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93 records – page 1 of 10.

Other Name
ENGLISH TYPE GUN FLINT
Date Range From
1750
Date Range To
1870
Material Type
Artifact
Materials
CHALCEDONY
Catalogue Number
P19738044000
  1 image  
Material Type
Artifact
Other Name
ENGLISH TYPE GUN FLINT
Date Range From
1750
Date Range To
1870
Materials
CHALCEDONY
No. Pieces
1
Height
0.9
Length
3.3
Width
3.0
Description
LARGE SPALL OFF STRIKING EDGE. BUFF COLOURED.
Subjects
ARMAMENT-ACCESSORY
Historical Association
ARCHAEOLOGY
Catalogue Number
P19738044000
Acquisition Date
1973-07
Collection
Museum
Images
Less detail
Date Range From
1860
Date Range To
1870
Material Type
Artifact
Materials
IRON
Catalogue Number
P19990032076
  1 image  
Material Type
Artifact
Date Range From
1860
Date Range To
1870
Materials
IRON
No. Pieces
1
Diameter
1.5
Description
1.5 CM (D). IRON; CIRCULAR; MINOR INACTIVE SURFACE CORROSION THROUGHOUT; POSSIBLY .60 CALIBER; WEIGHT 15.95 GMS. ***NOTE*** THIS ARTIFACT MAY BE LABELED AS P19990032009-GA (THERE IS NO ARTIFACT LABELED P19990032076-GA). THIS PROBLEM WAS PREVIOUSLY NOTED IN 2004 AND 2006 INVENTORIES. MOST RECENTLY NOTED IN 2011.
Subjects
ARMAMENT-AMMUNITION
Historical Association
ARCHAEOLOGY
History
ARTIFACT WAS RECOVERED FROM SITE DKPF-5; COORDINATES: SITE 3; VERTICAL COORDINATES: 2.0 X 1.0; FIELD NUMBER: FRAME 33, PLAT F. PROBABLY FIRED FROM A .60 CALIBER MUSKET.
Catalogue Number
P19990032076
Acquisition Date
1999-05
Collection
Museum
Images
Less detail

SHELL, SHOTGUN|BALL, MUSKET

https://collections.galtmuseum.com/en/permalink/artifact11941
Other Name
SPENCER CARTRIDGE CASING
.50 CALIBRE
Date Range From
1860
Date Range To
1870
Material Type
Artifact
Materials
BRASS, LEAD
Catalogue Number
P19990032010
  4 images  
Material Type
Artifact
Other Name
SPENCER CARTRIDGE CASING
.50 CALIBRE
Date Range From
1860
Date Range To
1870
Materials
BRASS, LEAD
No. Pieces
2
Description
1. SHOTGUN SHELL - 2(L) X 1.2(D). CONTAINED IN PLASTIC BAG WITH INFO. SHEET THAT READS "DK PF-5 #11 PLAT A. F. 17- .5 X .5 SPENCER CARTRIDGE CASING" 2. MUSKET BALL - 1.5(D). CONTAINED IN PLASTIC BAG WITH INFO. SHEET THAT READS "DK PF-5 #10 PLAT A FRAME 9 2 X 2.5 ONE LEAD BALL"
Subjects
ARMAMENT-AMMUNITION
Historical Association
ARCHAEOLOGY
History
ARTIFACT WAS RECOVERED FROM SITE DKPF-5; COORDINATES: 52.25M WEST OF POINT 51. INDIAN BATTLE COLLECTION ORIGINALLY REGISTERED AND CATALOGUED AS PERMANENT LOAN FROM THE LOCAL BRANCH OF THE ARCHAEOLOGICAL SOCIETY UNDER CAT NO P19780220000. IN 1999, BRANCH DECIDED TO OFFICIALLY DONATE COLLECTION TO CITY AND GALT. THE DONATION, SUBSEQUENTLY, WAS REGISTERED UNDER P19990032001-GA TO P19990032080. FOR DETAILED HISTORY ON COLLECTION AND INDIVIDUAL ARTIFACTS REFER TO BOOK "LAST INDIAN BATTLE" PUBLISHED BY ARCHAEOLOGICAL SOCIETY.
Catalogue Number
P19990032010
Acquisition Date
1999-05
Collection
Museum
Images
Less detail
Date Range From
1880
Date Range To
1890
Material Type
Artifact
Materials
COTTON, LEATHER, GLASS
Catalogue Number
P20170002000
  2 images  
Material Type
Artifact
Date Range From
1880
Date Range To
1890
Materials
COTTON, LEATHER, GLASS
No. Pieces
1
Length
103.2
Width
5
Description
BEADED BELT WITH A GEOMETRIC PATTERN SET AGAINST A GREEN BEADED BACKGROUND. PATTERN ALTERNATES BETWEEN TWO MIRRORED BLACK, YELLOW, BLUE TRIANGLES WITH THEIR BASES AT EITHER WIDTH END OF THE BELT MEETING IN THE CENTER AT THEIR POINTS AND LARGE RED AND BLUE WITH A GREEN CENTERED TRIANGLES WITH THEIR BASE AT ONE WIDTH END AND THEIR POINTS EXTENDED TO THE OPPOSING END. BEADS ARE SEWN INTO A COTTON, CANVAS FABRIC. TWO ANIMAL HIDE TIES (EACH A DIFFERENT LENGTH FROM 6.2 TO 11.8) ON EACH END AT EACH CORNER OF BELT. BACK SIDE IS RAW FABRIC WITH SEAM AT CENTER CONNECTING THE TWO HALVES. ENDS ARE HEMMED WITH TIES SEWN TO THE OUTSIDE. CONDITION: SEVERE DISCOLOURATION TO FABRIC BACKING AND SEVERE WEAR TO ANIMAL HIDE TIES. MANY LOSS THREADS OVER ENTIRE SURFACE OF BACK. BEADS AND BEADING IN EXCELLENT CONDITION OVERALL.
Subjects
INDIGENOUS
Historical Association
ETHNOGRAPHIC
History
UPON THE DONATION OF THIS BELT TO THE GALT MUSEUM, THE DONOR – PATRICIA LYNCH-STAUNTON – EXPLAINED THAT THIS BELT BELONGED TO ALFRED HARDWICH LYNCH-STAUNTON, WHO SERVED IN THE ROYAL CANADIAN MOUNTED POLICE IN FORT MACLEOD. HE RANCHED IN THE LUNDBRECK AREA AND SUPPLIED HORSES TO THE MOUNTIES. THE DONOR SAID THAT SHE HAD “NO KNOWLEDGE OF HOW [ALFRED HARDWICK] CAME INTO POSSESSION OF THE BELT. A NOTE ON THE INITIAL DOCUMENTATION ATTRIBUTES THE DATE OF THIS BELT TO CA. 1880-1890. THE ACTING CURATOR OF THE NATIVE NORTH AMERICAN DEPARTMENT OF THE GLENBOW, JOANNE SCHMIDT, AGREED WITH THE DONOR’S BELIEF THAT THE BELT WAS BLACKFOOT. THROUGH THE COMPARISON OF THE BEADED MOCCASINS AND BELTS IN THE GLENBOW’S COLLECTION WITH THIS BELT, SCHMIDT EXPLAINED THAT THE DESIGN ON THE BELT WAS MOSTLY FOUND ON THOSE FROM SIKSIKA, BUT SHE HAS ALSO SEEN THE DESIGN IN PIIKANI AND KAINAI BEADWORK THOUGH THERE ARE NOT MANY EXAMPLES IN THE COLLECTION. ALSO BY USING THE GLENBOW’S COLLECTION AS A POINT OF REFERENCE, THE CURATOR BELIEVES THAT THE BELT IS SIMILAR IN APPEARANCE TO THOSE OF THE 19TH CENTURY TO EARLY 20TH-CENTURY MUSEUM HOLDINGS. SCHMIDT ALSO PROVIDED AN EXPLANATION OF THE DESIGN FROM THE CANADIAN MUSEUM OF HISTORY. IT STATES, “ONE OF THE EARLIEST DESIGNS USED WAS ‘MIISTA-TSIKA-TUKSIIN,’ OR MOUNTAIN DESIGN. OTHER DESIGNS INCLUDED SQUARES, DIAMONDS, BARS, SLOTTED BARS AND STRIPES… TODAY SUCH DESIGNS ARE CALLED ‘MAAH-TOOHM-MOOWA-KA-NA-SKSIN,’ OR FIRST DESIGNS.” IT WAS FURTHER EXPLAINED THAT A COMPLICATING FACTOR IN IDENTIFYING THE BELT’S ORIGINS IS THE FACT THAT THE BLACKFOOT TENDED TO USE WHITE OR BLUE AS THE BACKGROUND COLOUR, NOT GREEN AS IS PRESENTED IN THE LYNCH-STAUNTON DONATION. ON 19 JANUARY 2017, MUSEUM STAFF FURTHER CONSULTED WITH RYAN HEAVY HEAD, FORMER DIRECTOR OF KAINAI STUDIES AT RED CROW COMMUNITY COLLEGE, REGARDING THE BELT’S DESIGN. HE EXPLAINED, “THE GREEN BACKGROUND IS ATYPICAL OF BLACKFOOT BEADWORK, WHICH IS NORMALLY BLUE. THE ‘MOUNTAIN DESIGN’ [DISPLAYED ON THE BELT] IS A COMMON MOTIF IN BLACKFOOT BEADWORK, BUT AGAIN THE COLOURS ARE NOT TYPICAL IN THIS EXAMPLE.” RYAN SPECULATED THAT DURING THE TIME OF DISEASE (WHEN THIS BELT APPEARS TO HAVE ORIGINATED) THERE WAS SOME DISRUPTION IN TRADITIONAL LIFE AND THAT COULD BE REFLECTED IN THE COLOUR CHOICES. ALTERNATIVELY, THE BELT MAY HAVE BEEN MADE BY THE GROS VENTRES FROM NORTHEAST MONTANA. THE DONOR, PATRICIA LYNCH-STAUNTON, IS THE GREAT-GRANDDAUGHTER OF ALFRED HARDWICK LYNCH-STAUNTON. THIS BELT WAS PASSED DOWN THROUGH THE FAMILY, FIRST FROM A. H. LYNCH-STAUNTON, THEN TO THE DONOR’S GRANDFATHER, F. C. LYNCH-STAUNTON, THEN TO HER FATHER, A. G. LYNCH-STAUNTON, FINALLY TO THE DONOR WHO BROUGHT IT TO THE MUSEUM. THE FOLLOWING INFORMATION COMES FROM THE “A. H. LYNCH-STAUNTON FAMILY HISTORY” WRITTEN FOR THE MUSEUM USING ONLINE SOURCES, THE GLENBOW ARCHIVES, AND THE BOOK TITLED “HISTORY OF THE EARLY DAYS OF PINCHER CREEK AND SOUTHERN MOUNTAINS OF ALBERTA.” “ALFRED HARDWICK LYNCH-STAUNTON (1860-1932) WAS BORN IN HAMILTON, ON AND CAME TO FORT MACLEOD IN 1877 TO JOIN THE NWMP. ACCORDING TO THE PINCHER CREEK HISTORICAL SOCIETY, HE WAS SENT TO ESTABLISH A HORSE BREEDING FARM AT PINCHER CREEK IN 1878. AFTER RETIRING FROM THE NWMP IN 1880, LYNCH-STAUNTON STATED THE FIRST CATTLE RANCH IN THE PINCHER CREEK AREA WITH JAMES BRUNEAU AND ISSAC MAY, AND LATER HOMESTEADED WEST OF TOWN. ALONG WITH HIS RANCH, LYNCH-STAUNTON MARRIED SARAH MARY BLAKE (1864-1933) IN 1890 AND THEY HAVE FIVE CHILDREN: VICTORIA, FRANDA, FRANCIS, JOHN, AND D’ARCY… A.H.’S BROTHER RICHARD LYNCH-STAUNTON (1867-1961) CAME AS FAR WEST AS MEDICINE HAT IN 1883 WITH HIS FATHER, F. H. LYNCH-STAUNTON, WHO WAS IN CHARGE OF THE SURVEY PARTY. RICHARD CAME WEST AGAIN, TO PINCHER CREEK, IN 1885 OR 1886. IN ABOUT 1900, HE ACQUIRED LAND NORTH OF LUNDBRECK, ON TODD CREEEK, WHICH BECAME THE ANTELOPE BUTTE RANCH. RICHARD AND A. H. WERE IN PARTNERSHIP FOR A NUMBER OF YEARS IN CATTLE-RANCHING AND, ACCORDING TO THE DONOR, WITH THE BUTCHER SHOP. IN 1901, RICHARD MARRIED ISABELLE MARY WILSON (1868-1971), AND THEIR SON FRANK LYNCH-STAUNTON (1905-1990), ALBERTA’S 11TH LIEUTENANT GOVERNOR FROM 1979 TO 1985. LYNCH-STAUNTON DESCENDANTS CONTINUE TO RANCH IN THE LUNDBRECK/PINCHER CREEK AREA.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING CORRESPONDENCE WITH DONOR AND PEOPLE CITED IN ABOVE HISTORY.
Catalogue Number
P20170002000
Acquisition Date
2016-12
Collection
Museum
Images
Less detail
Date Range From
1750
Date Range To
1900
Material Type
Artifact
Materials
BUFFALO HORN, RAWHIDE, BUCKSKIN
Catalogue Number
P19641148000
  1 image  
Material Type
Artifact
Date Range From
1750
Date Range To
1900
Materials
BUFFALO HORN, RAWHIDE, BUCKSKIN
No. Pieces
1
Length
38.0
Diameter
8.9
Description
BUFFALO HORN CONTAINER WITH A RAWHIDE CAP AND BUCKSKIN THONG. CAP SEWN WITH SINEW. HOLES APPEAR MACHINE DRILLED. BASE OF HORN SHOWS CUT MARKS.
Subjects
INDIGENOUS
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIGENOUS CULTURE *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641148000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Date Range From
1800
Date Range To
1900
Material Type
Artifact
Materials
BONE & STEEL
Catalogue Number
P19641173000
  1 image  
Material Type
Artifact
Date Range From
1800
Date Range To
1900
Materials
BONE & STEEL
No. Pieces
1
Height
12.5
Length
30.0
Width
3.8
Description
ORIGINAL BLADE AND HANDLE. BINDING POSSIBLY RECENT. SCRAPING TOOL
Subjects
INDIGENOUS
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIGENOUS CULTURE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000. 22 OCTOBER 2021 UPDATE: THE LABEL TEXT QUOTED BELOW WAS DEVELOPED WITH KAINAI ELDERS FOR A SUB-THEME WITHIN THE EXHIBIT ‘MADE IN’, TITLED ‘NIITSITAPISSKSAHKOYI’ AND INSTALLED WITHIN THE GALT IN 2021. ELDERS WHO PROVIDED MUSEUM CURATOR AIMEE BENOIT WITH DIRECTION ON SUBTHEME’S CONTENT INCLUDED: AAGOHH GISS STSISTIIGIIAAKII (MANY OFFERINGS WOMAN, GRETA MANY BEARS), GUUYII STAA BAAMUUGHKAA (WALKING ON TOP, RAYMOND MANY BEARS), NIINAA PIIKSII (CHIEF BIRD, MIKE BRUISED HEAD), MO’TOKAANII’PO (WALKING WITH A SCALP, HARRISON RED CROW) AND MIINIIPOKA (SACRED BERRY CHILD, PETER WEASEL MOCCASIN). THE GALT APPRECIATED THE GENEROSITY OF THE ELDERS WHO SHARED THEIR KNOWLEDGE FOR THIS EXHIBIT PROJECT. “MATTSIKAAN (HIDE SCRAPER): ‘THERE WERE DIFFERENT STYLES OF SCRAPERS; AS YOU CAN SEE THIS ONE HAS A METAL BLADE, AND IT WAS USED TO SCRAPE THE MEAT OFF THE HIDE.’ – GUUYII STAA BAAMUUGHKAA ‘WITH THE ELK HORN FLESHER, IT’S KIND OF SHAPED LIKE TEETH BUT IT’S NOT VERY SHARP ON THE EDGES; THE CORNERS ARE ROUNDED JUST A BIT. THE BLADES WERE NOT TOO SHARP, OTHERWISE YOU WOULD CUT THE HIDE.’ – AAGOHH GISS STSISTIIGIIAAKII ‘IT’S GOT A METAL BLADE, SO NATURALLY THAT WOULD BE A TRADE ITEM.’ – MO’TOKAANII’PO”
Catalogue Number
P19641173000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Date Range From
1880
Date Range To
1890
Material Type
Artifact
Materials
HORN
Catalogue Number
P19651475000
  1 image  
Material Type
Artifact
Date Range From
1880
Date Range To
1890
Materials
HORN
No. Pieces
1
Length
26.0
Width
8.0
Description
METAL AXE MARKS ON ANTLER.
Subjects
INDIGENOUS
LEATHER, HORN, SHELLWORKING T&E
Historical Association
AGRICULTURE
ETHNOGRAPHIC
History
PLAINS INDIGENOUS CULTURE *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THE VARIOUS DONATIONS PERTAINING TO EDWARD FREDERICK HAGELL. SEE RECORD P19960053001 FOR AN EXTENDED BIOGRAPHY OF THE ARTIST; SEE PERMANENT FILES P19960053001, P20040009001, P20060027001, P20070008001, AND P20070012001 FOR NEWSPAPER CLIPPINGS, DETAILS ON PAST GALT DIRECTOR/CURATOR WILMA WOOD'S BOOK ON THE ARTIST, AND CORRESPONDENCE WITH THE HAGELL FAMILY.
Catalogue Number
P19651475000
Acquisition Date
1965-01
Collection
Museum
Images
Less detail
Date Range From
1800
Date Range To
1900
Material Type
Artifact
Materials
HORN
Catalogue Number
P19739374000
  1 image  
Material Type
Artifact
Date Range From
1800
Date Range To
1900
Materials
HORN
No. Pieces
1
Length
15.9
Width
6.0
Description
EDGE OF SPOON BOWL EXTENSIVELY NICKED. STEAMED, FLATTENED & HAND CARVED FROM MOUNTAIN GOAT HORN. SEE CONSERVATION REPORT
Subjects
INDIGENOUS
FOOD SERVICE T&E
Historical Association
ETHNOGRAPHIC
History
PLATEAU INDIGENOUS CULTURE, PROBABLY TRADED INTO NORTHERN PLAINS.
Catalogue Number
P19739374000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Date Range From
1895
Date Range To
1905
Material Type
Artifact
Materials
BUCKSKIN, COTTON CLOTH, GLASS BEADS
Catalogue Number
P19693938000
  1 image  
Material Type
Artifact
Date Range From
1895
Date Range To
1905
Materials
BUCKSKIN, COTTON CLOTH, GLASS BEADS
No. Pieces
1
Length
70
Width
16.5
Description
TRIANGULAR SHAPE, GEOMETRIC BEADWORK, BUCKSKIN FRINGE. BEADS ARE BLUE, WHITE, AMBER, GREEN, RED, & YELLOW. BACKING IS FLORAL PRINT COTTON CLOTH. BEADING IS DONE WITH A LAZY STITCH.
Subjects
INDIGENOUS
ARMAMENT-ACCESSORY
ADORNMENT
Historical Association
ETHNOGRAPHIC
History
ATTRIBUTION MAY BE BLACKFOOT OR SIOUX. USE MAY BE EITHER AS A DECORATIVE BREAST PIECE FOR REGALIA, OR AS A TOMAHAWK DROP. STYLE & DESIGN WOULD SUGGEST THE LATTER USE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19693938000
Acquisition Date
1969-05
Collection
Museum
Images
Less detail
Other Name
INDIGENOUS RIFLE CASE
Date Range From
1850
Date Range To
1900
Material Type
Artifact
Materials
BUCKSKIN, FLANNEL, BEADWORK
Catalogue Number
P19738051000
  1 image  
Material Type
Artifact
Other Name
INDIGENOUS RIFLE CASE
Date Range From
1850
Date Range To
1900
Materials
BUCKSKIN, FLANNEL, BEADWORK
No. Pieces
1
Length
73.6
Width
15.2
Description
TRIMMED WITH RED FLANNEL. GEOMETRIC BEADWORK DESIGNS IN RED, GREEN, YELLOW, BLACK, BLUE AT TOP & TOE OF CASE. CASE EMBRITTLED. CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
ARMAMENT-ACCESSORY
Historical Association
ETHNOGRAPHIC
History
DONOR ROBERT “BOB” GARDNER OF SALMON ARM, BC INFORMED MUSEUM TECHNICIAN KEVIN MACLEAN OF A FEW RIFLE CASE-RELATED MEMORIES BY PHONE ON 22 JUNE 2011. AT THE TIME OF THE CALL, MR. GARDNER WAS 84 YEARS OLD. MR. GARDNER CLAIMED THE RIFLE CASE WAS A GIFT FROM FAMILY FRIEND MS. JESSIE CONN. CONN WAS GARDNER’S MIDDLE-SCHOOL LCI TYPING TEACHER IN GRADES 9 & 10 (1937). HIS BEST GUESS WAS THAT THE CASE WAS RECEIVED FROM HER IN THE LATE 40S. WHEN ASKED HOW CONN CAME TO POSSESS THE CASE, GARDNER’S REPLY WAS TO SUPPOSE IT WAS FROM A “PIONEER”. AS HIS FAMILY’S FRIEND, CONN WAS AWARE OF HIS OWNERSHIP OF A .22 RIFLE AND GAVE IT TO HIM IN ORDER TO COVER IT. GARDNER NOTED, HOWEVER, THAT THE COVER “NEVER FIT PROPERLY” ON ACCOUNT THAT “THE REAR SIGHT WAS TOO HIGH”. REAL AND POTENTIAL DAMAGE POSED TO THE CASE, THEREFORE, MOVED GARDNER TO DONATE IT TO THE GALT MUSEUM. THE RIFLE WAS GIVEN IN RECENT DECADES (EARLY 90S) TO HIS DAUGHTER DAWN. PLEASE SEE PERMANENT FILE P19651425000 FOR MORE INFORMATION ON JESSIE CONN.
Catalogue Number
P19738051000
Acquisition Date
1970-02
Collection
Museum
Images
Less detail

93 records – page 1 of 10.