explorers (1947) 006: Book- Totem Tipi and Tumpline (1955) 007: Book- No Man Stands Alone (1965) 008: Book- Canaries on the Clothesline (1974) 009: Sketch of Annora Brown oversized 010: 26 Photos of the Rockies 011: 2 Photos, Editorial, Crighton photocopy with description 012: 8 Photos of her house and her graduation 013: 17 Photos of the cabin, 5 prints, letters about her house in Fort Macleod, and letters from the Town of Fort Macleod 014: Research notes of Annora Brown by Joyce Sasse 015: 215 Photos building the cabin 016: 250 Photos of her art, excerpt of Sketches from Life, and later years; 3 Newspaper cutouts Language: English
Access Restrictions
Public
Accession No.
20171094
Collection
Archive
Less detail