56 cm x 86.5 cm
Scale: 1 inch = 40 feet
Paper, blue lines on white
City of Lethbridge Sewage Disposal Plant Contour Plan, Existing Elevations, and Lay-Out.
56 cm x 86.5 cm
Scale: 1 inch = 40 feet
Paper, blue lines on white
City of Lethbridge Sewage Disposal Plant Contour Plan, Existing Elevations, and Lay-Out.
PAINTING HAS DARK FINISHED FRAME WITH INVERSED BEVELED EDGE. AROUND INSIDE OF FRAME IS GOLD COLORED EDGING. CANVAS HAS OIL PAINTING OF ST. MICHAEL BATTLING SATAN. ST. MICHAEL IS WEARING A BLUE TUNIC AND RED CLOAK WITH WINGS BEHIND. SWORD IN HIS RIGHT HAND IS READY TO STRIKE. IN LEFT ARE THE CHAINS WHICH HOLD SATAN. SATAN IS BEARDED FIGURE BENEATH MICHAEL'S LEFT FOOT AND HAS SERPENTINE BODY. BRASS PLAQUE 15.2 X 2.5CM IN SIZE IS RIVETED TO BOTTOM OF FRAME AND HAS "ST. MICHAEL, ARCHANGEL" ENGRAVED ON IT. BACK OF PAINTING IS UNFINISHED PLYWOOD. ON BACK AT MIDDLE LEFT IS "ST. MICHAEl TAKEN FROM FRONT ENTRANCE MAY 14/85" HAND PRINTED IN PENCIL. CANVAS IS WARPED AND BUBBLED SLIGHTLY.
SISTER AGNES BEATON OF THE SISTERS OF ST. MARTHA RELATES THAT THE PAINTING'S HISTORY (UNCONFIRMED) WAS PASSED ON TO HER BY DR. JOHN MORGAN M.D. OF LETHBRIDGE. THE PAINTING IS BELIEVED TO HAVE BEEN BROUGHT WEST BY FATHER LACOMBE FROM A MONESTARY IN QUEBEC WHERE IT HAD BEEN FOR PERHAPS MORE THAN ONE HUNDRED YEARS. FATHER LACOMBE BROUGHT IT TO HIS MISSION IN NORTHERN ALBERTA AND WHEN HE DIED THE PAINTING WAS GIVEN TO THE OBLATE PARISH OF ST. PATRICK'S IN LETHBRIDGE. THE PAINTING WAS THEN GIVEN TO THE SISTERS OF ST. MARTHA FOR ST. MICHAEL'S HOSPITAL. IT HUNG IN VARIOUS PLACES AROUND THE HOSPITAL, MOST RECENTLY IN THE ENTRANCE WAY ON THE SOUTH SIDE. IT WAS TAKEN DOWN IN 1985 AND PUT INTO STORAGE. IT SURFACED AGAIN IN 1992 WHEN SISTER AGNES HUNG IT FOR THE FEAST OF ST. MICHAEL AND IT STAYED UP UNTIL THE HOSPITAL CLOSED IN 1995. THE PAINTING WAS REMOVED BY MUSEUM STAFF IN 1996 PRIOR TO DESTRUCTION OF THE HOSPITAL. ESTIMATED VALUE OF THE PAINTING IS NOT VERIFIED. FOR MORE HISTORY OF ST. MICHAEL'S HOSPITAL SEE P19960116001-GA.
GREEN PAINTED LID, PRINTED ON LID, "PERCUSSION CAPS, CENTRAL FIRE SHEFFIELD, XL, FOIL LINED, WATERPROOF". BOX IS EMPTY. RUSTED SHUT. RUST HOLES IN BOTTOM. CONSERVATION REPORT ON FILE.
NORTHERN PLAINS INDIGENOUS CULTURE
*UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND.
FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
NORTHERN PLAINS INDIGENOUS CULTURE.
*UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND.
FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
22 OCTOBER 2021 UPDATE: THE LABEL TEXT QUOTED BELOW WAS DEVELOPED WITH KAINAI ELDERS FOR A SUB-THEME WITHIN THE EXHIBIT ‘MADE IN’, TITLED ‘NIITSITAPISSKSAHKOYI’ AND INSTALLED WITHIN THE GALT IN 2021. ELDERS WHO PROVIDED MUSEUM CURATOR AIMEE BENOIT WITH DIRECTION ON SUBTHEME’S CONTENT INCLUDED: AAGOHH GISS STSISTIIGIIAAKII (MANY OFFERINGS WOMAN, GRETA MANY BEARS), GUUYII STAA BAAMUUGHKAA (WALKING ON TOP, RAYMOND MANY BEARS), NIINAA PIIKSII (CHIEF BIRD, MIKE BRUISED HEAD), MO’TOKAANII’PO (WALKING WITH A SCALP, HARRISON RED CROW) AND MIINIIPOKA (SACRED BERRY CHILD, PETER WEASEL MOCCASIN). THE GALT APPRECIATED THE GENEROSITY OF THE ELDERS WHO SHARED THEIR KNOWLEDGE FOR THIS EXHIBIT PROJECT.
“MATTSIKAAN (HIDE SCRAPER):
‘THERE WERE DIFFERENT STYLES OF SCRAPERS; AS YOU CAN SEE THIS ONE HAS A METAL BLADE, AND IT WAS USED TO SCRAPE THE MEAT OFF THE HIDE.’ – GUUYII STAA BAAMUUGHKAA
‘WITH THE ELK HORN FLESHER, IT’S KIND OF SHAPED LIKE TEETH BUT IT’S NOT VERY SHARP ON THE EDGES; THE CORNERS ARE ROUNDED JUST A BIT. THE BLADES WERE NOT TOO SHARP, OTHERWISE YOU WOULD CUT THE HIDE.’ – AAGOHH GISS STSISTIIGIIAAKII
‘IT’S GOT A METAL BLADE, SO NATURALLY THAT WOULD BE A TRADE ITEM.’ – MO’TOKAANII’PO”
NORTHERN PLAINS INDIGENOUS CULTURE. TOOL IS PRE-HISTORIC, HANDLE CONTEMPORARY.
*UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND.
FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.