Skip header and navigation

Refine By

417 records – page 1 of 21.

1959-1960 Order of the Royal Purple Officers

https://collections.galtmuseum.com/en/permalink/descriptions92397
Date Range
1959-1960
Description Level
Item
Accession No.
20171064016126
Physical Description
Black and White photograph 5X7in
Scope and Content
Order of the Royal Purple Ladies grouped together for picture. 1959-1960 officers. Opal Jaylar, Patricia Van Horne, Dorothy Sarenson, Betty Deak, Alma Naylar, Kay Michalouski, Connie McLaren, Mary Nicalson, Arleen Price, Norma Spoulas, Rene Schnider, Emma Hackett, Ethel Stark, Veroua Smee, Marge Na…
  1 image  
Date Range
1959-1960
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Black and White photograph 5X7in
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
Order of the Royal Purple Ladies grouped together for picture. 1959-1960 officers. Opal Jaylar, Patricia Van Horne, Dorothy Sarenson, Betty Deak, Alma Naylar, Kay Michalouski, Connie McLaren, Mary Nicalson, Arleen Price, Norma Spoulas, Rene Schnider, Emma Hackett, Ethel Stark, Veroua Smee, Marge Narster, and Mary Neve.
Access Restrictions
Public
Accession No.
20171064016126
Collection
Archive
Images
Less detail

1960-1961 Order of the Royal Purple Officers

https://collections.galtmuseum.com/en/permalink/descriptions92395
Date Range
1960-1961
Description Level
Item
Accession No.
20171064016068
Physical Description
Colored photograph
Scope and Content
Ladies posing for group picture. Opal Jaylar, Patricia Van Horne, Alma Naylar, Kay Michalouski, Connie McLaren, Chris Moodie, Emma Hackett, Mary Nicalson, Arleen Price, Norma Spoulas, Alice Kennedy, Dorothy Sarenson, Betty Deak, Ethel Stark, Veroua Smee, and Mary Neve.
  1 image  
Date Range
1960-1961
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Colored photograph
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
Ladies posing for group picture. Opal Jaylar, Patricia Van Horne, Alma Naylar, Kay Michalouski, Connie McLaren, Chris Moodie, Emma Hackett, Mary Nicalson, Arleen Price, Norma Spoulas, Alice Kennedy, Dorothy Sarenson, Betty Deak, Ethel Stark, Veroua Smee, and Mary Neve.
Access Restrictions
Public
Accession No.
20171064016068
Collection
Archive
Images
Less detail

Agnes Davidson School and Gilbert Paterson School Memorabilia.

https://collections.galtmuseum.com/en/permalink/descriptions89996
Date Range
1969-1979
Description Level
Item
Accession No.
20171071
Physical Description
1 cm textual records.
Scope and Content
Photocopies of: - Program of an Agnes Davidson School production of "Snow White and the Seven Dwarfs". - Program of an Agnes Davidson School production of "Pinocchio". - 7 colour 23 x 16.5 cm photographs: 20171071001: group photograph of children from Aunt Dorothy's Playhouse, operated by Dorothy …
Date Range
1969-1979
Description Level
Item
Physical Description
1 cm textual records.
Scope and Content
Photocopies of: - Program of an Agnes Davidson School production of "Snow White and the Seven Dwarfs". - Program of an Agnes Davidson School production of "Pinocchio". - 7 colour 23 x 16.5 cm photographs: 20171071001: group photograph of children from Aunt Dorothy's Playhouse, operated by Dorothy Gentleman. Taken on the steps of Lethbridge City Hall. 20171071002: Agnes Davidson School. Year 1. 1969-1970. 20171071003: Agnes Davidson School. Year 2. 1970-1971. 20171071004: Agnes Davidson School. Year 3. 1971-1972. 20171071005: Agnes Davidson School. Year 4. 1972-1973. 20171071006: Agnes Davidson School. Grade 5. 1973-1974. 20171071007: Agnes Davidson School. Grade 6. 1974-1975. - Program of the 1978 Gilbert Paterson School Grade 9 Graduation "Thank You for being a Friend".
Accession No.
20171071
Collection
Archive
Less detail

Air Force Association of Canada: Special Recognition Poster

https://collections.galtmuseum.com/en/permalink/descriptions96053
Date Range
1949-1994
Description Level
Item
Accession No.
20191083003
Physical Description
1 mm of textual records
Scope and Content
Poster of the Air Force Association of Canada: 51st Annual Charter Night- With Special Recognition for all 702 Wing Past Presidents.
Date Range
1949-1994
Description Level
Item
Creator
Garry Allison
Physical Description
1 mm of textual records
History / Biographical
Garry Allison was born in Lethbridge in 1940. During his career, he served as the Sports Editor of the Lethbridge Herald, as well as the District Editor, City Editor and finished his journalism career as the Outdoors Editor. He worked fulltime in the Herald's Sports department in 1974 after working in the Printing Department. Allison was an avid rodeo fan and spent much of his career covering local rodeos throughout Southern Alberta, beginning in the mid-1960s until his retirement in 2002. He received numerous awards for his coverage of rodeos, high school sports and the outdoors, including the Max Bell Memorial Award for outstanding coverage of amateur sports in Alberta. Because of his achievements in Southern Alberta sports, he was inducted into the Alberta Sports Hall of Fame and the Lethbridge Sports Hall of Fame. Allison was heavily involved in the local community, including coaching the high school girls’ basketball in Coalhurst and Winston Churchill for ten years. Family was a central priority to Garry Allison: he and his wife, Mary, were married for 55 years and had cared for foster children for 32 years.
Scope and Content
Poster of the Air Force Association of Canada: 51st Annual Charter Night- With Special Recognition for all 702 Wing Past Presidents.
Accession No.
20191083003
Collection
Archive
Less detail

Allan Morton, James Morton: Certificates of Masonic Membership.

https://collections.galtmuseum.com/en/permalink/descriptions91995
Date Range
1930-1962
Description Level
Item
Accession No.
20181024
Physical Description
2 certificates. 1 black and white photograph.
Scope and Content
Life Membership certificate for James Morton in Charity Lodge No. 62 in Lethbridge, Alberta, dated 1959. Membership Certificate for Allan Morton in Charity Lodge No. 62, Lethbridge, Alberta, dated 1931. Photograph of the members of Charity Lodge No. 62, Lethbridge, Alberta, taken at their 50th Anni…
Date Range
1930-1962
Description Level
Item
Physical Description
2 certificates. 1 black and white photograph.
Custodial History
Certificates and photograph belonged to the Morton family (related to the donor).
Scope and Content
Life Membership certificate for James Morton in Charity Lodge No. 62 in Lethbridge, Alberta, dated 1959. Membership Certificate for Allan Morton in Charity Lodge No. 62, Lethbridge, Alberta, dated 1931. Photograph of the members of Charity Lodge No. 62, Lethbridge, Alberta, taken at their 50th Anniversary in 1962.
Accession No.
20181024
Collection
Archive
Less detail

Allied Arts Council of Lethbridge fonds

https://collections.galtmuseum.com/en/permalink/descriptions8
Date Range
1952-1988
Description Level
Fonds
Accession No.
19901039000
Physical Description
3.3 m. of textual records. -- 17 photographs.
Scope and Content
The fonds consists of minutes of executive and annual general meetings of the Allied Arts Council of Lethbridge, financial records, correspondence, and project files pertaining to activities of the Council and its member groups.
Date Range
1952-1988
Fonds
Allied Arts Council of Lethbridge fonds
Description Level
Fonds
Creator
Allied Arts Council of Lethbridge
Physical Description
3.3 m. of textual records. -- 17 photographs.
History / Biographical
The Allied Arts Council of Lethbridge was established in 1952 to coordinate and support the development of the arts in Lethbridge. The Council operates the Bowman Arts Centre.
Scope and Content
The fonds consists of minutes of executive and annual general meetings of the Allied Arts Council of Lethbridge, financial records, correspondence, and project files pertaining to activities of the Council and its member groups.
Notes
Title based on the contents of the fonds.
Accession No.
19901039000
Category
Arts
Collection
Archive
Less detail
Date Range
1878-1986
Description Level
Item
Accession No.
20171111
Physical Description
1 softcover book. 3 photographs. One 23-page manuscript.
Scope and Content
Publication "Reflections of a community: Twin Butte Community Hall Golden Anniversary 1936-1986". 3 photographs of the Allred Family. Manuscript: "Pioneer Ancestors: Frank Allred & Josie Bailey".
Date Range
1878-1986
Description Level
Item
Physical Description
1 softcover book. 3 photographs. One 23-page manuscript.
Scope and Content
Publication "Reflections of a community: Twin Butte Community Hall Golden Anniversary 1936-1986". 3 photographs of the Allred Family. Manuscript: "Pioneer Ancestors: Frank Allred & Josie Bailey".
Accession No.
20171111
Collection
Archive
Less detail
Date Range
1962
Description Level
Item
Accession No.
20191083119
Physical Description
1 black and white photographic print
Scope and Content
Al Sparks - boxer. On the back it reads: "BOXING COLLECTION of G. L. ALLISON Boxer Al Sparks".
  1 image  
Date Range
1962
Description Level
Item
Creator
Garry Allison
Physical Description
1 black and white photographic print
History / Biographical
Garry Allison was born in Lethbridge in 1940. During his career, he served as the Sports Editor of the Lethbridge Herald, as well as the District Editor, City Editor and finished his journalism career as the Outdoors Editor. He worked fulltime in the Herald's Sports department in 1974 after working in the Printing Department. Allison was an avid rodeo fan and spent much of his career covering local rodeos throughout Southern Alberta, beginning in the mid-1960s until his retirement in 2002. He received numerous awards for his coverage of rodeos, high school sports and the outdoors, including the Max Bell Memorial Award for outstanding coverage of amateur sports in Alberta. Because of his achievements in Southern Alberta sports, he was inducted into the Alberta Sports Hall of Fame and the Lethbridge Sports Hall of Fame. Allison was heavily involved in the local community, including coaching the high school girls’ basketball in Coalhurst and Winston Churchill for ten years. Family was a central priority to Garry Allison: he and his wife, Mary, were married for 55 years and had cared for foster children for 32 years.
Scope and Content
Al Sparks - boxer. On the back it reads: "BOXING COLLECTION of G. L. ALLISON Boxer Al Sparks".
Accession No.
20191083119
Collection
Archive
Images
Less detail
Date Range
1947-1987
Description Level
Fonds
Accession No.
20171094
Physical Description
0.3 m of textual records, over 500 photographs, 1 sketch
Scope and Content
The materials were preserved and enhanced through research by Joyce Sasse 001: 1963 Day planner 002: 1964 Day planner 003: 1965 Day planner 004: Book- Proud Procession (1947) 005: Book- Young Explorers (1947) 006: Book- Totem Tipi and Tumpline (1955) 007: Book- No Man Stands Alone (1965) 008: Book…
Date Range
1947-1987
Description Level
Fonds
Creator
Annora Brown
Physical Description
0.3 m of textual records, over 500 photographs, 1 sketch
History / Biographical
Annora Brown was born outside of Red Deer in 1899 and died at the age of 88 in Deep Cove, British Columbia in 1987 where she retired. Brown is one of the Alberta’s foremost early artists. Based for much of her life in historic Fort Macleod, Brown played a major role in creating a ‘picture’ of Southern Alberta: its wild landscape, First Nations, pioneer rural communities, local history- above all its wondrous nature symbolized by the wildflower. Her work was able to capture the culture of the First nation communities that she lived near. Her father was Edmund Foster Brown and mother was Elizabeth Ethel (Cody) Brown. Her mother supported and encouraged Brown’s love for art and from 1925-1929 Brown attended the Ontario College of Art in Toronto. She returned in 1929 and developed and art program for Calgary’s Mounted Royal College but later had to leave due to her mother’s illness. A student of the celebrated landscape painters, known as the Group of Seven (1920-1933), Brown’s artistic practice spans the 1930s to mid-1980s. During that time, she cobbled together a living as an artist, often by teaching, illustrating books and magazines, and selling, whenever she could, her captivating paintings in watercolor, tempera oil and later serigraph prints. In 1945-1950, brown worked as a respected artist and teacher at the Banff School of Fine Arts. She was also commissioned to paint over 200 western wild flowers for the Glenbow Foundation. Brown’s work was also included in Crescent Heights High School in Calgary, University of Alberta in Edmonton, United College in Winnipeg, and the Canadian Handicrafts Guild in Montreal. She was also awarded a prize in the Alberta Government’s 1955 Jubilee Contest for Alberta painters. In 1965 Brown retired to Deep Cove British Columbia to paint and garden. She had given a “voice” to a region that had been rarely presented in Canadian art. Her attention to the unique aspects of Old Man’s Country like Niitsitapi, the character and isolation of its small rural communities as well as its unforgettable environment was expressed mainly through her focus on wildflowers and native plants. Buoyed by the conviction that a woman’s activities “need not be limited to polishing furniture and raising babies”, Brown was also a writer and author of two books: the Western Canadian classic Old Man’s Garden and her autobiographical Sketches from Life. She was the first woman to receive an honorary degree from the University of Lethbridge in 1971 for her contribution to “western art and living.” (written by Mary-Beth Laviolette; Summer 2016 Gallery Exhibit at Galt Museum)
Scope and Content
The materials were preserved and enhanced through research by Joyce Sasse 001: 1963 Day planner 002: 1964 Day planner 003: 1965 Day planner 004: Book- Proud Procession (1947) 005: Book- Young Explorers (1947) 006: Book- Totem Tipi and Tumpline (1955) 007: Book- No Man Stands Alone (1965) 008: Book- Canaries on the Clothesline (1974) 009: Sketch of Annora Brown oversized 010: 26 Photos of the Rockies 011: 2 Photos, Editorial, Crighton photocopy with description 012: 8 Photos of her house and her graduation 013: 17 Photos of the cabin, 5 prints, letters about her house in Fort Macleod, and letters from the Town of Fort Macleod 014: Research notes of Annora Brown by Joyce Sasse 015: 215 Photos building the cabin 016: 250 Photos of her art, excerpt of Sketches from Life, and later years; 3 Newspaper cutouts Language: English
Access Restrictions
Public
Accession No.
20171094
Collection
Archive
Less detail
Date Range
1910-1985
Description Level
Item
Accession No.
20181096
Physical Description
4 cm. textual material.
Scope and Content
Canadian passport issued to Anton Jellenig in 1980. Various business documents including legders, Unemployment Insurance Commission certificate, a time book, resource materials on pricing, business license, etc. Map of Shaughnessy-Lethbridge Coal Reserves produced by Fording Coal Ltd. "Plan of a…
Date Range
1910-1985
Description Level
Item
Physical Description
4 cm. textual material.
History / Biographical
Anton Jellenig was born in Austria and emigrated to the Melville, Saskatchewan area. In 1941 he came to Shaughnessy and worked in the Shaughnessy mine. In 1949, he opened the Shaughnessy Coffee Shop. This grew into Tony's Cash Store, which he operated until his retirement in 1976. Anton Jellenig passed away in 1985. The store is in operation today as "Tickety Boo" in Shaughnessy.
Custodial History
The donor's husband was in possession of these documents as an executor of Anton Jellenig's estate.
Scope and Content
Canadian passport issued to Anton Jellenig in 1980. Various business documents including legders, Unemployment Insurance Commission certificate, a time book, resource materials on pricing, business license, etc. Map of Shaughnessy-Lethbridge Coal Reserves produced by Fording Coal Ltd. "Plan of additions to the Townsite of Wallace". The original name of the town and school district was Wallace. In 1929 the post office was named Shaughnessy (after Lord Shaughnessy, mine owner) as there were other post offices named Wallace.
Accession No.
20181096
Collection
Archive
Less detail

Art Batty Construction Ltd. Building Plans

https://collections.galtmuseum.com/en/permalink/descriptions96016
Date Range
1952-1961
Description Level
Fonds
Accession No.
20191061
Physical Description
25cm, 105 plans
Scope and Content
20191061/001: ‘Cameron’ House, residential plans, 4 house plans, Art Batty Construction Ltd., 1954, Newspaper box. 20191061/002: Pre-Cut Plan, 1 list of building materials, Art Batty Construction Ltd., 1954?, Folder 1/2 20191061/003: ‘Barclay’ House, residential plans, 5 house plans, Art Batty Cons…
Date Range
1952-1961
Description Level
Fonds
Creator
Art Batty Construction Ltd.
Physical Description
25cm, 105 plans
History / Biographical
Art Batty Construction Ltd. was a construction company in Lethbridge that operated in the 1940s-1960s. The company was primarily involved with residential homes building and design plans in the 1950s. In the mid-1950s, the company also designed and constructed non-residential buildings, like the MacLeod’s Ltd. Lethbridge offices in 1954, and the Glendale Bowl Co. building in 1960. The company collaborated with other local firms, Haddin, Davis & Brown Ltd. and Meech, Mitchell, Robins & Associates to build the Glendale Bowl Company Building in 1960-61, which appears to be the company's last major project. The firm also worked on the Glendale Shopping District, constructed in 1955-56, which included the company’s offices in the area. Art Batty hired A.R. Koshney in 1947, who worked his way up from a carpenter to a company shareholder and Vice-President in 1954 with Art Batty Construction Ltd. A.R. Koshney, worked as the V.P. and Construction Supervisor over all the residential buildings from 1954 onward, then started his own residential construction firm in 1961. The name of Koshney’s firm has changed multiple times over the last several decades; however, most recently the firm is Koshney & Roy Homes, taken over by Koshney’s son.
Custodial History
The Koshney's business inherited the records of the Art Batty Construction Ltd.
Scope and Content
20191061/001: ‘Cameron’ House, residential plans, 4 house plans, Art Batty Construction Ltd., 1954, Newspaper box. 20191061/002: Pre-Cut Plan, 1 list of building materials, Art Batty Construction Ltd., 1954?, Folder 1/2 20191061/003: ‘Barclay’ House, residential plans, 5 house plans, Art Batty Construction Ltd., 1954, Newspaper box. 20191061/004: ‘Aberdeen’ House, residential plans, 4 house plans, Art Batty Construction Ltd., 1954, Newspaper box. 20191061/005: ‘Town & Country’ House, residential plans, 3 house plans, Art Batty Construction Ltd., 1954, Newspaper box. 20191061/006: ‘Albany’ House, residential plans, 4 house plans, Art Batty Construction Ltd., 1954, Newspaper box. 20191061/007: Residence for Mike Harris, residential plans, 2 house plans, Davidson-Enman Lbr. Ltd., 1955? , XL Flat Storage. 20191061/008: “Belvue” Five Room Bungalow, residential plans, 2 house plans, Quality Construction Company, 1954, Newspaper box. 20191061/009: Doelger Homes Plan WW15, residential plans, 3 house plans, Doelger Homes, 1954, Newspaper box. 20191061/010: MACLEOD’s Ltd. Store Building 1, office/store building, 6 store plans, Art Batty Construction Ltd., 1952, Newspaper box. 20191061/011: 24th Street South Lethbridge plan, City neighborhood block plans, 3 block plans, Art Batty Construction Ltd.?, 1953?, Newspaper box. 20191061/012: Three-Unit Store Building, store building, 8 store plans, Art Batty Construction Ltd., 1954, XL Flat Storage. 20191061/013: Food Market 1 for Town & Country Food Centre, store building, 8 store plans, Art Batty Construction Ltd., 1954, XL Flat Storage. 20191061/014: Proposed South Lethbridge General Plan, city design plan, 1 general plan, Town Planning Assistant?, 195-?, XL Flat Storage. 20191061/015: Miscellaneous City Block plans for South Lethbridge, 3 block plans, 195-?, Newspaper box. 20191061/016: Food Market 2 at Lethbridge for Town & Country Food Center, store building, 4 store plans, Art Batty Construction Ltd., 1954, XL Flat Storage. 20191061/017: Glendale Bowl Co. Building, 10 office/bowling alley plans, 1960, Folder 1/2. 20191061/018: Six-Car Garage 1, commercial car garage, 5 car garage plans, Art Batty Construction Ltd., 1954, Folder 2/2. 20191061/019: Vault Doors, vault door design, 1 vault door plan, Art Batty Construction Ltd., 1954, Folder 1/2. 20191061/020: Form Work for Town & Country plans, 1 office building plan, Art Batty Construction Ltd., 1954?, Folder 1/2. 20191061/021: MACLEOD’S Ltd. plans 2, store building, 4 store plans, Art Batty Construction Ltd., 1954, Folder 1/2. 20191061/022: Six-Car Garage 2, commercial car garage, 4 car garage plans, Art Batty Construction Ltd., 1954, Folder 1/2. 20191061/023: Glenwood Block B, 1 City neighborhood block plan, Art Batty Construction Ltd.?, 195-?, Folder 1/2. 20191061/024: Miscellaneous Floor Plan 1, 1 residential? floor plan, Art Batty Construction Ltd., 1954?, Folder 1/2. 20191061/025: Harry Hudson Real Estate Building Design, 1 building front design, Art Batty Construction Ltd., 1954?, Folder 1/2. 20191061/026: East Sunnyside Blocks 1+2 plans, 1 City neighborhood plan, Art Batty Construction Ltd.?, 195-?, Folder 1/2. 20191061/027: Miscellaneous Floor Plan 2, 1 residential? floor plan, Art Batty Construction Ltd., 1954?, Folder 1/2. 20191061/028: Unknown Store Building, commercial store building, 5 store building plans, Art Batty Construction Ltd., 1954?, Folder 1/2. 20191061/029: Tourist Information Building, office building, 3 office building plans, Art Batty Construction Ltd., 1954?, Folder 2/2. 20191061/030: Prudential/Mutual Life Block Plan, commercial block plan, 2 block plans, Art Batty Construction Ltd., 195-?, Newspaper box. 20191061/031: Warehouse for J. Dogtrom, warehouse building, 1 warehouse, Art Batty Construction Ltd., 1954, Folder 2/2. 20191061/032: Lethbridge Plan Subdivision 59, 1 block subdivision plan, Art Batty Construction Ltd.?, 195-?, Newspaper box. 20191061/033: Royal Bank of Canada, bank floor plan, 1 bank floor plan, Art Batty Construction Ltd., 1954, Folder 2/2. 20191061/034: Canadian Oil Companies, Ltd. Plot Plan, office building plan, 6 office plans, Art Batty Construction Ltd., 195-?, Folder 2/2. 20191061/035: Miscellaneous Proposed Plans for Glendale Shopping District, 3 retail store plans, Art Batty Construction Ltd., 1954-56, Folder 2/2.
Accession No.
20191061
Collection
Archive
Less detail
Other Name
"MARQUIS HOTEL"
Date Range From
1928
Date Range To
2015
Material Type
Artifact
Materials
CERAMIC, PAINT
Catalogue Number
P20150037000
  1 image  
Material Type
Artifact
Other Name
"MARQUIS HOTEL"
Date Range From
1928
Date Range To
2015
Materials
CERAMIC, PAINT
No. Pieces
1
Height
5.08
Width
12.4
Description
BLACK, CERAMIC ASHTRAY. THE INSIDE OPENING OF THE ASHTRAY IS 6.4 CM. THE LETTERING ON THE TOP SAYS “THE MARQUIS HOTEL, LETHBRIDGE, ALBERTA, CANADA.” THERE IS AN ABSTRACTED FLORAL DESIGN ON EITHER SIDE OF THIS LETTERING. THE FLOWERS ARE PAINTED RED AND THEIR STEMS PAINTED GREEN. THIS WORDING AND DESIGN REPEATS ON THE OPPOSITE SIDE. THE LETTERING ON THE BOTTOM SAYS, “MADE IN JAPAN 29.” VERY GOOD CONDITION. USED WITH SOME WEAR APPARENT. BLACK PAINT IS WEARING OFF ON SOME PARTS OF THE SURFACE. SIGNIFICANT WEAR TO THE RED AND GREEN PAINT OF THE DECALS.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
DOMESTIC
BUSINESS
History
ON DECEMBER 16, 2015, DONOR CHRIS MORRISON INFORMED COLLECTIONS TECHNICIAN KEVIN MACLEAN THAT SHE CAME INTO POSSESSION OF THE ASHTRAY WHEN SHE AND HER HUSBAND BECAME STEWARDS OF A WATERTON CABIN IN 1976. THE CABIN, LOCATED AT 103 CAMERON FALLS, WAS OWNED BY HER MOTHER-IN-LAW DOROTHY MORRISON (D. 1995). IT WAS AMONG ASSORTED FURNISHINGS LEFT BEHIND WHEN DOROTHY MOVED OUT AND CHRIS MOVED IN. THE DONOR’S RECOLLECTION OF THE ASHTRAY’S USE IMMEDIATELY PRIOR TO IT BECOMING HER PROPERTY WAS AS A CONTAINER. MORRISON SAID, “IT WAS IN A [CABIN] WASHSTAND AND USED TO HOLD LITTLE OBJECTS LIKE ROLLED UP KEROSENE LANTERN TAPE WICKS”. ACCORDING TO MORRISON, IT WAS ALSO KNOWN AS “GRANDPA’S ASHTRAY”. GRANDPA REFERS TO JAMES J. MORRISON OF LETHBRIDGE. “HE ONLY SMOKED CIGARS” SAID THE DONOR, WHEREAS HER MOTHER-IN-LAW DOROTHY DID NOT SMOKE AT ALL. THE ASHTRAY’S USE AS A CONTAINER FOR LANTERN WICKS AND SMALL ITEMS CONTINUED RIGHT UP TO THE DAY THAT IT WAS OFFERED TO THE GALT IN 2015. ACCORDING TO HER OBITUARY IN THE LETHBRIDGE HERALD, DOROTHY MORRISON, PASSED AWAY IN LETHBRIDGE ON NOVEMBER 26, 1995 AT THE AGE OF 83 YEARS. JAMES JACOB MORRISON, DOROTHY’S FATHER-IN-LAW, PASSED ON FEBRUARY 18TH, 1975 AT AGE 93. THE ASHTRAY IS MARKED WITH “MARQUIS HOTEL,” WHICH COULD REFER TO THE LETHBRIDGE HOTEL THAT OPENED IN JUNE 1928. REALIZING A NEED FOR A FIRST-CLASS HOTEL IN LETHBRIDGE, ESPECIALLY ONE WITH A BANQUET HALL, THE BUSINESSMEN OF THE BOARD OF TRADE COMMITTED THEMSELVES TO THE HOTEL IN 1927. AFTER ITS OPENING, THE BOARD OF TRADE WOULD HOLD THEIR REGULAR, NOON-HOUR MEETINGS AT THE HOTEL FOR MANY YEARS TO COME. THE HOTEL CLOSED ITS DOORS IN 1985 AND THE BUILDING WAS DEMOLISHED IN 1988. THIS INFORMATION COMES FROM LETHBRIDGE HERALD ARTICLES AND A WRITE-UP ABOUT THE HOTEL IN THE PUBLICATION TITLED "WHERE WAS IT? A GUIDE TO EARLY LETHBRIDGE BUILDINGS," BY IRMA DOGTEROM. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING LETHBRIDGE HERALD ARTICLES AND A COPY OF THE INFORMATION FROM THE PUBLICATION CITED ABOVE.
Catalogue Number
P20150037000
Acquisition Date
2015-12
Collection
Museum
Images
Less detail
Other Name
WOUND STRIPE
Date Range From
1955
Date Range To
1969
Material Type
Artifact
Materials
COTTON, BRASS, METAL
Catalogue Number
P20160017001
  2 images  
Material Type
Artifact
Other Name
WOUND STRIPE
Date Range From
1955
Date Range To
1969
Materials
COTTON, BRASS, METAL
No. Pieces
3
Length
7.5
Width
4.8
Description
A. COTTON PATCH, 7.5CM LONG X 4.8CM WIDE. GREEN FRONT WITH BLACK BACK, WITH BRASS STRIPE ATTACH IN CENTER. CORNERS OF PATCH ARE CURLING FRONT LOWER RIGHT CORNER HAS STAINING; EDGES OF PATCH HAVE HOLES BETWEEN THREADS FROM BEING SEWN ON A UNIFORM. OVERALL VERY GOOD CONDITION. B. BRASS STRIPE, 4.3CM LONG. BRASS STRIPE SECURED TO FRONT OF CLOTH PATCH; STRIPE HAS CHEVRON PATTERN ENGRAVED ON FRONT; BACK HAS HOOK FOR INSERTING INTO PATCH. STRIPE HAS MINOR TARNISHING ALONG EDGES; OVERALL VERY GOOD CONDITION. C. METAL BACKING, 5.5CM LONG X 1.2CM WIDE. SILVER METAL BACKING FOR BRASS STRIPE, WITH ROUNDED ENDS AND HOLES CUT THROUGH ENDS. HOOK ON BACK OF STRIPE IS FASTENED TO HOLE AT THE END OF THE BACKING. METAL SHOWS SIGNS OF WEAR AND MINOR TARNISHING; OVERALL VERY GOOD CONDITION.
Subjects
PERSONAL SYMBOL
Historical Association
MILITARY
History
ON SEPTEMBER 16, 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED CHRIS AINSCOUGH REGARDING HIS DONATION OF A COLLECTION OF MILITARY OBJECTS. THE OBJECTS BELONGED TO AISNCOUGH’S GRANDFATHER AND FATHER, WILLIAM GEORGE AINSCOUGH (FIRST WORLD WAR) AND REED WILSON AINSCOUGH (SECOND WORLD WAR AND POST-WAR). ON HIS FATHER’S, REED WILSON AINSCOUGH’S, MILITARY SERVICE, CHRIS AINSCOUGH RECALLED, “I THINK THAT THE WAR WAS PROBABLY ONE OF THE BEST THINGS THAT HAPPENED TO MY DAD. HE NEVER SPOKE ABOUT IT MUCH, BUT THE FRIENDSHIPS THAT HE DEVELOPED THROUGH HIS CONTACTS IN THE WAR WENT ON RIGHT UNTIL HIS DEATH…IT’S PROBABLY LIKE BEING ON A TEAM, YOU KNOW, AND I THINK IT’S THAT FELLOWSHIP YOU GET FROM RELYING ON PEOPLE, AND TRAINING WITH PEOPLE, AND GETTING THEIR KNOWLEDGE AND UNDERSTANDING. I THINK THAT’S SORT OF A BIG PART OF IT.” “THE ONLY STORIES THAT I EVER REMEMBER HIM TELLING ME WAS, THEY WERE IN LONDON, AND THEY CLIMBED UP A CHURCH TOWER—IT WAS TWIN TOWERS ON THIS CHURCH…I WAS LOOKING AT A PICTURE OF IT IN A BOOK, AND HE SAYS, YES, THAT HE AND A COUPLE OF GUYS WERE ON LEAVE, AND THEY CLIMBED UP TO THE TOP OF THIS TOWER—THEY HAD TO SQUIRM THEIR WAY TO THE TOP, AND, ALL OF A SUDDEN, THE AIR RAID SIRENS WENT, AND THEY WERE HUSTLING TO GET DOWN, AND THEY GOT DOWN TO THE STREET, AND THE OTHER SPIRE WAS GONE. THERE’S THAT, AND I DID ASK HIM WHAT HAPPENED TO HIM WHEN HE GOT WOUNDED. HE DIDN’T GO INTO VERY MUCH DETAIL ON IT, BUT JUST SAID THAT THEY WERE OUT ON A SORTIE—HE WAS A FORWARD OBSERVATION OFFICER…THAT’S A WICKED JOB BECAUSE YOU’RE IN FRONT OF EVERYBODY, AND HE SAID, HE HEARD A BURST OF MACHINE-GUN. THEY STARTED RUNNING DOWN THIS ROAD, AND THEY USED TO SKIP THE BULLETS DOWN THIS ROAD, APPARENTLY, AND THOSE GERMAN MACHINE-GUNS WERE 10 SHOTS FOR EVERY BROWNING—AND HE SAID, ALL OF A SUDDEN, HE HAD A BURNING IN HIS LEG AND HE HOPPED ALONG, AND THAT WAS IT. IT DAMAGED HIS LEG SO BADLY THAT HE COULDN’T GO BACK, SO THOSE ARE THE TWO STORIES. OTHER THAN THAT, I THINK HE TALKED ABOUT, ONE [OTHER] DAY, BECAUSE I FOUND THESE PHOTOS. I THINK HE EITHER HID THEM OR GOT RID OF THEM LATER, AND IT WAS BLACK-AND-WHITE PHOTOS OF A CONCENTRATION CAMP, AND I THINK HE SAID IT WAS BERGEN-BELSEN, BECAUSE BERGEN-BELSEN WAS IN LOWER GERMANY…HE SAID THEY HAD TO DON GAS-MASKS WHEN THEY WERE ABOUT 5 MILES AWAY, BECAUSE THEY HAD EXHUMED EVERYTHING, AND THAT WAS IT. I WAS PROBABLY ABOUT 10 OR 12 WHEN HE TOLD ME THAT ONE. I HAD NIGHTMARES FOR A LONG TIME – LOOKING AT THAT.” “AFTER HIS FUNERAL SERVICE, EVERYBODY CAME BACK TO THE HOUSE AND MY UNCLE, HUGHIE CRAIG, [FROM] FORT MACLEOD, WE WERE SITTING IN THE LIVING ROOM, AND HE SAID, 'HAS ANYBODY GOT ANY STORIES ABOUT REED?' THIS WAS MY UNCLE, WHO WAS A COLD IRISH-ENGLISH GUY. NOBODY DID, AND HE SAID THAT THEY WERE IN BELGIUM SOMEWHERE, AND HUGHIE WAS AN ELECTRICIAN SO HE WAS WITH…THE CALGARY SIGNAL CORP…HE WAS AT AN INTERSECTION…THERE’S A CONVOY COMING THROUGH, CANADIAN CONVOY. HE’S SITTING IN THE JEEP WITH HIS DRIVER, AND, ALL OF A SUDDEN, HE HEARS THIS 'HUGHIE, HUGHIE.' HE LOOKS UP, AND HERE’S MY DAD. HE BROKE OUT; CAME OVER TO HUGHIE AND SAID, 'WE’RE IN A HOTEL FIVE MILES UP THE ROAD HERE.' HE SAYS, 'WHY DON’T I COME BACK AND GET YOU FOR DINNER?' SO, HE DROVE BACK; PICKED UP HUGHIE; THEY WENT AND HAD DINNER. HUGHIE…WAS A CAPTAIN AT THAT TIME—SO HE HAD FIVE OR SIX GUYS WITH HIS GROUP. CAME BACK. THEY WERE ALL DEAD. SHOT UP BY THE GERMANS…[I] NEVER HEARD THAT ONE FROM MY DAD.” “WE MOVED [FROM FORT MACLEOD TO MEDICINE HAT] IN 1959…AND I THINK DAD WAS THE [COMMANDER OF THE SALLY HORSE IN MEDICINE HAT] FROM ’64 TO ’68. I’M PRETTY SURE THOSE WERE THE YEARS, SO IT WAS FIVE YEARS, WHERE YOU WAIT YOUR CHANCE/YOU WAIT YOUR OPPORTUNITY; PROVE YOURSELF; AND THEN UP YOU GO.” “[HIS SERVICE] DEFINITELY GOES INTO THE LATE ‘60S. HE WAS STILL SORT OF ACTIVE IN LETHBRIDGE. I’M NOT SURE EXACTLY IN WHAT FUNCTION MILITARILY, BUT HE DID GO TO EVENTS THAT OCCURRED.” “HE SAVED EVERYTHING THOUGH…[THE UNIFORM AND APPEARANCE ASPECT WAS] PROBABLY A BIG PART OF [HIS MILITARY EXPERIENCE].” “[DAD] HAD A PRETTY GOOD LIBRARY. HE WAS FAIRLY WELL-READ. HE KNEW A LOT ABOUT CANADIAN MILITARY HISTORY. I KNOW THAT FOR SURE. ONE THING I KNOW HE WAS PROUD OF WAS THAT TWICE SOUTH ALBERTA LIGHT HORSE WON THE WORTHINGTON TROPHY, WHICH WAS, I THINK, FOR THE BEST MILITIA IN CANADA….HE WAS THE…AIDE-DE-CAMP FOR [GRANT MACEWAN] FOR A NUMBER OF YEARS. I KNOW PRINCESS ALEXANDRA, WHO WAS THE QUEEN’S COUSIN, PRESENTED THE GUIDON TO THEM UP HERE, ACTUALLY, IT WAS…OVER AT THE CURRIE BARRACKS…IT MUST HAVE BEEN 1967 OR SOMETHING.” “I KNOW WE VERY SELDOM WENT ON FAMILY HOLIDAYS BECAUSE HE USUALLY TOOK THE HOLIDAYS THAT HE GOT, AND HE’D EITHER GO TO SHILO, OR HE’D GO UP HERE, AND THEY SPENT A LOT OF TIME OUT AT SUFFIELD, ON THE RANGE OUT THERE, SO HOLIDAYS WERE TIED INTO THAT. WHEN HE WAS LIEUTENANT-COLONEL, THAT WAS ALMOST LIKE A FULL-TIME JOB…WE NEVER SAW HIM. HE WOULD BE TRAVELING ON THE ROAD, AND THEN HE’D COME HOME, I THINK IT WAS THURSDAY NIGHT. THURSDAY NIGHT WAS…YOUNG SOLDIERS…AND THEN TUESDAY NIGHT WAS WHEN THE OFFICERS AND THE NCO’S WOULD DO SOMETHING, SO THOSE TWO NIGHTS WERE TAKEN UP. SATURDAY, HE’D BE OUT THERE. SUNDAY, HE’D BE OUT THERE…HE PUT IN 40 HOURS A WEEK OR MORE DOING THAT, AS A JOB, AS WELL AS HIS JOB AS AN INSURANCE SALESMAN.” AINSCOUGH ELABORATED ON HIS MOTIVES FOR DONATING THE COLLECTION, STATING, “I THINK [THE OBJECTS ARE] A BIG PART OF SOUTH ALBERTA’S HISTORY. DAD WAS VERY ACTIVE IN THE MILITARY AND THE MILITIA FOR MANY YEARS. I THINK THAT’S THE BIGGEST PART [OF WANTING TO DONATE THE OBJECTS]…IT’S DIVESTING, BECAUSE AFTER MY DAD DIED [IN 1992], MY MOTHER STAYED IN THE HOUSE FOR ABOUT 5 YEARS, AND THEN SHE MOVED OUT TO THE COAST. IT WAS AT THAT TIME, WHEN WE WERE GOING THROUGH THE STUFF IN THE HOUSE, THAT WE THOUGHT THIS IS A GOOD TIME TO GET IT DOWN TO SOMEPLACE LIKE THE GALT THAT WOULD LOOK AFTER IT.” THE DONOR’S GREAT GRANDFATHER, WILLIAM THOMAS AINSCOUGH, MARRIED MARGARET A. AINSCOUGH IN 1878 AND EMIGRATED FROM SMITHFIELD, UTAH TO CANADA IN 1898, BRINGING SIX CHILDREN, AGED 1 TO 18, WITH THEM. WILLIAM GEORGE AINSCOUGH, THE DONOR’S GRANDFATHER, WAS AMONG THE CHILDREN (BORN 1885). THE AINSCOUGHS INITIALLY SETTLED IN WHISKEY GAP, ALBERTA, BEFORE RELOCATING TO WOOLFORD, ALBERTA. ACCORDING A RESUME FOR REED W. AINSCOUGH INCLUDED IN THE PERMANENT FILE, REED WILSON AINSCOUGH WAS BORN ON JUNE 21, 1918 IN CARDSTON, ALBERTA. IN 1940, REED AINSCOUGH JOINED THE 93RD BATTERY OF THE ROYAL CANADIAN ARTILLERY [RCA] STATIONED AT FORT MACLEOD, ALBERTA, AND WAS PROMOTED TO A SECOND LIEUTENANT. REED AINSCOUGH WAS POSTED OVERSEAS IN 1942 AND SERVED UNTIL HIS DISCHARGE ON JANUARY 8, 1946. LETHBRIDGE HERALD ARTICLES REPORTED REED AINSCOUGH AS BEING IN THE THICK OF THE FIGHTING IN FRANCE, NOTABLY AT CAEN. IT WAS REPORTED IN THE LETHBRIDGE HERALD IN 1944 THAT REED AINSCOUGH WAS PROMOTED TO CAPTAIN, AND WAS WOUNDED IN HIS LEG IN OCTOBER 1944. REED AINSCOUGH WAS SENT TO BELGIUM FOR SURGERY AND TO BE HOSPITALIZED, AND WAS RETURNED TO CANADA ON THE HOSPITAL SHIP H.M.C.S. LADY NELSON IN 1945. IN 1947, REED AINSCOUGH BECAME THE BATTERY COMMANDER OF THE 93RD BATTERY RCA, AND SERVED AS THE COMMANDER UNTIL 1959, BEING PROMOTED TO MAJOR IN 1951. IN 1959, UPON A TRANSFER WITH HIS EMPLOYMENT AT CANADA LIFE, HE MOVED TO MEDICINE HAT, ALBERTA, AND JOINED THE SOUTH ALBERTA LIGHT HORSE AS A SQUADRON COMMANDER IN 1961. IN 1964, HE WAS PROMOTED TO LIEUTENANT COLONEL AND COMMANDER OF THE SOUTH ALBERTA LIGHT HORSE, AND WAS APPOINTED AIDE-DE-CAMP TO LIEUTENANT GOVERNOR GRANT MACEWAN UNTIL HIS RETIREMENT. REED AINSCOUGH WAS PROMOTED TO BRANCH MANAGER OF CANADA LIFE IN LETHBRIDGE, ALBERTA, IN 1969 AND MOVED TO LETHBRIDGE. HE WAS A MEMBER OF THE MASONIC LODGE, LODGE OF PERFECTION, ROSE CROIX, CONSISTORY, SHRINE, ORDER OF THE EASTERN STAR, AND SERVED AS THE MASTER OF THE LODGE OF PERFECTION UNTIL 1977. ACCORDING TO HIS LETHBRIDGE HERALD OBITUARY, REED AINSCOUGH WAS ALSO ACTIVE WITH THE FORT MACLEOD CHAMBER OF COMMERCE, LIONS’ CLUB, HISTORICAL ASSOCIATION, AND FORT MACLEOD MUSEUM DURING HIS TIME LIVING IN FORT MACLEOD. IN MEDICINE HAT, AISNCOUGH SERVED AS PRESIDENT OF THE HEART AND STROKE ASSOCIATION, AND ACTED AS A SENATOR FOR THE UNIVERSITY OF LETHBRIDGE UPON MOVING TO THE CITY. ON OCTOBER 20, 1993, REED WILSON AINSCOUGH PASSED AWAY IN LETHBRIDGE. FOR MORE INFORMATION INCLUDING FAMILY MILITARY SERVICE FILES, NEWSPAPER CLIPPINGS ON WILLIAM GEORGE AND REED AINSCOUGH, A RESUME FOR REED AINSCOUGH, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20160017001-GA.
Catalogue Number
P20160017001
Acquisition Date
2016-06
Collection
Museum
Images
Less detail
Other Name
KNITTING BAG
Date Range From
1870
Date Range To
1999
Material Type
Artifact
Materials
CANVAS, FABRIC, THREAD
Catalogue Number
P20160003005
  1 image  
Material Type
Artifact
Other Name
KNITTING BAG
Date Range From
1870
Date Range To
1999
Materials
CANVAS, FABRIC, THREAD
No. Pieces
1
Length
41
Width
36
Description
HANDMADE BAG MADE OF 3 SECTIONS OF STRIPS OF ABOUT 5 INCHES (APPROX. 13 CM) EACH. IT IS RED WITH BLUE, YELLOW, GREEN, AND RAW MATERIAL ACCENTS. THE TRIM AT THE TOP OF THE BAG IS BLUE WITH A HANDLE OF THE SAME FABRIC ON EITHER SIDE. THERE IS A STRIP OF RAW, NOT PATTERNED FABRIC AT THE BOTTOM OF THE BAG. BOTH SIDES OF THE BAG HAVE THE SAME ARRANGEMENT OF PATTERNED STRIPS. THERE IS ONE SEAM CONNECTING THE FRONT AND THE BACK OF THE BAG ON BOTH SIDES. THE INSIDE IS UNLINED. GOOD TO VERY GOOD CONDITION. THERE IS SOME STITCHING COMING LOOSE AT VARIOUS POINTS OF THE PATTERNING.
Subjects
CONTAINER
Historical Association
DOMESTIC
ETHNOGRAPHIC
History
THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. IT WAS THERE WILLIAM KONKIN MARRIED ELIZABETH WISHLOW. IN 1928 THEIR DAUGHTER, ELSIE WAS BORN. THEY LATER MOVED TO A FARM IN VAUXHALL, ALBERTA. THE PRECEDING AND FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. A FULL HISTORY OF THE KONKIN FAMILY CAN BE FOUND WITH THE RECORD P20160003001. A STATEMENT WRITTEN BY MORRIS ATTACHED TO THE BAG STATES THAT THE MATERIAL OF THE BAG ORIGINATES FROM THE 1870S. THE STATEMENT READS: “THIS BAG WAS HAND WOVEN IN STRIPS [THAT WERE USED] TO SEW ON THE BOTTOM OF PETTICOATS. THE GIRLS AT THAT TIME HAD TO HAVE A TROUSEUA [SIC] TO LAST A LIFETIME BECAUSE AFTER MARRIAGE THERE WOULD BE NO TIME TO MAKE CLOTHES SO WHAT THEY MADE WAS STURDY. THEY STARTED ON THEIR TROUSEUS [SIC] AS SOON AS THEY COULD HOLD A NEEDLE. WHEN IT WAS HAYING TIME THE GIRLS WENT OUT INTO THE FIELD TO RAKE THE HAY. THEY WORE PETTICOATS OF LINEN TO WHICH THESE BANDS WERE SEWN. THE LONG SKIRTS WERE PICKED UP AT THE SIDES AND TUCKED INTO THE WAISTBANDS SO THAT THE BOTTOMS OF THE PETTICOATS WERE ON DISPLAY.” “THESE BANDS WERE ORIGINALLY MY GREAT GRANDMOTHER’S WHO CAME OUT OF RUSSIA WITH THE DOUKHOBOR SETTLEMENT IN 1899. THEY WERE PASSED ON TO MY MOTHER, ELIZABETH KONKIN, WHO MADE THEM INTO A BAG IN THE 1940S” THE STRIPS THAT MAKE UP THE BAG SERVED A UTILITARIAN PURPOSE WHEN SEWN TO THE BOTTOM OF THE PETTICOATS. IN THE INTERVIEW, MORRIS EXPLAINS: “… THESE STRIPS ARE VERY STRONG. THEY’RE LIKE CANVAS. THEY WERE SEWN ONTO THE BOTTOM OF THE LADY’S PETTICOATS AND THEY WORE A SKIRT ON TOP OF THE PETTICOATS. THESE STRIPS LASTED A LIFETIME, IN FACT MORE THAN ONE LIFETIME BECAUSE I’VE GOT THEM NOW. THEY WOULD TUCK THE SKIRTS INTO THEIR WAISTBAND ON THE SIDE SO THEIR PETTICOATS SHOWED AND THEY WERE TRYING TO PRESERVE THEIR SKIRTS NOT TO GET CAUGHT IN THE GRAIN. THE GIRLS LIKED TO WEAR THEM TO SHOW OFF BECAUSE THE BOYS WERE THERE AND THEY ALWAYS WORE THEIR VERY BEST SUNDAY CLOTHES WHEN THEY WENT CUTTING WHEAT OR GRAIN." “[THE FABRIC] CAME FROM RUSSIA. WITH THE AREA WHERE THEY CAME FROM IS NOW GEORGIA AND THEY LIVED ABOUT SEVEN MILES NORTH OF THE TURKISH BORDER, THE PRESENT DAY TURKISH BORDER… [THE DOUKHOBORS] CAME TO CANADA IN 1897 AND 1899.” MORRIS EXPLAINS THAT SURPLUS FABRIC WOULD HAVE BEEN BROUGHT TO CANADA FROM RUSSIA BY HER MATERNAL GRANDMOTHER FOR FUTURE USE AND TO AID THE GIRLS IN MAKING THEIR TROUSSEAUS: “THE TROUSSEAU THE GIRLS MADE HAD TO LAST THEM A LIFETIME BECAUSE THEY WOULDN’T HAVE TIME BUT RAISING CHILDREN TO SEWING THINGS. SEWING MACHINES WERE UNKNOWN THEN.” THE BANDS OF FABRIC THAT MAKE UP THE BAG WOULD HAVE BEEN REMAINS NEVER USED FROM ELIZABETH KONKIN’S TROUSSEAU. SHE HAND WOVE THE BAG WHILE SHE WAS LIVING IN SHOULDICE. THE BAG WAS USED BY MORRIS’ MOTHER TO STORE HER KNITTING SUPPLIES. WHEN MORRIS ACQUIRED THE BAG IN THE 1990S, IT MAINTAINED A SIMILAR PURPOSE: “WELL I USED TO CARRY MY STUFF FOR THE WEAVER’S GUILD BUT NOW I DON’T USE IT FOR ANYTHING. IT’S VERY HANDY YOU KNOW IT DOESN’T WEAR OUT.” THERE WAS ONLY ONE BAG MADE OUT OF THESE REMNANTS BY MORRIS’ MOTHER. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003005
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
COTTON, POLYESTER
Catalogue Number
P20120045009
  2 images  
Material Type
Artifact
Date Range From
1960
Date Range To
1970
Materials
COTTON, POLYESTER
No. Pieces
1
Length
92
Width
42
Description
BLUE BANNER WITH RED TRIM DOWN SIDES AND RED FRINGE AT BOTTOM; RED STITCHING ABOVE FRINGE, MACHINE STITCHED. TOP OF BANNER HAS MACHINE-STITCHED POCKET FOR HANGING BANNER ON STANDS. FRONT OF BANNER HAS WHITE STITCHED FELT “O”; “O” HAS SOILING AT BASE CURVE. BANNER HAS FOLDS DOWN CENTER AND IN FOUR PLACES ACROSS BANNER; OVERALL EXCELLENT CONDITION.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE AND HISTORY OF THE BANNER, CAREFOOT NOTED, “THIS IS A BANNER THAT OUR GROUP MADE…THAT WE COULD TAKE HOME AND HANG UP. WE COULD USE IT…IF WE WERE AT DISPLAYS…WE HAD THOSE TO HANG UP.” “[IT WAS MADE] PROBABLY…1970…WE USED THOSE RIGHT THROUGH.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045009
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Date Range
1961-1962
Description Level
Item
Accession No.
20171064016066
Physical Description
Colored photograph
Scope and Content
Ladies dressed in white dresses with purple ribbons being addressed at a meeting.
  1 image  
Date Range
1961-1962
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Colored photograph
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
Ladies dressed in white dresses with purple ribbons being addressed at a meeting.
Access Restrictions
Public
Accession No.
20171064016066
Collection
Archive
Images
Less detail

Bette Jean Bailie Scrapbook

https://collections.galtmuseum.com/en/permalink/descriptions96494
Date Range
1959-1962
Description Level
Item
Accession No.
20191080
Physical Description
1 scrapbook album
Scope and Content
Scrapbook album by Bette Jean Bailie (nee Day) documenting her nursing training at the Galt School of Nursing.
Date Range
1959-1962
Description Level
Item
Physical Description
1 scrapbook album
Scope and Content
Scrapbook album by Bette Jean Bailie (nee Day) documenting her nursing training at the Galt School of Nursing.
Accession No.
20191080
Collection
Archive
Less detail
Other Name
BLANKET
Date Range From
1920
Date Range To
1990
Material Type
Artifact
Materials
RAW FLAX YARN
Catalogue Number
P20160003007
  2 images  
Material Type
Artifact
Other Name
BLANKET
Date Range From
1920
Date Range To
1990
Materials
RAW FLAX YARN
No. Pieces
1
Length
139
Width
99.5
Description
HAND-WOVEN BLANKET MADE FROM RAW FLAX. THE BLANKET IS COMPOSED OF 2 SECTIONS OF THE SAME SIZE OF MATERIAL THAT ARE JOINED TOGETHER WITH A SEAM AT THE CENTER. ON THE FRONT SIDE (WITH NEAT SIDE OF THE STITCHING AND PATCHES), THERE ARE THREE PATCHES ON THE BLANKET MADE FROM LIGHTER, RAW-COLOURED MATERIAL. ONE SECTION OF THE FABRIC HAS TWO OF THE PATCHES ALIGNED VERTICALLY NEAR THE CENTER SEAM. THE AREA SHOWING ON ONE PATCH IS 3 CM X 5 CM AND THE OTHER IS SHOWING 5 CM X 6 CM. ON THE OPPOSITE SECTION THERE IS ONE PATCH THAT IS 16 CM X 8.5 CM SEWN AT THE EDGE OF THE BLANKET. THE BLANKET IS HEMMED ON BOTH SHORT SIDES. ON THE OPPOSING/BACK SIDE OF THE BLANKET, THE FULL PIECES OF THE FABRIC FOR THE PATCHES ARE SHOWING. THE SMALLER PATCH OF THE TWO ON THE ONE HALF-SECTION OF THE BLANKET IS 8CM X 10 CM AND THE OTHER PATCH ON THAT SIDE IS 14CM X 15CM. THE PATCH ON THE OTHER HALF-SECTION IS THE SAME SIZE AS WHEN VIEWED FROM THE FRONT. THERE IS A SEVERELY FADED BLUE STAMP ON THIS PATCH’S FABRIC. FAIR CONDITION. THERE IS RED STAINING THAT CAN BE SEEN FROM BOTH SIDES OF THE BLANKET AT THE CENTER SEAM, NEAR THE EDGE OF THE BLANKET AT THE SIDE WITH 2 PATCHES (CLOSER TO THE LARGER PATCH), AND NEAR THE SMALL PATCH AT THE END FURTHER FROM THE CENTER. THERE IS A HOLE WITH MANY LOOSE THREADS SURROUNDING NEAR THE CENTER OF THE HALF SECTION WITH ONE PATCH. THERE ARE VARIOUS THREADS COMING LOOSE AT MULTIPLE POINTS OF THE BLANKET.
Subjects
AGRICULTURAL T&E
BEDDING
Historical Association
AGRICULTURE
DOMESTIC
ETHNOGRAPHIC
History
THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. IT WAS THERE WILLIAM KONKIN MARRIED ELIZABETH WISHLOW. IN 1928, THEIR DAUGHTER, ELSIE WAS BORN. THEY LATER MOVED TO A FARM IN VAUXHALL, ALBERTA. THE PRECEDING AND FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. A FULL HISTORY OF THE KONKIN FAMILY CAN BE FOUND WITH THE RECORD P20160003001. ACCORDING TO A NOTE THAT WAS ATTACHED TO THIS LIGHTWEIGHT BLANKET AT THE TIME OF ACQUISITION THE BLANKET IS BELIEVED TO HAVE BEEN MADE C. 1920S. MORRIS SAYS HER MEMORY OF THE BLANKET DATES AS FAR BACK AS SHE CAN REMEMBER: “RIGHT INTO THE ‘30S, ‘40S AND ‘50S BECAUSE MY MOTHER DID THAT RIGHT UP UNTIL NEAR THE END. I USE THAT EVEN IN LETHBRIDGE WHEN I HAD A GARDEN. [THIS TYPE OF BLANKET] WAS USED FOR TWO PURPOSES. IT WAS EITHER PUT ON THE BED UNDERNEATH THE MATTRESS THE LADIES MADE OUT OF WOOL AND OR ELSE IT WAS USED, A DIFFERENT PIECE OF CLOTH WOULD BE USED FOR FLAILING THINGS. [THE] FLAIL ACTUALLY GOES WITH IT AND THEY BANG ON THE SEEDS AND IT WOULD TAKE THE HULLS OFF… IT’S HAND WOVEN AND IT’S MADE OUT OF POOR QUALITY FLAX… IT’S UNBLEACHED, DEFINITELY… RAW LINEN." THIS SPECIFIC BLANKET WAS USED FOR SEEDS MORRIS RECALLS: “…IT HAD TO BE A WINDY DAY… WE WOULD PICK DRIED PEAS OR BEANS OR WHATEVER BEET SEEDS AND WE WOULD BEAT AWAY AND THEN WE WOULD STAND UP, HOLD IT UP AND THE BREEZE WOULD BLOW THE HULLS OFF AND THE SEEDS WOULD GO STRAIGHT DOWN [ONTO THE BLANKET.” THE SEEDS WOULD THEN BE CARRIED ON THE BLANKET AND THEN PUT INTO A PAIL. OF THE BLANKET’S CLEAN STATE, MORRIS EXPLAINS, “THEY’RE ALWAYS WASHED AFTER THEY’RE FINISHED USING THEM.” WHEN SHE LOOKS AT THIS ARTIFACT, MORRIS SAYS: “I FEEL LIKE I’M OUT ON THE FARM, I SEE FIELDS AND FIELDS OF FLAX, BLUE FLAX. BUT THAT’S NOT WHAT SHE USED IT FOR. SHE DID USE IT IF SHE WANTED A LITTLE BIT OF THE FLAX THEN SHE’D POUND THE FLAX, BUT THAT WASN’T OFTEN. IT WAS MOSTLY BEANS AND PEAS.” IT IS UNKNOWN WHO WOVE THIS BLANKET. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003007
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Other Name
BIBLE
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
PAPER, LEATHER, INK
Catalogue Number
P20120045012
  2 images  
Material Type
Artifact
Other Name
BIBLE
Date Range From
1950
Date Range To
1960
Materials
PAPER, LEATHER, INK
No. Pieces
2
Height
3.3
Length
20
Width
13
Description
A. BLACK LEATHER COVER WITH COVER TEXT ON SPINE AND FRONT COVER, “HOLY BIBLE” AND AT BASE OF SPINE “CAMBRIDGE”. COVER AND SPINE ARE SCUFFED AND WORN; TOP AND BOTTOM EDGE ARE CURLED IN. PAGES ARE EDGED IN RED. REVERSE OF FIRST PAGE HAS HANDWRITTEN IN BLACK IN “BEST WISH FOR YOUR BIRTHDAY, FROM JOYCE.” OLD AND NEW TESTAMENT BIBLE, “APPOINTED TO BE READ IN CHURCHES”. “PRINTED BY JAMES B. PEACE, M.A., AT THE CAMBRIDGE UNIVERSITY PRESS”, “LONDON: CAMBRIDGE UNIVERSITY PRESS, FETTER LANE, E.C.”. INSIDE BACK COVER HAS STAINING AND SOILING. OVERALL GOOD CONDITION. B. TORN PAGE FROM “HOLY BIBLE”. PAGE 127 AND 128, “NUMBERS 16-18”, “HIS ROD BUDDETH”. PAGE HAS A CREASE ALONG LEFT EDGE.
Subjects
CEREMONIAL ARTIFACT
Historical Association
ASSOCIATIONS
RELIGION
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE AND HISTORY OF THE BIBLE, CAREFOOT NOTED, “[THE BIBLE] WAS ON THE TABLE [WITH THE CANDLES AT RITUALS].” “[MEMBERS STOPPED USING IT BECAUSE] SOCIETY HAD CHANGED ENOUGH THAT THEY DIDN’T WANT TO BOTHER WITH THAT RITUAL. I SUSPECT THAT’S WHY. [THE RITUALS WERE] KIND OF STRANGE TO ME. BUT I ACCEPTED IT BECAUSE THAT IS PART OF WHAT YOU DID.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045012
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Other Name
DYE SAMPLES
Date Range From
1940
Date Range To
1977
Material Type
Artifact
Materials
CARDBOARD, FABRIC, INK
Catalogue Number
P20160003004
  1 image  
Material Type
Artifact
Other Name
DYE SAMPLES
Date Range From
1940
Date Range To
1977
Materials
CARDBOARD, FABRIC, INK
No. Pieces
1
Length
22.6
Width
15
Description
BOOK WITH BLACK HARDCOVER. THE FRONT COVER OF THE BOOK HAS IN GOLD LETTERING “NACCO DYES” WITH A SMALL, GOLD LOGO IN THE CENTER AND “NATIONAL ANILINE & CHEMICAL CO. …” IN GOLD AT THE BOTTOM. THE SPINE OF THE BOOK HAS “NACCO DYES NO. 172” IN GOLD LETTERS. THE INSIDE COVER OF THE BOOK BEGINS WITH “NATIONAL SERVICE” WITH ADDITIONAL TEXT SUCCEEDING. THE PAGES ARE THICK, WHITE BOARD THAT ARE ATTACHED TO ONE ANOTHER WITH PAPER SEAMS. THE BOARDS FOLD OUT ACCORDIAN-STYLE INTO A HORIZONTAL LINE. THERE ARE 6 BOARDS IN TOTAL. THE FIRST FOUR BEGINNING FROM THE LEFT ARE TITLED, “NACCO UNION DYES.” EACH BOARD HAS TWO COLUMNS OF RECTANGULAR DYE SAMPLES. THERE ARE 9 ROWS ON EACH BOARD. THE TWO SAMPLES IN EACH ROW ARE THE SAME COLOUR BUT ON DIFFERENT TYPES OF FABRIC. THE 5TH BOARD IS DIVIDED INTO TWO COLUMNS. THE LEFT IS TITLED, “NACCO NEUTRAL DYES” AND THERE ARE 10 SAMPLES OF VARIOUS DYE COLOURS UNDERNEATH IT. THE RIGHT SIDE IS TITLED, “NACCO WOOL DYES.” GOOD CONDITION. THE BOARDS HAVE YELLOWED. SLIGHT SCUFFING ON THE BLACK COVER. SLIGHT BROWN STAIN ON 5TH AND 6TH BOARDS. ACCRETION ON LOWER SECTION ON THE BACKSIDE OF BOARD TO THE RIGHT OF THE TITLE PAGE (5TH BOARD).
Subjects
MERCHANDISING T&E
Historical Association
INDUSTRY
TRADES
RETAIL TRADE
History
THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. IT WAS THERE WILLIAM KONKIN MARRIED ELIZABETH WISHLOW. IN 1928, THEIR DAUGHTER, ELSIE WAS BORN. THEY LATER MOVED TO A FARM IN VAUXHALL, ALBERTA. THE PRECEDING AND FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. A FULL HISTORY OF THE KONKIN FAMILY CAN BE FOUND WITH THE RECORD P20160003001. MORRIS’ FATHER SOLD DYE TO LOCALS ON THE DOUKHOBOR COLONY. MORRIS DESCRIBES THE PURPOSE OF THE DYES AND HOW HER FATHER BECAME INVOLVED: “DYEING WAS NECESSARY TO DYE THE WOOL THAT YOU SPUN AND SOMETIMES YOU COULDN’T GET THE NECESSARY DYES IN THE STORE, SO I DON’T KNOW WHERE MY DAD GOT THOSE. THEY MIGHT HAVE SENT HIM SOME OR WHAT AND THEN HE WOULD CHOOSE THE COLOURS THEY WANTED AND HE WOULD ORDER THEM. NOW IT SO HAPPENS THAT THE PEOPLE IN THE COLONY ALL WANTED THESE PARTICULAR DYES BECAUSE THEY WERE BETTER THAN THE KIND THEY GOT IN THE STORE. I DON’T KNOW WHY. SO MY DAD BUILT A SCALE AND I REMEMBER THIS SCALE. IT STOOD ON THE TABLE, IT HAD A CENTRAL PART, THEN THERE WAS A ROD GOING ACROSS AND IT CAME DOWN LIKE THIS AND THREE NAILS ON ONE SIDE BROUGHT IT DOWN AND WHEN YOU WANTED TO SELL THE DYE YOU PUT A PIECE OF PAPER DOWN, PUT IN A SPOONFUL UNTIL WE BALANCED [IT] AND THEN YOU GOT AN EVEN BALANCE AND THAT AMOUNT CAME TO TEN CENTS. IF WANTED LESS THEN YOU PUT TWO NAILS DOWN AND THOSE CAME TO FIVE CENTS SO… I SUPPOSE [HE SOLD THE DYE] BECAUSE HE WANTED TO MAKE SOME MONEY. HE SOLD VEGETABLES IN THE WINTERTIME TO THE LOCALS WHO DIDN’T GROW GARDENS. IN SUMMERTIME IF HE COULD GET A JOB HARVESTING WORKING SOMEWHERE ON FARMS HE DID THAT. [HE WAS] THE MIDDLE MAN [SELLING DYES]… [A]ND NOBODY TOLD ANYONE THE STOREKEEPERS THAT OR HE’D HAVE PROBABLY BEEN TOLD TO STOP IT.” PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003004
Acquisition Date
2016-02
Collection
Museum
Images
Less detail

417 records – page 1 of 21.