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Other Name
PLATFORM STONE PIPE
Date Range From
1900
Date Range To
1920
Material Type
Artifact
Materials
STONE, WOOD
Catalogue Number
P19641174000
  1 image  
Material Type
Artifact
Other Name
PLATFORM STONE PIPE
Date Range From
1900
Date Range To
1920
Materials
STONE, WOOD
No. Pieces
2
Height
7.0
Length
50.2
Diameter
1.6
Description
CROSS INCISED ON ALL 3 FACES OF PIPE PLATFORM. WILLOW STEM, BLACK PIPE STONE. CONSERVATION REPORT ON FILE.
Subjects
CEREMONIAL ARTIFACT
PERSONAL GEAR
INDIGENOUS
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS CULTURE. BLACKFOOT ORIGIN. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000. 22 OCTOBER 2021 UPDATE: THE LABEL TEXT QUOTED BELOW WAS DEVELOPED WITH KAINAI ELDERS FOR A SUB-THEME WITHIN THE EXHIBIT ‘MADE IN’, TITLED ‘NIITSITAPISSKSAHKOYI’ AND INSTALLED WITHIN THE GALT IN 2021. ELDERS WHO PROVIDED MUSEUM CURATOR AIMEE BENOIT WITH DIRECTION ON SUBTHEME’S CONTENT INCLUDED: AAGOHH GISS STSISTIIGIIAAKII (MANY OFFERINGS WOMAN, GRETA MANY BEARS), GUUYII STAA BAAMUUGHKAA (WALKING ON TOP, RAYMOND MANY BEARS), NIINAA PIIKSII (CHIEF BIRD, MIKE BRUISED HEAD), MO’TOKAANII’PO (WALKING WITH A SCALP, HARRISON RED CROW) AND MIINIIPOKA (SACRED BERRY CHILD, PETER WEASEL MOCCASIN). THE GALT APPRECIATED THE GENEROSITY OF THE ELDERS WHO SHARED THEIR KNOWLEDGE FOR THIS EXHIBIT PROJECT. “AAHKOINNIMAAN (PIPE BOWL AND STEM): THIS STONE HERE, YOU GET IT DOWN IN THE COULEES… YOU COULD TAKE YOUR KNIFE AND CARVE IT. YOU CAN PROBABLY GET IT ALL THE WAY FROM ST. MARY DAM, ALL THE WAY THROUGH THE COULEES. YOU CAN GET THIS ANYWHERE ALONG HERE, BUT YOU HAVE TO DIG FOR IT. PEOPLE HAD TO DO A LOT OF EXPERIMENTING BEFORE THEY GOT THE CORRECT STONE THAT WORKED THE WAY IT WAS SUPPOSED TO WORK, FOR CEREMONIES OR FOR PERSONAL USE.’ – MIINIIPOKA ‘I MAKE THESE BOWLS AND PIPES. THERE’S HIDDEN CRACKS WITHIN THE STONE ITSELF. WHEN YOU CHIP AWAY AT IT, ONCE IT STOPS YOU TAKE THAT PIECE AND START SHAPING IT INTO THE BOWL. IT DEPENDS ON THE INDIVIDUAL AND THE STYLE WHAT THEY WOULD SHAPE THE STONE INTO; BUT A LOT OF THE BLACK STONE WAS SHAPED INTO OUR IDENTITY OF WHO WE ARE AS WELL AS THE LAND. THE SURROUNDING TRIBES THROUGHOUT THE CONTINENT, THEY WOULD SEE THE KIND OF DESIGN AND THE STONE ITSELF AND THEY WOULD AUTOMATICALLY KNOW THIS STONE IS FROM APAITSITAPI—THE WEASEL TRIBE, OR THE KAINAI.’ – GUUYII STAA BAAMUUGHKAA ‘THEY WOULD HAVE USED BUCK BRUSH TO BLACKEN IT. YOU SET IT ON FIRE, AND THE HEAVY SMOKE STICKS TO THE STONE. AND THEN YOU OIL IT WITH NATURAL OIL, TO GET IT NICE AND SHINY.’ – MO’TOKAANII’PO ‘THE STEM IS MADE FROM WOLF WILLOW. IT’S KIND OF A SILVER PLANT WITH SILVERY-LOOKING BERRIES, AND WHEN YOU OPEN THEM IT’S VERY POWDERY INSIDE. FOR SOME WOOD TO MAKE PIPES, THEY WOULD TRAVEL TO THE CROW TERRITORY TO OBTAIN THIS VERY SPECIFIC GRAIN—KAAPOKSI (ASH).’ – MO’TOKAANII’PO”
Catalogue Number
P19641174000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Other Name
INDIGENOUS DOLL (FEMALE)
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
LEATHER, HUMAN HAIR, BEADS
Catalogue Number
P19641179000
Material Type
Artifact
Other Name
INDIGENOUS DOLL (FEMALE)
Date Range From
1900
Date Range To
1910
Materials
LEATHER, HUMAN HAIR, BEADS
No. Pieces
1
Height
4.5
Length
28.0
Width
15.5
Description
FACIAL FEATURES DEPICTED IN BLACK, WHITE, RED, ORANGE. BEADS, DRESS AND MOCCASINS DECORATED WITH GEOMETRIC PATTERNS IN BLUE, PURPLE, BLUE, RED AND GREEN BEADS. DOLL'S FOREHEAD SLIGHTLY DIRTY. CONSERVATION REPORT ON FILE
Subjects
INDIGENOUS
TOY
Historical Association
ETHNOGRAPHIC
LEISURE
History
PLAINS INDIGENOUS. HANDMADE *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641179000
Acquisition Date
1964-07
Collection
Museum
Less detail
Date Range From
1750
Date Range To
1900
Material Type
Artifact
Materials
BUFFALO HORN, RAWHIDE, BUCKSKIN
Catalogue Number
P19641148000
  1 image  
Material Type
Artifact
Date Range From
1750
Date Range To
1900
Materials
BUFFALO HORN, RAWHIDE, BUCKSKIN
No. Pieces
1
Length
38.0
Diameter
8.9
Description
BUFFALO HORN CONTAINER WITH A RAWHIDE CAP AND BUCKSKIN THONG. CAP SEWN WITH SINEW. HOLES APPEAR MACHINE DRILLED. BASE OF HORN SHOWS CUT MARKS.
Subjects
INDIGENOUS
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIGENOUS CULTURE *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641148000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Date Range From
1800
Date Range To
1900
Material Type
Artifact
Materials
BONE & STEEL
Catalogue Number
P19641173000
  1 image  
Material Type
Artifact
Date Range From
1800
Date Range To
1900
Materials
BONE & STEEL
No. Pieces
1
Height
12.5
Length
30.0
Width
3.8
Description
ORIGINAL BLADE AND HANDLE. BINDING POSSIBLY RECENT. SCRAPING TOOL
Subjects
INDIGENOUS
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIGENOUS CULTURE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000. 22 OCTOBER 2021 UPDATE: THE LABEL TEXT QUOTED BELOW WAS DEVELOPED WITH KAINAI ELDERS FOR A SUB-THEME WITHIN THE EXHIBIT ‘MADE IN’, TITLED ‘NIITSITAPISSKSAHKOYI’ AND INSTALLED WITHIN THE GALT IN 2021. ELDERS WHO PROVIDED MUSEUM CURATOR AIMEE BENOIT WITH DIRECTION ON SUBTHEME’S CONTENT INCLUDED: AAGOHH GISS STSISTIIGIIAAKII (MANY OFFERINGS WOMAN, GRETA MANY BEARS), GUUYII STAA BAAMUUGHKAA (WALKING ON TOP, RAYMOND MANY BEARS), NIINAA PIIKSII (CHIEF BIRD, MIKE BRUISED HEAD), MO’TOKAANII’PO (WALKING WITH A SCALP, HARRISON RED CROW) AND MIINIIPOKA (SACRED BERRY CHILD, PETER WEASEL MOCCASIN). THE GALT APPRECIATED THE GENEROSITY OF THE ELDERS WHO SHARED THEIR KNOWLEDGE FOR THIS EXHIBIT PROJECT. “MATTSIKAAN (HIDE SCRAPER): ‘THERE WERE DIFFERENT STYLES OF SCRAPERS; AS YOU CAN SEE THIS ONE HAS A METAL BLADE, AND IT WAS USED TO SCRAPE THE MEAT OFF THE HIDE.’ – GUUYII STAA BAAMUUGHKAA ‘WITH THE ELK HORN FLESHER, IT’S KIND OF SHAPED LIKE TEETH BUT IT’S NOT VERY SHARP ON THE EDGES; THE CORNERS ARE ROUNDED JUST A BIT. THE BLADES WERE NOT TOO SHARP, OTHERWISE YOU WOULD CUT THE HIDE.’ – AAGOHH GISS STSISTIIGIIAAKII ‘IT’S GOT A METAL BLADE, SO NATURALLY THAT WOULD BE A TRADE ITEM.’ – MO’TOKAANII’PO”
Catalogue Number
P19641173000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Other Name
ANTLER - PLAINS INDIGENOUS
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
DEER ANTLER
Catalogue Number
P19641181000
  1 image  
Material Type
Artifact
Other Name
ANTLER - PLAINS INDIGENOUS
Date Range From
1900
Date Range To
1910
Materials
DEER ANTLER
No. Pieces
1
Length
13.5
Width
2.6
Description
INCISED GEOMETRIC DESIGN BELOW HANDLE. PAINTED BLACK. BROKEN TIP.
Subjects
INDIGENOUS
LEATHER, HORN, SHELLWORKING T&E
TEXTILEWORKING T&E
Historical Association
ETHNOGRAPHIC
History
PLAINS INDIGENOUS. PROBABLE USE AS LEATHER TOOL. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641181000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Date Range From
1750
Date Range To
1900
Material Type
Artifact
Materials
BONE, BUCKSKIN
Catalogue Number
P19738499000
Material Type
Artifact
Date Range From
1750
Date Range To
1900
Materials
BONE, BUCKSKIN
No. Pieces
1
Height
4.2
Length
34.0
Width
9.8
Description
BUCKSKIN STRAP. KNIFE MARKS ON ONE END. RED-BROWN COLOURATION. SCRAPING EDGE IS WORN.
Subjects
INDIGENOUS
Historical Association
ARCHAEOLOGY
ETHNOGRAPHIC
History
PLAINS INDIGENOUS CULTURE.
Catalogue Number
P19738499000
Acquisition Date
1973-01
Collection
Museum
Less detail
Date Range From
1800
Date Range To
1900
Material Type
Artifact
Materials
HORN
Catalogue Number
P19739374000
  1 image  
Material Type
Artifact
Date Range From
1800
Date Range To
1900
Materials
HORN
No. Pieces
1
Length
15.9
Width
6.0
Description
EDGE OF SPOON BOWL EXTENSIVELY NICKED. STEAMED, FLATTENED & HAND CARVED FROM MOUNTAIN GOAT HORN. SEE CONSERVATION REPORT
Subjects
INDIGENOUS
FOOD SERVICE T&E
Historical Association
ETHNOGRAPHIC
History
PLATEAU INDIGENOUS CULTURE, PROBABLY TRADED INTO NORTHERN PLAINS.
Catalogue Number
P19739374000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Other Name
BEADED MAN'S
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
GLASS BEADS, BUCKSKIN
Catalogue Number
P19641155000
Material Type
Artifact
Other Name
BEADED MAN'S
Date Range From
1900
Date Range To
1910
Materials
GLASS BEADS, BUCKSKIN
No. Pieces
1
Description
SIZE 38 BEAD, BUCKSKIN, CLOTH LINED WITH COTTON, TRIMMED WITH BLACK VELVET AROUND EDGES, BACK FACED WITH BLACK VELVET COVERED WITH AN OPEN MESH DESIGN IN WHITE BEADS. GEOMETRIC PANELS IN BLUE, RED, GREEN, YELLOW BEADS ON BACK. FRONT PANELS COMPLETELY COVERED IN BEADWORK WITH GEOMETRIC & CURVO-LINEAR DESIGNS, FEATHERED HEAD-DRESS MALE PROFILE FIGURE ON EACH FRONT PANEL. FIGURE IS DONE IN RED, BLUE, WHITE, YELLOW, GREEN, PINK AND GILDED BEADS. BACKGROUND OF SOLID WHITE BEADS TRIMMED WITH GEOMETRIC DESIGN IN RED, GREEN AND GILDED BEADS. FLORAL DESIGN IN RED, BLUE AND GREEN ON EACH PANEL. SMALL PORTION OF BEADS MISSING AT BOTTOM FRONT ON LEFT SIDE AND UPPER LEFT BACK (SHOULDER AREA). CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
CLOTHING-OUTERWEAR
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS CULTURE - BLACKFOOT. HANDMADE BY MRS. E. BOYCHIEF. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641155000
Acquisition Date
1964-07
Collection
Museum
Less detail
Other Name
BEADED BELT
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
GLASS, LEATHER, COTTON
Catalogue Number
P19651872000
  1 image  
Material Type
Artifact
Other Name
BEADED BELT
Date Range From
1900
Date Range To
1910
Materials
GLASS, LEATHER, COTTON
No. Pieces
1
Length
81.2
Width
7.6
Description
GEOMETRIC BEADWORK DESIGN IN RED, BLUE, GREEN, WHITE AND PINK BEADS. BEADWORK DESIGN COVERS ONE FACE OF THE HARNESS LEATHER. BACK COVERED WITH WINE COTTON BELT ATTACHMENT CONSISTS OF TWO LEATHER THONGS AT EACH END OF BELT. CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
CLOTHING-ACCESSORY
Historical Association
ETHNOGRAPHIC
PERSONAL CARE
History
PLAINS INDIGENOUS.
Catalogue Number
P19651872000
Acquisition Date
1965-07
Collection
Museum
Images
Less detail
Date Range From
1895
Date Range To
1905
Material Type
Artifact
Materials
BUCKSKIN, COTTON CLOTH, GLASS BEADS
Catalogue Number
P19693938000
  1 image  
Material Type
Artifact
Date Range From
1895
Date Range To
1905
Materials
BUCKSKIN, COTTON CLOTH, GLASS BEADS
No. Pieces
1
Length
70
Width
16.5
Description
TRIANGULAR SHAPE, GEOMETRIC BEADWORK, BUCKSKIN FRINGE. BEADS ARE BLUE, WHITE, AMBER, GREEN, RED, & YELLOW. BACKING IS FLORAL PRINT COTTON CLOTH. BEADING IS DONE WITH A LAZY STITCH.
Subjects
INDIGENOUS
ARMAMENT-ACCESSORY
ADORNMENT
Historical Association
ETHNOGRAPHIC
History
ATTRIBUTION MAY BE BLACKFOOT OR SIOUX. USE MAY BE EITHER AS A DECORATIVE BREAST PIECE FOR REGALIA, OR AS A TOMAHAWK DROP. STYLE & DESIGN WOULD SUGGEST THE LATTER USE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19693938000
Acquisition Date
1969-05
Collection
Museum
Images
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