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38 records – page 1 of 4.

Other Name
PLAINS INDIGENOUS, SET OF 2
Date Range From
1800
Date Range To
1900
Material Type
Artifact
Materials
WILLOW STICKS, COTTON FLANNEL, BEADWORK, PAINT
Catalogue Number
P19738058000
  2 images  
Material Type
Artifact
Other Name
PLAINS INDIGENOUS, SET OF 2
Date Range From
1800
Date Range To
1900
Materials
WILLOW STICKS, COTTON FLANNEL, BEADWORK, PAINT
No. Pieces
2
Description
.1 28 CM WTH. (TOP) 87.7 CM (BASE) X 127 CM LTH. TRIANGULAR BACK REST CONSTRUCTED OF WILLOW STICKS LASHED WITH SINEW. BACKREST IS EDGED WITH SEWN COTTON STRIPS AND GREEN FLANNEL TAPE DOWN SIDE. HEAD PIECE IS CONSTRUCTED OF BLACK FLANNEL EDGED WITH RED FLANNEL, INSET WITH RED FLANNEL GEOMETRIC DESIGNS ARE OUTLINED IN BROWN AND WHITE BEADS. PICTOGRAPH STORY OUTLINING A BATTLE IS PAINTED IN BLACK ON THE BACK REST SURFACE. .2 25.4 CM WTH. (TOP) 83.8 CM (BASE) X 130.8 CM LTH. TRIANGULAR BACK REST CONSTRUCTED OF WILLOW STICKS LASHED WITH SINEW. BACKREST IS EDGED WITH SEWN COTTON STRIPS AND GREEN FLANNEL TAPE DOWN SIDES. HEAD PIECE IS MADE OF RED FLANNEL EDGED WITH BLACK COTTON AND WHITE BEADS GEOMETRIC DESIGN BROWN EDGED WITH BLUE & BLUE EDGED WITH BROWN PICTOGRAPH STORY OUTLINING A BATTLE AND RAID IS PAINTED IN BLACK PAINT ON THE BACKREST SURFACE. CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
FURNITURE
Historical Association
ETHNOGRAPHIC
History
PLAINS INDIGENOUS.
Catalogue Number
P19738058000
Acquisition Date
1973-07
Collection
Museum
Images
Less detail
Other Name
PARFLECHE
Date Range From
1860
Date Range To
1900
Material Type
Artifact
Materials
RAWHIDE
Catalogue Number
P19641151000
Material Type
Artifact
Other Name
PARFLECHE
Date Range From
1860
Date Range To
1900
Materials
RAWHIDE
No. Pieces
1
Length
55.3
Width
33.0
Description
PAINTED GEOMETRIC DESIGNS, BLUE, YELLOW, GREEN, RED. BRITTLE RAWHIDE. SEE CONSERVATION REPORT
Subjects
INDIGENOUS
CONTAINER
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIGENOUS, PROBABLY OF BLACKFOOT ORIGIN. USED FOR STORAGE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641151000
Acquisition Date
1964-07
Collection
Museum
Less detail
Other Name
PARFLECHE
Date Range From
1860
Date Range To
1900
Material Type
Artifact
Materials
RAWHIDE
Catalogue Number
P19641150000
Material Type
Artifact
Other Name
PARFLECHE
Date Range From
1860
Date Range To
1900
Materials
RAWHIDE
No. Pieces
1
Length
55.9
Width
35.6
Description
PAINTED GEOMETRIC DESIGNS - RED, YELLOW, GREEN, BLACK. TORN ON BOTTOM & 3 TEARS ON FLAP. BRITTLE. SEE CONSERVATION REPORT.
Subjects
INDIGENOUS
CONTAINER
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS ATTRIBUTED TO BLACKFOOT. PARFLECHES ARE MADE FROM RAWHIDE, WHICH IS SOAKED IN WATER TO REMOVE HAIR. USED FOR STORAGE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641150000
Acquisition Date
1964-07
Collection
Museum
Less detail
Date Range From
1800
Date Range To
1850
Material Type
Artifact
Materials
BUCKSKIN, BEADS, QUILL
Catalogue Number
P19738050000
  1 image  
Material Type
Artifact
Date Range From
1800
Date Range To
1850
Materials
BUCKSKIN, BEADS, QUILL
No. Pieces
1
Length
90.2
Width
19.1
Description
PINK, PURPLE, WHITE DYED PORCUPINE QUILL WORK (QUILLS FLATTENED & WRAPPED AROUND BUCKSKIN FRINGE. GLASS BEADS: RED, YELLOW, BLUE, GREEN, BROWN & WHITE ALL GEOMETRIC DESIGNS. SOME BEADS & QUILLWORK IS MISSING. SEE CONSERVATION REPORT.
Subjects
INDIGENOUS
PERSONAL GEAR
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIGENOUS CULTURE. USED TO STORE PIPES. 22 OCTOBER 2021 UPDATE: THE LABEL TEXT QUOTED BELOW WAS DEVELOPED WITH KAINAI ELDERS FOR A SUB-THEME WITHIN THE EXHIBIT ‘MADE IN’, TITLED ‘NIITSITAPISSKSAHKOYI’ AND INSTALLED WITHIN THE GALT IN 2021. ELDERS WHO PROVIDED MUSEUM CURATOR AIMEE BENOIT WITH DIRECTION ON SUBTHEME’S CONTENT INCLUDED: AAGOHH GISS STSISTIIGIIAAKII (MANY OFFERINGS WOMAN, GRETA MANY BEARS), GUUYII STAA BAAMUUGHKAA (WALKING ON TOP, RAYMOND MANY BEARS), NIINAA PIIKSII (CHIEF BIRD, MIKE BRUISED HEAD), MO’TOKAANII’PO (WALKING WITH A SCALP, HARRISON RED CROW) AND MIINIIPOKA (SACRED BERRY CHILD, PETER WEASEL MOCCASIN). THE GALT APPRECIATED THE GENEROSITY OF THE ELDERS WHO SHARED THEIR KNOWLEDGE FOR THIS EXHIBIT PROJECT. “SOYAAHKOINNIMAAN (PIPE BAG): THIS PIPE BAG IS DECORATED USING BOTH BEADS AND PORCUPINE QUILLS. ‘WHEN MY DAD WAS STILL ALIVE, HE MADE TWO FORKED STICKS AND HE HAD A BLANKET. AND IF WE EVER SAW A PORCUPINE IN THE MIDDLE OF THE ROAD, WE STOPPED. AND THEN MY BROTHER OR MY NEPHEW WOULD PUT ONE STICK ON THE PORCUPINE’S HEAD AND ONE ON THE BACK. MY DAD WOULD THROW THE BLANKET OVER THE PORCUPINE AND THEN ALL THE QUILLS WOULD GO INTO THE BLANKET. THE HAIR WAS ALSO USED TO MAKE ROACHES. THE ANIMAL WAS SET FREE AGAIN AFTER THAT.’ – AAGOHH GISS STSISTIIGIIAAKII ‘THE MOUNTAIN DESIGN, THE DIAMOND DESIGN, THESE ARE TYPICAL BLACKFOOT ORIGIN, BUT THIS PIECE MAY HAVE BEEN A GIFT FROM DIFFERENT TRIBES. QUILLWORK WAS USED AMONG ALL TRIBES; ALL TRIBES DID USE THIS TECHNIQUE, BUT THE PATTERN LOOKS MORE CHEYENNE. THIS WAS PIECED FROM SOMETHING ELSE; YOU CAN TELL THERE WAS A POCKET. EVERYTHING WAS PRETTY MUCH ALWAYS RECYCLED.’ – MO’TOKAANII’PO”
Catalogue Number
P19738050000
Acquisition Date
1973-07
Collection
Museum
Images
Less detail
Other Name
BONE & SHELL (SET)
Date Range From
1800
Date Range To
1900
Material Type
Artifact
Materials
GLASS BEADS, SHELLS, BONE, BUCKSKIN
Catalogue Number
P19738052000
  1 image  
Material Type
Artifact
Other Name
BONE & SHELL (SET)
Date Range From
1800
Date Range To
1900
Materials
GLASS BEADS, SHELLS, BONE, BUCKSKIN
No. Pieces
2
Diameter
20.3
Description
MADE OF WHITE GLASS BEADS (CYLINDRICAL TYPE), FLAT BONE BEADS, COWERY SHELLS STRUNG ON BUCKSKIN. CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
ADORNMENT
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS CULTURE. SHELLS PROBABLY TRADED FROM WEST COAST. TRADE NETWORKS FROM THE COAST TO THE INTERIOR ALREADY WELL ESTABLISHED BY TIME OF WHITE CONTACT. DENTALIUM & COWRY SHELLS WERE HIGHLY PRIZED TRADE ITEMS & WERE CONSIDERED BY SOME RESEARCHERS TO HAVE BEEN A FORM OF CURRENCY.
Catalogue Number
P19738052000
Acquisition Date
1973-07
Collection
Museum
Images
Less detail
Date Range From
1850
Date Range To
1900
Material Type
Artifact
Materials
HORSE HAIRS, BUCKSKIN, CANCELLOUS BONE
Catalogue Number
P19641165000
  1 image  
Material Type
Artifact
Date Range From
1850
Date Range To
1900
Materials
HORSE HAIRS, BUCKSKIN, CANCELLOUS BONE
No. Pieces
4
Description
.1 PAINT BRUSH. 3 CM LTH X 18.1 CM DIA.. HORSE HAIR BRITTLE ENCASED IN BUCKSKIN. .2 PAINT BRUSH. 1.3 CM HT. X 3.8 CM WTH. X 5.1 CM LTH. CANCELLOUS BONE WEDGE ENCASED IN BUCKSKIN. YELLOW PAINT ADHERING TO BONE .3 PAINT BRUSH. 1.9 CM HT. X 3.5 CM WTH. X 8.2 CM LTH. GREEN PAINT. .4 PAINT BRUSH. 1.9 CM HT. X 3.8 CM WTH. X 8.9 CM LTH. .RED PAINT ADHERING TO BONE. CANCELLOUS BONE WEDGE ENCASED IN BUCKSKIN.CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
Historical Association
DECORATIVE ARTS
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIGENOUS. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641165000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Other Name
INDIGENOUS RIFLE CASE
Date Range From
1850
Date Range To
1900
Material Type
Artifact
Materials
BUCKSKIN, FLANNEL, BEADWORK
Catalogue Number
P19738051000
  1 image  
Material Type
Artifact
Other Name
INDIGENOUS RIFLE CASE
Date Range From
1850
Date Range To
1900
Materials
BUCKSKIN, FLANNEL, BEADWORK
No. Pieces
1
Length
73.6
Width
15.2
Description
TRIMMED WITH RED FLANNEL. GEOMETRIC BEADWORK DESIGNS IN RED, GREEN, YELLOW, BLACK, BLUE AT TOP & TOE OF CASE. CASE EMBRITTLED. CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
ARMAMENT-ACCESSORY
Historical Association
ETHNOGRAPHIC
History
DONOR ROBERT “BOB” GARDNER OF SALMON ARM, BC INFORMED MUSEUM TECHNICIAN KEVIN MACLEAN OF A FEW RIFLE CASE-RELATED MEMORIES BY PHONE ON 22 JUNE 2011. AT THE TIME OF THE CALL, MR. GARDNER WAS 84 YEARS OLD. MR. GARDNER CLAIMED THE RIFLE CASE WAS A GIFT FROM FAMILY FRIEND MS. JESSIE CONN. CONN WAS GARDNER’S MIDDLE-SCHOOL LCI TYPING TEACHER IN GRADES 9 & 10 (1937). HIS BEST GUESS WAS THAT THE CASE WAS RECEIVED FROM HER IN THE LATE 40S. WHEN ASKED HOW CONN CAME TO POSSESS THE CASE, GARDNER’S REPLY WAS TO SUPPOSE IT WAS FROM A “PIONEER”. AS HIS FAMILY’S FRIEND, CONN WAS AWARE OF HIS OWNERSHIP OF A .22 RIFLE AND GAVE IT TO HIM IN ORDER TO COVER IT. GARDNER NOTED, HOWEVER, THAT THE COVER “NEVER FIT PROPERLY” ON ACCOUNT THAT “THE REAR SIGHT WAS TOO HIGH”. REAL AND POTENTIAL DAMAGE POSED TO THE CASE, THEREFORE, MOVED GARDNER TO DONATE IT TO THE GALT MUSEUM. THE RIFLE WAS GIVEN IN RECENT DECADES (EARLY 90S) TO HIS DAUGHTER DAWN. PLEASE SEE PERMANENT FILE P19651425000 FOR MORE INFORMATION ON JESSIE CONN.
Catalogue Number
P19738051000
Acquisition Date
1970-02
Collection
Museum
Images
Less detail
Date Range From
1850
Date Range To
1900
Material Type
Artifact
Materials
WOOD, STONE, BUCKSKIN
Catalogue Number
P19738049000
Material Type
Artifact
Date Range From
1850
Date Range To
1900
Materials
WOOD, STONE, BUCKSKIN
No. Pieces
1
Length
43.2
Width
6.9
Description
WOODEN HANDLE, ROUND STONE HEAD, BUCKSKIN. HAWK FEATHER. FEATHER DECORATION ON HEAD. IDENTIFIED AS WAR CLUB.CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
ARMAMENT-BLUDGEON
Historical Association
ARCHAEOLOGY
History
PLAINS INDIGENOUS CULTURE.
Catalogue Number
P19738049000
Acquisition Date
1973-07
Collection
Museum
Less detail
Date Range From
1000
Date Range To
1750
Material Type
Artifact
Materials
CHERT?
Catalogue Number
P19860130000
  1 image  
Material Type
Artifact
Date Range From
1000
Date Range To
1750
Materials
CHERT?
No. Pieces
1
Height
15.0
Length
11.3
Diameter
26.1
Description
BROWN. FLAKED ON 2/3 OF EDGE. SOME INCISING HOLLOW CENTRAL PORTION WITH BEVELLED EDGE MAY HAVE BEEN WORKED. POSSIBLE USE AS A FIRE DRILL STONE? CENTRAL PORTION COULD ALSO BE THE RESULT OF EROSION.
Subjects
INDIGENOUS
Historical Association
ARCHAEOLOGY
History
FOUND ON A FARM (SURFACE COLLECTION 1955) N.E. 11-8-9 W OF 3RD M. PROBABLY NORTHERN PLAINS CULTURE ORIGIN, LATE PREHISTORIC PERIOD.
Catalogue Number
P19860130000
Acquisition Date
1986-08
Collection
Museum
Images
Less detail
Other Name
FOUR MAN DRUM
Date Range From
1875
Date Range To
1900
Material Type
Artifact
Materials
LEATHER, WOOD, METAL
Catalogue Number
P19790234000
  1 image  
Material Type
Artifact
Other Name
FOUR MAN DRUM
Date Range From
1875
Date Range To
1900
Materials
LEATHER, WOOD, METAL
No. Pieces
1
Height
22.2
Diameter
45.7
Description
OCTAGONAL STYLE. FRAME CONSTRUCTED WITH BOARDS FROM A PRODUCE PACKING CRATE, AND DECORATED WITH NAILED ON TIN CAN LIDS E.G. "BRUNSWICK" SARDINE TIN LIDS, ETC. AROUND THE EIGHT FRAME SIDES. DRUMHEAD OF BUFFALO RAWHIDE COVERING BOTH ENDS OF THE DRUM FRAME, LACED AROUND THE SIDES WITH RAWHIDE LACING. FOUR RAWHIDE HANDLES TIED (AS LOOPS) AROUND THE PERIMETER OF THE DRUM. ONE HANDLE IS MISSING. DRUMHEAD STAINED WITH RED OCHRE.
Subjects
MUSICAL T&E
INDIGENOUS
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIGENOUS. PURCHASED OR RECEIVED AS A GIFT BY DONOR. DRUM WAS HELD & BEATEN BY 4 DRUMMER/SINGERS AT RELIGIOUS OR SOCIAL EVENTS. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF MUSICAL INSTRUMENTS. THE FOLLOWING INFORMATION ABOUT THE DONOR, DOROTHY BLADES, AND HER FAMILY'S RANCH, THE ROCKING P, WAS FOUND IN LETHBRIDGE HERALD ARTICLES FROM 1931 AND 1953, THE BOOK 'COWBOYS, RANCHERS AND THE CATTLE BUSINESS: CROSS-BORDER PERSPECTIVES ON RANCHING HISTORY' BY SIMON M. EVANS, AN ARTICLE PUBLISHED ON AMERICASHORSEDAILY.COM, AND THE GLENBOW ARCHIVES. RODERICK RIDDLE MACLEAY WAS BORN IN 1878 IN DANVILLE, QUEBEC. IN 1898 HE CAME TO ALBERTA AND BEGAN RANCING A SMALL HERD OF CATTLE ON LAND WEST OF HIGH RIVER. IN 1904, MACLEAY PURCHASED THE 40,000 ACRE BROOKS RANCH, AND THE FOLLOWING YEAR MARRIED LAURA STURTEVANT. THEY HAD TWO DAUGHTERS, DOROTHY AND MAXINE. DURING THE SEVERE WINTER OF 1906/07, MACLEAY LOST 90% OF HIS HERD , AND A FLAGGING CATTLE MARKET DEVASTATED HIS PROFITS. ONLY TWO YEARS LATER HOWEVER, MACLEAY ENTERED INTO A PARTNERSHIP WITH ROCKING P RANCH OWNER GEORGE EMERSON, AND IN 1914 MACLEAY BOUGHT OUT EMERSON WITH THE AGREEMENT TO MAINTAIN THE ROCKING P BRAND. OVER THE NEXT FIVE YEARS MACLEAY EXAPANDED Y ACQUIRING THE ADJACENT WILLOW CREEK, BAR S, AND LIVINGSTONE RANCHES. IN THE 1930S, MACLEAY HIRED ERNEST BLADES AS A COWBOY, AND BLADES MARRIED DOROTHY MACLEAY IN 1940. ROD MACLEAY DIED IN OCTOBER 1953, AND HIS LAND WAS LEFT TO HIS DAUGHTERS. DOROTHY AND ERNEST BLADES ASSUMED OPERATION OF THE ROCKING P, MANAGING IT ALONG WITH THEIR OWN RANCH, THE 3VS. THEIR SON, MAC BLADES, BEGAN WORKING FULL TIME ON THE RANCHES IN 1965 WHEN HE FINISHED HIGH SCHOOL, AND BY 1973 WAS RANCH MANAGER. IN 1996 THE PROPERTY WAS DIVIDED AMONG DOROTHY AND ERNEST'S FIVE CHILDREN, AND AT THE TIME OF THIS SURVEY, MAC BLADES OWNS AND OPERATES THE ROCKING P RANCH. OF PARTICULAR NOTE TO THE FIRST NATIONS ARTIFACTS DONATED BY DOROTHY BLADES TO THE GALT MUSEUM IS THIS SHORT EXCERPT FROM ROD MACLEAY'S LETHBRIDGE HERALD OBITUARY FROM OCTOBER 30, 1953: "[AN] INTEREST WHICH ENGROSSED [MACLEAY] WAS THE CAUSE OF THE STONEY INDIANS LIVING A NOMADIC LIFE AWAY FROM THE MORLEY RESERVATION. HE HAD MUCH TO DO WITH IMPRESSING SUCCESSFULLY ON THE GOVERNMENT THE NEED FOR A SUB-RESERVE." THE FOLLOWING INFORMATION ABOUT THE NAKODA (FORMERLY CALLED STONEY) FIRST NATION AND THE EDEN VALLEY RESERVE WAS SOURCED FROM ROCKYMOUNTAINNAKODA.COM. THE NAKODA "MOUNTAIN PEOPLE" HISTORICALLY TRAVERSED THE ROCKY MOUNTAINS AND FOOTHILLS IN SMALL, NOMADIC GROUPS, WITH EACH GROUP BEING LED BY A HEAD CHIEF. IN 1877 AT THE SIGNING OF TREATY 7, THE NAKODA WERE REPRESENTED BY THREE HEAD CHIEFS, WHO WERE ASSURED THAT THE NAKODA WOULD RETAIN THREE LARGE TRACTS OF TRADITIONAL HOMELAND, ONE FOR EACH NOMADIC GROUP. HOWEVER, THE FEDERAL GOVERNMENT ALLOTED THE NAKODA ONLY ONE LAND ENTITLEMENT, NOW KNOWN AS THE MORLEY RESERVE, LOCATED WEST OF CALGARY. THE LAND ALLOTMENT WAS FENCED IN BARBED WIRE, PREVENTING THE NAKODA FROM THEIR NOMADIC MOVEMENTS. DURING THE 20TH CENTURY, TWO SMALLER SATELLITE RESERVES WERE ESTABLISHED FOR THE NAKODA FIRST NATION: THE BIG HORN RESERVE (KISKA WAPTADN "BIG HORN RIVER"), 265KM NORTHWEST OF MORLEY, AND THE EDEN VALLEY RESERVE (GA-HNA "ALONG THE FOOTHILLS"), 120KM SOUTH OF MORLEY. SEE PERMANENT FILE FOR HARDCOPIES OF SOURCE MATERIALS.
Catalogue Number
P19790234000
Acquisition Date
1974-06
Collection
Museum
Images
Less detail

38 records – page 1 of 4.